| Photos (see all 30 | slideshow) | Videos (see all 4) |
| Steven Seagal | ... | Sasha Petrosevitch | |
| Morris Chestnut | ... | 49er One / Donald Robert Johnson | |
| Ja Rule | ... | Nicolas 'Nick' Frazier | |
| Nia Peeples | ... | 49er Six | |
| Tony Plana | ... | Warden El Fuego | |
| Kurupt | ... | Twitch | |
| Michael Taliferro | ... | Little Joe (as Michael 'Bear' Taliferro) | |
| Claudia Christian | ... | Special Agent Ellen Williams | |
| Linda Thorson | ... | Judge Jane McPherson | |
| Bruce Weitz | ... | Lester McKenna | |
| Michael McGrady | ... | Guard Damon J. Kestner | |
| Richard Bremmer | ... | Sonny Eckvall | |
| Hannes Jaenicke | ... | Agent Hartmann | |
| Matt Battaglia | ... | 49er Three | |
| Wiliam T. Bowers | ... | Alcatraz Guard | |
| Stephen J. Cannell | ... | Frank Hubbard | |
| Ross King | ... | FBI Agent | |
| Yasmina Filali | ... | Sophia (as Yasmina Filall) | |
| Alexandra Kamp-Groeneveld | ... | Reporter (as Alexandra Kamp) | |
| Jed Sutton | ... | Air 49er | |
| Kelly Lange | ... | Herself | |
| Mo'Nique | ... | Twitch's Girl (as Mo'Nique) | |
| Eva-Maria Schönecker | ... | Priest | |
| Alister Mazzotti | ... | 49er Seven | |
| Michael Bornhütter | ... | 49er Eight | |
| Rainer Werner | ... | 49er Nine | |
| Ralf Häger | ... | 49er Ten (as Ralf Haeger) | |
| Art Camacho | ... | 49er Eleven | |
| Wolfgang Lindner | ... | 49er Twelve | |
| Volkhard Buff | ... | Hooded Figure (as Volkhart Buff) | |
| Mike Möller | ... | Inmate #1 | |
| Christian Gneisel | ... | Inmate #2 | |
| Lutz Vogel | ... | Inmate #3 | |
| Stefan Langel | ... | Gunner | |
| Ralph Günthler | ... | Gunner (as Ralph Guthler) | |
| Jogi Blumenthal | ... | Entrance Guard | |
| Thorsten Gliewe | ... | Entrance Guard | |
| Micha Bornhütter | ... | Entrance Guard | |
| Marc Logan-Black | ... | Control Center Guard (as Mark Logan-Black) | |
| Mike Brun | ... | Tower Guard | |
| Georg Ebinal | ... | Tower Guard / Truck Driver | |
| Wanja Götz | ... | Nick's Crew | |
| Norman Ernst | ... | Nick's Crew | |
| Asuka Tovazzi | ... | FBI Chop Shop | |
| Jason Oettle | ... | FBI Chop Shop | |
| René Bellmann | ... | Forklift Driver | |
| Eddie Geber | ... | Inmate | |
| Sascha Magerl | ... | Inmate | |
| Chi Man Wong | ... | Chinese Tier Guard | |
| rest of cast listed alphabetically: | |||
| Joe Cook | ... | William T. Bowers (uncredited) | |
| Kris Deskins | ... | Lawyer (uncredited) | |
| Don Michael Paul | ... | SWAT Captain (uncredited) | |
Directed by | |||
| Don Michael Paul | |||
Writing credits(WGA) | ||
| Don Michael Paul | (written by) | |
Produced by | |||
| Christopher Eberts | .... | executive producer | |
| Randall Emmett | .... | co-executive producer | |
| Richard L. Fox | .... | associate producer | |
| George Furla | .... | co-executive producer | |
| Phillip B. Goldfine | .... | co-producer (as Phil Goldfine) | |
| James A. Holt | .... | co-producer (as James Holt) | |
| Elie Samaha | .... | producer | |
| Uwe Schott | .... | executive producer | |
| Steven Seagal | .... | producer | |
| Alison Semenza | .... | line producer | |
| William B. Steakley | .... | line producer | |
| Andrew Stevens | .... | producer | |
| Mac Yasuda | .... | associate producer | |
Original Music by | |||
| Tyler Bates | |||
Cinematography by | |||
| Michael Slovis | |||
Film Editing by | |||
| Vanick Moradian | |||
Casting by | |||
| Jeff Gerrard | |||
Production Design by | |||
| Albrecht Konrad | |||
Art Direction by | |||
| Andreas Olshausen | |||
Set Decoration by | |||
| Ernestine Hipper | |||
Costume Design by | |||
| Barbara Jäger | |||
Makeup Department | |||
| David Atherton | .... | hair stylist: Mr. Seagal | |
| David Atherton | .... | makeup artist: Mr. Segal | |
| Sheila Evers | .... | makeup artist | |
| Björn Rehbein | .... | hair designer | |
| Björn Rehbein | .... | makeup designer | |
| Valeska Schitthelm | .... | hair stylist | |
| Valeska Schitthelm | .... | makeup artist | |
| Michelle Werner | .... | key makeup artist: US Crew | |
Production Management | |||
| Markus Bensch | .... | production manager | |
| Thorne Mutert | .... | unit manager | |
| Maureen Norton | .... | post-production supervisor | |
| Andrew Stevens | .... | production manager | |
Art Department | |||
| Christoph Baumstieger | .... | swing | |
| Simon-Julien Boucherie | .... | assistant set decorator | |
| Klaus Eckmann | .... | swing gang | |
| Enzo Enzel | .... | head painter | |
| Michael Fechner | .... | prop supervisor | |
| Oliver Kuhlmann | .... | property master | |
| T. Brett Lindsey | .... | scenic artist: reshoots | |
| Joao Gonzaga Silveira | .... | stand-by props | |
| Otu Tetteh | .... | painter | |
| John Wong | .... | storyboard artist | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| Ed Cantu | .... | sound mixer | |
| Vincent Guisetti | .... | foley artist | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Takako Ishikawa | .... | sound effects editor | |
| Devin Joseph | .... | dialogue editor | |
| Pamela Kahn | .... | foley artist | |
| Marla McGuire | .... | adr editor | |
| Robert Nichols II | .... | sound recordist | |
| Kyle Rochlin | .... | foley mixer | |
| Tim Tuchrello | .... | sound editor | |
Special Effects by | |||
| Michael Apling | .... | special effects: technical support | |
| Norman Ernst | .... | special effects technician | |
| Sebastian Hanusch | .... | special effects assistant | |
| Till Hertrich | .... | senior special effects technician | |
| Stefan Knauer | .... | special effects technician | |
| Michael Luppino | .... | special effects foreman | |
| Armin Moritz | .... | special effects technician | |
| Uli Nefzer | .... | special effects supervisor | |
| Bernd Rautenberg | .... | head of armour weapons | |
| Marcus Schmidt | .... | armourer | |
| Jens Schmiedel | .... | special effects senior technician | |
| Thomas Thiele | .... | special effects technician | |
| Bernd Wildau | .... | special effects: technical support | |
| Adolf Wojtinek | .... | special effects: technical support | |
Visual Effects by | |||
| Clay Dale | .... | visual effects | |
| Victor DiMichina | .... | digital imaging supervisor | |
| Chris Ervin | .... | digital compositor | |
| Patrick Flanagan | .... | digital compositor | |
| Tyler Foell | .... | digital effects supervisor | |
| Tyler Foell | .... | visual effects producer | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| James David Hattin | .... | digital compositor/removal guy | |
| Bonnie Kanner | .... | executive producer: Pixel Magic | |
| Kevin Kipper | .... | digital artist | |
| John R. McConnell | .... | 2D Compositor: Pixel Magic | |
| Ray McIntyre Jr. | .... | visual effects supervisor | |
| Brad Moylan | .... | lead digital compositor: Pixel Magic | |
| Patrick Murphy | .... | digital compositor | |
| Josh Novak | .... | lead compositor: main title sequence | |
| Alfredo Ramirez | .... | digital effects compositor: Pixel Magic | |
| Michael Geordie Spradling | .... | weather effects | |
| Michael Stetson | .... | digital artist: Pixel Magic | |
| Mike Uguccioni | .... | digital compositor | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Christopher Dusendschon | .... | digital imaging: iO Film (uncredited) | |
| Tony Magaletta | .... | first assistant cameraman (uncredited) | |
Stunts | |||
| Volkhard Buff | .... | stunt coordinator | |
| Art Camacho | .... | action coordinator | |
| Norman Ernst | .... | stunt rigger | |
| Wolfgang Stegemann | .... | stunts | |
Camera and Electrical Department | |||
| Peter Altmann | .... | video operator | |
| Klemens Becker | .... | director of photography: second unit | |
| Viviane Bendjus | .... | clapper loader | |
| Jan Brun | .... | dolly grip | |
| Brek Cooney | .... | grip | |
| Johnny Feurer | .... | first assistant camera: "b" camera | |
| Steve Garrett | .... | best boy grip: second unit | |
| Mario Grech | .... | rigging spark | |
| Birgit Gudjonsdottir | .... | camera operator | |
| David Hörnle | .... | second assistant additional camera | |
| Holger Joos | .... | second assistant camera: "a" camera | |
| Sebastian Meuschel | .... | camera operator | |
| Ronald Schwarz | .... | gaffer | |
| Sascha 'Sash' Seitz | .... | second assistant camera | |
| Marco Teuchert | .... | best boy | |
| Marco Teuchert | .... | electrician | |
Casting Department | |||
| Josh Godfrey | .... | casting assistant | |
| Iris Müller | .... | extras casting | |
Costume and Wardrobe Department | |||
| Anna Isabell Logen | .... | costumer: Steven Seagal | |
| Meike Schlegel | .... | costume supervisor | |
| Carol Anne Wegner | .... | key wardrobe (as Carol Turney) | |
Editorial Department | |||
| David Feldman | .... | apprentice editor | |
| Derek Herr | .... | on-line editor | |
| Mike Milliken | .... | color timer | |
| Chris Mistorni | .... | first assistant editor | |
| Joel T. Pashby | .... | assistant editor | |
| Aaron Rottinghaus | .... | apprentice editor | |
| Christine Seino | .... | assistant on-line editor | |
Music Department | |||
| Jim Ervin | .... | music consultant | |
| Michael Lloyd | .... | executive soundtrack producer | |
| Michael Lloyd | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Mark Skillingberg | .... | assistant music editor | |
| Tim Williams | .... | orchestrator (as Timothy Williams) | |
Transportation Department | |||
| Benjamin Dunker | .... | driver: Steven Seagal | |
| Michael Kraft | .... | personal driver: Ja Rule | |
| Daniel Mattig | .... | transportation coordinator | |
| Grit Menzzer | .... | production driver | |
| Alexander Stolle | .... | driver: property | |
Other crew | |||
| Alan Abrams | .... | production legal affairs | |
| John 'JR' Craigmile | .... | accountant | |
| Ava DuVernay | .... | publicist | |
| Torrence Hall | .... | armorer: USA | |
| Charles Heaphy | .... | production financing | |
| Mary Jasionowski | .... | post-production accountant | |
| T. Sonny Klawitter | .... | personal assistant: Steven Seagal | |
| Christian Klempert | .... | location manager | |
| Silke Krüger | .... | assistant location manager | |
| Casey Leveque | .... | photo retoucher | |
| Peter Madamba | .... | script researcher | |
| Sabine Renger | .... | assistant production coordinator | |
| Marco Schenke | .... | crowd marshall | |
| Anna Schmigalla | .... | accountant | |
| Zoe Simijonovic | .... | script supervisor: second unit | |
| Imke Sommerkamp | .... | production coordinator | |
| Mark Stehli | .... | location manager | |
| Mike Tristano | .... | armorer: USA | |
| Jim Valdez | .... | assistant: Andrew Stevens | |
| Ian Watermeier | .... | finance manager | |
| Sabine Wührer | .... | script supervisor | |
| Xin Xin Xiong | .... | fight choreographer | |
| Sabine Zimmer | .... | script supervisor: second unit | |
| Brynne Chappell | .... | production assistant (uncredited) | |
Thanks | |||
| Mick Partridge | .... | special thanks | |
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For a man that is not feeling well, this was the perfect no brainer film to help me conquer those sweats and chills. There was unrealistic fighting, a Swiss cheese plot, and characters that we cared nothing for, which allowed me to doze off and still know what was happening. This was a Steven Seagal film, so I wasn't expecting much, but honestly, after several of his film you come to realize that they are all very similar and Seagal has not changed his fighting habits at all over the years. He is still using the same fist moves that made him popular in Above the Law. Why should he change? He is Steven Seagal.
So, take his old-school 1980s fighting techniques and combine it with a modern day rap artist like Ja-Rule (especially after his popularity with DMX in Exit Wounds), and you have the film Half Past Dead. So, let's begin. The fighting was laughable. I think that if a gust of wind hit Ja-Rule he would fly halfway across the room. Also, why did it become increasingly obvious that Ja-Rule was not doing his own fight sequences? Throughout his fighting with Nia Peeples, it is very clear that it is not Ja-Rule. How could a director allow such a blatant error happen in an action film? This is not the only case of action gone wrong. There are several scenes in which bullets defy their projected path and gravity. Also, let us not forget the flying fists of Seagal which had the sounds of some hard hits, but it was very obvious that he was mock fighting with most of the extras. This unrealistic fighting knocked this film from five stars to four stars.
So, let's move past the fighting. What is a good action film without the story to accompany the fighting? Sadly, director Don Michael Paul felt as if there was no story needed. Why bother the audience with a story when we have Ja-Rule and Steven Seagal fighting together on-screen? The plot was riddled with more holes that my high school underwear. It was as if we were not seeing the entire picture, and instead of showing us the director relied on words to tell us. Some examples of what I mean are how Sasha and Nick first met. I needed to see this. Without this story and seeing their trust be born, it became less emotional when it was broken. I didn't care, I needed to know more about them. The side-story about Seagal's wife was just filler. He has these visions of her that help him live after a gun battle, but that is all we know about her. When I first saw this scene, I thought it was going to be a major influence in the film. Sadly, I believe that was the last mention of the wife. The Prisoner's story with the gold was horrible. I didn't know enough about the guy to make me see the evil in his ways. This ultimately led to an unclimactic ending with this Prisoner. Does anyone really know who Morris Chestnut's character was? How did he get the money to finance this operation, and how did he become the inside man? I needed answers of which Don Michael Paul was not willing to provide. The lack of story and weakness of the main characters knocked this film from four stars to two.
Finally, I would like to comment on the title. What does it mean? Was it a reference to the time when Sasha almost died, or is it a reference to the lack of caring about life from Ja-Rule and the inmates (remember his line, 'Tonight is a good time to die'). I don't know. This led me to the ultimate conclusion about this film. The director just didn't care. He was happy to have Seagal and Ja-Rule signed on, so everything else became second fiddle. In the range of action films, this is pretty poor. Unrealistic fighting with an overabundance of clichéd lines only plummeted this film deeper into the world of action. To be brutally honest, Ja-Rule cannot act, and this became a problem in this film. He needed a smaller film to get his feet wet and see if he was ready for the cinema world. Half Past Dead was not the best role for him. This film is the perfect example of a movie made just to get rap artists some screen time and attempt to bring an overweight action start from the 80s into the new generation. Sadly, in Half Past Dead it didn't work.
Grade: * out of *****