| Julien Baumgartner | ... | Seb | |
| Matthias Van Khache | ... | Manu | |
| Jérémie Elkaïm | ... | Frank | |
| Armelle Deutsch | ... | Lucie | |
| Virginie Lanoué | ... | Cecile | |
| Sarah Marshall | ... | Jenny | |
| Violette Palcossian | ... | Clarisse | |
| Charlotte Mayeur | ... | Virginie | |
| Arielle Séménoff | ... | Maman | |
| Alain Doutey | ... | Papa | |
| Caroline Mouton | ... | Magali | |
| Gaëla Le Devehat | ... | Marion | |
| Emilien Lafitte | ... | Benjamin | |
| Jacqueline Noëlle | ... | Mamy | |
| Sandrine Alexi | ... | Patsy | |
| François Toumarkine | ... | Le prof de biologie | |
| Eric Boucher | ... | Le prof de journalisme | |
| Simon Bakhouche | ... | Docteur Gizet | |
| Sylvia Kristel | ... | La sexologue | |
| Gurvan Cloatre | ... | JC de la Farrut | |
| Laurent Baffie | ... | Le patron de la boîte à son | |
| Stéphane Foenkinos | ... | Le brancardier | |
| rest of cast listed alphabetically: | |||
| Mélodie Abad | |||
| Julien Baptist | |||
| Karine Belly | ... | Pamela | |
| Virginie Bordes | |||
| William Lacore | |||
| Diana Steinling | ... | Virginie (enfant) | |
| Patrice Maktav | ... | (uncredited) | |
Directed by | |||
| Stéphane Kazandjian | |||
Writing credits(in alphabetical order) | ||
| Stéphane Kazandjian | writer | |
Original Music by | |||
| Kraked | |||
Cinematography by | |||
| Pascal Lagriffoul | |||
Film Editing by | |||
| Roland Baubeau | |||
Casting by | |||
| Stéphane Foenkinos | |||
| Nicolas Ronchi | |||
Production Design by | |||
| Mathieu Menut | |||
Costume Design by | |||
| François Billard | |||
Makeup Department | |||
| Véronique Beauregard | .... | key makeup artist | |
| Thierry Di Cecca | .... | key hair stylist | |
Production Management | |||
| Vincent Bercholz | .... | production manager | |
| Olivier Bourdon | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Véronique Labrid | .... | first assistant director | |
| Mathieu Vaillant | .... | third assistant director | |
Art Department | |||
| Laurent Baude | .... | assistant production designer | |
| Alexis Imbert | .... | carpenter | |
| Alexis Imbert | .... | props | |
Sound Department | |||
| Lucien Balibar | .... | sound | |
| Eric Bonnard | .... | sound | |
| Aymeric Devoldère | .... | sound | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | Steadicam operator | |
| Dominique Degand | .... | grip | |
| Lilia Sellami | .... | second assistant camera | |
Other crew | |||
| Alexandre Besson | .... | title designer | |
| Valérie Chorenslup | .... | script supervisor | |
| Recent Posts (updated daily) | User |
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| French pie? | Giuseppe-10 |
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| Wedding Crashers | Jeux d'enfants | Choses secrètes | Y tu mamá también | The 40 Year Old Virgin |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
I'm gonna write it in english, though I doubt many people outside France have the occasion to see it...
I was introduced to this movie by a french TV show talking about DVDs, done by a rather funny guy who is used to bashing "navets" as we call bad movies in french. He said that while seeing the movie, he could imagine the producers discussing about making a teen movie with some pretty girls (check), gross scenes (check), a guy masturbating with some food (check), to ride the wave of American Pie. So I told myself it would be a "navet" to remember. In the end, I think the producer scene imagined by that guy was quite realistic; but the director managed to make an enjoyable movie with it, with weak or boring moments (some scenes seemed to be there just to make the movie a little longer), but with good moments. The actors are lovable, not always very good, but at worst adequate. Armelle Deutsch is great (she's just my type, that helps...). It's not an "all out attack" comedy; there are calm moments, and actually a much much better understanding of how young people manage their love lives than american pie. That's the kind of movie that I can't help liking, though I see many flaws in it (acting, directing, mandatory scenes for the genre that are just boring). Thus, I give it a 5/10.