| Photos (see all 16 | slideshow) | Videos (see all 2) |
| Romain Duris | ... | Xavier | |
| Judith Godrèche | ... | Anne-Sophie | |
| Audrey Tautou | ... | Martine | |
| Cécile De France | ... | Isabelle | |
| Kelly Reilly | ... | Wendy (as Keilly Reilly) | |
| Cristina Brondo | ... | Soledad | |
| Federico D'Anna | ... | Alessandro (as Fédérico D'anna) | |
| Barnaby Metschurat | ... | Tobias | |
| Christian Pagh | ... | Lars | |
| Kevin Bishop | ... | William | |
| Xavier De Guillebon | ... | Jean-Michel | |
| Wladimir Yordanoff | ... | Jean-Charles Perrin | |
| Irene Montalà | ... | Neus (as Irène Montala) | |
| Javier Coromina | ... | Juan | |
| Iddo Goldberg | ... | Alistair | |
| Martine Demaret | ... | Xavier's Mother | |
| Olivier Raynal | ... | Bruce | |
| Paulina Gálvez | ... | Flamenco Teacher (as Paulina Galvez) | |
| Jacno | ... | Xavier's Father | |
| Sylvie Lachat | ... | University Secretary | |
| Magali Roze | ... | Stewardess | |
| Shilpa Baliga | ... | Nurse Miralpeix | |
| Nadala Batiste | ... | Neighbor Miralpeix | |
| Pere Sagristà | ... | Catalan Teacher (as Père Sagrista) | |
| Pere Abello | ... | Landlord (as Père Abello) | |
| Babou Cham | ... | Catalan Student 1 | |
| Daniel Grao | ... | Catalan Student 2 | |
| Iván Morales | ... | Catalan Student 3 (as Ivan Morales) | |
| Jacques Royer | ... | Erasmus | |
| Mira Wanting | ... | Mira (as Mira Herfort Wanting) | |
| Arsène Royer | ... | Lars' Son | |
| Sophie Delin | ... | Apartment Neighbor | |
| Zinedine Soualem | ... | Barman | |
| Pablo Klapisch | ... | Xavier as a Child | |
| rest of cast listed alphabetically: | |||
| Cédric Klapisch | ... | Le professeur stressé (uncredited) | |
| Lise Lamétrie | ... | La femme au ministère (uncredited) | |
| Sophie Le Tellier | ... | (uncredited) | |
Directed by | |||
| Cédric Klapisch | |||
Writing credits(in alphabetical order) | ||
| Cédric Klapisch | writer | |
Produced by | |||
| Bruno Levy | .... | producer | |
| Jacques Royer | .... | line producer | |
Cinematography by | |||
| Dominique Colin | |||
Film Editing by | |||
| Francine Sandberg | |||
Casting by | |||
| Pep Armengol | |||
| Lucy Boulting | |||
| Emmanuelle Gaborit | |||
Production Design by | |||
| François Emmanuelli | |||
Costume Design by | |||
| Anne Schotte | |||
Makeup Department | |||
| Manuela Taco | .... | key makeup artist | |
Production Management | |||
| Victoria Borrás | .... | production manager: Spain | |
| Jacques Royer | .... | production manager | |
| Antoine Théron | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Lola Doillon | .... | first assistant director | |
| Ophélie Gelber | .... | second assistant director | |
Art Department | |||
| Marie Cheminal | .... | assistant art director | |
Sound Department | |||
| Dominique Dalmasso | .... | sound mixer | |
| Cyril Moisson | .... | sound | |
Visual Effects by | |||
| Christophe Belena | .... | scan and conforming technician: Duboicolor | |
| Seb Caudron | .... | visual effects director | |
| Rip Hampton O'Neil | .... | technical director: DuboiColor | |
| Tina Lin | .... | scan and conforming technician: Duboicolor | |
| Nicolas Daniel | .... | video operator: Duboicolor (uncredited) | |
| François Dupuy | .... | digital transfers (uncredited) | |
| Sylvian Fabre | .... | Flame artist (uncredited) | |
| Abdel Ali Kassou | .... | processing: DuboiColor (uncredited) | |
Camera and Electrical Department | |||
| Jérôme Plon | .... | still photographer | |
| Frédéric North | .... | pilot: camera helicopter (uncredited) | |
Casting Department | |||
| Pep Armengol | .... | casting: Spain | |
| Jeanne Millet | .... | extras casting | |
| Annette Borgmann | .... | casting: Germany (uncredited) | |
Editorial Department | |||
| Jean-René Nébot | .... | digital color timer | |
| Jenny Frenck | .... | assistant editor (uncredited) | |
Other crew | |||
| Sandra Bensadón | .... | press attache | |
| Agathe Sallabery | .... | script supervisor | |
| Géraldine Toitot | .... | administrator | |
| Arno Salters | .... | production assistant (uncredited) | |
|
|
|
|
|
| Across the Universe | All Quiet on the Western Front | Mysterious Skin | À nos amours | EuroTrip |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
| Add this title to MyMovies |
One of the biggest French success of the year 2002, "l'auberge espagnole" was also very well greeted abroad which is quite extraordinary for a French film. It is not difficult to define the reasons of this success. This movie made by one of the most interesting French film-makers of these last years, Cédric Klapisch, presents students coming from all over Europe and gathered all together under the same roof in Barcelona. These students are described like the ones you imagine or you see in everyday life: either untidy, either serious or with a sense of humor. I guess that if the movie worked so well, it is because a lot of students must have recognized themselves in the main characters' portraits and especially Xavier's.
We follow the movie and so his experience abroad as an Erasmus student through his eyes. Xavier is really an ordinary student with his qualities, his faults. An intelligent making with quite a lot of ingenious ideas perfectly expresses his lost mind and his anxiety about the world and being an Erasmus student. On that subject, the best examples can be found in two sequences. The first one is when Xavier asks a woman at university for the papers he has to send to prepare his DEA. When the same woman informs him about the different necessary procedures, all the papers appear on the screen when she is naming them! In the next sequence, Xavier's voice-over confides to the spectator his vision of the modern world. Now, where to find the second example? Well, the scene where Xavier has a thorough medical examination during which Klapisch films his visions is widely sufficient to speak of itself.
Moreover, the director wasn't really interested by his main character's studies. He left this point low-key. He rather put a lot of effort into Xavier's private life, of course, in his love affair with Anne Sophie but also and especially in his relations with his fellow tenants. It is a real friendship story that Klapisch shows us with its moments of happiness but also its arguments and its tensions. Through Xavier's adventure and at the end of his stay, he will have been initiated into life which will make him more mature. The message that the author wanted to transmit isn't difficult to guess. You naively believe that you live in an untidy and complicated world. You mustn't give up but intensively search to get what you want even if it is difficult.
Apart from this, we could also fear that with the topic, Cédric Klapisch wouldn't avoid a trap: the clichés. Let's be frank about it: they are included in the screenplay but the director does his best not to spread them too much in his movie. Then, the screenplay contains convenient and predictable moments: at the airport and before boarding we see Xavier shedding a tear after he left his family. But fortunately the shortcomings of the script stop here. Quite funny dialogs and cool young actors perfectly at ease in their roles make up the whole.
In spite of its weaknesses, "l'auberge espagnole" is to be taken for a success in the movie of young people. Besides, the whole atmosphere it brings out lets us think that this movie is directed primarily to a young audience. Ultimately, the end of the movie and its big success let us suggest that Klapisch succumbed to a fashion that goes right for American cinema: the elaboration of sequels. And indeed, the film-maker currently works on a sequel entitled "les poupées russes". Let's hope that it will be as good as "l'auberge espagnole".