| Videos |
| James Caan | ... | Dr. William Haber | |
| Lukas Haas | ... | George Orr | |
| Lisa Bonet | ... | Heather Lelache | |
| David Strathairn | ... | Mannie | |
| Sheila McCarthy | ... | Penny | |
| Serge Houde | ... | Judge | |
| Suzanne Desautels | ... | Lelache's Secretary | |
| Belinda Hum | ... | Mrs. Nakumisi | |
| Tetsuro Shigematsu | ... | Mr. Nakumisi | |
| Jonathan Higgins | ... | Medic | |
| Danny Blanco | ... | Security Officer (as Danny Blanco-Hall) | |
| Conrad Pla | ... | Search Man #1 | |
| Daniel Do | ... | Waker / Host | |
| Daniel Pilon | ... | President Murtle | |
| Steve Adams | ... | Game Show Host | |
| Claudia Besso | ... | Personality #1 | |
| Cas Anvar | ... | TV Personality #3 | |
| Steve Anthony | ... | Personality #4 | |
| Lori Graham | ... | Newscaster #1 | |
| Caroline Van | ... | Newscaster #2 | |
| Caroline Van Vlaardingen | ... | Newscaster #2 |
Directed by | |||
| Philip Haas | |||
Writing credits(WGA) | ||
| Ursula K. Le Guin | (novel "The Lathe of Heaven") | |
| Alan Sharp | (teleplay) | |
Produced by | |||
| Craig Baumgarten | .... | executive producer | |
| Bruce Davison | .... | co-producer | |
| Allen Sabinson | .... | executive producer | |
| Mark Winemaker | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Pierre Mignot | |||
Film Editing by | |||
| Jean-François Bergeron | |||
Casting by | |||
| Avy Kaufman | |||
| Andrea Kenyon | |||
Production Design by | |||
| Sylvain Gingras | |||
Art Direction by | |||
| Daniel Carpentier | |||
Costume Design by | |||
| Liz Vandal | |||
Makeup Department | |||
| Gaétan Landry | .... | hair stylist | |
| Serge Morache | .... | key hair stylist | |
| Nathalie Trépanier | .... | assistant makeup artist | |
Production Management | |||
| Paul Boutin | .... | unit manager | |
| Ginette Guillard | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pierre Bouchard | .... | second assistant director | |
| Paul Drouin | .... | additional third assistant director | |
| Mireille Goulet | .... | first assistant director | |
| Auree Tommi Lepage | .... | third assistant director | |
Art Department | |||
| Kun Chang | .... | concept artist | |
| Marie-Soleil Dénommé | .... | assistant decorator | |
| Marcel Pierre Dussol | .... | props | |
| Ronny Gosselin | .... | propmaker | |
| Jean-Francois Mignault | .... | illustrator | |
| Jean-Francois Mignault | .... | pre-visualization | |
| Russell Moore | .... | first assistant art director | |
Sound Department | |||
| Terry Burke | .... | foley artist | |
| Steph Carrier | .... | sound re-recording mixer | |
| Erik Culp | .... | foley mixer | |
| Maxime Ferland | .... | boom operator | |
| Peter Kambasis | .... | assistant sound editor | |
| Claude La Haye | .... | production sound mixer | |
| Timothy Mehlenbacher | .... | assistant sound editor | |
| Steve Munro | .... | supervising sound editor | |
| Dale Sheldrake | .... | dialogue editor | |
| Orest Sushko | .... | sound re-recording mixer | |
| David Yonson | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| André Laforest | .... | special effects technician | |
Visual Effects by | |||
| Peter Denomme | .... | visual effects producer: Calibre Digital Pictures | |
| John Paul Docherty | .... | digital visual effects supervisor: Peerless | |
| Mark Fordham | .... | head of matte painting | |
| David Hedley | .... | digital compositor | |
| Noel Hooper | .... | lead digital compositor/supervisor | |
| Andrew Nguyen | .... | matte painter | |
| Matt Schofield | .... | matte artist | |
| Mark Spevick | .... | digital effects artist | |
| Thomas Turnbull | .... | visual effects | |
| Rainy Venne | .... | Flame artist | |
| Pat Wong | .... | digital compositor | |
Stunts | |||
| Jean Frenette | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bernard Arseneau | .... | gaffer | |
| Yves Arseneau | .... | electrician | |
| Geoffroy Beauchemin | .... | first assistant camera | |
| Sylvain Bélanger | .... | grip | |
| Amelie Duceppe | .... | camera trainee | |
| Robert Lapierre Jr. | .... | key grip | |
| Marco Venditto | .... | electrician | |
Casting Department | |||
| Randi Wells | .... | extras casting | |
Editorial Department | |||
| Stéfanie Guadagnino | .... | assistant editor | |
Music Department | |||
| Paul Intson | .... | music editor | |
Transportation Department | |||
| Richard Chabot | .... | driver: cast | |
Other crew | |||
| Guy Aumond | .... | production accountant | |
| Lynn Beaudin | .... | assistant location manager | |
| Pierre Blondin | .... | location manager | |
| Daniel Boudreau | .... | production assistant | |
| Alain Bourassa | .... | on-set playback | |
| Alain Dahan | .... | computer/video operator | |
| Benoit Thériault | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Soundtrack? | ady2002 |
| remake | deepaliblue |
| A little confused... (Spoiler!!!) | SkipStar29 |
| Not as bad as reviews would lead you to believe!!! | bawko |
| regular adaptation | buhoblanco |
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| The Lathe of Heaven | Eyes Wide Shut | Solaris | I Dream of Murder | Requiem for a Dream |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb Canada section | Add this title to MyMovies |
let me preface by saying ive seen the 1980 version, and ive read the book.
no movie will ever be exactly like the book it originates from. so why compare. its a rare occasion that an author gets behind the camera (kudos to clive barker) which means that the director gets dibs on interperitation. and books, like music, like visual art, are open to interperitation, every one takes what they want from them. i put this in the realm of american psycho, solaris, and dune. complex novels, different screen visions. when directors take on novels, they bring out what they want, and can, in the time they have.
that said, i think haas did an excellent job. the whole concept behind the story has plenty to grab from. haas chose the elements he wanted to excentuate and illustrate and did so admirably. im not saying its a perfect film. i thought the penny character was totally overdone. and while i would find myself taking issues with some of the inconsistencies, i decided to except them on grounds that its the nature of this world. each waking presents a new reality. so i have no ground to argue the nitpicky stuff. i thought lukas haas was an excellent george orr, but had difficulty pairing him with lisa bonet, thus making thier relationship less believable.
all in all worth seeing as a fan of speculative fiction. i would someday like to see a longer version that has a chance to dig a little deeper into the bits that matter more. making the less relevant bits less obtrusive.