| Photos (see all 21 | slideshow) | Videos (see all 6 NEW) |
| Matthew Davis | ... | Odell (as Matt Davis) | |
| Bruce Greenwood | ... | Brice | |
| Olivia Williams | ... | Claire | |
| Holt McCallany | ... | Loomis | |
| Scott Foley | ... | Coors | |
| Zach Galifianakis | ... | Weird Wally | |
| Jason Flemyng | ... | Stumbo | |
| Dexter Fletcher | ... | Kingsley | |
| Nick Chinlund | ... | Chief | |
| Andrew Howard | ... | Hoag | |
| Christopher Fairbank | ... | Pappy | |
| Chuck Ellsworth | ... | Navy Pilot | |
| Crispin Layfield | ... | Navy Lookout | |
| Jonathan Hartman | ... | Schillings | |
| Sebastian Knapp | ... | Sonar #1 | |
| Max Casali | ... | Air Manifold | |
| Alexis Conran | ... | Helmsman | |
| Matthew Leitch | ... | Zap | |
| Gary Broadway | ... | Mess Steward | |
| Tim Plester | ... | Motormac | |
| Craig Blake | ... | Steward | |
| Mitchell Barnett | ... | Bow Planesman | |
| David Crow | ... | Sonar #2 | |
| Nick Hobbs | ... | Captain Winters | |
| Chris Bridgeman | ... | Stern Planesman | |
| David Twohy | ... | British Captain | |
| rest of cast listed alphabetically: | |||
| Paul Bayfield | ... | Radar Operator (uncredited) | |
| David Gries | ... | Rescue Sailor (uncredited) | |
| DJ Perry | ... | Rescue Sailor (uncredited) | |
Directed by | |||
| David Twohy | |||
Writing credits(WGA) | ||
| Lucas Sussman | (written by) & | |
| Darren Aronofsky | (written by) and | |
| David Twohy | (written by) | |
Produced by | |||
| Darren Aronofsky | .... | producer | |
| Sue Baden-Powell | .... | producer | |
| Mark Indig | .... | co-producer | |
| Andrew Rona | .... | executive producer | |
| Eric Watson | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Michael Zoumas | .... | co-producer | |
Original Music by | |||
| Graeme Revell | |||
| Tim Simonec | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Felicia Fasano | |||
| Daniel Hubbard | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Charles Dwight Lee | (as Charles D. Lee) | ||
Art Direction by | |||
| Mark Harris | (supervising art director) | ||
| Fred Hole | |||
Set Decoration by | |||
| Richard Roberts | |||
Costume Design by | |||
| Elizabeth Waller | |||
Makeup Department | |||
| Fae Hammond | .... | makeup artist | |
| Frances Hannon | .... | chief of hair | |
| Frances Hannon | .... | chief of makeup | |
| Waldo Mason | .... | special makeup effects artist | |
| Daniel Parker | .... | special makeup effects artist | |
| Rossana Parker | .... | makeup artist | |
| Sue Westwood | .... | prosthetics hair artist | |
| Shaune Harrison | .... | special makeup effects artist (uncredited) | |
| Duncan Jarman | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Mark Indig | .... | unit production manager | |
| Brian McNulty | .... | post-production supervisor | |
Art Department | |||
| Gari Bacon | .... | props | |
| Mark Bartholomew | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Anthony Caron-Delion | .... | draughtsman | |
| Bryn Court | .... | sculptor | |
| James Enright | .... | modelmaker | |
| Paul J. Hayes | .... | construction coordinator | |
| Carol Kupisz | .... | graphic designer | |
| Ginger McCarthy | .... | head rigger | |
| Brian Neighbour | .... | chargehand carpenter | |
| Sarah Robinson | .... | art department coordinator | |
| Terry Royce | .... | dressing superviser | |
| Terry Royce | .... | props | |
| Alex Smith | .... | art department assistant | |
| Gert Stevens | .... | junior draughtsman | |
| Nick Thomas | .... | stand-by props | |
| Remo Tozzi | .... | draughtsman | |
Special Effects by | |||
| Michael Ahasay | .... | special effects assistant | |
| Sam Barkan | .... | special effects: Michigan | |
| Steve Benelisha | .... | special effects assistant | |
| Nick Bonathan | .... | special effects crew | |
| Sam Conway | .... | special effects coordinator | |
| Dave Eltham | .... | floor supervisor | |
| Jody Eltham | .... | special effects assistant | |
| Michael Fox | .... | special effects technician | |
| Darrell Guyon | .... | floor supervisor | |
| Steve Hamilton | .... | special effects supervisor (as Stephen Hamilton) | |
| Dan Homewood | .... | special effects technician | |
| Ian Lowe | .... | senior special effects technician | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| Brian Morrison | .... | mechanical effects supervisor | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Simon Webber | .... | prosthetics artist | |
| Mark White | .... | special effects technician | |
| Nick Finlayson | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | digital effects supervisor: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Pete Bebb | .... | modelling lead | |
| Philip Borg | .... | digital artist | |
| Jim Bowers | .... | digital matte painter | |
| Richard Briscoe | .... | digital compositor | |
| Leon Buckley | .... | video operator: visual effects unit | |
| Chris Burn | .... | digital compositor: Double Negative | |
| Peter Chiang | .... | visual effects supervisor | |
| Jeppe N. Christensen | .... | digital artist | |
| Frazer Churchill | .... | lead compositor | |
| Mike Connolly | .... | digital compositor: Double Negative | |
| Dayne Cowan | .... | digital effects artist | |
| Ciaran Crowley | .... | digital compositor | |
| Ken Dackermann | .... | digital compositor | |
| Hayley Easton | .... | digital artist | |
| Michael Bruce Ellis | .... | compositor | |
| John Follmer | .... | head of production: MetroLight Studios | |
| Paul J. Franklin | .... | head of 3D: Double Negative | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Martin Gardeler | .... | digital artist | |
| Gavin Graham | .... | effects animator: Double Negative | |
| Joseph Grossberg | .... | visual effects consultant | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositor | |
| Martin Hill | .... | technical supervisor: Double Negative | |
| Nic Hodgkinson | .... | digital artist | |
| Rudi Holzapfel | .... | senior compositor: Double Negative | |
| Alex Hope | .... | visual effects producer | |
| Jody Johnson | .... | digital compositor: Double Negative | |
| Jesper Kjölsrud | .... | lead digital artist | |
| Isaac Layish | .... | digital artist | |
| Mattias Lindahl | .... | lead effects animator | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| Heather MacPhee | .... | compositor: MetroLight Studios | |
| Fay McConkey | .... | visual effects producer | |
| Ken McGaugh | .... | technical supervisor: Double Negative | |
| Jake Mengers | .... | Senior 3D Animator - Double Negative | |
| Mark Michaels | .... | lead compositor | |
| John Moffatt | .... | digital compositor | |
| Alberto Montañés | .... | rotoscope artist | |
| Mike Pope | .... | digital compositor | |
| Martin Preston | .... | CG R&D programmer | |
| Chris Ryan | .... | CGI supervisor: MetroLight Studios | |
| John Seymour | .... | visual effects editor: Double Negative | |
| Matthew Shaw | .... | video editorial | |
| Sarah Soulsby | .... | digital compositor: Double Negative | |
| Ileana Stravoskiadi | .... | digital artist | |
| Jonathan Stroud | .... | R&D programmer: Double Negative | |
| Aksel Studsgarth | .... | digital artist | |
| Åsa Svedberg | .... | digital artist: Double Negative | |
| Jerry Weil | .... | digital artist: Metrolight Studios | |
| Sheila Wickens | .... | digital compositor: Double Negative (as Sheila Gorman) | |
| Dimitri Delacovias | .... | digital matte painter/supervisor: Double Negative (uncredited) | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios (uncredited) | |
| Natalie MacDonald | .... | rotoscope artist (uncredited) | |
| Julian Mann | .... | texture programmer: Double Negative (uncredited) | |
| Gustavo Sanchez-Perez | .... | modeller (uncredited) | |
| Dobbie Schiff | .... | executive producer: MetroLight Studios (uncredited) | |
| Clare Tinsley | .... | visual effects coordinator (uncredited) | |
| Giuliano Dionisio Vigano' | .... | digital artist (uncredited) | |
Stunts | |||
| Ben Bellman | .... | stunts | |
| Richard Bradshaw | .... | stunts | |
| Nick Chopping | .... | stunts | |
| Ben Cooke | .... | stunts | |
| Richard Dwyer | .... | stunts | |
| Bradley Farmer | .... | stunt double: Sebastian knapp | |
| Glenn Foster | .... | stunts | |
| Sy Hollands | .... | stunts | |
| Rowley Irlam | .... | stunt double: Bruce Greenwood | |
| Paul Jennings | .... | stunt coordinator | |
| Theo Kypri | .... | stunts | |
| Mike Lambert | .... | stunts | |
| Dominic Preece | .... | stunts | |
| C.C. Smiff | .... | stunts | |
Casting Department | |||
| Freddy Luis | .... | casting associate | |
Costume and Wardrobe Department | |||
| Annie Crawford | .... | costume supervisor | |
| Dave Croucher | .... | costumes | |
| Christof Roche-Gordon | .... | key costumer | |
Editorial Department | |||
| Tracy Adams | .... | assistant editor | |
| Mike Bellamy | .... | senior digital film colorist | |
| Gavin Buckley | .... | first assistant editor | |
| Emily E. Ellis | .... | post-production assistant | |
| Michael Hatzer | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Lionel Johnson | .... | first assistant film editor: re-shoot | |
| Robert C. Lusted | .... | first assistant editor (as Bob Lusted) | |
| Debs Richardson | .... | assistant editor | |
Music Department | |||
| Mark Curry | .... | scoring mixer | |
| Melissa Deanne Ferguson | .... | music editor | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Gregg Nestor | .... | music preparation (as Greg Nestor) | |
| Joe Rangel | .... | music supervisor | |
| Randy Spendlove | .... | executive in charge of music | |
| Joshua Winget | .... | music editor | |
| Richard Ziegler | .... | additional music editor | |
Transportation Department | |||
| Kurt Knudsen | .... | driver (uncredited) | |
Other crew | |||
| John Adams | .... | special military background | |
| Daren Bailey | .... | assistant marine coordinator | |
| Daren Bailey | .... | principal diving supervisor | |
| Jules Baker-Smith | .... | assistant to director | |
| Camille Brown | .... | assistant: David Twohy | |
| Brian Cabildo | .... | yo-yo instructor | |
| Elizabeth Chambers | .... | production coordinator: Los Angeles | |
| Chloe Chesterton | .... | set runner | |
| Ian Creed | .... | diving/marine coordinator | |
| Linda Crook | .... | assistant production coordinator | |
| Michael Bruce Ellis | .... | creative consultant | |
| Hilary Fagg | .... | script supervisor | |
| Jonathan Flis | .... | production assistant | |
| Susie Ford | .... | production coordinator (as Susie Ford Weismann) | |
| Vincent J. Guastini | .... | creature concepts | |
| Andrew Haddock | .... | video coordinator | |
| Matt Hickey | .... | production assistant | |
| Harry L. Julian Jr. | .... | diving/marine coordinator: Michigan (as Harry Julian) | |
| Lance Julian | .... | marine consultant | |
| Harry L. Julian Sr. | .... | marine consultant (as Harry Julian Sr.) | |
| Kenny MacDonald | .... | production assistant | |
| Daniel McCormick | .... | boat captain | |
| Lee Murphy | .... | diving supervisor | |
| Maggie Phelan | .... | production accountant | |
| James Richardson | .... | assistant accountant | |
| Vail Romeyn | .... | production coordinator | |
| David E. Russo | .... | programmer | |
| David Ryan | .... | special military background | |
| Nina Saxon | .... | title designer | |
| Patric Scott | .... | unit publicist | |
| Rebecca Sutton | .... | assistant coordinator | |
| Mary Tallman | .... | script supervisor | |
| Tony Tucker | .... | boat wrangler | |
| Chris Velazquez | .... | assistant production coordinator | |
| Tonia Wright | .... | assistant: Ms. Baden-Powell and Mr. Indig | |
| Anthony Gore | .... | post-production delivery (uncredited) | |
| Marcel Valcarce | .... | artist: main title (uncredited) | |
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Below is a film of two halves. On the one hand, it's a very well directed movie, with some brilliant horror sequences, camera angles and a claustrophobic atmosphere that will make many horror fans foam at the mouth. However, on the other hand it's just another lame ghost story that unfortunately lacks both the invention and the intrigue that it needs to make it a complete horror package. The story is predictable, and basically follows the same path that a hundred ghost stories before it have followed - i.e. man is killed and comes back to haunt those who wronged him. There is an element of originality in the way that the film climaxes ambiguously, but the originality is strewn from it due to the fact that these sorts of twists have become very predictable of late. Cheers, M Night Shyamalan.
The story takes place on a World War Two submarine. After finding survivors from another, less fortunate ship, the captain of our ship decides to let them board. We begin a voyage of discovery as certain events transpire and the crew begin to believe that their submarine is haunted. This is a film that needs to be followed in order to fully understand the story, and so people that are tired or just fancy seeing something easy should find something else to watch. The fact that the story is rather difficult to follow hampers the film in the end, however, as when we discover the mystery behind what's been going on, it's a disappointment to say the least. Below also suffers from a rather turgid script, which is riddled with clichés and dull one-liners to deliver the action. The characters are neither believable nor interesting, which doesn't do the film any favours either. It's saving grace is, as mentioned, the directing. David Twohy directs out attention through numerous angles, all of which help to instill the idea that we're on a submarine in the viewer's mind. The special effects are somewhat hokey, but numerous scenes impress; most notably the part where our hero's find themselves in the middle of a bunch of Manta Rays.
If you're a film fan that likes your ghost films to have an interesting story, try The Devil's Backbone instead. If you like technical prowess, you could do a lot worse.