| Christopher Eccleston | ... | Vindici | |
| Kevin Knapman | ... | Firework | |
| Michael Ryan | ... | Bomber | |
| Kristopher Lundon | ... | 2nd Thug | |
| Joe Cottrell Boyce | ... | 4th Thug (as Joseph Cottrell Boyce) | |
| Jean Butler | ... | Gloriana | |
| Andrew Schofield | ... | Carlo | |
| Paul Reynolds | ... | Junior | |
| Justin Salinger | ... | Ambitioso | |
| Eddie Izzard | ... | Lussurioso | |
| Marc Warren | ... | Supervacuo | |
| Fraser Ayres | ... | Spurio | |
| James McMartin | ... | Boy | |
| Ged McCormack | ... | Referee | |
| Sammy Duplay | ... | Lad (as Sam du Play) | |
| Carla Henry | ... | Castiza | |
| Shaun Mason | ... | Hippolito | |
| Sophie Dahl | ... | Imogen | |
| Anthony Booth | ... | Lord Antonio | |
| Anthony Dorrs | ... | Antonio's Bodyguard | |
| Mark James | ... | Antonio's Bodyguard | |
| Derek Jacobi | ... | The Duke | |
| Diana Quick | ... | The Duchess | |
| Mathew Pollard | ... | Duke's Henchman | |
| Carl Learmond | ... | Duke's Henchman | |
| Patrick Graham | ... | Duke's Henchman | |
| Alex Cox | ... | Duke's Driver | |
| Margi Clarke | ... | Hannah | |
| Bianca Beyga | ... | Young Castiza | |
| Carl Chase | ... | Judge | |
| Nichola Dixon | ... | Imogen's Companion (as Nicola Dixon) | |
| Vinnie Adams | ... | 1st Officer | |
| Stephen Graham | ... | 2nd Officer | |
| Tony Maudsley | ... | Executioner | |
| John McArdle | ... | 1st Man in Bar | |
| Jake Abrahams | ... | 2nd Man in Bar | |
| Michael Starke | ... | Nessio | |
| Charles De'Ath | ... | Sordido | |
| Tom Williamson | ... | Banisher | |
| Sol Papadopoulos | ... | Ambitioso's Man | |
| Roger Appleton | ... | Voice of Sport (voice) | |
| Kim Ryan | ... | Voice of Skull (voice) | |
| rest of cast listed alphabetically: | |||
| Tod Davies | ... | Courtroom Spectator (uncredited) | |
| Margaret Matheson | ... | Courtroom Spectator (uncredited) | |
Directed by | |||
| Alex Cox | |||
Writing credits(in alphabetical order) | ||
| Frank Cottrell Boyce | adaptation | |
| Thomas Middleton | play | |
Produced by | |||
| Tod Davies | .... | producer | |
| Margaret Matheson | .... | producer | |
Cinematography by | |||
| Len Gowing | |||
Film Editing by | |||
| Ray Fowlis | |||
Casting by | |||
| Gary Davy | |||
Production Design by | |||
| Cecilia Montiel | |||
Costume Design by | |||
| Monica Aslanian | |||
Makeup Department | |||
| Lesley Brennan | .... | makeup designer | |
Production Management | |||
| Julia Valentine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kim Ryan | .... | first assistant director | |
Art Department | |||
| Joanne Cook | .... | assistant set dresser | |
| Christopher Schaper | .... | art department assistant | |
Sound Department | |||
| Wayne Brooks | .... | sound designer | |
| Wayne Brooks | .... | sound effects editor | |
| Gary Desmond | .... | sound | |
| Dave Humphries | .... | sound re-recording mixer | |
| Alan Sallabank | .... | sound re-recording mixer | |
| Kallis Shamaris | .... | sound editor | |
| Justin Wilkinson | .... | boom operator | |
Visual Effects by | |||
| Martin Wells | .... | colourist | |
Stunts | |||
| Ray Nicholas | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Costelloe | .... | camera operator | |
| Daniel Gadd | .... | daily camera assistant | |
| Richard Griffiths | .... | grip | |
| Jon Head | .... | grip | |
| Jim Neale | .... | grip | |
| James Swift | .... | clapper loader | |
Editorial Department | |||
| Ali Awad | .... | first assistant editor | |
Other crew | |||
| Alicia Boden | .... | production secretary | |
| Natasha Coombs | .... | script supervisor | |
| Andy Gowing | .... | location assistant | |
| Tom Harnick | .... | location manager | |
| Nina Sagemoen | .... | production coordinator | |
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| Hamlet | Hamlet | Hamlet | Antonia | Hamlet, Prince of Denmark |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
The acting is tremendous, the dialogue is delivered with such ease and intensity, and where there is caddiness-- it is intentional. This movie is visually beautiful and unapologetic; it does not bore you with tedious dialogue, but challenges the audience to mesh both Jacobean language with a modern day setting. Other movies have tried to accomplish this time fold, attempting to 'modernize' what they consider to be classics, but other movies did not have Christopher Eccleston and Eddie Izzard. There performances deserved more credit than the average moviegoer could afford. See this movie.