| Photos (see all 17 | slideshow) | Videos (see all 2) |
| Ewan McGregor | ... | Joe Taylor | |
| Tilda Swinton | ... | Ella Gault | |
| Peter Mullan | ... | Les Gault | |
| Emily Mortimer | ... | Cathie Dimly | |
| Jack McElhone | ... | Jim Gault | |
| Therese Bradley | ... | Gwen | |
| Ewan Stewart | ... | Daniel Gordon | |
| Stuart McQuarrie | ... | Bill | |
| Pauline Turner | ... | Connie | |
| Alan Cooke | ... | Bob M'bussi | |
| Rory McCann | ... | Sam | |
| Ian Hanmore | ... | Freight Supervisor | |
| Andrew Neil | ... | Barman | |
| Arnold Brown | ... | Bowler Hat Man | |
| Meg Fraser | ... | Stall Woman | |
| Stuart Bowman | ... | Black Steet Pub Man | |
| Wullie Brennan | ... | Black Steet Pub Man | |
| Rony Bridges | ... | Black Steet Pub Man | |
| John Kazek | ... | Black Steet Pub Man | |
| Duncan McHardy | ... | Black Steet Pub Man | |
| Stewart Porter | ... | Black Steet Pub Man | |
| Malcolm Shields | ... | Black Steet Pub Man | |
| Tam Dean Burn | ... | Black Street Barman | |
| Michael Carter | ... | Prosecutor | |
| Struan Rodger | ... | Judge | |
| Mathew Zajac | ... | Forensics Expert (as Matthew Zajac) | |
| Mhairi Steenbock | ... | Cathie's Flatmate | |
| John Comerford | ... | Jury Foreman | |
| Anne Marie Timoney | ... | Mrs. Gordon | |
| John Yule | ... | Clerk of the Court | |
| Sandy Neilson | ... | Defence Counsel | |
| Des Hamilton | ... | Witness | |
| Eddie Dahlstrom | ... | Blind Man |
Directed by | |||
| David Mackenzie | |||
Writing credits | ||
| Alexander Trocchi | (novel) | |
| David Mackenzie | (writer) | |
Produced by | |||
| Gillian Berrie | .... | associate producer | |
| Leonard Crooks | .... | associate producer: Glasgow Film Office (as Lenny Crooks) | |
| Robert Jones | .... | executive producer: UK Film Council | |
| Stephan Mallmann | .... | associate producer | |
| Steve McIntyre | .... | associate producer: Scottish Screen | |
| Nick O'Hagan | .... | co-producer | |
| Jim Reeve | .... | co-producer | |
| Alexandra Stone | .... | co-producer | |
| Jeremy Thomas | .... | producer | |
| Peter Watson | .... | associate producer | |
Original Music by | |||
| David Byrne | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Des Hamilton | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Stuart Rose | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Jacqueline Durran | |||
Makeup Department | |||
| Candice Banks | .... | hair stylist | |
| Candice Banks | .... | makeup artist | |
| Tony Lilley | .... | hair stylist | |
| Tony Lilley | .... | makeup artist | |
| Meg Speirs | .... | hair designer | |
| Meg Speirs | .... | makeup designer | |
Production Management | |||
| Michael Campbell | .... | unit manager | |
| Clare Maclean | .... | post-production supervisor (as Clare Oliver) | |
| Janet Riddoch | .... | production manager (as Janet S. Riddoch) | |
| Beverley Syme | .... | unit manager | |
Art Department | |||
| Mat Bergel | .... | stand-by props | |
| Sandy Borthwick | .... | chargehand painter | |
| Phil Bowen | .... | construction manager | |
| Susan Collin | .... | art department assistant | |
| Stewart Cunningham | .... | dressing props | |
| Colin Davidson | .... | carpenter | |
| Laura Donnelly | .... | stand-by art director | |
| Gordon Fitzgerald | .... | property master | |
| Bobby Gee | .... | stand-by painter | |
| Derek Gray | .... | storyboard artist | |
| Richard Hassall | .... | stand-by carpenter | |
| Michael Higson | .... | stagehand | |
| John Hughes | .... | painter | |
| Piero Jamieson | .... | dressing props | |
| Scott Keery | .... | stand-by props | |
| Mary Mackenzie | .... | art department runner | |
| Sue Morrison | .... | production buyer | |
| Jim O'Donnell | .... | painter | |
| Jim O'Donnell | .... | painter | |
| Alex Robertson | .... | supervising carpenter | |
| Andy Thomson | .... | assistant art director | |
| David Weatherstone | .... | storeman | |
Sound Department | |||
| Tim Alban | .... | dubbing mixer | |
| Kieran Boyne | .... | sound trainee | |
| Edward Bulman | .... | foley editor | |
| Edward Bulman | .... | foley recordist | |
| Tony Cook | .... | boom operator | |
| Richard Davey | .... | assistant dubbing mixer | |
| Rory Farnan | .... | dialogue editor | |
| Mike Grimes | .... | assistant sound editor | |
| Louis Kramer | .... | additional sound recordist | |
| Melissa Lake | .... | foley artist | |
| Micheal MacKinnon | .... | adr recordist: Glasgow | |
| Sandy Miller | .... | boom operator | |
| Colin Nicolson | .... | sound recordist | |
| Jeremy Price | .... | supervising sound editor | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Lionel Selwyn | .... | foley artist | |
| Chris Sinclair | .... | adr recordist: Glasgow | |
| Barnaby Smyth | .... | adr recordist | |
| David Turner | .... | sound technical coordinator (uncredited) | |
Special Effects by | |||
| Tony Auger | .... | special effects supervisor | |
| Graham Hills | .... | special effects foreman | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Perry Costello | .... | rain effects (uncredited) | |
Visual Effects by | |||
| Phil Attfield | .... | visual effects supervisor | |
| Robin Beard | .... | digital effects artist | |
| Simon Carr | .... | visual effects supervisor | |
| Mark Dollery | .... | digital imaging | |
| Tom Hocking | .... | digital artist | |
| Gruff Owen | .... | digital artist | |
Stunts | |||
| Nina Armstrong | .... | stunts | |
| Kelly Dent | .... | stunts | |
| Rowley Irlam | .... | stunt double: Ewan Mcgregor | |
| Gareth Milne | .... | stunt coordinator | |
| Lyndal Smith | .... | stunts | |
Camera and Electrical Department | |||
| Anna Benbow | .... | camera trainee | |
| Jim Boorer | .... | grip | |
| Lewis Buchan | .... | focus puller | |
| Neil Davidson | .... | still photographer | |
| Arthur Donnelly | .... | electrician | |
| Steven Hall | .... | cinematographer: second unit | |
| John Harper | .... | first assistant camera: second unit | |
| Bob Hunt | .... | best boy | |
| Andy Long | .... | gaffer | |
| Frank McConologue | .... | electrician (as Frank McConalogue) | |
| Dean Morrish | .... | underwater first assistant camera | |
| Derrick Peters | .... | second assistant camera: second unit | |
| Lilia Sellami | .... | clapper loader | |
| Pat Sweeney | .... | rigging gaffer | |
| Mike Valentine | .... | underwater camera operator | |
| Billy Wilson | .... | stand-by rigger | |
Casting Department | |||
| Kahleen Crawford | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lesley Abernethy | .... | costume assistant | |
| Vickie Hallam | .... | costume breakdown (as Vicki Hallam) | |
| Barbara Harrington | .... | costume assistant | |
| Hazel Mall | .... | costume trainee | |
| Sara Meek | .... | assistant costume designer | |
| Emma Walker | .... | costume breakdown | |
Editorial Department | |||
| Layla Blackman | .... | post-production assistant (as Layla Evans) | |
| Giles Burgess | .... | first assistant film editor: London | |
| Steven Ferguson | .... | editor trainee | |
| Anna Mehta | .... | first assistant film editor: Glasgow | |
| Chris Sinclair | .... | post-production assistant | |
| John Stanborough | .... | film grader | |
Music Department | |||
| Lisa Aferiat | .... | musician | |
| Michael Bannister | .... | assistant music mixer | |
| Caroline Barber | .... | musician | |
| Allon Beauvoisin | .... | musician: Hung Drawn Quartet | |
| Georgia Boyd | .... | musician | |
| Stuart Brown | .... | musician: Hung Drawn Quartet | |
| Barry Burns | .... | musician | |
| David Byrne | .... | music arranger: strings | |
| Richard Colburn | .... | musician | |
| Tony Doogan | .... | music mixer | |
| Keith Edwards | .... | musician: Hung Drawn Quartet | |
| Dick Gaughan | .... | consultant: folk music | |
| Donald Gillan | .... | musician | |
| Janice Ginsberg | .... | music supervisor | |
| Robert Irvine | .... | musician | |
| Greg Lawson | .... | musician | |
| Malcolm Lindsay | .... | music arranger: strings | |
| George Lyle | .... | musician: Hung Drawn Quartet | |
| Raymond MacDonald | .... | music arranger: strings | |
| Raymond MacDonald | .... | musician: Hung Drawn Quartet | |
| Una McGlone | .... | musician | |
| Johnny McGlynn | .... | musician: guitar "Rio Grande" | |
| Ken McLuskey | .... | music tutor | |
| Gill Mills | .... | musicians coordinator | |
| Gregor Philp | .... | musician | |
| Alasdair Roberts | .... | musician | |
| Michael Sangster | .... | assistant music mixer | |
| John Somerville | .... | musician | |
| Fiona Stephen | .... | musician | |
| Graeme Wilson | .... | musician: Hung Drawn Quartet | |
Transportation Department | |||
| Michael Allen | .... | driver: minibus | |
| Jas Brown | .... | unit driver | |
| Graeme Brownlee | .... | unit driver | |
| Tommy Bryce | .... | unit driver | |
| Jim Cardy | .... | driver: wardrobe truck | |
| Neill Cinnamond | .... | barge driver | |
| Jeff Derby | .... | driver: make-up truck (as Jeff Darby) | |
| Roddy Garden | .... | driver: dressing props vehicle | |
| Dave Love | .... | driver: camera car | |
| Craig McQueenie | .... | driver: generator | |
| Andy Nielson | .... | stand-by driver | |
| Ross Weir | .... | barge driver | |
Other crew | |||
| Matthew Baker | .... | assistant: Alexandra Stone | |
| Guy Barker | .... | production accountant | |
| Stephen Burt | .... | location manager | |
| Jo Cameron Brown | .... | voice and dialect coach | |
| Jennifer Cargey | .... | production runner | |
| Gillian Clyde | .... | business affairs | |
| Dorothy Connolley | .... | script supervisor (as Dot Connolley) | |
| Julie Connor | .... | production coordinator | |
| David Davidson | .... | marine coordinator | |
| Harry Dixon | .... | legal script consultant | |
| Clair Dobbs | .... | unit publicist | |
| Tony Duncan | .... | security officer | |
| Larry Eydmann | .... | health and safety advisor | |
| Kara Finlay | .... | assistant: David Byrne | |
| Amy Gilliam | .... | floor runner | |
| Anne Marie Gormley | .... | assistant accountant | |
| Vinnie Holden | .... | production financing (as Vincent Holden) | |
| Sarah Hughes | .... | clearance | |
| Kelly Johnson | .... | accounts trainee | |
| Jocelyn Jones | .... | assistant: Jeremy Thomas | |
| Robbie Kirkpatrick | .... | floor runner | |
| Florence Larsonneur | .... | business affairs: Recorded Picture Company | |
| Stuart MacDonald | .... | marine consultant | |
| Iain MacLean | .... | location assistant | |
| Layla Mall | .... | production trainee | |
| Glynis McKeand | .... | consultant: courtroom | |
| Luke Morris | .... | production executive | |
| William Morris | .... | body double: Peter Mullan | |
| Brock Norman Brock | .... | production executive | |
| Ciara Parkes | .... | unit publicist | |
| Caroline Perjesi | .... | assistant: Nick O'Hagan | |
| Laura Quinn | .... | stand-in | |
| Norman Campbell Rees | .... | stand-in (as Norman Rees) | |
| Kristy Ryan | .... | promotions manager: Australia | |
| David Sheasby | .... | body double: Ewan McGregor | |
| Josie Smith | .... | body double: Emily Mortimer | |
| Jay Spence | .... | body double: Emily Mortimer | |
| Paul Swann | .... | laboratory contact | |
| Stef Swiatek | .... | unit nurse | |
| Jessica Thomas | .... | additional epk | |
| Avril Watt | .... | script supervisor | |
| Julia Willis | .... | assistant: Peter Watson and Stephan Mallmann | |
| Norman Campbell Rees | .... | production assistant (uncredited) | |
Thanks | |||
| Alastair Mackenzie | .... | special thanks | |
| Tony Rolink | .... | thanks | |
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| Basic Instinct | Big Fish | Femme Fatale | Fatal Attraction | Body Double |
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One of the more quietly desperate films of recent past, Young Adam is an interesting study of lower working class characters - working poor, perhaps set against an idyllic Scotland river life we have probably never seen. That working barges ply streams with bridges so narrow that crew must guide the craft along by kicking the tunnel-like sides of passage and canals and rivers are so pastorally picturesque is an awfully artful examination of a simpler time.
Joe (Ewan McGregor), a hired hand laboring on a barge-of-all-trades is the bad-boy promiscuous lover of any and all girls within contact. Torrid sex with any and all of them is his single-minded purpose, we gather at first. But we quickly find he 1.) is or was a writer (failed or perhaps more correctly never-started) 2) is linked to a body found in a river and 3) is seemingly incapable of or devoid of emotion. But we are going to alter some our judgments of Joe as more is revealed.
Sexual promiscuity confined to abrupt, even relentless encounters is the main character's focus even though we know it is as unfeelingly given as it seems to be received. In one encounter, nearly violent in its depiction, we cannot see the face of his partner as she cries (or is she laughing?). Interestingly lit, we marvel at this singularly stark depiction of lust. Ella (Tilda Swinton) and her husband Les (Peter Mullan) have employed Joe on their barge and it is not long before we see how Joe has changed the dynamic in the marriage. It is with Les that Joe recovers the body of a woman floating in the river. Curiously Joe cannot manage the use of a boat hook to snare the woman's body; Les has to take over.
The story becomes one of determining who the woman is and how she fits into the story. Through flashbacks we see a disturbing development as as the police investigation of the dead woman ensues; we continue to follow this thread through the course of the film.
The music chosen for the film is unmemorable, but that may serve us well in that it is never a distraction. Time passes during the course of the story, but it could be a week, perhaps six months.
An interesting film, the title has been bandied about for its Biblical reference but reveals little about the matters at hand. In the final analysis the only surprise found in the movie is when a prominent figure merely disappears; consistent with the tempo, it is a profoundly quiet moment. Disturbing at every turn, this is a film charged with raw sexuality and should be seen to appreciate naturalistic film.