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Hector Babenco (writer)
Fernando Bonassi (writer)
(more)
11 April 2003 (Brazil) more
Brazilian MD Drauzio Varella starts AIDS prevention in Brazil's largest prison, Carandiru, in São Paulo... more | add synopsis
12 wins & 16 nominations more
Tiff Trailers: El Pasado (The Past)
(From ioncinema. 30 August 2007)
Cannes Contestants
(From Studio Briefing - Film News. 23 April 2003)
Funny, honest, human, wonderful movie. more (43 total)
Directed by | |||
| Hector Babenco | |||
Writing credits(in alphabetical order) | ||
| Hector Babenco | writer | |
| Fernando Bonassi | writer | |
| Victor Navas | writer | |
| Dráuzio Varella | book "Estação Carandiru" | |
Produced by | |||
| Hector Babenco | .... | producer | |
| Daniel Filho | .... | associate producer | |
| Fabiano Gullane | .... | co-producer | |
| Óscar Kramer | .... | producer | |
| Flávio R. Tambellini | .... | co-producer | |
Original Music by | |||
| André Abujamra | |||
Cinematography by | |||
| Walter Carvalho | (director of photography) | ||
Film Editing by | |||
| Mauro Alice | |||
Casting by | |||
| Vivian Golombek | |||
Production Design by | |||
| Clovis Bueno | |||
Art Direction by | |||
| Vera Hamburger | |||
Costume Design by | |||
| Cristina Camargo | (as Cris Camargo) | ||
Makeup Department | |||
| Gabi Moraes | .... | key makeup artist | |
| Anna Van Steen | .... | character makeup | |
Production Management | |||
| Edu Abad | .... | location production manager | |
| Alessandra Casolari | .... | post-production supervisor | |
| Caio Gullane | .... | production manager | |
| Waltinho Magalhães Filho | .... | location production manager | |
Second Unit Director or Assistant Director | |||
| Márcia Faria | .... | first assistant director | |
| Maria Farkas | .... | trainee assistant director | |
| Olivia Guimaraes | .... | additional assistant director | |
| Bento Lopes | .... | trainee assistant director | |
| Silvana Nascimento | .... | additional assistant director | |
| Claudia Nogarotto | .... | second assistant director | |
| Tomás Rezende | .... | third assistant director | |
Art Department | |||
| Diogo Bergamo | .... | assistant art producer | |
| João Bueno | .... | assistant art painter | |
| Patrícia Cabral | .... | assistant art painter | |
| Ana Terra Capobiano | .... | assistant set designer | |
| Ana Paula Guimarães | .... | art producer | |
| Marcelo Lima | .... | assistant property master | |
| Valdy Lopes | .... | assistant set designer (as Valdy Lopes Ferreira) | |
| Magrão | .... | property master | |
| Rodrigo Artur Mendonça | .... | assistant property master | |
| Joe Ogasawara | .... | assistant production designer | |
| Fábio da Silva Oliveira | .... | assistant art painter | |
| Bia Pessoa | .... | art painter | |
| Bia Pessoa | .... | special paint effects | |
| José Pupe | .... | construction coordinator | |
| Andres Sandoval | .... | assistant production designer | |
| Leandro Vilar | .... | assistant art producer | |
Sound Department | |||
| Miriam Biderman | .... | supervising sound editor | |
| Nancy Cabrera | .... | foley artist | |
| Ana Chiarini | .... | dialogue editor | |
| Ryan Collison | .... | foley engineer | |
| Rodrigo Ferrante | .... | assistant sound | |
| Ubiratan Guidio | .... | assistant boom operator | |
| Eliza Paley | .... | supervising sound editor | |
| Romeu Quinto | .... | sound recordist | |
| Luciano Raposo | .... | boom operator | |
| Marcelo Raposo | .... | boom operator | |
| Jacob Ribicoff | .... | foley supervisor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Armando Torres Jr. | .... | sound effects predubs | |
Special Effects by | |||
| Jorge Alberto Ávalos | .... | special effects | |
| Tom Cundom | .... | special effects | |
Visual Effects by | |||
| Andre Waller | .... | digital compositor | |
Stunts | |||
| Agnaldo Bueno | .... | stunt coordinator | |
| Agnaldo Bueno | .... | stunts | |
| Claudimar Guimaraes | .... | stunts | |
| Dani Hu | .... | action coordinator | |
Camera and Electrical Department | |||
| Fernando Baia | .... | electrician | |
| Pablo Baião | .... | second assistant camera | |
| Juliana Bolonha | .... | electrician | |
| Amaro Francisco Campos | .... | grip | |
| Antonio Marcos Cardoso | .... | electrician | |
| Lula Carvalho | .... | first assistant camera | |
| Walter Carvalho | .... | camera operator | |
| Ademir Alberto da Silva | .... | electrician | |
| Eduardo de Andréa | .... | assistant camera | |
| Marcos de Noronha | .... | chief electrician | |
| Marcos Rogério Diógenes | .... | grip | |
| Marco T. Guglielmoni | .... | Steadicam operator (as Marco Túlio Guglielmone) | |
| Júlio Guimarães | .... | grip | |
| Guzulinha | .... | grip | |
| Pablo Hoffmann | .... | third assistant camera | |
| Ulisses Malta Jr. | .... | electrician | |
| Ulisses Malta | .... | gaffer | |
| Jorge Pfister | .... | second camera operator | |
| Edu Pimenta | .... | video assist operator | |
| Beto Quini | .... | grip | |
| Alexandre Samori | .... | assistant camera | |
| Paulo Wainer | .... | third camera operator | |
Casting Department | |||
| Ana Csernik | .... | casting assistant (as Ana Paula Csernik) | |
| Cíntia Di Giorgi | .... | casting assistant | |
| Patricia Faria | .... | casting assistant | |
| Diana Galantini | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cássio Brasil | .... | costumer | |
Editorial Department | |||
| Matias Mariani | .... | post-production assistant | |
| Deborah Osborn | .... | post-production assistant | |
Music Department | |||
| Ary Barroso | .... | composer: song "Aquarela do Brasil" | |
| Renato Lemos | .... | conductor | |
| Renato Lemos | .... | orchestrator | |
Transportation Department | |||
| Afonso Coaracy | .... | transportation coordinator | |
Other crew | |||
| Luciana Baptista | .... | production secretary | |
| Josmar Bueno Júnior | .... | assistant production coordinator | |
| Rita Cicoti | .... | administrative assistant | |
| Iara Lias de Abreu | .... | executive production assistant | |
| Doni | .... | production assistant | |
| Sônia Império Hamburger | .... | executive production assistant | |
| Lia Raulino Hillel | .... | production assistant | |
| Ariene Leite | .... | assistant production coordinator | |
| Manuela Mandler | .... | production assistant | |
| Silvana Matteusi | .... | assistant coach | |
| André Montenegro | .... | production coordinator | |
| Renata Moura | .... | production assistant | |
| Victor Navas | .... | screenplay by | |
| Jair Neto | .... | production assistant | |
| Anna Angélica Olivares | .... | executive production assistant | |
| Sergio Penna | .... | acting coach | |
| Sérgio Penna | .... | coach | |
| Rui Pires | .... | production coordinator | |
| Adelina Pontual | .... | continuity | |
| Paulo Sakopniak | .... | production assistant | |
| Regina Soares Souza | .... | administrative assistant | |
| Priscila Torres | .... | production assistant | |
Carandirú (Argentina)
Carandiru: O Filme (Brazil) (trailer title)
more
Rated R for strong bloody violence/carnage, language, sexuality and drug use.
145 min | France:148 min (Cannes Film Festival)
1.85 : 1 more
Hungary:16 | South Korea:15 | Argentina:16 | Australia:MA | Brazil:16 | Germany:16 | New Zealand:R16 | Norway:15 | Singapore:M18 | UK:15 | USA:R | Italy:T | Canada:18A (Ontario)
The real Carandiru prison was demolished in 2002, it will be transformed into a park with arts facilities. One block (#2) was left intact to be used as a museum. The film was the last thing they used the prison before demolishing 90% of it. more
Anachronisms: The inmate kissing the posterior of Rita Cadillac during her performance is wearing a jersey for the Carolina Panthers, an American (NFL) Football team. That franchise hadn't even been granted yet in 1992 and thus didn't have a name, logo, or uniform design. more
Featured in 2005 Glitter Awards (2005) (V) more
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Brazil is a country of contrasts, and this movie show that perfectly. The same person that can kill somebody without thinking it twice can be nice and gentle at very the next moment. Been in Brazil has this feeling, you may expect violence and danger, but you may get 99% of the time generosity and happiness. An, well, when you put 8000 man in the space of 4000, and they manage to create a micro-universe with there own rules, that works better than the world outside, it just can be in Brazil. Plenty of humor, humanity and honestly, this movie is superior to City Of God, just because it has a positive, optimist message regarding that'111 or so prisoners died in the 1990s' as Alexdffy point out above, showing a lot of respect for human life. Wightly recommended for open minds, that can see the person beyond the criminal...and not criminal to.