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Gary Hawkins' complex achievement shows that he, himself, is truly a gifted writer and revealer of American southern literature, while developing the fascinating and appealing struggles of living and working in Mississippi as an artist.We are instantly drawn into the gritty, dark, and unashamed world of Larry Brown through his side projects, his humble beginnings, and most importantly, his wife. While it could have been easy to delve into a cliche and trite exposition of any artist's work, Brown's fiction requires depth of emotion and thought. Just as the viewer (not a reader of Brown) might begin to wonder what is so special about this writer, Hawkins presents his own visual renditions of several of Brown's stories, capturing the empathy and curiosity of most anyone.Further, the way in which Hawkins weaves these pieces of fiction into the life and stories of Larry Brown is little short of masterful storytelling. Brown's past comes to life through his confessions, his doubts, and the unabashed admissions of his wife. One cannot help but wonder what relationship the director, Hawkins, developed with his subjects throughout the lengthy filmmaking process and what relationship possibly survives still.Some of the film's overall strengths also lie in the soundtrack by Vic Chesnutt and the grittiness conveyed through "Samaritans" and "Wild Thing." To see this film is to feel as if you've spent an hour or two with Brown on his back porch, sipping some of whatever he has in his own glass.
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