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Directed by | |||
| Peter Kosminsky | |||
Writing credits(WGA) | ||
| Janet Fitch | (novel) | |
| Mary Agnes Donoghue | (screenplay) | |
Produced by | |||
| Stacy Cohen | .... | executive producer | |
| E.K. Gaylord II | .... | executive producer | |
| Kristin Harms | .... | executive producer | |
| Hunt Lowry | .... | producer | |
| Patrick Markey | .... | executive producer | |
| Ilyse A. Reutlinger | .... | associate producer (as Ilyse Reutlinger) | |
| Tracy Underwood | .... | associate producer | |
| John Wells | .... | producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Elliot Davis | (director of photography) | ||
Film Editing by | |||
| Chris Ridsdale | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Donald Graham Burt | |||
Art Direction by | |||
| Anthony R. Stabley | (as Anthony Rivero Stabley) | ||
Set Decoration by | |||
| Bryony Foster | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Alan D'Angerio | .... | hair stylist: Ms. Pfeiffer (as Alan Dangerio) | |
| Monica Di Venti | .... | hair assistant (as Monica Diventi) | |
| Lynda Gurasich | .... | hair stylist | |
| Jo-Anne Smith-Ojeil | .... | assistant makeup artist (as Joanne Smith) | |
| Ronnie Specter | .... | makeup artist | |
Production Management | |||
| Patrick Markey | .... | unit production manager | |
| Kimberly Rach | .... | production supervisor | |
| Ilyse A. Reutlinger | .... | post-production supervisor (as Ilyse Reutlinger) | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | second second assistant director | |
| Kaaren F. Ochoa | .... | first assistant director | |
| Phil Robinson | .... | second assistant director | |
Art Department | |||
| Deno Richard Antonini | .... | on-set dresser (as Deno Antonini) | |
| Colin Bardon | .... | construction foreman | |
| Mychael Bates | .... | property master | |
| Thomas Betts | .... | set designer | |
| Canada Johanna Gordon | .... | art department researcher | |
| Brian Markey | .... | construction coordinator | |
| Christopher Neely | .... | lead (as Chris Neely) | |
| John 'Johnny O' Ornelas | .... | assistant property master | |
| David Corral | .... | greensman (uncredited) | |
| Canada Johanna Gordon | .... | art department coordinator (uncredited) | |
| Wendy Jerde | .... | scenic painter (uncredited) | |
| Jean B. Kliever | .... | art department assistant (uncredited) | |
| Gordon McVay | .... | set dresser (uncredited) | |
| Dominique Navarro | .... | specialty props artist (uncredited) | |
| Steven Samanen | .... | graphic artist (uncredited) | |
| Brad Shoemaker | .... | carpenter (uncredited) | |
Special Effects by | |||
| Jeff Denes | .... | special effects coordinator | |
Visual Effects by | |||
| Thad Beier | .... | visual effects supervisor: Hammerhead | |
| Daniel Chuba | .... | visual effects executive producer: Hammerhead (as Dan Chuba) | |
| Michelle Eisenreich | .... | visual effects producer: Hammerhead | |
| Gilbert Gonzales | .... | animator: Hammerhead | |
| Jay Mark Johnson | .... | visual effects supervisor | |
| Rebecca Marie | .... | animator: Hammerhead | |
| Shaina Holmes | .... | digital compositor (uncredited) | |
| Jay Mark Johnson | .... | digital matte painter (uncredited) | |
| Matt McFarland | .... | scan/record manager (uncredited) | |
| Laurie Powers | .... | digital compositor (uncredited) | |
Stunts | |||
| Julie Adair | .... | stunts | |
| Monica Staggs | .... | stunt coordinator | |
Casting Department | |||
| Ellen Lewis | .... | casting | |
| Alysson Marcus | .... | casting assistant | |
| Chad Darnell | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costume supervisor | |
| Jennifer Morrison Holyfield | .... | costumer: Ms. Pfeiffer (as Jennifer Holyfield) | |
| Jo Kissack | .... | costumer | |
| Susan Kistler | .... | key costumer | |
| Dennis McCarthy | .... | costumer | |
Editorial Department | |||
| P.J. Harling | .... | assistant editor (as PJ Harling) | |
| Mo Henry | .... | negative cutter | |
| Randy Jon Morgan | .... | additional editor | |
| David Orr | .... | color timer | |
| Sharidan Sotelo | .... | first assistant editor (as Sharidan Williams-Sotelo) | |
| Oliver Griffin | .... | second assistant editor (uncredited) | |
Music Department | |||
| Debra Baum | .... | music supervisor (as Debra A. Baum) | |
| Bill Bernstein | .... | music consultant | |
| Tim Easton | .... | musician: "Black Hearted Ways" | |
| Joel Iwataki | .... | music scoring mixer | |
| Ann Kline | .... | music supervisor | |
| Leslie Mills | .... | musician: "The Good Life" | |
| Thomas Pasatieri | .... | orchestrator | |
Transportation Department | |||
| William Ballard | .... | transportation coordinator (as Bill Ballard) | |
| Larry Shephard | .... | transportation captain | |
| Gary 'Little G' Williams | .... | driver: Ms. Lohman (uncredited) | |
Other crew | |||
| Eyal Axelrod | .... | assistant: Mr. Lowry | |
| Ralph Bertelle | .... | production office coordinator | |
| Matthew Billingsly | .... | assistant: Ms. Harms | |
| Kayce Brown | .... | assistant: Ms. Pfeiffer | |
| Damon E. Burke | .... | staff assistant (as Damon Burke) | |
| Joan Eisenberg | .... | unit publicist | |
| Jessica Fragale | .... | production secretary | |
| Charles W. Francis | .... | production accountant (as Charles Francis) | |
| Tyler W. Gaisford | .... | assistant: Mr. Markey (as Tyler Gaisford) | |
| Jane Goldsmith | .... | script supervisor | |
| Wes Hagan | .... | assistant location manager | |
| Kim Henkel | .... | film clips: "Return of the Texas Chainsaw Massacre" courtesy of | |
| Reeva Hunter Mandelbaum | .... | researcher | |
| Johnel Hyde | .... | staff assistant | |
| Caren Kaplow | .... | assistant: Ms. Pfeiffer | |
| Aileen Kiernan | .... | assistant: Mr. Lowry | |
| Robert Kuhn | .... | film clips: "Return of the Texas Chainsaw Massacre" courtesy of | |
| Robert Lane | .... | first assistant accountant | |
| Jodi Leininger | .... | assistant location manager | |
| Heather Marks | .... | assistant: Mr. Wells | |
| J.P. McIntosh | .... | staff assistant | |
| Molly Newton | .... | assistant: Mr. Kosminsky | |
| Shelagh O'Brien | .... | assistant: Mr. Wells | |
| Brian M. O'Neill | .... | location manager (as Brian O'Neill) | |
| Wesley Rowe | .... | assistant: Ms. Cohen | |
| Michelle Schrauwers | .... | staff assistant | |
| Steven E. Simon | .... | staff assistant | |
| Jim Smith | .... | craft service | |
| Sharon Smith | .... | assistant location manager | |
| Ray Utarnachitt | .... | assistant production office coordinator | |
| Alex Van Fleet | .... | staff assistant | |
| Daniel Villarreal | .... | staff assistant | |
| Gary 'Little G' Williams | .... | staff assistant (as Gary Williams) | |
| Deje Zhoga | .... | staff assistant | |
| Kaiser Clark | .... | assistant to cast (uncredited) | |
| Elaine Curtis | .... | stand-in (uncredited) | |
| Angelica Hayden | .... | photo double: Inmate and Michelle Pfeiffer (uncredited) | |
| Afnahn Khan | .... | assistant production office coordinator: re-shoots (uncredited) | |
| Mindy Miller | .... | stand-in: Ms. Wright-Penn (uncredited) | |
| Lucas Moore | .... | studio teacher (uncredited) | |
| Joseph Kelly Padovich | .... | mechanic (uncredited) | |
| Joanie Selden | .... | payroll accountant (uncredited) | |
| Burton Sharp | .... | adr group coordinator (uncredited) | |
| Collin Smith | .... | location scout: New York (uncredited) | |
| Bill Vergos | .... | assistant to cast (uncredited) | |
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The white oleander looks beautiful but its poison kills. Social service agencies take children from their abusive parents but place them in homes and institutions where violence reigns. Ingrid Magnussen (Michelle Pfeiffer) puts her daughter, Astrid (Alison Lohman), in the center of her artwork but pushes her to the perimeter of her reality. Life is a contradiction in which nothing is purely good or purely evil.
White Oleander is a story about life's contradictions and the complexities of control, power, loneliness, betrayal, loyalty, and love. Janet Fitch won rave reviews in 2000 for this novel; screenwriter Mary Agnes Donoghue did not match Fitch's brilliance, but turned a weighty narrative-both in terms of content and size-into an admirable film blueprint.
Director Peter Kosminsky and accomplished actresses Pfeiffer, Robin Wright Penn, Renée Zellweger, and newcomer Lohman used this blueprint to create a gripping film that both readers and nonreaders of the original text will appreciate.
Pfeiffer is as cool and controlling as she is stunning even in prison garb, and her mastery of personality subtleties deserves acclaim. Audiences will hate the character because she is too smart, too manipulative, and too real.
And anticipate an Oscar-worthy breakthrough performance from Lohman. She shines in her portrayal of a daughter who worships her mother until she realizes the superficial nature of her beauty and the cruelty of her heart. Ingrid Magnussen is not as perfect as she thinks, and her love is as poisonous as the white oleander.
Stereotypes cheapen some of the film's richness and choices made to avoid an `R' rating sap some of its strength, but overall the film is as compelling as its sad and truthful characters.