| Debbie Rochon | ... | Stevie | |
| Tanya Dempsey | ... | Annie | |
| Tina Krause | ... | Rose | |
| Paul Darrigo | ... | Burke | |
| Brinke Stevens | ... | Lilith |
Directed by | |||
| J.R. Bookwalter | |||
Writing credits(in alphabetical order) | ||
| J.R. Bookwalter | writer | |
| Matthew Jason Walsh | writer | |
Produced by | |||
| Charles Band | .... | executive producer | |
| J.R. Bookwalter | .... | producer | |
| Tammi Sutton | .... | producer | |
Original Music by | |||
| Jon Greathouse | |||
| Matthew Jason Walsh | |||
Cinematography by | |||
| Danny Draven | |||
Film Editing by | |||
| J.R. Bookwalter | |||
Casting by | |||
| J.R. Bookwalter | (as Lance Randas) | ||
Production Design by | |||
| Tammi Sutton | |||
Art Direction by | |||
| Thomas W. Dorst Jr. | (as Thomas Dorst Jr.) | ||
Makeup Department | |||
| Mark Bautista | .... | hair stylist | |
| Mark Bautista | .... | makeup artist | |
| Mark Bautista | .... | special makeup effects artist | |
Production Management | |||
| J.R. Bookwalter | .... | post-production supervisor (as Lance Randas) | |
| Mickey Kaiserman | .... | executive in charge of production | |
| Carmilla Karnstein | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Marcus Johnson | .... | assistant director | |
| Dennis Smith | .... | assistant director | |
Art Department | |||
| Shawn Calhoun | .... | property master | |
| Steve Norton | .... | set dresser | |
| Steve Norton | .... | swing | |
Sound Department | |||
| Maui Holcomb | .... | sound designer | |
| Maui Holcomb | .... | sound editor | |
| Maui Holcomb | .... | sound recordist | |
| Maui Holcomb | .... | supervising sound editor | |
| Chris M. Jacobson | .... | sound designer | |
| Chris M. Jacobson | .... | sound re-recording mixer: 5.1 | |
| Miles Reeder | .... | sound mixer | |
| Lewis Vendredi | .... | foley artist | |
Visual Effects by | |||
| Danny Draven | .... | visual effects producer | |
Stunts | |||
| Paul Darrigo | .... | fight choreographer | |
Camera and Electrical Department | |||
| 'Shakey' Bogen Manfrotti | .... | second assistant camera | |
| Danny Draven | .... | camera operator | |
| Hy Mortle | .... | assistant camera | |
| Miles Reeder | .... | key grip (as Miles 'Copy That' Reeder) | |
| Brad Rushing | .... | lighting | |
| Jeffrey W. Scaduto | .... | focus puller (as Spud) | |
| Jeffrey W. Scaduto | .... | gaffer (as Jeffrey W. 'Spud' Scaduto) | |
| Kelley Sweet | .... | still photographer | |
| Todd Wade | .... | grip equipment | |
Editorial Department | |||
| J.R. Bookwalter | .... | assistant editor (as Lance Randas) | |
| Vivian Soegijanty | .... | post-production coordinator | |
| Lloyd 'Gambo' Taylor | .... | on-line editor (as Lloyd 'Gumbo' Taylor) | |
Music Department | |||
| Edward Douglas | .... | composer: main titles (as Midnight Syndicate) | |
| Jon Greathouse | .... | composer: additional score | |
| Phantom Blue | .... | original songs | |
| Midnight Syndicate | .... | additional music scoring | |
| Midnight Syndicate | .... | composer: main title and additional music | |
| Midnight Syndicate | .... | composer: title music | |
| Matthew Jason Walsh | .... | original songs | |
Transportation Department | |||
| Jeffrey W. Scaduto | .... | driver: Danny Draven (as Jeffrey W. 'Spud' Scaduto) | |
| Jeffrey W. Scaduto | .... | vehicles (as Spud) | |
Other crew | |||
| Kristen Andersen | .... | locations | |
| Aaron Brown | .... | assistant to producers | |
| Bennah Burton-Burtt | .... | assistant: Charles Band | |
| Eric Cartman | .... | production accountant | |
| Josh Cobb | .... | locations | |
| Danny Draven | .... | main titles | |
| Gilles Frenchy Gauthier | .... | director of creative marketing (as Gilles Gauthier) | |
| Vanessa Gill | .... | production coordinator | |
| Devin Hamilton | .... | executive in charge of distribution | |
| Christine Hernandez | .... | merchandise manager | |
| Jennifer Kessler | .... | contracts administrator (as Jennifer 'Sissy' Kessler) | |
| Bob Langer | .... | director of merchandising | |
| William Lantry | .... | location manager | |
| David Markosyan | .... | communication services | |
| Jonathan Morken | .... | intern | |
| Hope Payan | .... | financial systems | |
| Keping Qui | .... | location manager (as Qiu Keping) | |
| Ed Shields | .... | vice president of international sales | |
| Justin Smith | .... | locations | |
| Charles Spencer | .... | financial systems | |
| Yolanda Squatpump | .... | script supervisor (as Yolonda Squatpump) | |
| Tyson N. Trusty | .... | location assistant | |
| Gina Tucci | .... | office manager | |
Thanks | |||
| Robert Bookwalter | .... | special thanks | |
| Jason Paul Collum | .... | special thanks: Femme Fatales magazine (as Jason Collum) | |
| Michael Gingold | .... | special thanks: Fangoria magazine | |
| Daniel Greathouse | .... | special thanks | |
| David Lange | .... | special thanks | |
| Sandra Lange | .... | special thanks | |
| Steven Nielson | .... | special thanks (as Steve 'Totem' Nielson) | |
| Michael Raso | .... | special thanks (as Michael L. Raso) | |
| Joshua Weisel | .... | special thanks: Pro and Con | |
| Duane Whitaker | .... | special thanks | |
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| Sorceress | La terza madre | Shark Attack 3: Megalodon | Satan's Mistress | Witchboard 2: The Devil's Doorway |
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| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Take a handful of past-their-prime scream queens, some dreadful joke-shop make up, and a bargain-bin costume from the local fancy-dress shop, throw it all together with a messy script packed with magical mumbo-jumbo, andhey presto!you've got Witch House 3: Demon Fire!
Tanya Dempsey plays Annie, a young woman who leaves her abusive boyfriend to go and stay with her two best friends, documentary makers Stevie (Debbie Rochon) and Rose (Tina Krause). After an evening of supping wine in the hot-tub, the three women decide to dabble in a bit of black magic as part of Stevie's latest project, an in-depth expose on contemporary witchcraft. No prizes for guessing that this isn't a great idea!
At first this film looks like it might be a reasonably fun piece of trash; it gets its first hot-tub scene in fairly smartish (never a bad thing), follows that up with an enjoyably hokey magic ritual, and then delivers a welcome shower scene from buxom Krause. The fun stops and the tedium starts, however, once director J.R. Bookwalter tries to introduce his poorly developed plot, which ultimately proves to be nothing more than a weak tale of revenge into which a few supernatural elements have been clumsily shoehorned in order to justify the use of the Witch House monicker.