White Oleander (2002)

User Rating:

7.0/10   

Director:

Peter Kosminsky

Writers (WGA):

Janet Fitch (novel)
Mary Agnes Donoghue (screenplay)

Release Date:

11 October 2002 (USA)

Genre:

Drama

Tagline:

Where does a mother end and a daughter begin?

Plot:

A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.

Plot Keywords:

Foster Home | Prison | California | Poison | Letter

Awards:

3 wins & 4 nominations

Cast

Amy Aquino	...	Miss Martinez
John Billingsley	...	Paramedic
Elisa Bocanegra	...	Girl in Fight
Darlene Bohorquez	...	Prisoner
Solomon Burke Jr.	...	Guard
Scott Allan Campbell	...	Bill Greenway
Sam Catlin	...	Teacher
Debra Christofferson	...	Marlena
Billy Connolly	...	Barry Kolker
Marc Donato	...	Davey Thomas
Svetlana Efremova	...	Rena Gruschenka
Patrick Fugit	...	Paul Trout
Vernon Haas	...	Guard
Sean Happy	...	Dirt Bike Boyfriend
Cole Hauser	...	Ray

Also Known As:

Weißer Oleander (Germany)

MPAA:

Rated PG-13 for mature thematic elements concerning dysfunctional relationships, drug content, language, sexuality and violence.

Runtime:

109 min

Country:

USA | Germany

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Portugal:M/12 | Argentina:13 | Australia:M | Brazil:16 | Canada:PG | Denmark:11 | Finland:K-11 | Germany:12 | Iceland:12 | Netherlands:AL | Norway:11 | Peru:14 | Philippines:PG-13 | Singapore:PG | Sweden:11 | UK:12A (original rating) | UK:12 (video rating) (2004) | USA:PG-13

Filming Locations:

Airport Courthouse - 11701 S. La Cienega Blvd., Ladera Heights, Los Angeles, California, USA

Company:

Gaylord Films

Trivia:

Barbra Streisand was offered the chance to direct and play Ingrid.

Goofs:

Continuity: Astrid is blonde throughout most of the movie (until she turns Goth and dyes her hair while fostered to the Russian woman), but in some of the scenes at McKinney Hall after Claire's suicide, before and after visiting her mother in prison, her eyebrows are dark and dark roots are showing in her hair.

Quotes:

Paul: I was born addicted to heroin.
Astrid: And what was that like?
Paul: I don't know - I was out of rehab by the time I was six months old.

Movie Connections:

Featured in "HBO First Look: The Journey of 'White Oleander' (#9.15)" (2002)

Soundtrack:

Black Hearted Ways

light review of weighty material

The white oleander looks beautiful but its poison kills. Social service agencies take children from their abusive parents but place them in homes and institutions where violence reigns. Ingrid Magnussen (Michelle Pfeiffer) puts her daughter, Astrid (Alison Lohman), in the center of her artwork but pushes her to the perimeter of her reality. Life is a contradiction in which nothing is purely good or purely evil.

White Oleander is a story about life's contradictions and the complexities of control, power, loneliness, betrayal, loyalty, and love. Janet Fitch won rave reviews in 2000 for this novel; screenwriter Mary Agnes Donoghue did not match Fitch's brilliance, but turned a weighty narrative-both in terms of content and size-into an admirable film blueprint.

Director Peter Kosminsky and accomplished actresses Pfeiffer, Robin Wright Penn, Renée Zellweger, and newcomer Lohman used this blueprint to create a gripping film that both readers and nonreaders of the original text will appreciate.

Pfeiffer is as cool and controlling as she is stunning even in prison garb, and her mastery of personality subtleties deserves acclaim. Audiences will hate the character because she is too smart, too manipulative, and too real.

And anticipate an Oscar-worthy breakthrough performance from Lohman. She shines in her portrayal of a daughter who worships her mother until she realizes the superficial nature of her beauty and the cruelty of her heart. Ingrid Magnussen is not as perfect as she thinks, and her love is as poisonous as the white oleander.

Stereotypes cheapen some of the film's richness and choices made to avoid an `R' rating sap some of its strength, but overall the film is as compelling as its sad and truthful characters.