| Videos (see all 2 NEW) |
| Kari Matchett | ... | Kate Filmore | |
| Geraint Wyn Davies | ... | Simon Grady | |
| Grace Lynn Kung | ... | Sasha | |
| Matthew Ferguson | ... | Max Reisler | |
| Neil Crone | ... | Jerry Whitehall | |
| Barbara Gordon | ... | Mrs. Paley | |
| Lindsey Connell | ... | Julia | |
| Greer Kent | ... | Becky Young | |
| Bruce Gray | ... | Colonel Thomas H. Maguire | |
| Philip Akin | ... | The General | |
| Paul Robbins | ... | Tracton | |
| Andrew Scorer | ... | Dr. Phil Rosenzweig |
Directed by | |||
| Andrzej Sekula | |||
Writing credits(WGA) | ||
| Sean Hood | (story) | |
| Sean Hood | (screenplay) and | |
| Ernie Barbarash | (screenplay) & | |
| Lauren McLaughlin | (screenplay) | |
Produced by | |||
| Ernie Barbarash | .... | producer | |
| Peter Block | .... | executive producer | |
| Suzanne Colvin | .... | co-producer (as Suzanne Colvin-Goulding) | |
| Mehra Meh | .... | executive producer | |
| Betty Orr | .... | executive producer | |
| Michael Paseornek | .... | executive producer | |
Original Music by | |||
| Norman Orenstein | |||
Cinematography by | |||
| Andrzej Sekula | |||
Film Editing by | |||
| Mark Sanders | |||
Casting by | |||
| John Buchan | |||
Production Design by | |||
| Diana Magnus | |||
Art Direction by | |||
| Jon P. Goulding | |||
Set Decoration by | |||
| Jerri Thrasher | |||
Costume Design by | |||
| Donna Wong | |||
Makeup Department | |||
| George Aywaz | .... | key hair stylist | |
| Roy Aywaz | .... | assistant hair stylist | |
| Lee-Anne Crossman | .... | assistant makeup artist | |
| Catherine Davies Irvine | .... | key makeup artist | |
Production Management | |||
| Suzanne Colvin | .... | production manager | |
| Philip Stilman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| September Death | .... | second assistant director | |
| Rob Fowler | .... | first assistant director | |
| Jenny Murray | .... | third assistant director | |
| Effy Papadopoulos | .... | second assistant director | |
| Ian Paul | .... | trainee assistant director | |
| Mark Sanders | .... | second unit director | |
Sound Department | |||
| D'Andrea Bowie | .... | foley assistant | |
| Fred Brennan | .... | dialogue and adr editor | |
| Fred Brennan | .... | supervising sound editor | |
| John Elliot | .... | foley assistant (as John Elliott) | |
| Keith Elliott | .... | sound re-recording mixer | |
| Barry Gilmore | .... | adr editor | |
| Barry Gilmore | .... | dialogue editor | |
| Steve Hammond | .... | foley artist | |
| Ken Hunold | .... | stereo sound consultant: Dolby | |
| Peter Kelly | .... | sound re-recording mixer | |
| Brent MacClean | .... | assistant adr editor | |
| Brent MacClean | .... | assistant dialogue editor | |
| Nancy Nugent | .... | adr recordist: Los Angeles | |
| Jason Perreira | .... | sound re-recording assistant | |
| Peter Persaud | .... | foley recordist | |
| David Rose | .... | assistant sound effects designer (as Dave Rose) | |
| Greg Shim | .... | adr recordist: Toronto | |
| Mark Shnuriwsky | .... | sound effects designer | |
| Mark Shnuriwsky | .... | sound effects editor | |
| James Stewart | .... | boom operator | |
| Andrew Tay | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr recordist: Los Angeles | |
| Brandon Walker | .... | adr editor | |
| Kelly Wright | .... | sound recordist | |
| David Yonson | .... | adr recordist | |
Special Effects by | |||
| Jon Davis | .... | special effects technician | |
| Dave Fulton | .... | special effects rigger | |
| A. Scott Hamilton | .... | special makeup effects designer and creator | |
| Derek Liscoumb | .... | special effects assistant | |
| Jeff Skochko | .... | special effects coordinator | |
| Steve Skochko | .... | special effects key | |
Visual Effects by | |||
| Brian Anderson | .... | 3D animator: Mr. X Inc. | |
| Alan Bak | .... | senior production supervisor: Cine-Byte | |
| Jeff Baker | .... | technical supervisor: Cine-Byte | |
| Dennis Berardi | .... | visual effects producer: Mr. X Inc. | |
| Kristy Blackwell | .... | 3D animator: Mr. X Inc. | |
| Dave Calder | .... | 3D animator: Mr. X Inc. | |
| Shawney Cohen | .... | 3D animator: Mr. X Inc. (as Sean Cohen) | |
| Drake Conrad | .... | digital color timer: Cine-Byte | |
| Michael Dalton-Smith | .... | compositing assistant: Mr X. inc | |
| Matthew Daw | .... | technical supervisor: title sequence | |
| Shane Glading | .... | 3D animator: Mr. X Inc. | |
| Rick Hannigan | .... | optical consultant: Cine-Byte | |
| Felix Heeb | .... | scanning and recording: Cine-Byte | |
| Eric Kim | .... | 3D animator: Mr. X Inc. | |
| Diana Madureira | .... | production coordinator: Cine-Byte | |
| Sean Montgomery | .... | title sequence animator | |
| Kimberlee Morley | .... | office manager: Mr. X Inc. | |
| Marco Polsinelli | .... | digital compositor: Mr. X Inc. | |
| Vladimir Popovic | .... | systems administrator | |
| Matthew Steeves | .... | visual effects coordinator: Mr. X Inc. | |
| Mark Stepanek | .... | 3D animator: Mr. X Inc. | |
| Miguel Sternberg | .... | 3D animator: Mr. X Inc. | |
| Lee Towndrow | .... | main title designer | |
| Mark Tureski | .... | digital opticals effects | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc. | |
| Colin Withers | .... | software developer: Mr. X Inc. | |
| Dong Yon Kang | .... | 3D animator: Mr. X Inc. | |
| Andy Robinson | .... | flame artist: Mr. X Inc. (uncredited) | |
Stunts | |||
| Peter Cox | .... | stunt rigger | |
| Tom Farr | .... | stunt double: Matthew Ferguson | |
| Tom Farr | .... | stunt rigger | |
| Brian Jagersky | .... | stunt double: Geraint Wyn Davies | |
| Jamie Jones | .... | stunt double: Bruce Gray | |
| Kelly Jones | .... | stunt double: Neil Crone | |
| Kelly Jones | .... | stunt rigger | |
| Billy Oliver | .... | utility stunts | |
| Alison Reid | .... | stunt coordinator | |
| Alison Reid | .... | stunt double: Greer Kent | |
| Dave Van Zeyl | .... | stunt rigger (as Dave Van Zehl) | |
| Jennifer Vey | .... | stunt double: Kari Matchett | |
| Jennifer Vey | .... | stunt rigger | |
Camera and Electrical Department | |||
| Robert Barton-Taylor | .... | dolly grip (as Robert Barton Taylor) | |
| Roger Bate | .... | gaffer | |
| Paul Boucher | .... | camera operator | |
| Jan Brunton | .... | camera trainee | |
| Jayson Clute | .... | first assistant camera | |
| Chad Edwards | .... | electrician | |
| Carl Flood | .... | electrician | |
| Sophie Giraud | .... | still photographer | |
| Bill Heintz | .... | key grip | |
| Terry Hooper | .... | grip | |
| Ken Huff | .... | grip | |
| Aaron Kazmher | .... | best boy (as Aaron Kazmer) | |
| Charles O'Keefe | .... | generator operator | |
| Owen Vanooyen | .... | electrician | |
| Christopher Warren | .... | best boy electric (as Chris Warren) | |
| Chris Weiss | .... | second assistant camera | |
| Tom Bate | .... | key grip (uncredited) | |
Casting Department | |||
| Meredith Caplan | .... | casting assistant | |
| Jenny Lewis | .... | casting associate | |
| Krisztina M. Neglia | .... | extras casting (as Krisztina Meuring) | |
Costume and Wardrobe Department | |||
| Sierra Constantinides | .... | wardrobe truck assistant | |
| Laura DiMarcantonio | .... | wardrobe assistant | |
| Jodi Katz | .... | assistant costume designer | |
| Samara McAdam | .... | on-set wardrobe supervisor | |
Editorial Department | |||
| Peter Cameron | .... | negative cutter | |
| Erin Deck | .... | first assistant editor | |
| Chris Hinton | .... | color timer | |
| Jennifer McSweeney | .... | post-production assistant | |
Transportation Department | |||
| Steven 'Sparky' Carr | .... | transportation captain (as Stephen 'Sparky' Carr) | |
| Mike Curran | .... | transportation coordinator | |
Other crew | |||
| Courtenay Bainbridge | .... | production intern (as Courtenay Bainbridge) | |
| Linda Browne | .... | script supervisor | |
| Gord Byford | .... | location production assistant | |
| Jeffrey Collins | .... | office production assistant | |
| Hillary Cunningham | .... | office production assistant | |
| Ernest Dyck | .... | stand-in | |
| Liz Ferrier | .... | assistant production coordinator (as Liz Ferrier-Tracey) | |
| Cereita Goulbourne | .... | assistant accountant | |
| Joel Green | .... | unit publicist | |
| Brent Hetherington | .... | assistant to producer | |
| Brent Hetherington | .... | clearance coordinator | |
| Anthony Kadak | .... | location manager | |
| Justin Kelly | .... | payroll accountant | |
| David Kinnersly | .... | craft service | |
| Randy Kumano | .... | production coordinator | |
| Martina Marchione | .... | on-set craft | |
| Stacey McKay | .... | production accountant | |
| Regina Petrik | .... | on-set craft | |
| Charles Taylor | .... | armorer | |
| Charles Taylor | .... | gun handler | |
| Sophia Vassiliadis | .... | stand-in | |
| Laurance Wiese | .... | studio manager | |
| Dawna Wright | .... | stand-in | |
| Al Vrkljan | .... | gun handler (uncredited) | |
| Lennie Williams | .... | publicist (uncredited) | |
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| Cube | Wrong Turn 3: Left for Dead | Cradle of Fear | The Midnight Meat Train | Grindhouse |
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I've never really thought about it this way, but I suppose in most cases, it's an honor to have a sequel. Although no one liked the sequel, I'm sure Jonathon Lynn is proud that The Whole Nine Yards got a sequel somehow. And that seems like the case with Cube 2: Hypercube, a sequel to the cult hit Cube. But then one wonders how there can be a sequel to a movie that was basically all filmed in one 14x14x14 set? Well, Cube 2 is the answer-but not really the best one. It shows what Cube would have been if it had had a bigger budget, but it also showed what it didn't want to become.
Strangers are thrown together into a series of interconnecting cubes yet again, but this time they're more high-tech. They're not different colors, and there's no booby traps. Instead, some rooms have a cube that attacks you (don't ask), some have gravity reversed, and time means nothing. There seems to be no pattern, like in the first one, so how are these people supposed to get out?
This is all one big rehash of the first. There's the wandering around, talking about the past, and speculation of why they're in the cube. I guess that's for people who see sequels before the originals. The characters are all more broadly drawn, the dialogue is cheesier, and it looks faker. In the first, you barely knew anything about the giant cube they were in. Here, it seems like everyone was involved somehow. The ending, which was vague in the first, explained some more, which I was angry yet happy about. It's hard to explain. But then they left it in the air yet again. Maybe it's for the prequel, Cube Zero (due out sometime this year) to describe.
But one positive difference between the two is that this one seemed to be overall scarier. It's not claustrophobia, but the idea of anything happening in a hypercube. Because they don't exist, everything goes wild here, allowing for some things to happen. It's all quite creepy. And although the random crazy psycho killer is more random here than the first, I liked him more, and he was great as he was going through the hypercube. Cube was an original, interesting, and disorienting movie. Cube 2 is the exact same thing, except not as good.
My rating: 6/10
Rated R for language, some violence and brief nudity.