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Directed by | |||
| Dennie Gordon | |||
Writing credits(WGA) | ||
| William Douglas-Home | (play "The Reluctant Debutante") | |
| William Douglas-Home | (1958 screenplay) | |
| Jenny Bicks | (screenplay) and | |
| Elizabeth Chandler | (screenplay) | |
Produced by | |||
| Denise Di Novi | .... | producer | |
| E.K. Gaylord II | .... | executive producer | |
| Bill Gerber | .... | producer | |
| Alison Greenspan | .... | executive producer | |
| Steve Harding | .... | co-producer | |
| Casey La Scala | .... | executive producer | |
| Hunt Lowry | .... | producer | |
Original Music by | |||
| Rupert Gregson-Williams | |||
Cinematography by | |||
| Andrew Dunn | |||
Film Editing by | |||
| Charles McClelland | |||
Casting by | |||
| Gilly Poole | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Karen Wakefield | |||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Francesca Crowder | .... | hair stylist | |
| Karen Dawson | .... | key makeup artist | |
| Karen Dawson | .... | makeup designer | |
| Annabel Jardella | .... | makeup artist | |
| Ailbhe Lemass | .... | makeup artist | |
| Ameneh Mahloudji | .... | makeup artist: Ms. Chancellor | |
| Veronica McAleer | .... | hair stylist: Mr. Firth (as Veronica Brebner) | |
| Veronica McAleer | .... | makeup artist: Mr. Firth (as Veronica Brebner) | |
| Martin Samuel | .... | chief hair stylist | |
| Rupert Simon | .... | hairdresser: supporting artists (uncredited) | |
Production Management | |||
| Zakaria Alaoui | .... | production manager | |
| Steve Harding | .... | unit production manager | |
| Marianne Jenkins | .... | post-production supervisor | |
| Marianne Jenkins | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Noureddine Aberdine | .... | second assistant director | |
| William Dodds | .... | third assistant director | |
| Simon Downes | .... | second assistant director | |
| Carlos Fidel | .... | third assistant director | |
| Candy Marlowe | .... | second assistant director (as Candida Marlowe) | |
| Michael Michael | .... | third assistant director | |
| Michael Murray | .... | first assistant director | |
| Mohamed Nesrate | .... | first assistant director | |
| Ed Raymond | .... | second assistant director (as Eddie Raymond) | |
| Michael Stevenson | .... | assistant director | |
| Richard Styles | .... | first assistant director | |
Art Department | |||
| Richard Field | .... | stand-by art director | |
| Gary Gleeson | .... | head of department painter | |
| Kathy Heaser | .... | art department assistant | |
| Stuart Kearns | .... | assistant art director | |
| Anthony Szuch | .... | drapesman | |
| Debbie Wilson | .... | production buyer | |
Sound Department | |||
| Gareth Bull | .... | foley recordist | |
| Jose R. Castellon | .... | re-recording engineer: Spanish and Brazilian | |
| Colin Charles | .... | sound mixer | |
| Gary Dodkin | .... | boom operator | |
| Mike Dowson | .... | sound re-recording mixer | |
| Alan Freedman | .... | adr mixer | |
| Matt Grimes | .... | supervising sound editor | |
| Tim Hands | .... | adr editor | |
| Alistair Hawkins | .... | assistant sound editor | |
| Michael Redfern | .... | foley editor | |
| Bjorn Ole Schroeder | .... | adr supervisor | |
| Brian Simmons | .... | production sound mixer | |
| Mark Taylor | .... | sound re-recording mixer | |
| Jack Whittaker | .... | additional dialogue editor | |
| Michele Woods | .... | adr recordist | |
| James Boyle | .... | sound effects editor (uncredited) | |
| Garry Fiferman | .... | sound (uncredited) | |
Special Effects by | |||
| Tony Auger | .... | special effects supervisor | |
| Graham Hills | .... | special effects technician | |
Visual Effects by | |||
| Debra Coleman | .... | digital compositor | |
| Aimee Dadswell-Davies | .... | visual effects production assistant: Cinesite | |
| Dan Harrod | .... | digital artist | |
| Sabine Kertscher | .... | digital compositor | |
| George Plakides | .... | digital artist | |
| Gillian Roberts | .... | production development | |
| Sue Rowe | .... | visual effects supervisor | |
| Angie Wills | .... | visual effects producer | |
| Paula Pope | .... | digital systems manager (uncredited) | |
Stunts | |||
| Richard Bradshaw | .... | stunt double: Colin Firth | |
| Kelly Dent | .... | stunt double: Kelly Preston | |
| Bradley Farmer | .... | stunt double: Oliver James | |
| Paul Herbert | .... | assistant stunt coordinator | |
| Emma Mac | .... | stunt double | |
| Greg Powell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mik Allen | .... | focus puller: "a" camera | |
| Marc Atherfold | .... | camera loader: "b" camera | |
| Victoria Bradshaw | .... | video playback assistant | |
| Chris Clarke | .... | camera trainee | |
| Frank Connor | .... | still photographer | |
| David Cozens | .... | focus puller: "b" camera | |
| Adam Dale | .... | aerial director of photography | |
| Kate Filby | .... | clapper loader: "c" camera | |
| Simon Harding | .... | Steadicam operator | |
| Alex Howe | .... | first assistant camera: UK | |
| Martin Hume | .... | camera operator | |
| Malcolm Huse | .... | grip | |
| Tony Jackson | .... | Steadicam operator | |
| Tony Jackson | .... | additional camera operator | |
| Andy Long | .... | gaffer | |
| Jamie Mills | .... | electrician | |
| Paul Molloy | .... | practical electrician | |
| Miles Proudfoot | .... | camera loader: "a" camera | |
| Gary Smith | .... | grip | |
| Alan Stewart | .... | additional cinematographer: second unit | |
| William Tracey | .... | best boy | |
| Peter Hodgson | .... | video assist operator: dailies (uncredited) | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Charlotte Child | .... | costume assistant | |
| Annie Crawford | .... | costume supervisor | |
| Dulcie Scott | .... | costume assistant | |
Editorial Department | |||
| Jo Dale | .... | assistant editor | |
| Catriona Richardson | .... | assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Lorne Balfe | .... | music arranger | |
| Debra Baum | .... | music supervisor | |
| James Bellamy | .... | assistant music editor | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Tony Lewis | .... | music editor | |
| Nick Wollage | .... | score recordist | |
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| King Ralph | Enchanted | Sweet Home Alabama | Amazing Grace | The Reluctant Debutante |
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I have read several reviews of this film, and I have to say that men just aren't going to "get" this one. Our local paper's reviewer said he just didn't get the "stars in the eyes" of the women leaving the theater. His review didn't even MENTION Colin Firth. Well, I will! Colin is what is going to attract women to this film, and he does not disappoint. He is the best thing about the movie. Amanda Bynes is cute, and I enjoyed her too. The rest of the cast is quite good too...Anna Chancellor (Caroline Bingley, for those Pride and Prejudice fans...), and Eileen Atkins, particularly. I found the storyline about the daughter longing for her father and the father who just discovered her quite sweet and moving. Yes, the script was a bit sloppy and the humor often falls flat, but overall, Colin Firth's performance made it worth seeing for me. This is definitely a chick flick, though :)