Showtime (2002)

User Rating:

5.3/10   

Director:

Tom Dey

Writers (WGA):

Jorge Saralegui (story)
Keith Sharon (screenplay) ...

Release Date:

15 March 2002 (USA)

Genre:

Action | Comedy

Tagline:

Lights. Camera. Aggravation.

Plot:

A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show.

Plot Keywords:

Dog | Box Office Flop | Buddy Cop | Aspiring Actor | Audition

Awards:

3 nominations

Cast

Robert De Niro	...	Det. Mitch Preston
Rachael Harris	...	Teacher (as Rachel Harris)
Eddie Murphy	...	Officer Trey Sellars
Zaid Farid	...	Police Captain Ben
Alex Borstein	...	Casting Director
Holly Mandel	...	Producer
Marshall Manesh	...	Convenience Store Owner
Nestor Serrano	...	Ray
T.J. Cross	...	ReRun (as TJ Cross)
Mos Def	...	Lazy Boy
James Roday	...	'Showtime' Cameraman
Joel Hurt Jones	...	Reporter #1
Chris Harrison	...	Reporter #2
Perri Peltz	...	Reporter #3
Amy Powell	...	Reporter #4

MPAA:

Rated PG-13 for action violence, language and some drug content.

Runtime:

95 min | Finland:96 min | Spain:96 min

Country:

USA | Australia

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

Finland:K-11 | Iceland:12 | South Korea:12 | Argentina:13 | Australia:M | Brazil:12 | Canada:PG | Czech Republic:12 | France:U | Germany:12 | Netherlands:12 | Norway:15 | Peru:14 | Philippines:PG-13 | Portugal:M/12 | Singapore:PG | Spain:7 | Sweden:11 | Switzerland:12 (canton of the Grisons) | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:12 | USA:PG-13

Filming Locations:

Los Angeles, California, USA

Company:

Material

Trivia:

The building at the end of the movie, where the gun show is located, is the same building that Arnold Schwarzenegger chases after a terrorist in True Lies (1994) (where the terrorist makes the building-to-building jump)

Goofs:

Continuity: During the scene with the armored car, the roof panels of Trey's Corvette disappear and reappear between shots.

Quotes:

Detective Mitch Preston: Get that camera out of here!
Trey Sellars: Keep that camera right where it is!

Movie Connections:

Featured in "HBO First Look: The Making of 'Showtime' (#9.4)" (2002)

Soundtrack:

Lie Till I Die

lackluster comedy with a few laughs

About the best thing that can be said for `Showtime' – a throwaway cop buddy comedy starring Robert De Niro and Eddie Murphy – is that it demonstrates that an inferior script can be at least partially overcome by first-rate performances.

You can't go too wrong when you have acting talent of this caliber working for you. De Niro and Murphy portray two LAPD officers who are recruited to be the central `characters' for a new `Cops'-type reality TV show, wherein a camera crew will follow the two on their appointed rounds as they chase suspects, round up criminals and, all in all, make the streets of LA safe for the common, decent citizens who reside therein. De Niro's Mitch Preston is a reluctant participant in the series, while Murphy's Trey Sellars is a wannabe actor with stars in his eyes who sees this as his golden opportunity to make it big in show business.

The initial problem with `Showtime' is that it feels more like a `high concept' exercise than an actual movie. Despite the fact that there are a number of funny moments in the film, too many of the scenes fall flat both as comedy and as action drama. The saving grace is that De Niro's understated cynicism provides an effective counterpoint to Murphy's over-the-top enthusiasm, resulting in just enough comic tension to wring laughs out of even the weakest of material. It is a joy to watch these two pros at work and they are nicely complemented by Rene Russo as the driven TV producer whose brainchild serves as the excuse for the story. William Shatner, playing himself, also generates some laughs, often at his own good-natured expense.

Yet the film itself is a failure. One of the prime dictums of the screenplay is to try to show the discrepancy between police work as it is portrayed on the screen and police work as it really is. In fact, the film opens with veteran De Niro instructing a class of elementary school children about the mundane realities of life on the job. Yet, the film betrays its own theme by itself indulging in all the inane shoot-em-up and car chase scenes it is supposed to be satirizing (the scenes are not exploited for comic effect, which might have lent some much needed satirical bite to the proceedings). Even worse, the `serious' side of the story, involving drug deals and gun running, fails to generate any interest or suspense.

Oh well. De Niro and Murphy are such likable comic actors that the movie, for all its many weaknesses, manages to whiz by without inflicting too much boredom and pain. `Showtime' is a completely forgettable and innocuous little time waster, but fans of these particular actors will at least appreciate their efforts.