Max (2002/I)

User Rating:

6.6/10   

Director:

Menno Meyjes

Writer (WGA):

Menno Meyjes (written by)

Release Date:

8 May 2003 (Netherlands)

Genre:

Drama | War

Tagline:

Art + Politics = Power

Plot:

A film studying the depiction of a friendship between an art dealer named Rothman and his student, Adolf Hitler.

Plot Keywords:

Hitler | Art | Artist | Art Dealer | Public Speaking

Awards:

2 wins & 4 nominations

Cast

John Cusack	...	Max Rothman
Noah Taylor	...	Adolf Hitler
Leelee Sobieski	...	Liselore von Peltz
Molly Parker	...	Nina Rothman
Ulrich Thomsen	...	Captain Mayr
David Horovitch	...	Max's Father
Janet Suzman	...	Max's Mother
András Stohl	...	NCO
John Grillo	...	Nina's Father
Anna Nygh	...	Nina's Mother
Krisztián Kolovratnik	...	Nina's Brother
Peter Capaldi	...	David Cohn
Yuliya Vysotskaya	...	Hildegard
János Kulka	...	Mr. Epp
Katalin Pálfy	...	Mrs. Epp

Also Known As:

Hoffman (USA) (working title)

MPAA:

Rated R for language.

Runtime:

106 min

Country:

Hungary | Canada | UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Australia:M | Netherlands:12 | Singapore:NC-16 (original rating) | Singapore:PG (edited for re-rating) | USA:R | UK:15

Filming Locations:

Amsterdam, Noord-Holland, Netherlands

Company:

AAMPI Inc.

Trivia:

Writer/director Menno Meyjes reports that before the script was written, 'Steven Spielberg's Amblin company was interested in the project. But Spielberg told Meyjes he couldn't bring himself to help make a movie he thought would dishonor Holocaust survivors. Nevertheless, he considered the script an excellent one and encouraged the director to push for its realization, but without Amblin.

Goofs:

Anachronisms: The carpet in Max's house is an IKEA model from 2003.

Quotes:

Max Rothman: Come on Hitler, I'll buy you a glass of lemonade.

Movie Connections:

Featured in "Cinemania: I anodos kai i ptosi tou Nazismou" (2008)

Max is a speculative story about Hitler and a Munich art dealer.

Max has good acting, and some interesting ideas. But it is a mediocre film that is full of historical flaws. Namely, in 1918, Hitler was already working for the Abwehr in the role of political agitator, and anti-Marxist. As far as it is known, Hitler never pursued his interest in painting in a practical sense after the first world war, although Hitler always had a verbal opinion on the matter. (This is where I give the film kudos for at least giving us a hint at Hitler's artistic vision.) Another flaw, unless of course it was purposely contrived by the film's director, presents Hitler as a pathetic loner, shouting at disinterested war veterans and German civilians. The opposite is true. Hitler captivated his audiences from the start with his oratory. Also, Hitler was never intimidated by women, in fact women were among the basis of his popularity and entrance into the powerful circles of Munich society. Hitler was a man of willpower, I doubt that a Munich art dealer, or anyone else for that matter, could have successfully dissuaded Hitler from his self-appointed destiny.