| Photos (see all 1 | slideshow) |
Directed by | |||
| Paris Barclay | |||
Writing credits(in alphabetical order) | ||
| Carol Flint | writer | |
| Thornton Wilder | play "Our Town" | |
Produced by | |||
| Lewis Abel | .... | producer | |
| Paris Barclay | .... | co-executive producer | |
| Carol Flint | .... | executive producer | |
| Andrew Stearn | .... | co-producer | |
| Vicki Voltarel | .... | associate producer (as Vicki J. Voltarel) | |
| John Wells | .... | executive producer | |
Original Music by | |||
| Stanley Clarke | |||
Cinematography by | |||
| Neil Roach | |||
Film Editing by | |||
| Randy Jon Morgan | |||
Casting by | |||
| Delia Frankel | |||
| John Frank Levey | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Randy Moore | |||
Set Decoration by | |||
| Debra Combs | |||
Costume Design by | |||
| Lyn Paolo | (as Lyn Elizabeth Paolo) | ||
Makeup Department | |||
| Heidi Grotsky | .... | makeup department head | |
| Sheri Knight | .... | key makeup artist | |
| Marsha Lewis | .... | hair stylist | |
Production Management | |||
| Michael Attanasio | .... | unit production manager | |
| Patrick Ward | .... | post-production supervisor | |
Art Department | |||
| David E. Harshbarger | .... | property master | |
| Mark Vitale | .... | construction coordinator | |
| Scott Zuber | .... | set designer | |
Sound Department | |||
| Yervant Hagopian | .... | utility sound | |
| Dan Hiland | .... | sound re-recording mixer | |
| Walter Newman | .... | sound supervisor | |
| Gary D. Rogers | .... | sound re-recording mixer | |
| Hal Whitby | .... | sound mixer | |
Casting Department | |||
| Barbara Miller | .... | executive in charge of casting | |
| Kristian Sorge | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Philip Hayman | .... | costume supervisor | |
| Paula Lynn Kaatz | .... | costume supervisor | |
Editorial Department | |||
| Karen Dale Greene | .... | first assistant editor | |
| Joshua Levey | .... | post-production coordinator | |
| Robert Parigi | .... | second assistant editor | |
Music Department | |||
| Georg Brandl Egloff | .... | composer: additional music | |
| Ron Finn | .... | music editor | |
| Ann Kline | .... | music supervisor | |
Transportation Department | |||
| Bart Johnson | .... | transportation captain | |
| Hobart Lundt | .... | transportation coordinator | |
| Bradley Sackin | .... | driver: 10 ton production van | |
Other crew | |||
| John Armstrong | .... | location manager | |
| Beth Caldarello | .... | assistant production coordinator | |
| L. Chip Crosby Jr. | .... | production assistant | |
| Rob Lee | .... | key production assistant | |
| Kathleen Mulligan | .... | script supervisor | |
| Shelagh O'Brien | .... | assistant: John Wells | |
| Elias Scoropanos | .... | assistant location manager | |
| Mario West | .... | production assistant | |
| Yori Tondrowski | .... | set production assistant (uncredited) | |
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This is a lot of fun for anybody but especially for anybody in the business. There is a lot of accurate television history and any number of incidents based on real events. The producers of this film obviously researched their subject well. The television equipment, the clothing, the decor and even the stock shots of 1948 New York are all perfect. Watching this film on my big screen projection TV in colour with stereo sound from a satellite dish really drives home the stunning progress of TV in the last 50 years. Yet it's not as much fun today as it was then. Thanks to the makers of this film for encapsulating some of the insane highs and good times of early tv.