Gosford Park (2001)

User Rating:

7.2/10   

Director:

Robert Altman

Writers:

Robert Altman (idea) and
Bob Balaban (idea) ...

Release Date:

4 January 2002 (USA)

Genre:

Comedy | Drama | Mystery

Tagline:

Tea At Four. Dinner At Eight. Murder At Midnight.

Plot:

Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England.

Plot Keywords:

Servant | Shooting Party | Murder | Country House | Money

Awards:

Won Oscar. Another 27 wins & 49 nominations

Cast

Maggie Smith	...	Constance Trentham
Michael Gambon	...	William McCordle
Kristin Scott Thomas	...	Sylvia McCordle
Camilla Rutherford	...	Isobel McCordle
Charles Dance	...	Lord Raymond Stockbridge
Geraldine Somerville	...	Louisa Stockbridge
Tom Hollander	...	Anthony Meredith
Natasha Wightman	...	Lavinia Meredith
Jeremy Northam	...	Ivor Novello
Bob Balaban	...	Morris Weissman
James Wilby	...	Freddie Nesbitt
Claudie Blakley	...	Mabel Nesbitt
Laurence Fox	...	Rupert Standish
Trent Ford	...	Jeremy Blond
Ryan Phillippe	...	Henry Denton

Also Known As:

Gosford Park (Italy)

MPAA:

Rated R for some language and brief sexuality.

Runtime:

137 min

Country:

UK | USA | Italy

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:L | South Korea:15 | USA:R (certificate #38606) | USA:TV-MA (TV rating) | Argentina:16 | Brazil:14 | Canada:14A | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIA | Netherlands:AL | Norway:11 | Peru:14 | Portugal:M/12 | Singapore:NC-16 | Spain:7 | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | UK:15 | Australia:M

Filming Locations:

Hall Barn, Beaconsfield, Buckinghamshire, England, UK

Company:

USA Films

Trivia:

The camera is always moving (if only slightly) in every shot of the film as requested by director Robert Altman.

Goofs:

Continuity: When Lady Trentham is getting ready to leave, she doesn't have a scarf around her neck. When she goes to the vanity, she throws the scarf to Mary, but then in the next shot she is taking the scarf off.

Quotes:

Morris Weissman: [after Jennings suggests Mr. Weissman choose his own breakfast items] Oh, like cafeteria style?
Baron Raymond Stockbridge: The Englishman is never waited on at breakfast.
Morris Weissman: Well, that's interesting, because an American is. I'll make a note of that.

Movie Connections:

Featured in "Anatomy of a Scene: Gosford Park" (????)

Soundtrack:

Waltz of My Heart

AWESOME ALTMAN!!!

This film opened the London Film festival and I was lucky enough to see get tickets. Robert Altman was there and so were most of the cast.

I've seen over half of the Altman cannon of work and this has to rank up with his best. Set in the 1920's, a group of people get together for a shooting weekend at the estate of Lord and Lady Mcardle. There are two sets of characters, the Toffs upstairs and the servants downstairs. With his customary multi-streaming overlapping narrative, cross cutting dialogue and interwoven storylines, Altman sets up dynamics within and between the two classes. There are up to 32 speaking parts and each of them is invested with a clear identity. Just from a few lines, a gesture, raising of an eyebrow, we have an idea of a character's feelings and motivations.

At times the narrative moves at such a fast pace, but we never lose track of whats going on. Scenes such as the Toffs in the Drawing room having tea - many conversations happening, dynamics being set up - and another where the servants are rushing around downstairs, as the camera weeves its way through the corridors, are exhilirating cinema!! Altman has a tight grip on the proceedings and this only wavers slightly towards the end.

There is a fantastic scene, where Ivor Novello - a guest, is invited to sing for the other guests and all the servants listen covertly from whatever vanatge point they can find. Novello oustays his welcome, amongst the gentry, but the servants cant get enough.

What Altman has done here, helped enormously by the wonderfully humourous script by Julian Fellows, is invested these period characters with a modern sensibility. These are not the boring, stuffed dummy museum pieces of your typical period picture, these people are real. Rich or poor, their fallibilities, desires, disaffections and frustrations are evidently clear.

This movie is so good, I wanted to get up and cheer at certain points. Altman is well served by the 'creme de la creme' of British Actors. All are excellent; Maggie Smith, Emily Watson, Helen Mirren, Kristin Scott-Thomas and Jeremy Northam to name a few. This film may not be everyones cup of tea and i am someone who can go watch anything from Scream 3 to the latest hot film from Asia, but those that invest the time on this film, will be much rewarded. Altman deserves the Oscar that has eluded him for far too long.