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Deathwatch (2002)
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Overview
User Rating:
Release Date:
7 November 2002 (Hong Kong) moreTagline:
Deliver them from evilPlot:
In 1917, in the Western front, a group of survivors of the British Company Y reach the most forward German trench in a foggy night... more | add synopsisAwards:
1 win & 4 nominations moreNewsDesk:
(20 articles)
Sitges ’09: My Sitges Story—Part 9 (From Fangoria. 15 October 2009, 3:10 PM, PDT)
Fantastic Fest Mini: 'Solomon Kane' kicks ass for the Lord in '80s throwback
(From Hitfix. 25 September 2009, 3:00 PM, PDT)
User Comments:
More horror of war than horror film more (103 total)Cast
(Complete credited cast)| Jamie Bell | ... | Pfc. Charlie Shakespeare | |
| Rúaidhrí Conroy | ... | Pvt. Colin Chevasse (as Ruaidhri Conroy) | |
| Mike Downey | ... | Martin Plummer | |
| Laurence Fox | ... | Capt. Bramwell Jennings | |
| Roman Horak | ... | German soldier | |
| Dean Lennox Kelly | ... | Pvt. Willie McNess | |
| Torben Liebrecht | ... | Friedrich | |
| Kris Marshall | ... | Pvt. Barry Starinski | |
| Hans Matheson | ... | Pvt. Jack Hawkstone | |
| Hugh O'Conor | ... | Anthony Bradford | |
| Matthew Rhys | ... | Cpl. Doc Fairweather | |
| Andy Serkis | ... | Pvt. Thomas Quinn | |
| Hugo Speer | ... | Sgt. David Tate | |
| Pavel Tesar | ... | Mudman |
Additional Details
Also Known As:
No Man's Land (USA) (working title)Untitled Great War Project (UK) (working title)
Untitled WWI Trench Horror (USA) (working title)
more
MPAA:
Rated R for strong violence, language and brief sexuality.Parents Guide:
View content advisory for parentsRuntime:
94 minColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
Iceland:16 | Portugal:M/16 | Malaysia:18SG | Canada:13+ (Quebec) | Canada:18A (Manitoba) | Canada:R (Nova Scotia/Ontario) | Argentina:16 | South Korea:15 | Australia:MA | Finland:K-18 | Germany:18 | Hong Kong:IIB | Hong Kong:III | Japan:PG-12 | Norway:15 | Peru:18 | Philippines:R-13 | Singapore:NC-16 | Spain:18 | UK:15 | USA:R | Netherlands:16Fun Stuff
Trivia:
In the German dubbed version, the German soldiers speak French. moreGoofs:
Anachronisms: Near the end of the movie, the German prisoner is pointing what appears to be a Yugoslavian Model 24/47 rifle at Private Shakespeare. However, that model did not enter production until well after World War I. The proper weapon for this scene would be the longer Mauser Model 1898 Gewehr, the standard rifle of the German army in WWI. moreQuotes:
Cpl. Doc Fairweather: McNess, what are you doing?Pvt. Willie McNess: Leaving!
Pvt. Thomas Quinn: Well that's the best idea I've heard all day.
more
FAQ
Im confused at the end, were the soldiers in the real world after the battle?more
more (103 total)
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Although much-hyped as a horror film during production, 'Deathwatch' obviously shifted tone substantially in post-production towards a depiction of the everyday horrors of the Great War and seems all the better for it. Although there are vague similarities to Michael Mann's disappointing 'The Keep' and its truly dreadful British rip-off 'The Bunker,' this is both more ambitious and successful than either. A more accurate comparison would be to John Ford's rarely revived 'The Lost Patrol,' where a group of soldiers lost in the desert turn on each other as their situation worsens.
The production design is for the most part impeccable: unlike the studio-bound and cliche-ridden 'The Trench,' this offers one of the most realistic screen recreations of trench life at its worst, rats and all. Where the opening battle sequence never quite seems intense enough, the mundane realities of surviving daily life in what is little more than an open grave leave a lasting impression.
There are problems: some of the attitudes are wrong for the period, as are occasional lines of dialogue (such as references to then-nonexistent holiday camps or contemporary slang such as 'plank'). It's not even remotely frightening, and only begins to chill with its oddly touching ending (which bears more than a little similarity to a famed Bruce Joel Rubin script, the title of which would ruin the ending for anyone who hasn't seen it). But, unlike most British efforts of recent years, it is a real film with ambition and a sense of scale that deserved better at the box-office and is well worth a look.