| Photos (see all 31 | slideshow) | Videos |
| Monica Bellucci | ... | Alex | |
| Vincent Cassel | ... | Marcus | |
| Albert Dupontel | ... | Pierre | |
| Jo Prestia | ... | Le Tenia | |
| Philippe Nahon | ... | Philippe | |
| Stéphane Drouot | ... | Stéphane | |
| Jean-Louis Costes | ... | Fistman | |
| Michel Gondoin | ... | Mick | |
| Mourad Khima | ... | Mourad | |
| Hellal | ... | Layde | |
| Nato | ... | Commissaire | |
| Fesche | ... | Chauffeur Taxi | |
| Jara-Millo | ... | Concha | |
| Le Quellec | ... | Inspecteur | |
| Giami | ... | Isabelle | |
| Adoum | ... | Fatima | |
| Foulaux | ... | Janice | |
| rest of cast listed alphabetically: | |||
| Stéphane Derdérian | ... | Client du Rectum (uncredited) | |
| Christophe Lemaire | ... | Le danseur avec la chemise hawaïenne (uncredited) | |
| Eric Moreau | ... | Extra (uncredited) | |
| Gaspar Noé | ... | Client du Rectum (uncredited) | |
| Titof | ... | Le mec sur le lit à la fête (uncredited) | |
Directed by | |||
| Gaspar Noé | |||
Writing credits(in alphabetical order) | ||
| Gaspar Noé | writer | |
Produced by | |||
| Vincent Cassel | .... | co-producer | |
| Brahim Chioua | .... | co-producer | |
| Emmanuel Gateau | .... | consulting producer | |
| Richard Grandpierre | .... | co-producer | |
| Gaspar Noé | .... | co-producer | |
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Thomas Bangalter | |||
Cinematography by | |||
| Benoît Debie | |||
| Gaspar Noé | |||
Film Editing by | |||
| Gaspar Noé | |||
Casting by | |||
| Jacques Grant | |||
Production Design by | |||
| Alain Juteau | |||
Costume Design by | |||
| Laure Culkovic | |||
Makeup Department | |||
| Pierre Chavialle | .... | hair stylist | |
| Jean-Christophe Spadaccini | .... | special makeup effects artist | |
| Ghislaine Tortereau | .... | hair stylist | |
Production Management | |||
| Serge Catoire | .... | production manager | |
| Eric Chabot | .... | unit manager | |
| Virginia Lombardo | .... | unit manager | |
| Ève Machuel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stéphane Derdérian | .... | first assistant director | |
| Olivier Théry-Lapiney | .... | first assistant director | |
Sound Department | |||
| Jean-Luc Audy | .... | sound | |
| Xavier Bonneyrat | .... | assistant sound editor | |
| Marc Boucrot | .... | sound | |
| Olivier Busson | .... | boom operator | |
| Valérie Deloof | .... | sound | |
| Cyril Holtz | .... | sound re-recording mixer | |
Special Effects by | |||
| Rodolphe Chabrier | .... | special effects supervisor | |
Visual Effects by | |||
| Xavier Fourmond | .... | digital compositor | |
| Stéphanie Machuret | .... | senior digital compositor: Mac Guff Ligne | |
| Christophe Richard | .... | digital artist | |
Camera and Electrical Department | |||
| David Campbell | .... | crane operator: Super Technocrane | |
| Eric Catelan | .... | steadicam operator | |
| Benoît Debie | .... | lighting designer | |
| Denis Gaubert | .... | assistant camera: second unit | |
| Antoine Rabaté | .... | assistant camera | |
| Sébastien Saadoun | .... | assistant camera | |
| Mathieu Szpiro | .... | gaffer | |
Other crew | |||
| Marielle Duigou | .... | production assistant | |
| Virginia Lombardo | .... | assistant location manager | |
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| Caligola | Salò o le 120 giornate di Sodoma | Chik loh go yeung | Sleepaway Camp | Cidade de Deus |
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| Full cast and crew | Company credits | External reviews |
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If movies are suppose to effect the viewer then this movie is king of the hill. From the dis-orienting camera moves that open the film through the violence in the gay bar, the seemingly never ending rape and the films unraveling of the days events in a backwards march I have yet to meet anyone who has not been deeply effected by this movie - if they were brave enough or stupid enough to watch it. (I'm still trying to figure out a local Best Buy displaying a large number of DVD's as if it was the latest Adam Sandler movie)
It is not an easy movie to watch but as an examination of what people are capable and how violence can come from nowhere and from the unexpected its a masterpiece. The backward structure takes what is essentially a dull revenge story and turns it on its ear as we are forced to really examine how things get out of hand very quickly and what people will do when pushed to the limit.
If you want a challenge to your psyche and can brave simply some of the most vicious and nasty screen violence (yes its graphic but much is also implied) then see this movie - preferably with out distraction. But be warned, even if you think you know what this movie is about and what your limits in screen violence is, you still won't be prepared for what a mental hot foot this film is.