| Ricardo Darín | ... | Samy | |
| Angie Cepeda | ... | Mary | |
| Christina Banegas | ... | Laura | |
| Alejandra Flechner | ... | Esther | |
| Henny Trayles | ... | Mamá de Samy | |
| Alejandra Darín | ... | Débora (Hermana de Samy) | |
| Carolina Pelleritti | ... | Ofelia | |
| Rita Cortese | ... | Liliana | |
| Roberto Pettinato | ... | Animador de TV | |
| rest of cast listed alphabetically: | |||
| Norberto Arcusín | ... | Taxista | |
| Fernando Brun | ... | Sastre | |
| Juan Capizzano | ... | Hijo de Mary | |
| Nicolás Carreño | ... | Hijo Paranoico | |
| Osvaldo Drat | ... | Padre Paranoico | |
| Pochi Ducasse | ... | Viejita almacén | |
| Gabriel Eisbruch | ... | Chico Bar Mitzvah | |
| Alejandra Fernández | ... | Fan de Samy | |
| Rolando Graña | ... | Notero | |
| Miguel Guerberof | ... | Ricardo Papito Patiño | |
| Hernán Jiménez | ... | Chico delivery | |
| Gabriel Kraisman | ... | Asistente Dirección T.V. | |
| Cecilia Labourt | ... | Mujer del bar | |
| Graciela Lauro | ... | Maquilladora | |
| Héctor Malamud | ... | Papá de Samy | |
| Eduardo Milewicz | ... | Taxista | |
| Néstor Montalbano | ... | Director T.V. | |
| Agostina Mottola | ... | Débora Niña | |
| Lucrecia Pinto | ... | Notera 2 | |
| Juan Carlos Ricci | ... | Hombre Depresivo | |
| Fabián Talín | ... | Cliente sastrería | |
| Juan Manuel Viscay | ... | Samy Niño | |
Directed by | |||
| Eduardo Milewicz | |||
Writing credits(in alphabetical order) | ||
| Carmen López-Areal | writer | |
| Eduardo Milewicz | writer | |
Produced by | |||
| Mauro Debans | .... | assistant producer | |
| Silvana Di Francesco | .... | assistant producer | |
| David Fajn | .... | producer | |
| Margarita Gómez | .... | executive producer | |
Original Music by | |||
| Carlos Villavicencio | |||
Cinematography by | |||
| Marcelo Camorino | |||
| Daniel Gimelberg | |||
Film Editing by | |||
| Sergio Zottola | |||
Production Design by | |||
| Mariana Polsky | (as Mariana Polski) | ||
Art Direction by | |||
| Carmen Denti | |||
| Daniel Gimelberg | |||
Set Decoration by | |||
| Fernando Brun | |||
Costume Design by | |||
| Gabriela Minzi | |||
| Mariana Polsky | |||
| Romina Quiroga | |||
Makeup Department | |||
| Carlos Gómez | .... | assistant hair stylist | |
| Daniel Ponce | .... | hair stylist | |
Production Management | |||
| Jackie Ingberg | .... | unit production manager | |
Art Department | |||
| Ricardo Farfán | .... | set designer | |
| Eduardo Gonnet | .... | storyboard artist | |
| Adriana Maestri | .... | set designer | |
| Pilar Peredo | .... | assistant to the art director | |
| Sergio Pérez Fernández | .... | graphic designer | |
| Ana Piaggio | .... | graphic designer | |
| Luis Risso | .... | assistant art director | |
Sound Department | |||
| Carlos Abbate | .... | sound | |
| Peter Baleani | .... | sound mixer | |
| José Luis Díaz | .... | sound director | |
| Marcelo Lago | .... | sound editor | |
| Rubén Piputto | .... | assistant sound | |
| Cecilia Rivero | .... | sound editor | |
| Perfecto de San José | .... | sound | |
| Alina Schwarcz | .... | sound | |
Camera and Electrical Department | |||
| Dario Berman | .... | still photographer | |
| Fernando Blanc | .... | assistant camera | |
| Marcelo Camorino | .... | camera operator | |
| Antonio Gómez | .... | electrician | |
| Lucas Guidalevich | .... | film recorder operator: Cineon | |
| Daniel Ianatempo | .... | electrician | |
| Juan Idigoras | .... | assistant Steadicam | |
| Diana Quiroga | .... | assistant camera | |
| Horacio Reyes | .... | electrician | |
| Jorge Luis Romero | .... | electrician | |
| Fernando Rovella | .... | electrician | |
| Rafael Sahade | .... | Steadicam operator | |
| Marcelo Sanchez | .... | grip | |
| Victor Vasini | .... | film recorder operator: Cineon | |
| Jorgelina Vera | .... | video assistant | |
| Sergio Zenteno | .... | electrician | |
| Damián Zottola | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Betina Andreose | .... | assistant costume designer | |
Editorial Department | |||
| Marta Selvi | .... | negative cutter (as Marta Rosa Selvi) | |
| Daniel Zottola | .... | assistant editor | |
| Sebastián Zóttola | .... | assistant editor | |
Transportation Department | |||
| Pedro Porcu | .... | transportation | |
| Carlos Rojas | .... | transportation | |
| Héctor Stamboni | .... | transportation | |
Other crew | |||
| Mariana Bettanín | .... | production secretary | |
| Silvana Di Francesco | .... | location manager | |
| Raquel Flotta | .... | press | |
| Roberto Guisado | .... | caterer | |
| María Paula Mancini | .... | accounting department assistant | |
| César Trazar | .... | making-of | |
| Fernando Wajs | .... | accountant | |
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| Erreway: 4 caminos | Chiquititas: Rincón de luz | Jacinta Pichimauida se enamora | Stan et Achille | La science des rêves |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Argentina section | Add this title to MyMovies |
It's hard to know if this movie is a tribute or just a copy of Woody Allen's obsessions: a scriptwriter in his 40's, neurotic and sarcastic, meets a young beautiful crazy girl who makes him feel young again (remember Manhattan?). Soon, he has his own TV show, which is a success because everybody loves his wit -but then he looses his old girlfriend, a snobbish middle-aged woman who makes him feel awkward. That turns into a blessing, because life with the young girl is nicer, no matter that his mother, a latin American version of the classic yidishe mame, becomes more popular than him thanks to the TV show. Funny, but not funny enough, the movie has some great dialogues. But it's not well solved at the end, and some parts are just too conventional. A good time, some good laughs, but nothing else.