Bijitâ Q (2001) (V)

Director:

Takashi Miike

Writer:

Itaru Era (writer)

Release Date:

26 November 2002 (USA)

Genre:

Comedy | Drama | Horror | Thriller

Tagline:

The only thing stranger than this family is... Visitor Q.

Plot:

A father, who is a failed former television reporter tries to mount a documentary about violence and sex among youths...

Plot Keywords:

Sex | Prostitute | Stranger | Television Reporter | Classmate

Awards:

3 wins

Cast

Ken'ichi Endô	...	Kiyoshi Yamazaki / Father
Shungiku Uchida	...	Keiko Yamazaki / Mother
Kazushi Watanabe	...	The visitor
Jun Mutô	...	Takuya Yamazaki / Son
Fujiko	...	Miki Yamazaki / Daughter
Shôko Nakahara	...	Asako Murata
Ikko Suzuki	...	Sasaoka

Also Known As:

Love Cinema Vol. 6 (International: English title) (series title)
Visitor Q (International: English title)
Visitor Q+ (USA) (reissue title)

MPAA:

Rated R for strong aberrant sexual and violent content, language and drug use.

Runtime:

84 min

Country:

Japan

Language:

Japanese

Color:

Color | Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Stereo

Certification:

Japan:R-18 | New Zealand:R18 (with restriction) | France:-16 | Germany:18 | USA:R | UK:18 | Canada:18+ (Quebec) | Australia:R | Singapore:(Banned)

Company:

Alphaville

Goofs:

Continuity: At the start of the film when the girl is undressing to have sex with her Dad, she takes her socks off. However when we see her again a few seconds later, she still has them on. She then removes them (again).

Quotes:

Kiyoshi Yamazaki: [as the bullies throw fireworks at the house] They're here! Everyone, can you see this? Can you see this?
[taping with camera]
Kiyoshi Yamazaki: This is my home! My home! Did you see that? The big strong bullies are here!
[pans to Keiko]
Kiyoshi Yamazaki: This is my wife! She's a lovely little wife! Dinner was delicious! This is...
[pans to the Visitor]
Kiyoshi Yamazaki: ... I don't know who this is, we're not acquainted! Watch! It's amazing, truly amazing! What a scene! It's unbelievable!
[going back to the fireworks, panning to knife in floor]
Kiyoshi Yamazaki: My wife threw this knife! Everyone, here it is!
[filming the chaos]
[...]

Movie Connections:

Referenced in Gokudô kyôfu dai-gekijô: Gozu (2003)

Even viewers familiar with Miike's other bizarre movies will be unprepared for this! I think in decades to come it will regarded as a milestone and spoken of in the same breath as Bunuel, Jodorowsky, Lynch a

I've seen over half a dozen Takashi Miike movies, so I'm aware of how bizarre his output can be, but nothing can quite prepare you for how extreme 'Visitor Q' is! In the last decade Miike has gone from straight to video crime thrillers to genre-busting arthouse cult favourites by following his own unique vision. He's also breathtakingly prolific, having completed around twenty projects since this, which was released only three years ago(!) Miike's best known movies in the last few years include the ultra-violent live action manga 'Ichi The Killer', the slow psychological thriller 'Audition', and the zany, feel good zombie musical 'The Happiness Of The Katakuris'. Those three movies alone prove he is the most exciting and innovative director working today, but 'Visitor Q' takes him to a whole new level. 'Pink Flamingos' meets 'Salo' meets reality TV on crack(?) However you try and describe this movie it just won't be adequate. When I say you just have to see it to believe it, I'm not just taking in cliches! 'Visitor Q' is shot on digital video in a pseudo-documentary style. In the opening scene we see a middle aged man (Kenicho Endo, who you might recognize from Miike's 'Dead Or Alive 2') inadvertently videotaping himself having sex with a teenage prostitute. They are in fact father and daughter. This is just the beginning of a very strange trip for the viewer! The father is a failed TV reporter who comes up with a new program idea about bullying using his own teenage son (Jun Muto), who is being victimized by his classmates and in turn abuses his own mother (Shungiku Uchida). She is secretly addicted to heroin and turns tricks to support her habit. Into this ultra-dysfunctional family comes a mysterious visitor (Kazushi Watanabe) who we are introduced to when we see him brain the father with a rock. Exactly who or what the visitor is is never explained, but his presence effects the family in various odd ways, strangely bringing them closer together. His character reminded me a bit of the messiah figures in Coffin Joe's 'Finis Hominis' or J.G. Ballard's 'The Unlimited Dream Company'. 'Visitor Q' slowly creeps up on you with images of abuse and abnormal behavior until around the three quarter mark when you are left staring slack jawed at the screen not quite believing what you are seeing! When the movie cuts between Father in the greenhouse and Mother in the kitchen with Visitor Q (I won't/can't go into details!) it's the most extraordinary sequence I've watched in any movie EVER! It goes with saying that 'Visitor Q' is not for most people, but if you appreciate the surreal and the confrontational, then this is one movie you MUST see. I think in decades to come it will regarded as a milestone and spoken of in the same breath as Bunuel, Jodorowsky, Lynch and Cronenberg.