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Directed by | |||
| Dennie Gordon | |||
Writing credits(WGA) | ||
| William Douglas-Home | (play "The Reluctant Debutante") | |
| William Douglas-Home | (1958 screenplay) | |
| Jenny Bicks | (screenplay) and | |
| Elizabeth Chandler | (screenplay) | |
Produced by | |||
| Denise Di Novi | .... | producer | |
| E.K. Gaylord II | .... | executive producer | |
| Bill Gerber | .... | producer | |
| Alison Greenspan | .... | executive producer | |
| Steve Harding | .... | co-producer | |
| Casey La Scala | .... | executive producer | |
| Hunt Lowry | .... | producer | |
Original Music by | |||
| Rupert Gregson-Williams | |||
Cinematography by | |||
| Andrew Dunn | |||
Film Editing by | |||
| Charles McClelland | |||
Casting by | |||
| Gilly Poole | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Karen Wakefield | |||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Francesca Crowder | .... | hair stylist | |
| Karen Dawson | .... | key makeup artist | |
| Karen Dawson | .... | makeup designer | |
| Annabel Jardella | .... | makeup artist | |
| Ailbhe Lemass | .... | makeup artist | |
| Ameneh Mahloudji | .... | makeup artist: Ms. Chancellor | |
| Veronica McAleer | .... | hair stylist: Mr. Firth (as Veronica Brebner) | |
| Veronica McAleer | .... | makeup artist: Mr. Firth (as Veronica Brebner) | |
| Martin Samuel | .... | chief hair stylist | |
Production Management | |||
| Zakaria Alaoui | .... | production manager | |
| Steve Harding | .... | unit production manager | |
| Marianne Jenkins | .... | post-production supervisor | |
| Marianne Jenkins | .... | unit manager | |
Art Department | |||
| Richard Field | .... | stand-by art director | |
| Gary Gleeson | .... | head of department painter | |
| Kathy Heaser | .... | art department assistant | |
| Stuart Kearns | .... | assistant art director | |
| Anthony Szuch | .... | drapesman | |
| Debbie Wilson | .... | production buyer | |
Sound Department | |||
| Gareth Bull | .... | foley recordist | |
| Jose R. Castellon | .... | re-recording engineer: Spanish and Brazilian | |
| Colin Charles | .... | sound mixer | |
| Gary Dodkin | .... | boom operator | |
| Mike Dowson | .... | sound re-recording mixer | |
| Alan Freedman | .... | adr mixer | |
| Matt Grimes | .... | supervising sound editor | |
| Tim Hands | .... | adr editor | |
| Alistair Hawkins | .... | assistant sound editor | |
| Michael Redfern | .... | foley editor | |
| Bjorn Ole Schroeder | .... | adr supervisor | |
| Brian Simmons | .... | production sound mixer | |
| Mark Taylor | .... | sound re-recording mixer | |
| Jack Whittaker | .... | additional dialogue editor | |
| Michele Woods | .... | adr recordist | |
| James Boyle | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Tony Auger | .... | special effects supervisor | |
| Graham Hills | .... | special effects technician | |
Visual Effects by | |||
| Debra Coleman | .... | digital compositor | |
| Aimee Dadswell-Davies | .... | visual effects production assistant: Cinesite | |
| Dan Harrod | .... | digital artist | |
| George Plakides | .... | digital artist | |
| Gillian Roberts | .... | production development | |
| Sue Rowe | .... | visual effects supervisor | |
| Angie Wills | .... | visual effects producer | |
| Paula Pope | .... | digital systems manager (uncredited) | |
Stunts | |||
| Richard Bradshaw | .... | stunt double: Colin Firth | |
| Kelly Dent | .... | stunt double: Kelly Preston | |
| Bradley Farmer | .... | stunt double: Oliver James | |
| Paul Herbert | .... | assistant stunt coordinator | |
| Emma Mac | .... | stunt double | |
| Greg Powell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mik Allen | .... | focus puller: "a" camera | |
| Marc Atherfold | .... | camera loader: "b" camera | |
| Victoria Bradshaw | .... | video playback assistant | |
| Chris Clarke | .... | camera trainee | |
| Frank Connor | .... | still photographer | |
| David Cozens | .... | focus puller: "b" camera | |
| Adam Dale | .... | aerial director of photography | |
| Kate Filby | .... | clapper loader: "c" camera | |
| Simon Harding | .... | Steadicam operator | |
| Alex Howe | .... | first assistant camera: UK | |
| Martin Hume | .... | camera operator | |
| Malcolm Huse | .... | grip | |
| Tony Jackson | .... | Steadicam operator | |
| Tony Jackson | .... | additional camera operator | |
| Andy Long | .... | gaffer | |
| Jamie Mills | .... | electrician | |
| Paul Molloy | .... | practical electrician | |
| Miles Proudfoot | .... | camera loader: "a" camera | |
| Gary Smith | .... | grip | |
| Alan Stewart | .... | additional cinematographer: second unit | |
| William Tracey | .... | best boy | |
| Peter Hodgson | .... | video assist operator: dailies (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Charlotte Child | .... | costume assistant | |
| Annie Crawford | .... | costume supervisor | |
| Dulcie Scott | .... | costume assistant | |
Editorial Department | |||
| Jo Dale | .... | assistant editor | |
| Catriona Richardson | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Lorne Balfe | .... | music arranger | |
| Debra Baum | .... | music supervisor | |
| James Bellamy | .... | assistant music editor | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Tony Lewis | .... | music editor | |
| Nick Wollage | .... | score recordist | |
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| Absolute Beginners | Amazing Grace | Enchanted | The Reluctant Debutante | Sweet Home Alabama |
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I went into the theater today expecting a good movie. I was wrong. Why was I wrong? Because this was a GREAT movie!!!
The trailers made this film look INSANELY cheesy. Since I know from experience that trailers are highly inaccurate, I was expecting a PARTIALLY cheesy flick. But what I saw had almost no cheese to it at all. What A Girl Wants, despite its unfortunate title, is what a LOT of people want, combining drama, comedy, romance, and self-discovery in an hour and 45 minutes of enjoyment.
I didn't say insight, mind you, I said self-discovery. This is purely a narrative, not a deep thought movie, and it wouldn't have worked any other way. Kudos to Dennie Gordon for not trying to accent a theme that we're already familiar with, rather, she just throws it into the story, almost casually, so that we see the message of individuality but aren't repulsed by an overly blatant moral.
Many of this film's detractors say that it's a rip of The Princess Diaries. Not true. Yes, it's an adaptation, but it's based on "The Reluctant Debutante", which was around for DECADES before Diaries was even conceived. Besides, while it is a little formulaic, there are a few twists.
Many say it portrays inaccurate American/British stereotypes. Not true. Daphne and her mother are CLEARLY presented to be NOTHING like the average American, and Lord Dashwood only behaves so properly because of his political position.
Amanda Bynes as Daphne Reynolds finally gets a chance to show of her incredible dramatic skills. (Moody's Point had too much of a satirical tone to properly show this.) Bynes has her glory moments of comedy alongside her touching moments as the girl who wants to understand who she is.
Colin Firth as Henry Dashwood. Come on, who didn't already know Firth kicks butt? He is the center of every scene Bynes isn't in, and he carries that weight well.
Eileen Atkins as Lady Dashwood does a tremendous job with her supporting role, who is far more crucial to the plot than anyone expected.
Oliver James handles his theatrical debut well, showing much more emotion than the previews indicated. Libby Reynolds isn't a fully round character, but that's the script's fault, not Kelly Preston's. Both are capable singers, and considering that Bynes's one major performance flaw is lack of musical ability, I'm glad these two sang instead of her.
In fact, basically the entire cast here was superb.
See it, you'll be glad you did. Fine entertainment for almost everybody.