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| Mel Gibson | ... | Lt. Col. Hal Moore | |
| Madeleine Stowe | ... | Julie Moore | |
| Greg Kinnear | ... | Maj. Bruce 'Snake' Crandall | |
| Sam Elliott | ... | Sgt. Maj. Basil Plumley | |
| Chris Klein | ... | 2nd Lt. Jack Geoghegan | |
| Keri Russell | ... | Barbara Geoghegan | |
| Barry Pepper | ... | Joe Galloway | |
| Duong Don | ... | Lt. Col. Nguyen Huu An | |
| Ryan Hurst | ... | Sgt. Ernie Savage | |
| Robert Bagnell | ... | 1st Lt. Charlie Hastings | |
| Marc Blucas | ... | 2nd Lt. Henry Herrick | |
| Josh Daugherty | ... | Sp4 Robert Ouellette | |
| Jsu Garcia | ... | Capt. Tony Nadal | |
| Jon Hamm | ... | Capt. Matt Dillon | |
| Clark Gregg | ... | Capt. Tom Metsker | |
| Desmond Harrington | ... | Sp4 Bill Beck | |
| Blake Heron | ... | Sp4 Galen Bungum | |
| Erik MacArthur | ... | Sp4 Russell Adams | |
| Dylan Walsh | ... | Capt. Robert Edwards | |
| Mark McCracken | ... | Capt. Ed 'Too Tall' Freeman | |
| Edwin Morrow | ... | Pfc. Willie Godboldt | |
| Brian Tee | ... | Pfc. Jimmy Nakayama | |
| Sloane Momsen | ... | Cecile Moore | |
| Bellamy Young | ... | Catherine Metsker | |
| Simbi Khali | ... | Alma Givens (as Simbi Kali Williams) | |
| Jim Grimshaw | ... | Maj. Gen. Henry Kinnard | |
| Forry Smith | ... | Sfc. Carl Palmer | |
| Steven Nelson | ... | Sp5 Charlie 'Doc' Lose | |
| Vincent Angell | ... | Capt. Robert 'Doc' Carrera | |
| Michael Tomlinson | ... | Col. Tim Brown | |
| Keith Szarabajka | ... | Diplomatic Spook | |
| Tim Abell | ... | Army Intelligence Officer | |
| Patrick St. Esprit | ... | General in Hallway | |
| Mike White | ... | Sfc. Bob White, Mortar Sergeant (as Michael John White) | |
| Daniel Roebuck | ... | Medevac CO | |
| Maia Lien | ... | Army Wife | |
| Dan Beene | ... | Cab Driver (as Danny Beene) | |
| Taylor Momsen | ... | Julie Moore | |
| Joshua McLaurin | ... | Greg Moore (as Josh McLaurin) | |
| Devon Werkheiser | ... | Steve Moore | |
| Luke Benward | ... | David Moore | |
| Billinjer C. Tran | ... | Viet Minh Sergeant | |
| Vien Hong | ... | Mr. Nik | |
| Joseph Tran | ... | NVA Prisoner | |
| Joseph Hieu | ... | NVA Officer | |
| Lam Nguyen | ... | NVA Soldier with Bayonet | |
| Diep Bui | ... | NVA Wife (as Zoë Bui) | |
| Andrew Wallace | ... | French Bugler | |
| Nicholas Hosking | ... | French Captain | |
| Michael Giordani | ... | French Lieutenant | |
| Shepard Koster | ... | Reporter (as Shep Koster) | |
| Kate Lombardi | ... | Reporter | |
| Ingrid Semler | ... | Reporter | |
| Jason Powell | ... | Sgt. Robert Stokes | |
| Doug C. Cook | ... | Capt. Ray Lefebvre | |
| Sean Bunch | ... | Trooper on Fire (as Sean Thomas Bunch) | |
| F. Lee Reynolds | ... | Chopper Crewman | |
| Stephen Zapotoczny | ... | Edwards' Radio Operator | |
| Frank Kostenko Jr. | ... | Foxhole Trooper | |
| rest of cast listed alphabetically: | |||
| Ben Allison | ... | Lt. Cochran (uncredited) | |
| Brian Carpenter | ... | Sec. of Defense Robert McNamara (uncredited) | |
| Chris Cate | ... | Soldier (uncredited) | |
| Cliff Fleming | ... | Capt. Jon Mills (uncredited) | |
| Brendan Ford | ... | Jump Coordinator (uncredited) | |
| Kelli Franklin | ... | Mrs. Charlie Hastings (uncredited) | |
| Christian Gibson | ... | Soldier (uncredited) | |
| Justin Gordon | ... | French Officer (uncredited) | |
| Lyndon Johnson | ... | Himself (archive footage) (uncredited) | |
| Derrell Keith Lester | ... | Black Private (uncredited) | |
| Will Klipstine | ... | Private Davey (uncredited) | |
| Matthew Lang | ... | 1st Lt. John Arrington (uncredited) | |
| Danny Le Boyer | ... | Sergeant (uncredited) | |
| Matt Mangum | ... | Pvt. Soprano (uncredited) | |
| Johnny Nguyen | ... | Young NVA Lieutenant (uncredited) | |
| Randy Oglesby | ... | Lt. Col. List (uncredited) | |
| Jonathan Parks Jordan | ... | White Private (uncredited) | |
| John Paul Rice | ... | Pvt. John Henry (uncredited) | |
| Keni Thomas | ... | Sergeant (uncredited) | |
Directed by | |||
| Randall Wallace | |||
Writing credits(WGA) | ||
| Harold G. Moore | (book "We Were Soldiers Once... and Young") (as Lt. Gen. Harold G. Moore) and | |
| Joseph L. Galloway | (book "We Were Soldiers Once... and Young") | |
| Randall Wallace | (screenplay) | |
Produced by | |||
| Eveleen Bandy | .... | associate producer | |
| Bruce Davey | .... | producer | |
| William Hoy | .... | associate producer | |
| Jim Lemley | .... | executive producer | |
| Stephen McEveety | .... | producer | |
| Arne Schmidt | .... | executive producer (as Arne L. Schmidt) | |
| Randall Wallace | .... | producer | |
| Danielle Lemmon Zapotoczny | .... | co-producer (as Danielle Lemmon) | |
| Stephen Zapotoczny | .... | co-producer | |
Original Music by | |||
| Nick Glennie-Smith | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| William Hoy | |||
Casting by | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
Production Design by | |||
| Thomas E. Sanders | (as Tom Sanders) | ||
Art Direction by | |||
| Daniel T. Dorrance | (supervising art director) | ||
| Kevin Kavanaugh | |||
Set Decoration by | |||
| Gary Fettis | |||
Costume Design by | |||
| Michael T. Boyd | |||
Makeup Department | |||
| Jane Aull | .... | makeup artist: second unit | |
| Hallie D'Amore | .... | makeup artist: Ms. Stowe | |
| Garrett Immel | .... | makeup artist | |
| Kerry Mendenhall | .... | hair stylist | |
| Beth Miller | .... | key hair stylist | |
| Michael Mills | .... | character makeup creator | |
| Michael Mills | .... | makeup supervisor | |
| Craig Reardon | .... | key makeup artist | |
| Michael Burnett | .... | special makeup effects artist: dead soldier bodies (uncredited) | |
Production Management | |||
| Gregg Edler | .... | production supervisor | |
| Angel Pine | .... | post-production supervisor | |
| Arne Schmidt | .... | unit production manager (as Arne L. Schmidt) | |
Second Unit Director or Assistant Director | |||
| Cliff Fleming | .... | director: aerial unit | |
| Allan Graf | .... | second unit director | |
| Frank Kostenko Jr. | .... | second second assistant director | |
| Allen Kupetsky | .... | second assistant director | |
| Michelene Mundo | .... | additional second second assistant director: second unit | |
| Nilo Otero | .... | first assistant director | |
| Bill Purple | .... | second assistant director: second unit (as William Purple) | |
| Shannon Speaker | .... | dga trainee | |
| Jey Wada | .... | second second assistant director: second unit | |
| Kim H. Winther | .... | first assistant director (as Kim Winther) | |
| Lars P. Winther | .... | additional second second assistant director (as Lars Winther) | |
| Lars P. Winther | .... | first assistant director: second unit (as Lars Winther) | |
Visual Effects by | |||
| Paul Abatemarco | .... | visual effects coordinator: Digital Domain | |
| Nancy Adams | .... | 3D integration lead: Digital Domain | |
| Francois Antoine | .... | 3D effects animator: Cinesite | |
| Randall Bahnsen | .... | visual effects editor: Cinesite (as Randy Bahnsen) | |
| Lynn Basas | .... | CG supervisor: Cinesite | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Terra Bliss-Alvarez | .... | project manager: efilm | |
| Cris Blyth | .... | 3D digital model lead: Digital Domain | |
| Steve Bowen | .... | digital color timer: efilm | |
| Tom Bristow | .... | digital asset management: efilm | |
| Bob Buckner | .... | digital mastering technologist: efilm | |
| Shannan Burkley | .... | digital paint artist: Digital Domain | |
| Dick Caine | .... | digital mastering technologist: efilm | |
| Martin Clark | .... | technical services supervisor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain (as Chad Collier) | |
| John Michael Courte | .... | 3d effects animator: Digital Domain (as John Courte) | |
| C. Marie Davis | .... | visual effects executive producer: CIS | |
| Aaron Dorn | .... | project manager: efilm | |
| Jason Doss | .... | 3D integration artist: Digital Domain | |
| Scott Edelstein | .... | 3D integration artist: Digital Domain | |
| Christopher Edwards | .... | operations manager: efilm (as Chris Edwards) | |
| Bob Eicholz | .... | executive in charge of production: efilm | |
| Bill Feightner | .... | vice president of technology: efilm | |
| Larry Gaynor | .... | digital paint supervisor: CIS | |
| Swen Gillberg | .... | 3D integration artist: Digital Domain | |
| David Goldberg | .... | visual effects supervisor | |
| Kacie Haggerty | .... | editorial: efilm | |
| Bruce Halstead | .... | film scanner and recorder operator: efilm | |
| Jessica Harris | .... | digital compositor: Digital Domain | |
| John Herndon | .... | film scanner and recorder operator: efilm | |
| Christopher Holsey | .... | scan/record supervisor: Digital Domain (as Chris Holsey) | |
| Chris Howard | .... | senior flame artist | |
| Joni Jacobson | .... | lead digital compositor | |
| Kenneth Jones | .... | digital effects supervisor: CIS (as Dr. Ken Jones) | |
| Nikos Kalaitzidis | .... | 3d effects animator: Digital Domain | |
| Jeffrey Kalmus | .... | digital imaging supervisor: Digital Domain | |
| Michael Kanfer | .... | digital mastering supervisor: efilm (as Michael D. Kanfer) | |
| Sophie Leclerc | .... | visual effects producer | |
| Michael F. Lehman | .... | film scanner and recorder operator: efilm (as Michael Lehman) | |
| Dan Lemmon | .... | computer graphics supervisor: Digital Domain | |
| Kelly L'Estrange | .... | visual effects producer: Digital Domain | |
| Kevin Lingenfelser | .... | visual effects supervisor: Cinesite | |
| Dawn Llewellyn | .... | editorial: efilm | |
| Chris Logan | .... | 3D integration artist: Digital Domain | |
| Narbeh Mardirossian | .... | video I/O operator: Digital Domain | |
| Craig Mathieson | .... | compositor: Cinesite | |
| Joe Matza | .... | executive in charge of production: efilm | |
| Bekki Misiorowski | .... | visual effects auditor: Digital Domain | |
| Suzanne Mitus-Uribe | .... | digital compositing supervisor: CIS | |
| Carl S.G. Moore | .... | visual effects associate producer: Cinesite (as Carl Moore) | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain (as Heather Morrison) | |
| Robert Nederhorst | .... | digital compositor: Digital Domain (as Rob Nederhorst) | |
| Gregory Oehler | .... | digital compositing supervisor: CIS | |
| Martin Olah | .... | film scanner and recorder operator: efilm | |
| Dan Patterson | .... | data I/O operator: Digital Domain | |
| Darren Poe | .... | compositing supervisor: Digital Domain (as Darren M. Poe) | |
| Erik Pope | .... | visual effects coordinator: Digital Domain | |
| Kelly Port | .... | digital effects supervisor: Digital Domain | |
| Dante Quintana | .... | digital artist: Cinesite | |
| David Robinson | .... | visual effects coordinator: Cinesite | |
| David Santiago | .... | effects technical director: titles | |
| Steve Siracusa | .... | assistant visual effects editor: Digital Domain | |
| Ken Sjogren | .... | compositor: Cinesite | |
| Albert Soto | .... | digital mastering technologist: efilm | |
| David Stearn | .... | digital compositor: Digital Domain (as Dave Stern) | |
| Kenny Sutherland | .... | digital artist: Cinesite | |
| Chris Taft | .... | digital mastering assistant: efilm | |
| Amy Tompkins | .... | visual effects editor: efilm | |
| Renée Tymn | .... | digital compositor: Cinesite (as Renee Chamblin) | |
| Casey Vanover | .... | technical services coordinator: Digital Domain | |
| Mary E. Walter | .... | visual effects editor | |
| Jessica Dara Westbrook | .... | digital effects coordinator: Digital Domain (as Jessica Westbrook) | |
| Bryan Whitaker | .... | 3D digital modeler: Digital Domain | |
| Mark Wilson | .... | 3D digital modeler: Digital Domain | |
| Jann Wimmer | .... | technical assistant: Digital Domain | |
| Doug F. Wolf | .... | 3D digital modeler: Digital Domain (as Doug Wolf) | |
| Adam Young | .... | digital asset management: efilm | |
| Kit Young | .... | digital system manager: CIS | |
| Jeffrey Edward Baksinski | .... | motion & tracking supervisor: Cinesite (uncredited) | |
| Timothy Michael Cairns | .... | 2D paint artist: Matador, EFILM (uncredited) | |
| Thomas R. Dickens | .... | lead prop modeler: missiles, Digital Domain (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant: Cinesite Hollywood (uncredited) | |
| Kama Moiha | .... | digital compositor: Cinesite (uncredited) | |
| Alex G. Ortoll | .... | main title sequence compositor (uncredited) | |
| Robert Rowles | .... | video I/O (uncredited) | |
| Todd Sarsfield | .... | digital artist (uncredited) | |
| Aaron Singer | .... | 3D data integrator (uncredited) | |
| Orvis Slack | .... | construction medic: Monterey County (uncredited) | |
| Tess Spaulding | .... | system administrator (uncredited) | |
| Richard Wardlow | .... | technical director: Digital Domain (uncredited) | |
| Bjorn Zipprich | .... | digital artist (uncredited) | |
Casting Department | |||
| Sig De Miguel | .... | casting associate: New York | |
| Denice Kumagai | .... | voice casting | |
| Elizabeth Lang | .... | additional casting (as Liz Lang Fedrick) | |
| Danny Le Boyer | .... | background casting: Vietnamese (as Danny Boyer) | |
| Caitlin McKenna-Wilkinson | .... | voice casting (as Caitlin McKenna) | |
| Wendy Weidman | .... | casting associate | |
| Chris Gray | .... | extras casting (uncredited) | |
| Kim McCray | .... | casting assistant: Georgia (uncredited) | |
| Kim Petrosky | .... | casting: Georgia (uncredited) | |
| Rebecca Quick | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Anthony Almaraz | .... | costumer | |
| Javier Arrieta | .... | costumer | |
| Frank Avanzo | .... | costumer | |
| Myron Baker | .... | costumer: Mr. Gibson | |
| James 'Mike' Balker | .... | costumer | |
| Elizabeth Clark | .... | costumer | |
| Carmen Cuebello | .... | tailor | |
| Mike Evans | .... | costumer | |
| Kirstin Gallo | .... | costumer | |
| Debbie Holbrook | .... | costumer | |
| Joe McCloskey | .... | costume supervisor | |
| Stanley Moore | .... | costume supervisor (as Stanley L. Moore) | |
| Suzanne Robertson | .... | set costumer (as Suzy Robertson) | |
| Gerardo Rosette | .... | tailor | |
| Barnaby Smith | .... | set costumer (as Barnaby Smith Jr.) | |
| Larry Velasco | .... | chief costumer (as Lawrence Velasco) | |
| Conan Castro Jr. | .... | costumer (uncredited) | |
| Will James Moore | .... | costumer (uncredited) | |
| Kate Sawyer | .... | seamstress (uncredited) | |
Editorial Department | |||
| Steve Bowen | .... | digital color timer | |
| Adam M. Duthie | .... | assistant editor | |
| Danny Rafic | .... | first assistant editor | |
| Mike Stanwick | .... | color timer | |
| Craig Wood | .... | additional film editor | |
| Craig Tanner | .... | assistant editor (uncredited) | |
Music Department | |||
| Catherine Bott | .... | musician: soprano | |
| Nick Glennie-Smith | .... | conductor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ashley Irwin | .... | orchestrator | |
| Malcolm Luker | .... | music scoring mixer | |
| Laura Perlman | .... | music editor | |
| Gavyn Wright | .... | orchestra leader | |
| Karen Han | .... | musician: erhu solo (uncredited) | |
| Bart Hendrickson | .... | additional composer: score (uncredited) | |
| Michael Lustig | .... | music consultant (uncredited) | |
| Lee Scott | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Charley Bob Burnham | .... | transportation coordinator | |
| Edward O'Neal | .... | transportation co-captain | |
| Edward O'Neal | .... | transportation co-captain: Georgia | |
| Teddy J. Ritchie | .... | transportation captain: Georgia (as Teddy J. Richie) | |
| Lee Stepp | .... | transportation captain | |
| Morris Aroesti | .... | driver (uncredited) | |
| Lance Cherniet | .... | driver (uncredited) | |
| Michael Coady | .... | driver (uncredited) | |
| Tina Peterson | .... | driver (uncredited) | |
| Windi Robinson | .... | driver: cast trailer (uncredited) | |
| Christina Rollo | .... | transportation office administrator (uncredited) | |
| Hank Van Apeldoorn | .... | driver: Georgia (uncredited) | |
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I was privileged to see a preview of Mel Gibson's new film "We Were Soldiers" based upon the book written by his real life character, Lt. Col. Harold Moore, along with Joe Galloway. I attended a showing along with numerous other Viet Nam vets and it would seem that there were as many opinions about the movie as there were viewers. Like the war itself, each person in attendance probably had some personal experiences that the movie brought back from that deep, and sometimes distant, place we have put them.
The movie was almost overwhelmingly graphical, but afterwards I realized this was instrumental in the telling of the story. For the movie is truly about the leadership that Col. Moore brought to his men of the 1st of the 7th, and his determination that they would not suffer the fate of the French in Viet Nam, nor his own unit's most infamous battle, that of Custer's Stand at Little Big Horn.
It was his determination and commitment that his men be as highly trained, as strongly molded as a unit, and most importantly as well lead as possible that stands out. This determination is obviously rooted in his deeply abiding belief that military leaders shall never forget that when they lead men into war, many of those men will never come back alive, but that those who lead shall never abandon them, even in their shared darkest hours.
And while the movie highly succeeds in conveying the horror and tragedy that war is....has been...and always shall be, it was more difficult for me to realize that our War Department and Army could have been so callous as to have delegated the responsibility of notifying next-of-kin of the death of their loved ones to the local Yellow Cab company. Then I realized that in late 1965 it was all so new and no one knew that this war was going to grow and consume so many young American lives over the next nine years.
The two most significant scenes in the movie for me were firstly, the scene when the course of the battle teeters on the brink of either disaster or success and the most important communication that Col. Moore's superiors have to convey is that General Westmoreland would like for him to leave the battlefield and fly to Saigon so the general can have a briefing. This more than anything pointed out how tragically we were doomed to failure in Viet Nam due to the political will, not the military will, being in control. The second most significant scene was in the airport where one soldier is pushing his buddy through the concourse and the voice over says..."They did not fight for God.....country.....right. They fought for each other", a fact that every Viet Nam vet would attest to.
This a movie worth seeing. It is another testament, with a worthy cinematographic effort, to the futility and absurdity of war, and how that among madness can be greatness. It is a movie that will unlikely leave the viewer devoid of emotion. What those emotions may be are as likely to be as highly personal, as the strength of their feeling.