| Photos (see all 34 | slideshow) | Videos (see all 2) |
| Nicole Kidman | ... | Grace Margaret Mulligan | |
| Harriet Andersson | ... | Gloria | |
| Lauren Bacall | ... | Ma Ginger | |
| Jean-Marc Barr | ... | The Man with the Big Hat | |
| Paul Bettany | ... | Tom Edison | |
| Blair Brown | ... | Mrs. Henson | |
| James Caan | ... | The Big Man | |
| Patricia Clarkson | ... | Vera | |
| Jeremy Davies | ... | Bill Henson | |
| Ben Gazzara | ... | Jack McKay | |
| Philip Baker Hall | ... | Tom Edison Sr. | |
| Thom Hoffman | ... | Gangster | |
| Siobhan Fallon | ... | Martha (as Siobhan Fallon Hogan) | |
| John Hurt | ... | Narrator (voice) | |
| Zeljko Ivanek | ... | Ben | |
| John Randolph Jones | ... | Gangster | |
| Udo Kier | ... | The Man in the Coat | |
| Cleo King | ... | Olivia | |
| Miles Purinton | ... | Jason | |
| Bill Raymond | ... | Mr. Henson | |
| Chloë Sevigny | ... | Liz Henson | |
| Shauna Shim | ... | June | |
| Stellan Skarsgård | ... | Chuck | |
| Evelina Brinkemo | ... | Athena | |
| Anna Brobeck | ... | Olympia | |
| Tilde Lindgren | ... | Pandora | |
| Evelina Lundqvist | ... | Diana | |
| Helga Olofsson | ... | Dahlia | |
| Ulf Andersson | ... | Additional Cast | |
| Jan Coster | ... | Additional Cast | |
| Mattias Fredriksson | ... | Additional Cast | |
| Andreas Galle | ... | Additional Cast | |
| Barry Grant | ... | Additional Cast | |
| Laszlo Hago | ... | Additional Cast (as Lásló Hágó) | |
| Niklas Henriksson | ... | Additional Cast | |
| Mikael Johansson | ... | Additional Cast | |
| Hans Karlsson | ... | Additional Cast | |
| Lee R. King | ... | Additional Cast | |
| Oskar Kirkbakk | ... | Additional Cast | |
| Ingvar Örner | ... | Additional Cast | |
| Erich Silva | ... | Additional Cast | |
| Kent Vikmo | ... | Additional Cast | |
| Eric Voge | ... | Additional Cast | |
| Ove Wolf | ... | Additional Cast |
Directed by | |||
| Lars von Trier | (as Lars Von Trier) | ||
Writing credits | ||
| Lars von Trier | (written by) (as Lars Von Trier) | |
Produced by | |||
| Gillian Berrie | .... | co-producer | |
| Lene Børglum | .... | co-executive producer | |
| Bettina Brokemper | .... | co-producer | |
| Tomas Eskilsson | .... | co-producer: in association with | |
| Jonas Frederiksen | .... | line producer | |
| Peter Garde | .... | co-executive producer | |
| Anja Grafers | .... | co-producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Lars Jönsson | .... | co-executive producer | |
| Turid Øversveen | .... | co-producer: in association with | |
| Liisa Penttilä | .... | co-producer: in association with | |
| Marianne Slot | .... | co-executive producer | |
| Els Vandevorst | .... | co-producer | |
| Vibeke Windeløv | .... | producer | |
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Molly Marlene Stensgård | (as Molly Malene Stensgaard) | ||
Casting by | |||
| Job Gosschalk | |||
| Avy Kaufman | |||
Production Design by | |||
| Peter Grant | |||
Set Decoration by | |||
| Simone Grau | |||
Costume Design by | |||
| Manon Rasmussen | |||
Makeup Department | |||
| Pascale Bouquière | .... | key hair stylist (as Pascale Bouguiere) | |
| Pascale Bouquière | .... | key makeup artist (as Pascale Bouguiere) | |
| Annelie Byström | .... | hair stylist | |
| Anja Dahl | .... | makeup artist | |
| Lena Ericsson | .... | hair stylist | |
| Marleen Holthuis | .... | makeup artist | |
| Dennis Knudsen | .... | key hair stylist | |
| Dennis Knudsen | .... | key makeup artist | |
| Robert McCann | .... | makeup artist: Nicole Kidman | |
| Tina Nordberg | .... | hair stylist | |
| Denise Thorsmyr | .... | hair stylist | |
| Mari Vaalasranta | .... | makeup artist | |
| Kerry Warn | .... | hair stylist: Nicole Kidman | |
Production Management | |||
| Lene Nielsen | .... | production manager | |
| Pia Nielsen | .... | post-production manager | |
| Charlotte Pedersen | .... | production manager: test | |
| Tina Winholt | .... | production manager: pre-production | |
Second Unit Director or Assistant Director | |||
| Anders Barlebo | .... | second assistant director | |
| Caroline Sascha Cogez | .... | second to first assistant director (as Caroline S. Cogez) | |
| Anders Refn | .... | first assistant director | |
| Chris Sanger | .... | third assistant director | |
| Iben Snebang | .... | second second assistant director | |
Art Department | |||
| Mikael Back | .... | carpenter | |
| Didier Bautz | .... | plasterer (as Dider Bautz) | |
| Christine Bechameil | .... | painter | |
| Jean Roch Bechameil | .... | plasterer | |
| Louise Drake | .... | set props | |
| Martina Eriksdotter | .... | props assistant | |
| Tony Grob | .... | property master | |
| Rickard Grönvall | .... | painter (as Rikard Grönvall) | |
| Hans Gunnarson | .... | construction coordinator (as Hans Gunnarsson) | |
| Nicola Hewitt | .... | property master | |
| Karl Júlíusson | .... | creative consultant: production design (as Karl Juliusson) | |
| Sofie Kinngard | .... | painter | |
| Jesper Lorents | .... | property master | |
| Jeff Normann | .... | carpenter | |
| Leif Stoltze | .... | carpenter | |
| Peter Vålming | .... | carpenter | |
| Sophus K. Windeløv | .... | props assistant | |
| Frank Zandhoff | .... | carpenter | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | supervising sound editor (as Kristian E. Andersen) | |
| Pétur Einarsson | .... | sound editor | |
| Anne Jensen | .... | sound editor: trailer | |
| Mads Ljungdahl | .... | assistant to sound designer | |
| Julien Naudin | .... | foley artist | |
| Eddie Simonsen | .... | sound editor: trailer | |
| Ad Stoop | .... | second sound engineer | |
| Per Streit | .... | sound designer | |
| Joost van Heerden | .... | sound assistant (as Joost Van Heerden) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Ad Stoop | .... | boom operator (uncredited) | |
| Per Streit | .... | sound engineer (uncredited) | |
Special Effects by | |||
| Hummer Høimark | .... | special effects coordinator (as Hummer Højmark) | |
| Peter Jensen | .... | special effects warrant | |
| Lena Karoliussen | .... | special effects production assistant | |
| Christian Kitter | .... | special effects technician | |
| Ilja Jonbak Nielsen | .... | special effects technician (as Ilja Bak Nielsen) | |
Visual Effects by | |||
| Ian Bach | .... | compositor (as Ian Bach Larsen) | |
| Niels Valentin Dal | .... | matte painter | |
| Sune Elskær | .... | storyboard artist | |
| Jonah Gray | .... | visual effects apprentice | |
| Peter Hjorth | .... | visual effects supervisor | |
| Dan Konzior | .... | digital color grader | |
| Rasmus Lange | .... | additional compositor | |
| Tine Nikali | .... | 3D animator | |
| Mikkel Rønne | .... | compositor | |
Stunts | |||
| Jimmy Uller | .... | stunt double | |
Camera and Electrical Department | |||
| Henrik Andersson | .... | camera assistant: Multicam | |
| Henrik Andersson | .... | video supervisor | |
| Christian Bonde | .... | electrician | |
| Jakob Bonfils | .... | technical supervisor: camera | |
| Asa Frankenberg | .... | lighting designer (as Åsa Frankenberg) | |
| Ocki Hansson | .... | grip | |
| Rolf Konow | .... | still photographer | |
| Mikael Kort Kristensen | .... | grip assistant (as Mikael K. Kristensen) | |
| Jens Lind | .... | gaffer | |
| Fredrik Magnusson | .... | electrician | |
| Sebastian Naar | .... | clapper loader (as Sebastien Naar) | |
| Thomas Neivelt | .... | electrician | |
| Pontus Nordahl | .... | camera assistant: Multicam | |
| Pontus Nordahl | .... | video supervisor | |
| Erik Persson | .... | clapper loader | |
| Ulrik Gad Poulsen | .... | assistant lighting designer | |
| Claus Rosenløv Jensen | .... | focus puller | |
| Martin Svane | .... | electrician | |
| Lars von Trier | .... | camera operator (as Lars Von Trier) | |
Casting Department | |||
| Joyce Nettles | .... | casting: UK | |
| Hanna Nilsson | .... | casting: Sweden | |
| Maureen Whalen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Åsa Broms | .... | seamstress: pre-production | |
| Bente Christiansen | .... | tailor | |
| Kristin Johansson | .... | seamstress: pre-production | |
| Bente Kirk | .... | tailor | |
| Rikke Korfix | .... | costume assistant | |
| Malou Listoft | .... | tailor | |
| Bente Nielsen | .... | tailor (as Bente Nilsen) | |
| Magdalena Nilsson | .... | seamstress: pre-production | |
| Marjatta Nissinen | .... | costume assistant | |
| Stine Terp | .... | tailor | |
Editorial Department | |||
| Karina Buttler | .... | assistant editor: AVID | |
| Thomas Caspersen | .... | digital preparation | |
| Didier Cayla | .... | laboratory contact | |
| Lars Dela | .... | technical backup | |
| Veronique Durand | .... | laboratory contact | |
| Christoffer Heie | .... | on-line editor | |
| Bodil Kjærhauge | .... | first assistant editor | |
| Dan Konzior | .... | digital grader | |
| Thomas Krag | .... | editor: end credits | |
| Sandrine Lesénéchal | .... | assistant post-production: Paris | |
| Nicolaj Monberg | .... | trailer editor | |
| Fabien Pascal | .... | film color grader | |
| Cecilie Rui | .... | first assistant post manager | |
| Jacob Thuesen | .... | trailer editor | |
Music Department | |||
| Simon Changer | .... | score assistant engineer | |
| The English Concert | .... | performer: music score | |
| Joachim Holbek | .... | music arranger | |
| Greg Rogers | .... | music consultant: The Film Music Group | |
| Mike Ross-Trevor | .... | music mix engineer | |
| Mike Ross-Trevor | .... | music recordist | |
| Peter Ryom | .... | consultant: baroque music | |
| Anders Valbro | .... | music supervisor | |
| Ray Williams | .... | music consultant: The Film Music Group | |
| Allan Wilson | .... | conductor | |
Transportation Department | |||
| Nenad Belancic | .... | driver (as Nenad Belancics) | |
| Antonello Cuomo | .... | driver | |
| Sara Eriksson | .... | driver | |
| Johan Johnsson | .... | driver | |
| Morgan Karlsson | .... | driver | |
| Jennifer Kennt | .... | driver | |
| Lee R. King | .... | driver: Nicole Kidman | |
| Anders Lejonmåne | .... | driver | |
| Anna Malini Ahlberg | .... | driver (as Anna Ahlberg) | |
| Linda Maripuu | .... | driver | |
| Henrik Nordberg | .... | driver | |
| Lars Nordenskjöld | .... | driver | |
| Jonas Ohlsson | .... | driver | |
| Henrik Ryhlander | .... | driver | |
Thanks | |||
| Svend Abrahamsen | .... | acknowledgment: supported by, Nordic Film- & TV Fund | |
| Sandra Adrian | .... | the production wishes to thank | |
| Jens Albinus | .... | the production wishes to thank | |
| Erkki Astala | .... | acknowledgment: supported by, Finnish Film Foundation | |
| Katrin Cartlidge | .... | in loving memory of: 15.05.1961 - 07.09.2002 | |
| Jack Collier | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Howard Cook | .... | the production wishes to thank: Denver Museum of Nature & Science | |
| Alfredo Cuomo | .... | acknowledgment: in collaboration with, Planet Pictures | |
| Elin Erichsen | .... | acknowledgment: supported by, Foundation for Audiovisual Productions | |
| Peter Gilsfort | .... | the production wishes to thank | |
| Tómas Gislason | .... | the production wishes to thank (as Tomas Gislason) | |
| Jens Georg Hansen | .... | the production wishes to thank (as Georg Jensen) | |
| Lena Hansson | .... | acknowledgment: supported by, Swedish Film Institute (as Lena Hansson-Varhegyi) | |
| Douglas A. Harper | .... | acknowledgment: end credit photos by, Good Company | |
| Tom Heinemann | .... | the production wishes to thank | |
| Jacob Holdt | .... | acknowledgment: end credit photos by, American Pictures | |
| Dan Holmberg | .... | acknowledgment: end credit photos by, Nye Scener Fra Amerika. | |
| Anders Hove | .... | the production wishes to thank | |
| Jim Hubbard | .... | acknowledgment: end credit photos by, American Refugies | |
| Kirsten Jakobsen | .... | the production wishes to thank (as Kirsten Jacobsen) | |
| Sidse Babett Knudsen | .... | the production wishes to thank | |
| Dorothy Lange | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Russel Lee | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Nikolaj Lie Kaas | .... | the production wishes to thank | |
| Carl Mydans | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Leo Pescarolo | .... | acknowledgment: in collaboration with, Planet Pictures | |
| Ditte Lehmann Rasmussen | .... | the production wishes to thank | |
| Connie Reenberg | .... | the production wishes to thank | |
| Arthur Rothstein | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Mogens Rukov | .... | the production wishes to thank: for the title | |
| Michael Schmid-Ospach | .... | acknowledgment: supported by, Filmstiftung NRW | |
| Ben Shan | .... | acknowledgment: FSA - OWI Collection photographs by | |
| A. Siegel | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Bente Trier | .... | the production wishes to thank | |
| J. Vachon | .... | acknowledgment: FSA - OWI Collection photographs by | |
| Keld Veirup | .... | the production wishes to thank | |
| Vinca Wiedemann | .... | acknowledgment: supported by, Danish Film Institute | |
| Amy Williams | .... | the production wishes to thank | |
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Dogville is long, and if you don't have the patience for a slow ramp-up of tension, it'll turn you right off. There are a couple story devices Von Trier uses that really bugged me, and I almost shut it off once. I'm glad I stuck with him, though, because he really took it somewhere and I came away really enjoying the experience..
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.