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Atanarjuat (2001)
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Overview
User Rating:
Director:
Writers:
Release Date:
1 February 2002 (UK)
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Plot:
The telling of an Inuit legend of an evil spirit causing strife in the community and one warrior's endurance and battle of its menace. full summary | add synopsis
Awards:
20 wins
&
10 nominations
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NewsDesk:
(4 articles)
imagineNATIVE Film + Media Arts Festival
(From HollywoodNorthReport.com. 28 September 2009, 8:30 AM, PDT)
I Missed Nicole! And Other Festival Stumbles
(From FilmExperience. 19 April 2009, 9:06 PM, PDT)
(From HollywoodNorthReport.com. 28 September 2009, 8:30 AM, PDT)
I Missed Nicole! And Other Festival Stumbles
(From FilmExperience. 19 April 2009, 9:06 PM, PDT)
User Comments:
A different language
more (102 total)
Cast
(Cast overview, first billed only)| Natar Ungalaaq | ... | Atanarjuat | |
| Sylvia Ivalu | ... | Atuat | |
| Peter-Henry Arnatsiaq | ... | Oki | |
| Lucy Tulugarjuk | ... | Puja | |
| Madeline Ivalu | ... | Panikpak | |
| Pauloosie Qulitalik | ... | Qulitalik / A shaman (as Paul Qulitalik) | |
| Eugene Ipkarnak | ... | Sauri, the chief | |
| Pakak Innuksuk | ... | Amaqjuaq (as Pakkak Innushuk) | |
| Neeve Irngaut | ... | Uluriaq | |
| Abraham Ulayuruluk | ... | Tungajuaq | |
| Apayata Kotierk | ... | Kumaglak | |
| Mary Qulitalik | ... | Niriuniq | |
| Luke Taqqaugaq | ... | Pittiulak | |
| Alex Uttak | ... | Pakak | |
| Eric Nutarariaq | ... | Young Sauri |
Additional Details
Also Known As:
Atanarjuat: The Fast Runner (Australia) (Canada: English title)
Atanarjuat - La légende de l'homme rapide (Canada: French title)
The Fast Runner
The Fast Runner (Atanarjuat) (USA)
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Atanarjuat - La légende de l'homme rapide (Canada: French title)
The Fast Runner
The Fast Runner (Atanarjuat) (USA)
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MPAA:
Rated R for some sexuality/nudity and violence.
Parents Guide:
Runtime:
172 min | Argentina:174 min (Mar del Plata Film Festival) | Australia:168 min | Finland:172 min (Helsinki International Film Festival) | UK:168 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Certification:
Germany:12 |
Singapore:PG (cut) |
Argentina:13 |
Australia:MA |
Canada:14A (Alberta/British Columbia) |
Canada:14 (Nova Scotia) |
Canada:AA (Ontario) |
Canada:G (Quebec) |
Canada:PA (Manitoba) |
France:U |
Hong Kong:III |
Iceland:10 |
Japan:PG-12 |
South Korea:15 |
UK:15 |
USA:R
Filming Locations:
Fun Stuff
Trivia:
While this film would never get SPCA approval, every animal killed was used in true Inuit fashion; all the meat was consumed, and the skins were put to practical use.
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Goofs:
Crew or equipment visible: Just before Atanarjuat jumps over the crevasse, the shadow of a crew member appears in the snow, at the bottom of the screen, to the left.
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Movie Connections:
Referenced in Futurama: Bender's Big Score (2007) (V)
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FAQ
This FAQ is empty. Add the first question.more (102 total)
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The biggest surprise about the for Inuit-produced feature is that you do not need to be politically correct to like it. It is, besides a few excusable flaws, just a great film. It is extremely difficult to transfer stories from foreign cultures and oral traditions to the screen - the whole visual language of the media is loaded with subtle assumptions on how stories hold together and characters should act; and these assumptions mostly belong to "Western"-modern culture. I think this films great achievement is to avoid much of it. One example: It's not just due to the villainous character of some persons that they behave badly - the conflicts are not just conflicts between individuals. It's rather the entire community that is ill, due to spirit possession.
The film is told in a somewhat different visual language, and this is what makes it so convincing; this is also what makes it difficult to understand at times (particularly in the beginning), but this is the price to pay - it is rather surprising how comprehensible it gets later. The film as a whole is really exciting and touching. It's pace is slow (and I like slow-paced movies). It's solutions for particular scenes are striking - the appearance of the bad spirit in the end is eerie, and the effect is just done by the camera position. On the other hand, there is a sort a documentary immediacy to everything, as if the camera just happened to be in the right spot when the story unfolded (I liked the burping and spitting a lot).
There are, of course, points that don't work out well: The music is the usual One-World-Tribal-kitsch-mud, with didgeridoos and Tuvan throat-singing, as if every "primitive" culture was just the same (an idea originating from 18th century Europe and strangely enough professed by many "tribal" activists today). But, well, it's pretty discrete...