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Directed by | |||
| Jessie Nelson | |||
Writing credits(WGA) | ||
| Kristine Johnson | (written by) & | |
| Jessie Nelson | (written by) | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Richard Chew | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Aaron Osborne | |||
Art Direction by | |||
| Erin Cochran | |||
Set Decoration by | |||
| Jennifer M. Gentile | |||
| Garrett Lewis | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Alan D'Angerio | .... | hair stylist: Ms. Pfeiffer (as Alan Dangerio) | |
| Denise Fischer | .... | key makeup artist | |
| Elisabeth Fry | .... | makeup department head | |
| Erin Braus Guth | .... | assistant makeup artist (as Erin M. Braus) | |
| Annette Lorant | .... | makeup artist | |
| Bunny Parker | .... | hair department head | |
| Ronnie Specter | .... | makeup artist: Ms. Pfeiffer (as Ronnie Spector) | |
| Lynda Kyle Walker | .... | hair assistant | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Campbell | .... | first assistant director | |
| Frederic Roth | .... | second assistant director (as Fredric Roth) | |
| Andrew Ward | .... | second second assistant director | |
Art Department | |||
| George Amaroso | .... | swing | |
| Mychael Bates | .... | property master | |
| Robert Bernard | .... | graphic designer | |
| Harry Conrad Chitwood | .... | construction coordinator | |
| Lilly Frank | .... | on-set stand-by painter | |
| Stephanie J. Gordon | .... | set designer | |
| Peter N. Griffith | .... | props | |
| Robert Hale | .... | head paint foreman | |
| Hyunjin Jo | .... | art department assistant (as Hyunjin) | |
| Hyunjin Jo | .... | origami artist | |
| Sean Langdon | .... | set dressing gangboss | |
| Brynn McQuade | .... | art department coordinator | |
| Richard 'Rocky' Nichols | .... | assistant property master | |
| Michael O'Donnell | .... | crew head | |
| John 'Johnny O' Ornelas | .... | assistant property master | |
| Gregori Renta | .... | lead man | |
| Steve Rice | .... | greens foreman | |
| Glenn Rivers | .... | set designer | |
| Chad Vachter | .... | props | |
| Greg Wyszynski | .... | on-set dresser/swing | |
| Michael Caccamise | .... | art department assistant (uncredited) | |
| Chela Fiorini | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Douglas Axtell | .... | production sound mixer | |
| James Bailey | .... | foley artist | |
| Michael Camello | .... | sound assistant | |
| Paul Timothy Carden | .... | supervising sound editor | |
| Eric Flickinger | .... | sound recordist | |
| Kevin Globerman | .... | ProTools engineer | |
| Scott Jacobs | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Darren T. Knaus | .... | assistant sound editor | |
| Manny Leyva | .... | sound utility | |
| Cynthia Merrill | .... | foley artist | |
| Joe Milner | .... | supervising sound editor: effects | |
| Nick Neutra | .... | foley mixer | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Sarah Payan | .... | sound editor | |
| Perry Robertson | .... | sound editor | |
| Gregg Silk | .... | second engineer | |
| David Stanke | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects supervisor | |
Visual Effects by | |||
| Marla Carter | .... | title compositor | |
| Robert Stromberg | .... | matte painting | |
| Patrick Zentis | .... | matte artist | |
Stunts | |||
| Mimi Gilbert | .... | stunt double: Lucy | |
| Troy Gilbert | .... | stunt coordinator | |
| Andy Gill | .... | stunt coordinator | |
| Jack Gill | .... | stunt coordinator | |
| Joel Kramer | .... | stunt coordinator | |
| Lane Leavitt | .... | stunts | |
| David Loitz | .... | precision driver | |
| Patricia M. Peters | .... | stunt double: Rita (as Tricia Peters) | |
| Jimmy Romano | .... | stunt coordinator | |
| Erik Stabenau | .... | stunt double: Sam | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip | |
| Ted Caloroso | .... | first assistant camera: "b" camera | |
| Bruce Chimerofsky | .... | best boy grip | |
| James F. Cornick | .... | rigging gaffer | |
| Andrae Crawford | .... | film loader | |
| Jim Duggan | .... | company grip (as James Duggan) | |
| Jenifer Galvez | .... | set lighting technician | |
| Lamarr Gray | .... | rigging best boy | |
| Ted Lewis | .... | company grip | |
| Chris Lombardi | .... | camera operator: "b" camera | |
| Dayton Nietert | .... | gaffer | |
| Jeremy Antonio Oliver | .... | electrician | |
| Brendon Phillips | .... | rigging electrician | |
| David D. Scott | .... | video assist operator | |
| Lorey Sebastian | .... | still photographer | |
| Sean Shinneman | .... | company grip | |
| Cricket Sloat | .... | assistant chief lighting technician | |
| Christopher A. Zwirner | .... | electrician | |
| Val Sklar | .... | loader (uncredited) | |
Casting Department | |||
| Sandra Kuker | .... | extras casting | |
| Leanna Sheldon | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costume supervisor | |
| Jennifer Morrison Holyfield | .... | costumer: Ms. Pfeiffer (as Jennifer Holyfield) | |
Editorial Department | |||
| Colby Enders | .... | apprentice editor | |
| Adrian Kays | .... | editor: end title montage | |
| Dan Muscarella | .... | color timer | |
| Mark Yoshikawa | .... | first assistant editor | |
Music Department | |||
| Julian Bratolyubov | .... | music preparation | |
| Paul Broucek | .... | music executive | |
| David Carpenter | .... | featured musician: bass (as Dave Carpenter) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Terry Delsing | .... | music editor | |
| Steve Erdody | .... | featured musician: Solo cello | |
| Michael Fisher | .... | featured musician: percussion | |
| Bruce Fowler | .... | orchestrator | |
| Gavin Greenaway | .... | conductor | |
| Tod Holcomb | .... | additional music editor | |
| Mark Kaufman | .... | music clearance executive | |
| Malcolm Luker | .... | score recordist | |
| Malcolm Luker | .... | scoring mixer | |
| James McKee Smith | .... | assistant to composer | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Heitor Pereira | .... | featured musician: Ukes & guitars | |
| Joel J. Richard | .... | music assistant | |
| Erin Scully | .... | music executive | |
| Lori Silfen | .... | music business affairs | |
| Curt Sobel | .... | temp music editor | |
| Terry Wilson | .... | music editor | |
| Hans Zimmer | .... | original music producer | |
Transportation Department | |||
| Julie E. Furnas | .... | transportation production assistant | |
| J. Armin Garza II | .... | driver: camera car | |
| Alan Kaminsky | .... | transportation co-captain | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Harold L. Woods | .... | driver | |
Thanks | |||
| Lynne Finkelor | .... | thanks | |
| Debbie Nelson | .... | thanks | |
| Yoko Ono | .... | thanks | |
| Michael Rhode | .... | thanks | |
| Cameron Taylor-Brown | .... | thanks | |
| Susan Wilder | .... | thanks | |
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A Truly wonderful film that left you thinking and feeling for hours after walking out of the cinema.
Michelle Pfeiffer is exact in her portrayal of the smart, rich, no-nonsense lawyer who realises how empty her luxurious and successful life is. As always she delivers an outstanding performance and reminds us of just how excellent and beautiful an actress she is.
Sean Penn is so believable that you forget that he doesn't actually have anything wrong with him...he captures every emotion perfectly and instills all of that emotion in the audience. Penn is highly under rated in the world that is movies, as he shows with this Oscar potential performance.
The young actress who plays his daughter is amazingly mature in her acting, whilst always managing to capture the innocence of her youthfullness. On top of all that she is gorgeous. The combination of three excellent main actors combined with the supporting actors and the genuine theme and style of the film makes I am Sam an excellent and must see film. Truly Inspiring.