| Photos (see all 21 | slideshow) | Videos (see all 3 NEW) |
| Bruce Campbell | ... | Elvis | |
| Ossie Davis | ... | Jack | |
| Ella Joyce | ... | The Nurse | |
| Heidi Marnhout | ... | Callie | |
| Bob Ivy | ... | Bubba Ho-tep | |
| Edith Jefferson | ... | Elderly Woman | |
| Larry Pennell | ... | Kemosabe | |
| Reggie Bannister | ... | Rest Home Administrator | |
| Daniel Roebuck | ... | Hearse Driver | |
| Daniel Schweiger | ... | Hearse Driver | |
| Harrison Young | ... | Elvis' Roommate | |
| Linda Flammer | ... | Room Nurse | |
| Cean Okada | ... | Attending Nurse | |
| Solange Morand | ... | Iron Lung Lady | |
| Karen Placencia | ... | Baby | |
| Bruce Rawitz | ... | TV Announcer | |
| Joseph Primero | ... | Janitor | |
| Chuck Williams | ... | Elvis' Boy | |
| Timothy E. Goodwin | ... | Elvis' Boy (as Tim Goodwin) | |
| James Maley | ... | Elvis' Boy | |
| 'Two-Gun' Tyler | ... | Elvis' Boy | |
| Steve Kassel | ... | Sebastian's Band, Drums | |
| Damon Carruesco | ... | Sebastian's Band, Guitar | |
| Lief Frederick | ... | Sebastian's Band, Bass | |
| Danny Crossen | ... | Sebastian's Band, Keyboards | |
| Gigi Fast Elk Porter | ... | Trailer Park Gal (as Gigi Fast Elk) | |
| Emily Wengel | ... | Trailer Park Gal | |
| Naveed Mahboobian | ... | Egyptian Guard | |
| Omid Naimi | ... | Egyptian Guard | |
| Joseph C. Boulder | ... | Lunch Room Folks | |
| Virginia Brown | ... | Lunch Room Folks | |
| Celia Gill | ... | Lunch Room Folks | |
| Harvey Flammer | ... | Lunch Room Folks | |
| Sylvia Flammer | ... | Lunch Room Folks | |
| Ruth Hansen | ... | Lunch Room Folks | |
| Mary Rose Waken | ... | Lunch Room Folks | |
| Natasha Kurtz | ... | Vintage Picture Model | |
| Avery Taylor | ... | Vintage Picture Model | |
| Nadia Angelini | ... | Vintage Picture Model | |
| rest of cast listed alphabetically: | |||
| Gabi Ferrer | ... | Fan at concert (uncredited) | |
| Regina Pope | ... | Extra (uncredited) | |
| André Sogliuzzo | ... | Narrator (uncredited) | |
Directed by | |||
| Don Coscarelli | |||
Writing credits(WGA) | ||
| Joe R. Lansdale | (short story) | |
| Don Coscarelli | (screenplay) | |
Produced by | |||
| Dac Coscarelli | .... | executive producer | |
| Don Coscarelli | .... | producer | |
| Jason R. Savage | .... | producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Adam Janeiro | |||
Film Editing by | |||
| Scott J. Gill | |||
| Donald Milne | |||
Casting by | |||
| Jerry Whitworth | |||
Production Design by | |||
| Daniel Vecchione | |||
Art Direction by | |||
| Justin Zaharczuk | |||
Set Decoration by | |||
| Damon Carruesco | |||
Costume Design by | |||
| Shelley Kay | |||
Makeup Department | |||
| Melanie A. Kay | .... | makeup artist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Melanie Tooker | .... | makeup application: Elvis | |
Production Management | |||
| Rosa Gonzalez | .... | unit production manager | |
| Jason Serrato | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Rosa Gonzalez | .... | first assistant director | |
| Jin Ah Lee | .... | second assistant director | |
Art Department | |||
| Paul Cander | .... | carpenter | |
| David Gechman | .... | illustrations "Book of Souls" | |
| David Hartman | .... | illustrator | |
| Carrie Schupper | .... | assistant art director | |
| Todd Stauder | .... | swing | |
Sound Department | |||
| Thomas Appel | .... | assistant sound editor | |
| Paul Bacca | .... | sound mixer | |
| John Brasher | .... | sound re-recording mixer | |
| John Chominsky | .... | adr recording engineer | |
| Mark J. Harris | .... | voiceover recordist | |
| Eric Hoeschen | .... | foley artist | |
| Marcel Lehrer | .... | post sound coordinator | |
| Mike Loving | .... | boom operator | |
| Rick McLane | .... | sound engineer | |
| Paul Menichini | .... | sound designer | |
| Dominik Meyer | .... | machine room operator | |
| Stewart Nelson | .... | adr supervisor (as Stewart Nelsen) | |
| Paul Ratajczak | .... | sound re-recording mixer | |
| Paul Ratajczak | .... | sound supervisor | |
| Trevor Sperry | .... | foley mixer | |
| William Tabanou | .... | narration editor | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
| Lance Wiseman | .... | dialogue editor | |
| Lance Wiseman | .... | sound re-recording mixer | |
Special Effects by | |||
| Chad Atkinson | .... | mold maker | |
| Howard Berger | .... | special effects makeup supervisor | |
| Kamar Bitar | .... | special effects coordinator | |
| Connie Cadwell | .... | lab technician | |
| Jason Collins | .... | special effects makeup | |
| James Hall | .... | lab technician | |
| Steve Hartman | .... | lab technician | |
| Chiz Hasegawa | .... | assistant special effects coordinator | |
| Beth Hathaway | .... | lab technician | |
| Robert Kurtzman | .... | special effects makeup supervisor | |
| Gregory Nicotero | .... | special effects makeup supervisor (as Greg Nicotero) | |
| Scott Patton | .... | sculptor | |
| Brian Rae | .... | mold maker | |
| Alan Tuskes | .... | mold maker | |
| Alan Tuskes | .... | special makeup effects crew | |
Visual Effects by | |||
| Tommy Dorsett | .... | scanning and recording | |
| David Hartman | .... | visual effects supervisor | |
| Kathleen Hartman | .... | title logo design | |
| Nicholas Lund-Ulrich | .... | scanning and recording technician | |
| Geoffrey Mark | .... | visual effects animator | |
| Dave Matherly | .... | visual effects (as David Matherly) | |
| Matt McFarland | .... | scanning and recording manager | |
| Santosh Oommen | .... | visual effects animator | |
| D. Kerry Prior | .... | visual effects creator: bug unit | |
| Michael T. Smith | .... | visual effects supervisor | |
| Jonard Soriano | .... | CG animator | |
| Peter Alun Thomas | .... | scanning and recording technician (as Alun Thomas) | |
Stunts | |||
| John Casino | .... | stunts | |
| Eric Chambers | .... | stunts | |
| Gary Kent | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sammy Beavers | .... | additional cinematographer | |
| Precy C. Betiong | .... | first assistant camera (as Prezy C. Betion) | |
| Thomas Bilyeu | .... | still photographer | |
| Chris Chomyn | .... | additional cinematographer | |
| David F. Clark | .... | second assistant camera | |
| Jordan Garretson | .... | key grip | |
| Paul Goldhammer | .... | second assistant camera | |
| James Goldman | .... | dolly grip | |
| Colin Hudson | .... | Steadicam operator | |
| Scott Libolt | .... | still photographer | |
| Chelsea Low | .... | Steadicam operator | |
| Alexandra Lucka | .... | second assistant camera | |
| Michael Miller | .... | crane operator | |
| D. Kerry Prior | .... | additional cinematographer | |
| D. Kerry Prior | .... | photographer: second unit | |
| William Sentelik | .... | best boy electric (as Bill Sentelik) | |
| Gary Stamford | .... | gaffer | |
| Brent Studler | .... | rigging gaffer | |
| Brad Wallace | .... | second assistant camera | |
Casting Department | |||
| Joe Ferroni | .... | casting associate | |
| Jay Lawson | .... | casting associate | |
| Jeffrey M. Paal | .... | casting associate | |
Costume and Wardrobe Department | |||
| Dee Dee Hopkins | .... | assistant costume designer | |
| Chloe Kay | .... | wardrobe assistant | |
Editorial Department | |||
| James Williams | .... | color timer | |
Music Department | |||
| Gary Krause | .... | music editor | |
| Daniel Schweiger | .... | music supervisor | |
| Jeff Vaughn | .... | music engineer | |
Other crew | |||
| Carol Lynn Akiyama | .... | legal services | |
| Linda Bastin | .... | purchaser | |
| Peter Bierstedt | .... | legal services | |
| Lisa Charalambous | .... | continuity | |
| Stephen Chin | .... | production assistant | |
| Ashley Grimes | .... | production assistant | |
| Andy John | .... | production assistant | |
| Andrew Johnston | .... | production assistant | |
| Ramy Katrib | .... | consultant | |
| Jin Ah Lee | .... | key set production assistant | |
| Mike Loving | .... | production assistant | |
| Gabriel Martinez | .... | production assistant | |
| Kathy McHugh | .... | script supervisor | |
| Vern Moen | .... | production assistant | |
| Paul Nix | .... | Elvis' limousine courtesy of | |
| Gigi Fast Elk Porter | .... | background coordinator | |
| Christiane Savage | .... | senior wrangler | |
| Jeremy Tate | .... | production assistant | |
| Guy Thorpe | .... | hearse coordinator | |
| Tim Welch | .... | consultant: Elvis | |
| Emily Wengel | .... | production assistant | |
| Megan Whitener | .... | production assistant | |
| Sharon Wrisley | .... | production accountant | |
Thanks | |||
| Naython Vane | .... | special thanks | |
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| Porky's | The Holy Mountain | Across the Universe | Indiana Jones and the Temple of Doom | Kiss Kiss Bang Bang |
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I'd heard that when the end credits rolled for 'Bubba Ho-Tep' during the premiere in Detroit, there was a five minute standing ovation. Having seen the movie, I have to honestly say a five minute ovation seems not long enough. What a film! Other reviewers have called this film, "excellent," "fantastic," "wonderful," etc. While I won't question the reviewers' choice of words, I'm not sure the they're sufficient to describe just what an experience 'Bubba Ho-Tep' is.
"Superlative" probably comes closest.
So what exactly IS 'Bubba Ho-Tep?' Take your pick of one or all: Drama. Horror. Comedy. Tear Jerker. Life Lesson.
'Bubba' not only succeeds in each genre, but excels. Lesser movies have attempted to be jack-of-all-trades, but usually fall far short of one goal. One movie may be hilarious at its core, but preachy in the moral lesson. Another could be a fantastic horror film, but the creature ends up as more interesting and sympathetic than it's human co-stars. Yet another movie can teach a valuable lesson on life, but leave you depressed as you're exiting the theater.
'Bubba' succeeds where others have failed.
Enough praise can not be heaped on Bruce Campbell for his utterly believable performance as Presley. Even the hokeyness of Elvis threatening the mummy with his karate "stuff" was never over the top, as one could OH so see Elvis doing that! Campbell offers an amazing view into Presley's soul. Here lies a man upset with his lot in life, wanting to get away from the limelight yet craving it at the same time. A man wishing for the best but accepting of the worst. A man ready to shake off his failures and embracing his desire to be what he's always wanted to be - a hero. His finest line: "Always the questions, never the answers. Always the hopes, never the fulfillments." Sound familiar?
And how can one go wrong with Ossie Davis, who adds an aristocratic touch of humanity and sympathy as Jack Kennedy. IS he the President? Hey, stranger stories than his have been told! Best line: "It's now up to you, Elvis. You got to get him... You got to... take care of business." I challenge you to still have a dry eye after that.
The accolades should not stop here, however. Director Don Coscarelli didn't just write and direct 'Bubba,' he crafted it. With love, and with the finest attentions to detail, fit and finish. More so, he was faithful to Joe Lansdale's original story. (Which is a tribute to Coscarelli, as most mainstream Hollywood movies would have mangled the source material into something unrecognizable from what it once was.) The supporting cast was as fine as could be had. Pay special attention to Ella Joyce as the nurse. Though her character is meant to be cold and uncaring, Joyce still manages to sneak glimpses of humanity into the performance. One could see the nurse as someone who once had and still wants to care, but has become so desensitized that caring for her charges has all but dissipated. And who can forget the score? Talk about a custom fit between movie and music!
All in all, it is a crime that 'Bubba Ho-Tep' did not get greater exposure. More of a crime is a lack of Campbell's recognition by mainstream Hollywood for his outstanding turn as Elvis. (Then again, one gets the refreshing impression that Campbell gladly accepts this shun.)
Just as William Hurt's outstanding movie 'The Doctor' should be a prerequisite for any prospective medical student, 'Bubba Ho-Tep' should be required viewing for anyone who wants an uplifting, thoughtful, humorous, scary, and just plain great movie!
10 out of 10, no question, ifs ands or buts.