| Photos (see all 2 | slideshow) | Videos (see all 2) |
| Jeremy Davies | ... | The Drifter | |
| Michael Lerner | ... | The Judge | |
| Litefoot | ... | The Warrior #1 (as G. Paul Davis a.k.a Litefoot) | |
| Russell Means | ... | The Chief | |
| Chris O'Donnell | ... | The Hitman | |
| Jon Polito | ... | The Security Guard | |
| Kevin Sifuentes | ... | The Head of Security | |
| Michael Rapaport | ... | The Cop | |
| Anita Maltin | ... | The Old Lady | |
| Bill Pullman | ... | The Ticket Clerk | |
| Keith David | ... | The Sheriff | |
| Rachael Leigh Cook | ... | The Waitress | |
| P.J. Byrne | ... | The Doctor | |
| Carlos Mencia | ... | The Comedian |
Directed by | |||
| Leonardo Ricagni | |||
Writing credits(in alphabetical order) | ||
| Tino Lucente | writer | |
Produced by | |||
| Mima Casanova | .... | associate producer | |
| Diane Cornell | .... | line producer | |
| John Davis | .... | executive producer | |
| Marc Forby | .... | producer | |
| J. Todd Harris | .... | producer | |
| Jourdan Krauss | .... | associate producer | |
| Michael Lindenbaum | .... | co-producer | |
| Bryan Lord | .... | producer | |
| Tino Lucente | .... | co-producer | |
| Michael Rapaport | .... | executive producer | |
| Craig Davis Roth | .... | co-producer | |
| Patrice Theroux | .... | executive producer | |
Original Music by | |||
| Mario Grigorov | |||
Cinematography by | |||
| Horacio Maira | (director of photography) | ||
Film Editing by | |||
| Paula Halton | |||
Casting by | |||
| Karen Meisels | |||
Production Design by | |||
| Walter Brunialti | |||
Art Direction by | |||
| Scott H. Campbell | |||
Set Decoration by | |||
| Peggy Paola | |||
Makeup Department | |||
| Lisa Bertuzzi | .... | key makeup artist | |
| Michelle Rene Elam | .... | makeup artist (as Michelle Torres) | |
| Stella Tzanidakis | .... | key hair stylist (as Stella) | |
Art Department | |||
| Dominique Baynes | .... | production designer: New York | |
| Dominique Baynes | .... | props: New York | |
| Marty Flaherty | .... | construction coordinator | |
| Chris Fowler | .... | art department coordinator | |
| Joe Frederick | .... | swing gang | |
| Sarah Geller | .... | property master | |
| Jasper Jan | .... | prop assistant | |
| Derek Milner | .... | on-set dresser | |
| Paul Rough III | .... | on-set dresser | |
Sound Department | |||
| Stan Bochner | .... | sound editor | |
| Adam M. Goldstein | .... | sound editor | |
| Chen Harpaz | .... | sound re-recording mixer | |
| Chen Harpaz | .... | supervising sound editor | |
| Hae Kyong Harpaz | .... | foley artist | |
| Patrick Martens | .... | boom operator | |
| Mike Mola | .... | assistant sound editor | |
| Amos Poe | .... | murchian engineering | |
| Pat Toma | .... | sound mixer | |
Special Effects by | |||
| P. David Miller | .... | pyrotechnician | |
| P. David Miller | .... | special effects crew (as Paul D. Miller) | |
| Jim Staples | .... | special effects | |
| Paul Staples | .... | special effects | |
Visual Effects by | |||
| Christopher Dusendschon | .... | I/O supervisor: film scanning and recording: iO Film | |
| Adam Hawkey | .... | digital compositor | |
Stunts | |||
| Alex Madison | .... | stunts (as Gail Monian) | |
| Eddie Perez | .... | stunts | |
| Mike Smith | .... | stunts | |
| Jim Vickers | .... | stunt coordinator | |
Casting Department | |||
| Lisa Martin | .... | location casting | |
Costume and Wardrobe Department | |||
| D.J. DeLorenzo | .... | on-set costumer | |
| Jayme Woodall | .... | wardrobe supervisor | |
Editorial Department | |||
| David Jaeckin | .... | color timer | |
Music Department | |||
| Latashia DeVeaux | .... | music coordinator | |
| Karyn Rachtman | .... | music supervisor | |
Transportation Department | |||
| John W. Barbee | .... | transportation coordinator (as John Barbee) | |
| Tim Best | .... | transportation coordinator: Los Angeles | |
| Gary Jackson | .... | transportation captain | |
| Don Tanaka | .... | driver | |
Thanks | |||
| Walter Murch | .... | thanks | |
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| Kill Me Again | Midnight Run | The Dark Knight | Knockaround Guys | 16 Blocks |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
It's a big sloppy mess, but it's not half as bad as some comments would leave you to believe. The story goes all over the place, but the story is just a thread. There's a lot of Coen Brothers and a bit of David Lynch in this film. Wonderfully weird and unlikeable characters, nicely composed, sparse scenes nicely photographed and the humor is not of the joke/punch line school, which is probably why there are many disappointed comments. The budget for this film could not be called shoestring, it's more like twine. Still, despite the disassociated story - I mean, who has the money really doesn't matter, it's just getting us from point A to point B - it's quite an accomplishment. Some people like their films to be obvious stories that are easy on the eyes, this is a more subtle form of entertainment with a garish touch.