| Photos (see all 6 | slideshow) |
| Dani Filth | ... | The Man | |
| David McEwen | ... | Kemper | |
| Edmund Dehn | ... | Detective Neilson | |
| Emily Booth | ... | Melissa (as Emily Bouffante) | |
| Eileen Daly | ... | Natalie | |
| Rebecca Eden | ... | Sophie | |
| Melissa Forti | ... | Nikki | |
| Louie Brownsell | ... | Nick | |
| Emma Rice | ... | Emma | |
| Stuart Laing | ... | Richard Neilson | |
| Barry Lee-Thomas | ... | Chief Inspector Roper | |
| Angela Kay | ... | Nurse McAllister | |
| Mark Rathbone | ... | Pringle | |
| Al Stokes | ... | The Old Man | |
| Willie Evans | ... | The Short Man | |
| rest of cast listed alphabetically: | |||
| Sean Boru | ... | The Coroner | |
| Tony Hickson | ... | Skinny man | |
| Neil Keenan | ... | Thomas | |
| Gian Sessarego | ... | Zombie | |
| Tony Taras | ... | Policeman | |
Directed by | |||
| Alex Chandon | |||
Writing credits(in alphabetical order) | ||
| Alex Chandon | writer | |
Produced by | |||
| Ciska Faulkner | .... | co-producer | |
| Ciska Faulkner | .... | line producer | |
| Eddie Kane | .... | producer | |
| Paul Luke | .... | executive producer | |
| Nico Rilla | .... | co-producer | |
| Andy Skivington | .... | executive producer | |
Cinematography by | |||
| Sebastiani Bontempi | |||
Film Editing by | |||
| Alex Chandon | |||
Art Direction by | |||
| Marcus Raven | |||
Makeup Department | |||
| Wendy Deaton | .... | makeup department head | |
| Tristan Versluis | .... | special makeup effects artist | |
Production Management | |||
| Alex Dhaliwal | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Adam Miller | .... | first assistant director | |
| Mat Russell | .... | assistant director | |
Art Department | |||
| Misty Buckley | .... | assistant art director | |
Special Effects by | |||
| Adrian Banton | .... | special effects | |
| Alan Hedgcock | .... | special effects makeup | |
| Ian Morse | .... | special effects makeup | |
| Tristan Versluis | .... | makeup effects | |
| Cliff Wallace | .... | special effects makeup | |
Visual Effects by | |||
| Adrian Banton | .... | visual effects supervisor | |
Transportation Department | |||
| Rob Woiwod | .... | runner driver | |
Other crew | |||
| Emma Clark | .... | runner | |
| Patrick Comerford | .... | puppeteer | |
| Cheryl Duncan | .... | runner | |
| Carl Mandy | .... | runner | |
| Margaret Milner | .... | production assistant | |
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| Mezzo forte | Chôjin densetsu Urotsukidôji | Giallo a Venezia | Lo squartatore di New York | La coda dello scorpione |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
| Add this title to MyMovies |
I didn't have very high-hopes going into CRADLE OF FEAR. The first scene shows some "scary" goth-kid killing some guys in an alley, with pretty poor gore FX and an insanely obvious SOV feel to it. Number one - people who dress up like vampires at an S&M party are about the most un-scary things humanly possible - and two - I typically don't care for extremely obvious SOV productions...so you can see as how from the first five minutes I didn't think I would be feelin' this one. I have to admit though, that as it went along, CRADLE OF FEAR ended up being quite entertaining, despite (and in some cases because of...) it's numerous flaws...
The film is made up of four vignettes that center around a mental patient who was a hypnotist and child rapist/murderer. In each vignette, one or more people die in different splattery ways, that are related to people that had to do with the hypnotist's incarceration. The stories themselves are all relatively entertaining: the first dealing with the same goth kid from the beginning (who is apparently mind-controlled by the hypnotist) who bones a semi-hot goth whore and some crazy baby/spider-thing busts out of her stomach. The next has two friends who rob an old man and the robbery goes seriously wrong. The next is about a one-legged guy who goes to seek a "donor" for his missing leg, and the last (and in my opinion, most interesting) story deals with a kid who becomes obsessed with a snuff web-site. The four stories are all semi-amusing excuses to show some tits and gore, and still stay within the context of the film...
CRADLE OF FEAR is a very disjointed film. The way it's shot makes it look like a bad UK soap-opera. There are some decent performances from some of the cast - others are atrocious. There are a few sets of decent goth-chick tits in this one, and that's never a bad thing. Some of the gore FX are convincing or at least decent - others suck completely. There are a few CGI special FX that are so bad they're absolutely hilarious (car-chase/crash, anyone???) - but somehow this mess of a film still works. It is a little long, clocking in at a solid two hours, and could probably use a little bit of a trim, but even so - it manages to stay pretty quick-paced and entertaining throughout. Not a great film by any stretch - but it's quirky and worth a look to splatter fans...8/10