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Coleman Hough (written by)
20 September 2002 (Italy) more
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Experiment gone awry more (166 total)
| David Duchovny | ... | Bill / Gus | |
| Nicky Katt | ... | Hitler | |
| Catherine Keener | ... | Lee | |
| Brian Krow | ... | Bellboy | |
| Mary McCormack | ... | Linda | |
| David Hyde Pierce | ... | Carl | |
| Julia Roberts | ... | Catherine / Francesca | |
| Blair Underwood | ... | Nicholas / Calvin | |
| Enrico Colantoni | ... | Arty / Ed | |
| Erika Alexander | ... | Lucy | |
| Tracy Vilar | ... | Heather | |
| Brandon Keener | ... | Francesca's Assistant | |
| Jeff Garlin | ... | Harvey, Probably | |
| David Alan Basche | ... | Nicholas' Agent | |
| Terence Stamp | ... | Man on Plane / Himself | |
| Nancy Lenehan | ... | Woman on Plane | |
| Brad Rowe | ... | Sam Osbourne | |
| David Fincher | ... | Film Director | |
| Jerry Weintraub | ... | Jerry | |
| Rainn Wilson | ... | Brian, First Fired Employee | |
| Eddie McClintock | ... | David | |
| Dina Waters | ... | Third Fired Employee | |
| Sandra Oh | ... | Fourth Fired Employee | |
| Justina Machado | ... | Linda's Friend in Kitchen | |
| Meagen Fay | ... | Diane (as Meagan Fay) | |
| Joe Chrest | ... | Sex Shop Man No. 1 | |
| Wayne Pére | ... | Sex Shop Man No.2 (as Wayne Péré) | |
| January Jones | ... | Tracy | |
| Mike Malone | ... | Mike | |
| Anthony Powers | ... | Male Massage Client | |
| Alison Ebbert | ... | Hitler Girlfriend | |
| Jennifer Brusciano | ... | Hitler Hitchhiker | |
| Cole Andersen | ... | Freud | |
| Al Ahlf | ... | Hitler Guard | |
| Lacy Livingston | ... | Miramax Receptionist | |
| Patrick Fischler | ... | Harvey, Probably's Assistant | |
| Nathalie Seaver | ... | Clothing Store Owner | |
| Soledad St. Hilaire | ... | Soledad | |
| Laurent Schwaar | ... | Concierge | |
| Maria Rogers | ... | Woman in Bed | |
| Dawn Suggs | ... | Hotel Hostess | |
| Charlotte Puckett | ... | Hotel Waitress | |
| Chance Robertson | ... | Biker | |
| Monica Lee Burland | ... | Theater Patron | |
| Ken Wood | ... | Theater Patron | |
| Cynthia Gibb | ... | Pregnant Woman | |
| Andrew Connolly | ... | Partygoer | |
| Karen Woodley | ... | Partygoer (as Karen Woodley-Connolly) | |
| Chris DeRose | ... | Partygoer | |
| Randy Lowell | ... | Partygoer | |
| Pliny Porter | ... | Partygoer | |
| Coleman Hough | ... | Partygoer | |
| Brad Pitt | ... | Brad / Himself | |
| rest of cast listed alphabetically: | |||
| Roger Garcia | ... | Frank - Vampire Neighbor | |
| Rashida Jones | |||
| Steven Soderbergh | ... | Himself (uncredited) | |
| Camille Wainwright | ... | Daphne (uncredited) | |
| Tommy Wilson-O'Brien | ... | Second Fired Employee (uncredited) | |
Directed by | |||
| Steven Soderbergh | |||
Writing credits | ||
| Coleman Hough | (written by) | |
Produced by | |||
| Zennia M. Barahona | .... | post-production producer | |
| Gregory Jacobs | .... | producer | |
| Scott Kramer | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Jacques Davidovici | |||
Cinematography by | |||
| Steven Soderbergh | (as Peter Andrews) | ||
Film Editing by | |||
| Sarah Flack | |||
Casting by | |||
| Debra Zane | |||
Production Management | |||
| Bob Osher | .... | production supervisor | |
| Michael Polaire | .... | unit production manager | |
| Evan Schechtman | .... | post-production supervisor: Outpost Digital | |
Second Unit Director or Assistant Director | |||
| Keri Bruno | .... | second second assistant director | |
| Gregory Jacobs | .... | first assistant director | |
| Basti Van Der Woude | .... | second assistant director | |
Art Department | |||
| Mark Gantt | .... | assistant property master | |
| Lance Larson | .... | property master | |
Sound Department | |||
| David Betancourt | .... | foley mixer | |
| Larry Blake | .... | post-production sound | |
| Matt Coby | .... | foley editor | |
| Jeff Enden | .... | boom operator | |
| Dawn Fintor | .... | foley artist | |
| Jay Gallagher | .... | foley editor | |
| Paul Ledford | .... | production sound mixer | |
| Linda Murphy | .... | boom operator | |
| Sam Sarkar | .... | utility sound | |
| Alicia Stevenson | .... | foley artist (as Alicia Irwin) | |
| Shawn Holden | .... | additional sound mixer (uncredited) | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects | |
| Sal Migliore | .... | high def digitizing | |
| Carl S.G. Moore | .... | visual effects associate producer: Cinesite | |
| Michael Brodersen | .... | digital to film output (uncredited) | |
Camera and Electrical Department | |||
| Edward A. Ayer | .... | best boy electric (as Ed Ayer) | |
| Russell Ayer | .... | gaffer | |
| Shaun Breedlove | .... | rigging electrician | |
| Thomas A. Curran | .... | best boy grip | |
| Joseph Graham | .... | rigging grip (as Joseph A. Graham) | |
| Gregg Guellow | .... | dolly grip (as C. Gregory Guellow) | |
| Christopher Just Weaver | .... | camera technician | |
| Ted J. Kredo | .... | lighting technician (as Ted Kredo) | |
| Chris Mack | .... | second assistant camera | |
| Duane Manwiller | .... | camera operator | |
| Duane Manwiller | .... | director of photography: second unit | |
| Bob Marshak | .... | still photographer | |
| E.J. Misisco | .... | film loader (as E.J. Misisco Jr.) | |
| Daniel Moder | .... | assistant camera | |
| Brent Studler | .... | rigging gaffer | |
| Paul Threlkeld | .... | key grip | |
Casting Department | |||
| Terri Taylor | .... | casting associate | |
| Erin Toner | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Susi Campos | .... | costumer | |
| Shoshana Rubin | .... | costume supervisor | |
Editorial Department | |||
| Monica De Armond | .... | post-production coordinator (as Monica Borde) | |
| David Kirchner | .... | second assistant editor | |
| Susan Littenberg | .... | first assistant editor | |
| Brett S. McCarthy | .... | assistant editor | |
| Peter McCoubrey | .... | video colorist | |
| Dan Muscarella | .... | color timer | |
| Timothy Serda | .... | technical assistant editor | |
| Paul Tanzillo Jr. | .... | negative cutter (as Paul E. Tanzillo) | |
Music Department | |||
| Randy Spendlove | .... | executive in charge of music | |
Transportation Department | |||
| Rich Bennetti | .... | driver | |
| Jon Carpenter | .... | transportation coordinator | |
| Shane Greedy | .... | transportation captain | |
Other crew | |||
| Julie M. Anderson | .... | production coordinator | |
| Matilda de Cagny | .... | animal trainer (as Mathilde DeCagny) | |
| Virginie Drouot | .... | office production assistant | |
| Caleb Duffy | .... | key assistant location manager | |
| Jason Hinkel | .... | first assistant accountant | |
| Leah Holmes | .... | production accountant | |
| Ken Lavet | .... | location manager | |
| Sonya Lunsford | .... | production accountant | |
| Lynne Martin | .... | set production assistant | |
| David McKimmie | .... | assistant production coordinator | |
| Naomi Motohashi | .... | assistant location manager | |
| India Neilan | .... | production assistant | |
| Matt Novello | .... | production office assistant | |
| Larry Payne | .... | animal trainer | |
| Keith Popely | .... | set production assistant | |
| Rebecca Robertson | .... | script supervisor | |
| Spooky Stevens | .... | unit publicist | |
| Jeff Winn | .... | craft service | |
Thanks | |||
| Ron Patane | .... | special thanks | |
| Paul Saccone | .... | special thanks | |
How to Survive a Hotel Room Fire (USA) (working title)
The Art of Negotiating a Turn (USA) (working title)
more
Rated R for language and some sexual content.
101 min
1.85 : 1 more
DTS | Dolby Digital | SDDS
Iceland:12 | USA:R (certificate #38888) | Portugal:M/12 | Argentina:16 | Australia:MA | Brazil:14 | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Netherlands:AL | New Zealand:R16 | Norway:A | Singapore:NC-16 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:18
Beverly Blvd. at Vista, Fairfax, Los Angeles, California, USA more
Steven Soderbergh used mostly hand-held cameras. Filming took 18 days. more
Continuity: Catherine's black notebook and pen suddenly appear on the airplane armrest between shots, after her tape player clicks. more
Catherine: Oh, eww, this arugal is so bitter! It'l like my algebra teacher on my bread! more
La Mappemonde more
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This is an exercise from Steven Soderberg and that's all it is. You sit through an hour and a half of conversations that normally entitle "you know" at the beginning and end of every sentence to try and make the "film" more real. It juxtaposes two "films"..one containing Francesca(Julia Roberts) and Calvin(Blair Underwood)(this filmed in 35 mm)as Catherine and Nicholas talking about a black actor's status in "white hollywood".This leads to Calvin being opposite Brad Pitt(playing himself)in a film directed by David Fincher. This film,come to find out is in turn a doc directed by a man who's face is covered by a block(it's Soderberg). The "real film" (which is lensed in digital)contains Calvin and Francesca as well as other characters and their lives in Los Angeles. The film's ending totally popped my already deflating balloon and showed that my time and patience was wasted. The dialogue meanders trying to show real people talking about real things. I thought it was a hollywood insiders film cared only by those who are hollywood insiders. I thought the characters never had direction and were simply annoying. There were moments it looked like the film might go somewhere,but unfortunately it gets bogged down with that "phony film" keeps coming into the middle of the "real" movie. I just sat there trying not to collapse in my desire to turn the dvd off. Oh well,I'm done with this review,but if you watch this wasteland of wasted time beware..I warned you. BOMB/*****