| Photos (see all 16 | slideshow) | Videos (see all 10 NEW) |
| Ewan McGregor | ... | Joe Taylor | |
| Tilda Swinton | ... | Ella Gault | |
| Peter Mullan | ... | Les Gault | |
| Emily Mortimer | ... | Cathie Dimly | |
| Jack McElhone | ... | Jim Gault | |
| Therese Bradley | ... | Gwen | |
| Ewan Stewart | ... | Daniel Gordon | |
| Stuart McQuarrie | ... | Bill | |
| Pauline Turner | ... | Connie | |
| Alan Cooke | ... | Bob M'bussi | |
| Rory McCann | ... | Sam | |
| Ian Hanmore | ... | Freight Supervisor | |
| Andrew Neil | ... | Barman | |
| Arnold Brown | ... | Bowler Hat Man | |
| Meg Fraser | ... | Stall Woman | |
| Stuart Bowman | ... | Black Steet Pub Man | |
| Wullie Brennan | ... | Black Steet Pub Man | |
| Rony Bridges | ... | Black Steet Pub Man | |
| John Kazek | ... | Black Steet Pub Man | |
| Duncan McHardy | ... | Black Steet Pub Man | |
| Stewart Porter | ... | Black Steet Pub Man | |
| Malcolm Shields | ... | Black Steet Pub Man | |
| Tam Dean Burn | ... | Black Street Barman | |
| Michael Carter | ... | Prosecutor | |
| Struan Rodger | ... | Judge | |
| Mathew Zajac | ... | Forensics Expert (as Matthew Zajac) | |
| Mhairi Steenbock | ... | Cathie's Flatmate | |
| John Comerford | ... | Jury Foreman | |
| Anne Marie Timoney | ... | Mrs. Gordon | |
| John Yule | ... | Clerk of the Court | |
| Sandy Neilson | ... | Defence Counsel | |
| Des Hamilton | ... | Witness | |
| Eddie Dahlstrom | ... | Blind Man |
Directed by | |||
| David Mackenzie | |||
Writing credits | ||
| Alexander Trocchi | (novel) | |
| David Mackenzie | (writer) | |
Produced by | |||
| Gillian Berrie | .... | associate producer | |
| Leonard Crooks | .... | associate producer: Glasgow Film Office (as Lenny Crooks) | |
| Robert Jones | .... | executive producer: UK Film Council | |
| Stephan Mallmann | .... | associate producer | |
| Steve McIntyre | .... | associate producer: Scottish Screen | |
| Nick O'Hagan | .... | co-producer | |
| Jim Reeve | .... | co-producer | |
| Alexandra Stone | .... | co-producer | |
| Jeremy Thomas | .... | producer | |
| Peter Watson | .... | associate producer | |
Original Music by | |||
| David Byrne | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Stuart Rose | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Jacqueline Durran | |||
Makeup Department | |||
| Candice Banks | .... | hair stylist | |
| Candice Banks | .... | makeup artist | |
| Tony Lilley | .... | hair stylist | |
| Tony Lilley | .... | makeup artist | |
| Meg Speirs | .... | hair designer | |
| Meg Speirs | .... | makeup designer | |
Production Management | |||
| Michael Campbell | .... | unit manager | |
| Clare Maclean | .... | post-production supervisor (as Clare Oliver) | |
| Janet Riddoch | .... | production manager (as Janet S. Riddoch) | |
| Beverley Syme | .... | unit manager | |
Art Department | |||
| Mat Bergel | .... | stand-by props | |
| Sandy Borthwick | .... | chargehand painter | |
| Phil Bowen | .... | construction manager | |
| Susan Collin | .... | art department assistant | |
| Stewart Cunningham | .... | dressing props | |
| Colin Davidson | .... | carpenter | |
| Laura Donnelly | .... | stand-by art director | |
| Gordon Fitzgerald | .... | property master | |
| Bobby Gee | .... | stand-by painter | |
| Derek Gray | .... | storyboard artist | |
| Richard Hassall | .... | stand-by carpenter | |
| Michael Higson | .... | stagehand | |
| John Hughes | .... | painter | |
| Piero Jamieson | .... | dressing props | |
| Scott Keery | .... | stand-by props | |
| Mary Mackenzie | .... | art department runner | |
| Sue Morrison | .... | production buyer | |
| Jim O'Donnell | .... | painter | |
| Jim O'Donnell | .... | painter | |
| Alex Robertson | .... | supervising carpenter | |
| Andy Thomson | .... | assistant art director | |
| David Weatherstone | .... | storeman | |
Sound Department | |||
| Tim Alban | .... | dubbing mixer | |
| Kieran Boyne | .... | sound trainee | |
| Edward Bulman | .... | foley editor | |
| Edward Bulman | .... | foley recordist | |
| Tony Cook | .... | boom operator | |
| Richard Davey | .... | assistant dubbing mixer | |
| Rory Farnan | .... | dialogue editor | |
| Mike Grimes | .... | assistant sound editor | |
| Louis Kramer | .... | additional sound recordist | |
| Melissa Lake | .... | foley artist | |
| Micheal MacKinnon | .... | adr recordist: Glasgow | |
| Sandy Miller | .... | boom operator | |
| Colin Nicolson | .... | sound recordist | |
| Jeremy Price | .... | supervising sound editor | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Lionel Selwyn | .... | foley artist | |
| Chris Sinclair | .... | adr recordist: Glasgow | |
| Barnaby Smyth | .... | adr recordist | |
| David Turner | .... | sound technical coordinator (uncredited) | |
Special Effects by | |||
| Tony Auger | .... | special effects supervisor | |
| Graham Hills | .... | special effects foreman | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Perry Costello | .... | rain effects (uncredited) | |
Visual Effects by | |||
| Phil Attfield | .... | visual effects supervisor | |
| Robin Beard | .... | digital effects artist | |
| Simon Carr | .... | visual effects supervisor | |
| Mark Dollery | .... | digital imaging | |
| Tom Hocking | .... | digital artist | |
| Gruff Owen | .... | digital artist | |
Stunts | |||
| Nina Armstrong | .... | stunts | |
| Kelly Dent | .... | stunts | |
| Rowley Irlam | .... | stunt double: Ewan Mcgregor | |
| Gareth Milne | .... | stunt coordinator | |
| Lyndal Smith | .... | stunts | |
Camera and Electrical Department | |||
| Anna Benbow | .... | camera trainee | |
| Jim Boorer | .... | grip | |
| Lewis Buchan | .... | focus puller | |
| Neil Davidson | .... | still photographer | |
| Arthur Donnelly | .... | electrician | |
| Steven Hall | .... | cinematographer: second unit | |
| John Harper | .... | first assistant camera: second unit | |
| Bob Hunt | .... | best boy | |
| Andy Long | .... | gaffer | |
| Frank McConologue | .... | electrician (as Frank McConalogue) | |
| Dean Morrish | .... | underwater first assistant camera | |
| Derrick Peters | .... | second assistant camera: second unit | |
| Lilia Sellami | .... | clapper loader | |
| Pat Sweeney | .... | rigging gaffer | |
| Mike Valentine | .... | underwater camera operator | |
| Billy Wilson | .... | stand-by rigger | |
Casting Department | |||
| Kahleen Crawford | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lesley Abernethy | .... | costume assistant | |
| Vickie Hallam | .... | costume breakdown (as Vicki Hallam) | |
| Barbara Harrington | .... | costume assistant | |
| Hazel Mall | .... | costume trainee | |
| Sara Meek | .... | assistant costume designer | |
| Emma Walker | .... | costume breakdown | |
Editorial Department | |||
| Layla Blackman | .... | post-production assistant (as Layla Evans) | |
| Giles Burgess | .... | first assistant film editor: London | |
| Steven Ferguson | .... | editor trainee | |
| Anna Mehta | .... | first assistant film editor: Glasgow | |
| Chris Sinclair | .... | post-production assistant | |
| John Stanborough | .... | film grader | |
Music Department | |||
| Lisa Aferiat | .... | musician | |
| Michael Bannister | .... | assistant music mixer | |
| Caroline Barber | .... | musician | |
| Allon Beauvoisin | .... | musician: Hung Drawn Quartet | |
| Georgia Boyd | .... | musician | |
| Stuart Brown | .... | musician: Hung Drawn Quartet | |
| Barry Burns | .... | musician | |
| David Byrne | .... | music arranger: strings | |
| Richard Colburn | .... | musician | |
| Tony Doogan | .... | music mixer | |
| Keith Edwards | .... | musician: Hung Drawn Quartet | |
| Dick Gaughan | .... | consultant: folk music | |
| Donald Gillan | .... | musician | |
| Janice Ginsberg | .... | music supervisor | |
| Robert Irvine | .... | musician | |
| Greg Lawson | .... | musician | |
| Malcolm Lindsay | .... | music arranger: strings | |
| George Lyle | .... | musician: Hung Drawn Quartet | |
| Raymond MacDonald | .... | music arranger: strings | |
| Raymond MacDonald | .... | musician: Hung Drawn Quartet | |
| Una McGlone | .... | musician | |
| Johnny McGlynn | .... | musician: guitar "Rio Grande" | |
| Ken McLuskey | .... | music tutor | |
| Gill Mills | .... | musicians coordinator | |
| Gregor Philp | .... | musician | |
| Alasdair Roberts | .... | musician | |
| Michael Sangster | .... | assistant music mixer | |
| John Somerville | .... | musician | |
| Fiona Stephen | .... | musician | |
| Graeme Wilson | .... | musician: Hung Drawn Quartet | |
Transportation Department | |||
| Michael Allen | .... | driver: minibus | |
| Jas Brown | .... | unit driver | |
| Graeme Brownlee | .... | unit driver | |
| Tommy Bryce | .... | unit driver | |
| Jim Cardy | .... | driver: wardrobe truck | |
| Neill Cinnamond | .... | barge driver | |
| Jeff Derby | .... | driver: make-up truck (as Jeff Darby) | |
| Roddy Garden | .... | driver: dressing props vehicle | |
| Dave Love | .... | driver: camera car | |
| Craig McQueenie | .... | driver: generator | |
| Andy Nielson | .... | stand-by driver | |
| Ross Weir | .... | barge driver | |
Other crew | |||
| Matthew Baker | .... | assistant: Alexandra Stone | |
| Guy Barker | .... | production accountant | |
| Stephen Burt | .... | location manager | |
| Jo Cameron Brown | .... | voice and dialect coach | |
| Jennifer Cargey | .... | production runner | |
| Gillian Clyde | .... | business affairs | |
| Dorothy Connolley | .... | script supervisor (as Dot Connolley) | |
| David Davidson | .... | marine coordinator | |
| Harry Dixon | .... | legal script consultant | |
| Clair Dobbs | .... | unit publicist | |
| Tony Duncan | .... | security officer | |
| Larry Eydmann | .... | health and safety advisor | |
| Kara Finlay | .... | assistant: David Byrne | |
| Julie Gardner | .... | production coordinator (as Julie Connor) | |
| Amy Gilliam | .... | floor runner | |
| Anne Marie Gormley | .... | assistant accountant | |
| Vinnie Holden | .... | production financing (as Vincent Holden) | |
| Sarah Hughes | .... | clearance | |
| Kelly Johnson | .... | accounts trainee | |
| Jocelyn Jones | .... | assistant: Jeremy Thomas | |
| Robbie Kirkpatrick | .... | floor runner | |
| Florence Larsonneur | .... | business affairs: Recorded Picture Company | |
| Stuart MacDonald | .... | marine consultant | |
| Iain MacLean | .... | location assistant | |
| Layla Mall | .... | production trainee | |
| Glynis McKeand | .... | consultant: courtroom | |
| Luke Morris | .... | production executive | |
| William Morris | .... | body double: Peter Mullan | |
| Brock Norman Brock | .... | production executive | |
| Ciara Parkes | .... | unit publicist | |
| Caroline Perjesi | .... | assistant: Nick O'Hagan | |
| Laura Quinn | .... | stand-in | |
| Norman Campbell Rees | .... | stand-in (as Norman Rees) | |
| Kristy Ryan | .... | promotions manager: Australia | |
| David Sheasby | .... | body double: Ewan McGregor | |
| Josie Smith | .... | body double: Emily Mortimer | |
| Jay Spence | .... | body double: Emily Mortimer | |
| Paul Swann | .... | laboratory contact | |
| Stef Swiatek | .... | unit nurse | |
| Jessica Thomas | .... | additional epk | |
| Avril Watt | .... | script supervisor | |
| Julia Willis | .... | assistant: Peter Watson and Stephan Mallmann | |
| Norman Campbell Rees | .... | production assistant (uncredited) | |
Thanks | |||
| Alastair Mackenzie | .... | special thanks | |
| Tony Rolink | .... | thanks | |
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| Die Blechtrommel | The Pillow Book | Novecento | Boy A | The Night of the Hunter |
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The films focus on translating the novels first person perspective is clearly an obsession for this director. Never is the audiences attention allowed outside of Joe's point of view. We see only what he sees, we hear nothing more and we remember his life in little snatches, moments of dark disgusting and secret clarity he keeps from the world.
The film starts with a corpse, a barely dressed woman floating in the Clyde that is fished out by Joe; a young man working the barges for reasons that are not immediately clear. This brutal beginning in which we see Joe lay a tender hand on the cold dead flesh of the girl begins the film with a level of tension that rarely leaves the screen. Through his actions and - more importantly - his inactions we peel away the outer layers of a man on the run from himself, from responsibility and from guilt. We see him commit two murders by mission of inaction and we see him quietly dealing with that in one last lingering shot that tells us he will never change.
Joe is sexually driven to destroy life around him and he uses sex as a weapon against himself and against the possibility of settling or creating a future. He could be a writer, but he lacks the courage to read his own work. He could be a father, but he cannot face the thought of commitment. He could be a lover, but he makes love to women only as a means to an end, rejecting and pushing them away once the act is completed.
And this is the film in a nutshell. A relentless character study of an unpleasant man who punishes those around him for his own failings. Yes there is gratuitous sex in this film, but it has its place, it defines the moments of change in everyone else's lives while underlining the static character of Joe, played with utter brilliance by Ewen McGregor. The sex is cold, rather than erotic, reflecting the characters contempt for those he uses. Without the detailed sex scenes the film would be less than it is, but audiences expected to be titillated will come away disappointed.
Not without flaws this film has that perplexing title and a scene in which Joe beats his girlfriend after covering her with custard. The scene is alien to both the film and the character of Joe who gives no indication of being violent, rather a man that will walk out on a problem rather than face the awful possibility of confrontation. In fact Ewen McGregor seems embarrassed to play this scene, as though he too cannot link this outburst to the character he is playing.
But this minor quibble apart the film remains an artistically shot work, played with brilliance by everyone. Its rare to see a film where the whole cast are brilliant, where the script is clearly cut and the direction thought through. The visual aspect of the film is also tremendous with each shot being laid out in front of us like a painting, a wondrous work of art that moves and flows to show us the 60's post war Brittan with utter clarity.
Hollywood please take note.