| Photos (see all 98 | slideshow) | Videos (see all 5 NEW) |
| Kurt Russell | ... | Eldon Perry | |
| Scott Speedman | ... | Bobby Keough | |
| Michael Michele | ... | Beth Williamson | |
| Brendan Gleeson | ... | Jack Van Meter | |
| Ving Rhames | ... | Arthur Holland | |
| Kurupt | ... | Darryl Orchard | |
| Dash Mihok | ... | Gary Sidwell | |
| Jonathan Banks | ... | James Barcomb | |
| Lolita Davidovich | ... | Sally Perry | |
| Khandi Alexander | ... | Janelle Holland | |
| Dana Lee | ... | Henry Kim | |
| Chapman Russell Way | ... | Eldon Perry III | |
| Marin Hinkle | ... | Deena Schultz | |
| Jim Cody Williams | ... | Suspect | |
| Eloy Casados | ... | Rico | |
| Graham Beckel | ... | Peltz | |
| William Utay | ... | Sapin | |
| Joe McChesney | ... | Lefty | |
| Master P | ... | Maniac | |
| Faleolo Alailima | ... | Lucky 7 Bouncer | |
| Eddie Mui | ... | Lucky 7 Bartender | |
| Kaila Yu | ... | Lucky 7 Dancer | |
| Wayne King Sr. | ... | Mr. Lewis (as Wayne A. King Sr.) | |
| Cheryl Reeves | ... | Nurse | |
| Peter Weireter | ... | SWAT Sergeant | |
| Keith MacKechnie | ... | Interrogation Officer | |
| Jamison Jones | ... | Frank | |
| Victor Prince II | ... | Metro Cop | |
| David Doty | ... | Judge Russo | |
| Ted Marcoux | ... | J.R. | |
| John Fadule | ... | Shooting Board Officer | |
| Darrell Foster | ... | Sgt. Jakes | |
| Heather Hutchins | ... | Stenographer | |
| Gregg Marc Miller | ... | Officer Charlie (as Gregg Miller) | |
| Nigel Gibbs | ... | Pastor Dennis | |
| Carmen Twillie | ... | Church Choir Singer | |
| Dorian Holley | ... | Church Choir Singer | |
| Monalisa Young | ... | Church Choir Singer | |
| Kudisan Kai | ... | Church Choir Singer | |
| Julius Rizzotti | ... | New Lieutenant | |
| Jordy Oakland | ... | Waitress Tina | |
| Michael Bentt | ... | Officer Clay (as Michael A. Bentt) | |
| Giovanni Antonio Guichard | ... | Rastas | |
| Tom Todoroff | ... | Police Dispatcher | |
| Bob Tur | ... | Helicopter Reporter (as Robert Tur) | |
| Eric Spillman | ... | Newscaster | |
| rest of cast listed alphabetically: | |||
| Alan Davidson | ... | Leon (uncredited) | |
| Reginald Denny | ... | Himself - Truck Driver Assaulted During LA Riots (archive footage) (uncredited) | |
| Rodney King | ... | Himself - Impaired Driver Bashed by LAPD Officers (archive footage) (uncredited) | |
| Sean King | ... | Promoted Lieutenant (uncredited) | |
| Pablo Lewin | ... | Police Officer (uncredited) | |
| Renji Philip | ... | Swat Commander (uncredited) | |
| Daniel Browning Smith | ... | Dead Guy in Freezer (uncredited) | |
| Rosalinde Tropper | ... | Dead Call Girl (uncredited) | |
| Michael Shamus Wiles | ... | Internal Affairs Detective (uncredited) | |
| Timothy Wind | ... | Himself - LAPD Officer Bashing Rodney King (archive footage) (uncredited) | |
Directed by | |||
| Ron Shelton | |||
Writing credits(WGA) | ||
| James Ellroy | (story) | |
| David Ayer | (screenplay) | |
Produced by | |||
| David Blocker | .... | producer | |
| Moritz Borman | .... | executive producer | |
| Caldecot Chubb | .... | producer | |
| Sean Daniel | .... | producer | |
| Guy East | .... | executive producer | |
| James Jacks | .... | producer | |
| Nigel Sinclair | .... | executive producer | |
Original Music by | |||
| Terence Blanchard | |||
Cinematography by | |||
| Barry Peterson | |||
Film Editing by | |||
| Patrick Flannery | |||
| Paul Seydor | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| J. Dennis Washington | |||
Art Direction by | |||
| Thomas T. Taylor | |||
Set Decoration by | |||
| John Leimanis | |||
| David Smith | |||
Costume Design by | |||
| Kathryn Morrison | |||
Makeup Department | |||
| Romy Fleming | .... | key hair stylist (as Romy D. Fleming) | |
| Melissa Forney | .... | key hair stylist | |
| Dennis Liddiard | .... | makeup department head | |
| Peter Montagna | .... | assistant makeup artist | |
| Wynona Price | .... | makeup artist: Ving Rhames (as Wynona Y. Price) | |
Production Management | |||
| Brad Arensman | .... | post-production supervisor | |
| David Blocker | .... | unit production manager | |
| Beth DePatie | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Hope Garrison | .... | second assistant director: additional photography | |
| Hope Garrison | .... | second second assistant director | |
| Danny Green | .... | second assistant director | |
| Eric Fox Hays | .... | first assistant director (as Eric Fox 'Purple' Hays) | |
| Eric Fox Hays | .... | first assistant director: additional photography (as Eric Fox 'Purple' Hays) | |
| Cy Roscoe Strickland | .... | additional second assistant director | |
| Chip Touhey | .... | additional second assistant director | |
Art Department | |||
| Kelly Berry | .... | assistant set decorator | |
| Jenny DeArmitt | .... | art department assistant | |
| David E. Duncan | .... | storyboard artist | |
| Dana McCall | .... | assistant property master | |
| Dana McCall | .... | props assistant | |
| Margo F. Newman | .... | art department coordinator | |
| Hope M. Parrish | .... | property master | |
| David Ronan | .... | on-set dresser | |
| Kevin Shanks | .... | set dresser | |
| Jim Wardell | .... | lead man | |
| Larry J. White II | .... | set dresser | |
| Ronald L. Woodward | .... | set dresser | |
Special Effects by | |||
| Jay Combs | .... | special effects technician (as J.T. Combs) | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects technician (as Wesley Mattox) | |
| Virgil Sanchez | .... | special effects foreman | |
| Virgil Sanchez | .... | special effects technician | |
| Doyle Smiley | .... | special effects technician | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design (as Johnathan Banta) | |
| Chris Brown | .... | visual effects supervisor (as C.B.) | |
| Anthony Longman | .... | CG artist | |
| Tim Sassoon | .... | visual effects producer | |
| Chie Toshi | .... | CG artist | |
Stunts | |||
| Ben Bray | .... | stunts | |
| Olivia Chang | .... | stunts | |
| Darryl | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunt coordinator (as Jeff Dashnaw) | |
| Keith Davis | .... | stunt double | |
| Brennan Dyson | .... | stunts | |
| Jeremy Fitzgerald | .... | stunts | |
| Conrade Gamble | .... | utility stunts | |
| Henry Kingi Jr. | .... | stunts | |
| Robert Powell | .... | utility stunts | |
| Darryl Reeves | .... | stunts | |
| Ron Stein | .... | stunt cocoordinator | |
| Mary Torres | .... | stunts | |
| Gary Toy | .... | stunts | |
| David Wald | .... | stunts | |
| Bill Young | .... | precision driving coordinator | |
| Marcus Young | .... | stunts | |
Camera and Electrical Department | |||
| Dustin Ault | .... | grip | |
| Michael Bauman | .... | gaffer | |
| Mike Bonnaud | .... | assistant chief lighting technician | |
| Thomas M. Dangcil | .... | electrician | |
| Donald D. Davidson | .... | electrician | |
| Jeffrey De La Rosa | .... | electrician | |
| Dhamarata Dhiensuwana | .... | rigging key grip | |
| Frank Endewardt | .... | electrician | |
| Steven Frohardt | .... | rigging grip best boy | |
| Kurt Grossi | .... | key grip | |
| Steven A. Guerrero | .... | grip | |
| Aundre Johnson | .... | videographer | |
| Dan Kneece | .... | additional camera operator | |
| Jesse Mather | .... | lighting technician | |
| Jim McComas | .... | best boy electric: second unit | |
| Chris McNellis | .... | best boy grip | |
| Brad Peterman | .... | first assistant camera: "b" camera | |
| Tony Rivetti | .... | first assistant camera | |
| David D. Scott | .... | video assist operator | |
| Alec Shepherd | .... | grip | |
| Vich Thiensuwana | .... | rigging grip | |
| Mark Vargo | .... | director of photography: additional photography | |
Casting Department | |||
| Tina Kerr | .... | extras casting | |
Costume and Wardrobe Department | |||
| Toby Bronson | .... | costumer | |
| Susan Saldutti | .... | set costumer | |
Editorial Department | |||
| Patrick Flannery | .... | additional editor | |
| Dan Muscarella | .... | color timer | |
| Clay Rawlins | .... | assistant editor | |
| Charlotte Spencer | .... | assistant editor | |
| Paul Tanzillo Jr. | .... | negative cutter (as Paul Tanzillo) | |
Music Department | |||
| Terence Blanchard | .... | orchestrator | |
| Todd Bozung | .... | music editor | |
| Robin Burgess | .... | music session coordinator | |
| Erika Duffee | .... | music session assistant | |
| John Finklea | .... | music editor: temp music | |
| Edward Rogers | .... | music scoring assistant (as Ed Rogers) | |
| Joel Sill | .... | executive music producer | |
| Madeleine Smith | .... | music supervisor | |
| Tomica Wright | .... | music supervisor | |
Transportation Department | |||
| Jim Chesney | .... | transportation coordinator | |
| Aundre Johnson | .... | driver: cast | |
| Brian Joseph Moore | .... | transportation co-captain | |
| Mark Valdez | .... | transportation captain | |
Thanks | |||
| Dan Reardon | .... | special thanks | |
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I'm not the biggest fan of police/crime drama's (with or without some action and thrills thrown in the mix). Most of the time (especially the direct-to-DVD ones) those movies are simply below average. DARK BLUE, however, rightfully received a theatrical release. This movie's got a good story to tell (written by James Ellroy), supported by more than decent acting performances. Kurt Russell delivers one of his best performances yet as Eldon Perry, a middle aged unsympathetic loud-mouth cop on the verge of promotion. He doesn't question his orders given by corrupt superiors, and that's how he was able to follow in his father's footsteps and climb the ranks of the LAPD. I haven't seen Scott Speedman in many movies yet, but from the looks of it he's a decent actor too, who holds strong when acting aside Kurt Russell.
Given this is a James Ellroy story, one quickly is led to believe that there are way more corrupt cops out there than good ones. And even the honest ones (in pursuit of justice) have a few skeletons in the closet. All characters have a lot of flesh on their bones, which make them all very interesting. And because of the many fluent dialogues that demand your attention, you tend to forget that all the things going on the way they do, can't last forever. So when things do go wrong, it's a bit of a surprise for who it goes bad and for who it gets even worse.
The whole background story with the lawsuit against the cops who beat up Afro-American Rodney King is cleverly used to stage the 90's setting. And the riots in the street, caused by the decision of the jury near the end of the movie, add a lot to the exciting climax of DARK BLUE. This one's as decent as L.A. CONFIDENTIAL, only, maybe, a bit less intriguing. But still, an excellent movie with solid acting and a good story.