| Videos (see all 8 NEW) |
| Sean Pertwee | ... | Sgt. Harry G. Wells | |
| Kevin McKidd | ... | Pvt. Cooper | |
| Emma Cleasby | ... | Megan | |
| Liam Cunningham | ... | Capt. Ryan | |
| Thomas Lockyer | ... | Cpl. Bruce Campbell | |
| Darren Morfitt | ... | 'Spoon' Witherspoon | |
| Chris Robson | ... | Pvt. Joe Kirkley | |
| Leslie Simpson | ... | Pvt. Terry Milburn | |
| Tina Landini | ... | Camper | |
| Craig Conway | ... | Camper | |
| Vilrikke's Acer | ... | Sam the Dog | |
| Bryn Walters | ... | Werewolf | |
| Brian Claxton Payne | ... | Werewolf | |
| Ben Wright | ... | Werewolf |
Directed by | |||
| Neil Marshall | |||
Writing credits | ||
| Neil Marshall | (written by) | |
Produced by | |||
| David E. Allen | .... | producer | |
| Vic Bateman | .... | executive producer | |
| Keith Bell | .... | co-producer | |
| Christopher Figg | .... | producer | |
| Harmon Kaslow | .... | executive producer | |
| Brian Patrick O'Toole | .... | co-producer (as Brian O'Toole) | |
| Tom Reeve | .... | producer | |
| Romain Schroeder | .... | executive producer | |
| Caroline Waldron | .... | associate producer | |
Original Music by | |||
| Mark Thomas | |||
Cinematography by | |||
| Sam McCurdy | |||
Film Editing by | |||
| Neil Marshall | |||
Casting by | |||
| Andrea Clark | (as Andrea Clarke) | ||
| Jeremy Zimmerman | |||
Production Design by | |||
| Simon Bowles | |||
Art Direction by | |||
| Christina Schaffer | |||
Set Decoration by | |||
| Sonja Klaus | |||
Costume Design by | |||
| Uli Simon | |||
Makeup Department | |||
| Dave Bonneywell | .... | special makeup effects supervisor | |
| Lisa Crawley | .... | special makeup effects artist | |
| Peter Hawkins | .... | special makeup effects artist | |
| René Jordan | .... | hair designer | |
| René Jordan | .... | makeup artist | |
| Bob Keen | .... | special makeup director | |
| Matthew O'Toole | .... | special makeup effects artist (as Matt O'Toole) | |
| Anthony Parker | .... | work shop crew | |
| Justin Pitkethly | .... | special makeup effects artist | |
| Katja Reinert-Alexis | .... | makeup designer (as Katja Reinert) | |
| Katja Reinert-Alexis | .... | hair stylist (uncredited) | |
Production Management | |||
| Laurent Dumas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Enrico Accetto | .... | third assistant director | |
| Hélène Coker | .... | third assistant director | |
| Ralph Eisenmann | .... | second assistant director (as Ralf Eisenmann) | |
| Sam Harris | .... | first assistant director | |
Art Department | |||
| Boris Bartholomäus | .... | carpenter | |
| Paul Biwer | .... | master model maker | |
| Claudio Campana | .... | assistant art director | |
| Claudio Campana | .... | draughtsman | |
| Guy Hebeler | .... | model maker | |
| Svet Hrouchoff | .... | props runner | |
| François Mast | .... | carpenter | |
| Pascale Michalski | .... | model maker | |
| Olivier Printz | .... | picture car coordinator | |
| Stephanie Rass | .... | assistant art director | |
| Stephanie Rass | .... | model maker (as Stéphanie Rass) | |
| Tiffany Rodenfels | .... | props | |
| Gerold Schmidt | .... | stand-by props | |
| Zoe Smith | .... | assistant props buyer | |
| Petra Weber | .... | props buyer | |
| Petra Weber | .... | set dresser | |
| Bruno Zenatello | .... | construction manager | |
Sound Department | |||
| James Boyle | .... | sound editor | |
| Peter Burgis | .... | foley artist | |
| Paul Carr | .... | post-production sound mixer | |
| Paul Conway | .... | supervising sound editor | |
| Andie Derrick | .... | foley artist | |
| Alain Goniva | .... | boom operator | |
| James Harrison | .... | sound editor | |
| Jacques Leroide | .... | foley editor | |
| Nick Thermes | .... | production sound mixer | |
| Iain Eyre | .... | sound effects editor (uncredited) | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Richard Darwin | .... | animatronic model designer | |
| Roland Goddijn | .... | special effects | |
| Tacy Kneale | .... | workshop | |
| Martin Lader | .... | special effects | |
| Andy Lee | .... | foamer | |
| Edward Wiessenhaan | .... | special effects | |
| Harrie Wiessenhaan | .... | physical effects supervisor (as Harry Wiessenhaan) | |
| Rick Wiessenhaan | .... | special effects | |
| Robert Zepers | .... | special effects | |
Visual Effects by | |||
| Neil Culley | .... | compositor | |
| Bob Keen | .... | visual effects supervisor | |
Stunts | |||
| Roland Goddijn | .... | stunts | |
| Martin Lader | .... | stunts | |
| Edward Wiessenhaan | .... | stunts | |
| Harrie Wiessenhaan | .... | stunt coordinator (as Harry Wiessenhaan) | |
| Rick Wiessenhaan | .... | stunts | |
| Robert Zepers | .... | stunts | |
Camera and Electrical Department | |||
| Alex Aach | .... | clapper loader: second camera | |
| Paul Alexander | .... | Steadicam operator | |
| Sergio Bernuzzi | .... | key grip | |
| Riccardo Besantini | .... | focus puller: second camera | |
| Mathilde Bouts | .... | clapper loader | |
| Etienne Braun | .... | still photographer | |
| Gilbert Degrand | .... | best boy | |
| Mick Durlacher | .... | gaffer | |
| Graham Johnston | .... | clapper loader: second camera | |
| Clayton Ramsey | .... | assistant grip | |
| Catherine Richard | .... | video assist operator | |
| Carlo Thiel | .... | camera operator: second camera | |
| Wolfgang Wesemann | .... | focus puller | |
| Jon Garwes | .... | assistant camera: aerial unit (uncredited) | |
| Phil Humphries | .... | assistant camera: aerial unit (uncredited) | |
Casting Department | |||
| Monique Durlacher | .... | extras casting | |
Costume and Wardrobe Department | |||
| Silke Reinards | .... | wardrobe assistant | |
| Uli Zegers | .... | wardrobe assistant | |
Music Department | |||
| Rupert Bopape | .... | composer: song "Tom Hark" (as R. Bopape) | |
| John Boughtwood | .... | music supervisor | |
| James Collins | .... | music scoring mixer | |
| Mark Thomas | .... | conductor | |
| Mark Thomas | .... | orchestrator | |
Transportation Department | |||
| Kevan Willis | .... | transportation captain | |
Other crew | |||
| Marguerite Auberger | .... | location assistant | |
| Pascal Charlier | .... | location manager | |
| Paul de Bourcy | .... | studio manager | |
| Kirsten Ferwerda | .... | production assistant | |
| Richard Glass | .... | contact lenses | |
| Kristjan Hardarson | .... | assistant accountant (as Kristjan Hardarsson) | |
| Harmon Kaslow | .... | financial structuring and legal | |
| Christopher P. Kibbey | .... | vice president of production: Carousel Picture Company (as Chris Kibbey) | |
| Sheila McNaught | .... | script supervisor | |
| Simon Ricketts | .... | script editor | |
| Luc Schroeder | .... | production accountant | |
| Katja Wolf | .... | assistant to executive producer | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
| Philip James Morgan | .... | location scout (uncredited) | |
| Matthew O'Toole | .... | post-production accountant (uncredited) | |
| Stephane Wasila | .... | assistant location manager (uncredited) | |
|
|
|
|
|
| Doomsday | Resident Evil: Extinction | Resident Evil | Rambo | Terminator Salvation |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
| Add this title to MyMovies |
...brillant.
I must admit that I was pretty skeptical when i picked it up from the rack at my DVD retailer. A werewolf movie? Aren't they generally so bad no one wants to watch them/buy them? The fact that it was on sale didn't help, but I braced myself and got it figuring that if it was bad, I'd bury it in some deep deep cave and never let it out. But the movie got me out of my seat with excitement and enjoyment at the action and the thrills. I remember checking the time on the DVD player and wincing at the fact I had only half an hour of film left to enjoy. True, I have seen better special effects. And true some things aren't very realistic (and the producers acknowledge those things). But for a studio I have never heard of with a budget far inferior to those of Hollywood super productions, I found those effects very well done.
A very good movie that gave me thrills I hadn't had since the first Predator.