| Photos (see all 31 | slideshow) | Videos (see all 7) |
| Monica Bellucci | ... | Alex | |
| Vincent Cassel | ... | Marcus | |
| Albert Dupontel | ... | Pierre | |
| Jo Prestia | ... | Le Tenia | |
| Philippe Nahon | ... | Philippe | |
| Stéphane Drouot | ... | Stéphane | |
| Jean-Louis Costes | ... | Fistman | |
| Michel Gondoin | ... | Mick | |
| Mourad Khima | ... | Mourad | |
| Hellal | ... | Layde | |
| Nato | ... | Commissaire | |
| Fesche | ... | Chauffeur Taxi | |
| Jara-Millo | ... | Concha | |
| Le Quellec | ... | Inspecteur | |
| Giami | ... | Isabelle | |
| Adoum | ... | Fatima | |
| Foulaux | ... | Janice | |
| rest of cast listed alphabetically: | |||
| Stéphane Derdérian | ... | Client du Rectum (uncredited) | |
| Christophe Lemaire | ... | Le danseur avec la chemise hawaïenne (uncredited) | |
| Eric Moreau | ... | Extra (uncredited) | |
| Gaspar Noé | ... | Client du Rectum (uncredited) | |
| Titof | ... | Le mec sur le lit à la fête (uncredited) | |
Directed by | |||
| Gaspar Noé | |||
Writing credits(in alphabetical order) | ||
| Gaspar Noé | writer | |
Produced by | |||
| Vincent Cassel | .... | co-producer | |
| Brahim Chioua | .... | co-producer | |
| Emmanuel Gateau | .... | consulting producer | |
| Richard Grandpierre | .... | co-producer | |
| Gaspar Noé | .... | co-producer | |
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Thomas Bangalter | |||
Cinematography by | |||
| Benoît Debie | |||
| Gaspar Noé | |||
Film Editing by | |||
| Gaspar Noé | |||
Casting by | |||
| Jacques Grant | |||
Production Design by | |||
| Alain Juteau | |||
Costume Design by | |||
| Laure Culkovic | |||
Makeup Department | |||
| Pierre Chavialle | .... | hair stylist | |
| Jean-Christophe Spadaccini | .... | special makeup effects artist | |
| Ghislaine Tortereau | .... | hair stylist | |
Production Management | |||
| Serge Catoire | .... | production manager | |
| Eric Chabot | .... | unit manager | |
| Virginia Lombardo | .... | unit manager | |
| Ève Machuel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stéphane Derdérian | .... | first assistant director | |
| Olivier Théry-Lapiney | .... | first assistant director | |
Art Department | |||
| Pascal Gras | .... | carpenter | |
Sound Department | |||
| Jean-Luc Audy | .... | sound | |
| Xavier Bonneyrat | .... | assistant sound editor | |
| Marc Boucrot | .... | sound | |
| Olivier Busson | .... | boom operator | |
| Valérie Deloof | .... | sound | |
| Cyril Holtz | .... | sound re-recording mixer | |
Visual Effects by | |||
| Rodolphe Chabrier | .... | visual effects supervisor | |
| Xavier Fourmond | .... | digital compositor | |
| Stéphanie Machuret | .... | senior digital compositor: Mac Guff Ligne | |
| Christophe Richard | .... | digital artist | |
Camera and Electrical Department | |||
| David Campbell | .... | crane operator: Super Technocrane | |
| Eric Catelan | .... | Steadicam operator | |
| Benoît Debie | .... | lighting designer | |
| Denis Gaubert | .... | assistant camera: second unit | |
| Jérôme Mauduit | .... | assistant camera: second unit | |
| Antoine Rabaté | .... | assistant camera | |
| Sébastien Saadoun | .... | assistant camera | |
| Mathieu Szpiro | .... | gaffer | |
Other crew | |||
| Marielle Duigou | .... | production assistant | |
| Virginia Lombardo | .... | assistant location manager | |
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| Salò o le 120 giornate di Sodoma | La tarantola dal ventre nero | Ex Drummer | La coda dello scorpione | Paroxismus |
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Like Gasper Noe's wonderful I STAND ALONE, Gasper Noe's IRREVERSIBLE is also the work of a unique visionary.
The film is notorious for its extended rape sequence and fire extinguisher beating, but it is also a scathing study of the male animal and an exercise in style that is never gratuitous.
Fans of rape-themed movies will not go home unimpressed with the brutal staging of Monica Belluci's rape; nor will fans of extreme violence be disappointed with what transpires in The Rectum. But it is the film's incredible soundscape that initially arrests our attention with its industrial drone that becomes the aural equivalent of a pendulum swinging just inches above our faces.
The camerawork mirrors the emotional state of Vincent Cassel, the male lead, and, as the film unspools in reverse, so does the camera retreat from its wild, anarchic rhythm to a state of peace and fixed composition.
Noe is an uncompromising soul who fixates on a theme and gallops to the horizon with it.
IRREVERSIBLE joins films like IN A GLASS CAGE, ASSAULT JACK THE RIPPER, CANNIBAL HOLOCAUST and BEAUTIFUL GIRL HUNTER in their shared defiance of all that's bland and wrong with most of today's cinema.