| Photos (see all 21 | slideshow) | Videos (see all 6) |
| Matthew Davis | ... | Odell (as Matt Davis) | |
| Bruce Greenwood | ... | Brice | |
| Olivia Williams | ... | Claire | |
| Holt McCallany | ... | Loomis | |
| Scott Foley | ... | Coors | |
| Zach Galifianakis | ... | Weird Wally | |
| Jason Flemyng | ... | Stumbo | |
| Dexter Fletcher | ... | Kingsley | |
| Nick Chinlund | ... | Chief | |
| Andrew Howard | ... | Hoag | |
| Christopher Fairbank | ... | Pappy | |
| Chuck Ellsworth | ... | Navy Pilot | |
| Crispin Layfield | ... | Navy Lookout | |
| Jonathan Hartman | ... | Schillings | |
| Sebastian Knapp | ... | Sonar #1 | |
| Max Casali | ... | Air Manifold | |
| Alexis Conran | ... | Helmsman | |
| Matthew Leitch | ... | Zap | |
| Gary Broadway | ... | Mess Steward | |
| Tim Plester | ... | Motormac | |
| Craig Blake | ... | Steward | |
| Mitchell Barnett | ... | Bow Planesman | |
| David Crow | ... | Sonar #2 | |
| Nick Hobbs | ... | Captain Winters | |
| Chris Bridgeman | ... | Stern Planesman | |
| David Twohy | ... | British Captain | |
| rest of cast listed alphabetically: | |||
| Paul Bayfield | ... | Radar Operator (uncredited) | |
| David Gries | ... | Rescue Sailor (uncredited) | |
| DJ Perry | ... | Rescue Sailor (uncredited) | |
Directed by | |||
| David Twohy | |||
Writing credits(WGA) | ||
| Lucas Sussman | (written by) & | |
| Darren Aronofsky | (written by) and | |
| David Twohy | (written by) | |
Produced by | |||
| Darren Aronofsky | .... | producer | |
| Sue Baden-Powell | .... | producer | |
| Mark Indig | .... | co-producer | |
| Andrew Rona | .... | executive producer | |
| Eric Watson | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Michael Zoumas | .... | co-producer | |
Original Music by | |||
| Graeme Revell | |||
| Tim Simonec | |||
Cinematography by | |||
| Ian Wilson | |||
Film Editing by | |||
| Martin Hunter | |||
Casting by | |||
| Felicia Fasano | |||
| Daniel Hubbard | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Charles Dwight Lee | (as Charles D. Lee) | ||
Art Direction by | |||
| Mark Harris | (supervising art director) | ||
| Fred Hole | |||
Set Decoration by | |||
| Richard Roberts | |||
Costume Design by | |||
| Elizabeth Waller | |||
Makeup Department | |||
| Fae Hammond | .... | makeup artist | |
| Frances Hannon | .... | chief of hair | |
| Frances Hannon | .... | chief of makeup | |
| Waldo Mason | .... | special makeup effects artist | |
| Daniel Parker | .... | special makeup effects artist | |
| Rossana Parker | .... | makeup artist | |
| Sue Westwood | .... | prosthetics hair artist | |
| Shaune Harrison | .... | special makeup effects artist (uncredited) | |
| Duncan Jarman | .... | prosthetic makeup artist (uncredited) | |
Production Management | |||
| Nigel Gostelow | .... | unit production manager | |
| Mark Indig | .... | unit production manager | |
| Brian McNulty | .... | post-production supervisor | |
Art Department | |||
| Gari Bacon | .... | props | |
| Mark Bartholomew | .... | draughtsman | |
| Roger Bowles | .... | draughtsman | |
| Anthony Caron-Delion | .... | draughtsman | |
| Bryn Court | .... | sculptor | |
| James Enright | .... | modelmaker | |
| Paul J. Hayes | .... | construction coordinator | |
| Carol Kupisz | .... | graphic designer | |
| Ginger McCarthy | .... | head rigger | |
| Brian Neighbour | .... | chargehand carpenter | |
| Sarah Robinson | .... | art department coordinator | |
| Terry Royce | .... | dressing superviser | |
| Terry Royce | .... | props | |
| Alex Smith | .... | art department assistant | |
| Gert Stevens | .... | junior draughtsman | |
| Nick Thomas | .... | stand-by props | |
| Remo Tozzi | .... | draughtsman | |
Special Effects by | |||
| Michael Ahasay | .... | special effects assistant | |
| Sam Barkan | .... | special effects: Michigan | |
| Steve Benelisha | .... | special effects assistant | |
| Nick Bonathan | .... | special effects crew | |
| Sam Conway | .... | special effects coordinator | |
| Dave Eltham | .... | floor supervisor | |
| Jody Eltham | .... | special effects assistant | |
| Michael Fox | .... | special effects technician | |
| Darrell Guyon | .... | floor supervisor | |
| Steve Hamilton | .... | special effects supervisor (as Stephen Hamilton) | |
| Dan Homewood | .... | special effects technician | |
| Ian Lowe | .... | senior special effects technician | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| Brian Morrison | .... | mechanical effects supervisor | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Simon Webber | .... | prosthetics artist | |
| Mark White | .... | special effects technician | |
| Nick Finlayson | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Richard Bain | .... | digital effects supervisor: Double Negative | |
| Adrian Banton | .... | digital compositor: Double Negative | |
| Pete Bebb | .... | modelling lead | |
| Philip Borg | .... | digital artist | |
| Jim Bowers | .... | digital matte painter | |
| Richard Briscoe | .... | digital compositor | |
| Leon Buckley | .... | video operator: visual effects unit | |
| Chris Burn | .... | digital compositor: Double Negative | |
| Peter Chiang | .... | visual effects supervisor | |
| Jeppe N. Christensen | .... | digital artist | |
| Frazer Churchill | .... | lead compositor | |
| Mike Connolly | .... | digital compositor: Double Negative | |
| Dayne Cowan | .... | digital effects artist | |
| Ciaran Crowley | .... | digital compositor | |
| Ken Dackermann | .... | digital compositor | |
| Hayley Easton | .... | digital artist | |
| Michael Bruce Ellis | .... | compositor | |
| John Follmer | .... | head of production: MetroLight Studios | |
| Paul J. Franklin | .... | head of 3D: Double Negative | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Martin Gardeler | .... | digital artist | |
| Gavin Graham | .... | effects animator: Double Negative | |
| Joseph Grossberg | .... | visual effects consultant | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hattingh | .... | digital compositor | |
| Martin Hill | .... | technical supervisor: Double Negative | |
| Nic Hodgkinson | .... | digital artist | |
| Rudi Holzapfel | .... | senior compositor: Double Negative | |
| Alex Hope | .... | visual effects producer | |
| Jody Johnson | .... | digital compositor: Double Negative | |
| Olivier Junquet | .... | effects technical director | |
| Jesper Kjölsrud | .... | lead digital artist | |
| Isaac Layish | .... | digital artist | |
| Mattias Lindahl | .... | lead effects animator | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| Heather MacPhee | .... | compositor: MetroLight Studios | |
| Fay McConkey | .... | visual effects producer | |
| Ken McGaugh | .... | technical supervisor: Double Negative | |
| Jake Mengers | .... | Senior 3D Animator - Double Negative | |
| Mark Michaels | .... | lead compositor | |
| John Moffatt | .... | digital compositor | |
| Alberto Montañés | .... | rotoscope artist | |
| Mike Pope | .... | digital compositor | |
| Martin Preston | .... | CG R&D programmer | |
| Chris Ryan | .... | CGI supervisor: MetroLight Studios | |
| John Seymour | .... | visual effects editor: Double Negative | |
| Matthew Shaw | .... | video editorial | |
| Sarah Soulsby | .... | digital compositor: Double Negative | |
| Ileana Stravoskiadi | .... | digital artist | |
| Jonathan Stroud | .... | R&D programmer: Double Negative | |
| Aksel Studsgarth | .... | digital artist | |
| Åsa Svedberg | .... | digital artist: Double Negative | |
| Jerry Weil | .... | digital artist: Metrolight Studios | |
| Sheila Wickens | .... | digital compositor: Double Negative (as Sheila Gorman) | |
| Dimitri Delacovias | .... | digital matte painter/supervisor: Double Negative (uncredited) | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios (uncredited) | |
| Natalie MacDonald | .... | rotoscope artist (uncredited) | |
| Julian Mann | .... | texture programmer: Double Negative (uncredited) | |
| Gustavo Sanchez-Perez | .... | modeller (uncredited) | |
| Dobbie Schiff | .... | executive producer: MetroLight Studios (uncredited) | |
| Clare Tinsley | .... | visual effects coordinator (uncredited) | |
| Giuliano Dionisio Vigano' | .... | digital artist (uncredited) | |
Stunts | |||
| Ben Bellman | .... | stunts | |
| Richard Bradshaw | .... | stunts | |
| Nick Chopping | .... | stunts | |
| Ben Cooke | .... | stunts | |
| Richard Dwyer | .... | stunts | |
| Bradley Farmer | .... | stunt double: Sebastian knapp | |
| Glenn Foster | .... | stunts | |
| Sy Hollands | .... | stunts | |
| Rowley Irlam | .... | stunt double: Bruce Greenwood | |
| Paul Jennings | .... | stunt coordinator | |
| Theo Kypri | .... | stunts | |
| Mike Lambert | .... | stunts | |
| Dominic Preece | .... | stunts | |
| C.C. Smiff | .... | stunts | |
Casting Department | |||
| Freddy Luis | .... | casting associate | |
Costume and Wardrobe Department | |||
| Annie Crawford | .... | costume supervisor | |
| Dave Croucher | .... | costumes | |
| Christof Roche-Gordon | .... | key costumer | |
Editorial Department | |||
| Tracy Adams | .... | assistant editor | |
| Mike Bellamy | .... | senior digital film colorist | |
| Gavin Buckley | .... | first assistant editor | |
| Emily E. Ellis | .... | post-production assistant | |
| Michael Hatzer | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Lionel Johnson | .... | first assistant film editor: re-shoot | |
| Robert C. Lusted | .... | first assistant editor (as Bob Lusted) | |
| Debs Richardson | .... | assistant editor | |
Music Department | |||
| Mark Curry | .... | scoring mixer | |
| Melissa Deanne Ferguson | .... | music editor | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Gregg Nestor | .... | music preparation (as Greg Nestor) | |
| Joe Rangel | .... | music supervisor | |
| Randy Spendlove | .... | executive in charge of music | |
| Joshua Winget | .... | music editor | |
| Richard Ziegler | .... | additional music editor | |
Transportation Department | |||
| Kurt Knudsen | .... | driver (uncredited) | |
Other crew | |||
| John Adams | .... | special military background | |
| Daren Bailey | .... | assistant marine coordinator | |
| Daren Bailey | .... | principal diving supervisor | |
| Jules Baker-Smith | .... | assistant to director | |
| Camille Brown | .... | assistant: David Twohy | |
| Brian Cabildo | .... | yo-yo instructor | |
| Elizabeth Chambers | .... | production coordinator: Los Angeles | |
| Chloe Chesterton | .... | set runner | |
| Ian Creed | .... | diving/marine coordinator | |
| Linda Crook | .... | assistant production coordinator | |
| Michael Bruce Ellis | .... | creative consultant | |
| Hilary Fagg | .... | script supervisor | |
| Jonathan Flis | .... | production assistant | |
| Susie Ford | .... | production coordinator (as Susie Ford Weismann) | |
| Vincent J. Guastini | .... | creature concepts | |
| Andrew Haddock | .... | video coordinator | |
| Matt Hickey | .... | production assistant | |
| Harry L. Julian Jr. | .... | diving/marine coordinator: Michigan (as Harry Julian) | |
| Lance Julian | .... | marine consultant | |
| Harry L. Julian Sr. | .... | marine consultant (as Harry Julian Sr.) | |
| Kenny MacDonald | .... | production assistant | |
| Daniel McCormick | .... | boat captain | |
| Lee Murphy | .... | diving supervisor | |
| Maggie Phelan | .... | production accountant | |
| James Richardson | .... | assistant accountant | |
| Vail Romeyn | .... | production coordinator | |
| David E. Russo | .... | programmer | |
| David Ryan | .... | special military background | |
| Nina Saxon | .... | title designer | |
| Patric Scott | .... | unit publicist | |
| Rebecca Sutton | .... | assistant coordinator | |
| Mary Tallman | .... | script supervisor | |
| Tony Tucker | .... | boat wrangler | |
| Chris Velazquez | .... | assistant production coordinator | |
| Tonia Wright | .... | assistant: Ms. Baden-Powell and Mr. Indig | |
| Anthony Gore | .... | post-production delivery (uncredited) | |
| Marcel Valcarce | .... | artist: main title (uncredited) | |
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This was only playing at one cinema in my area (off my usual track) and when I saw it listed in the paper I thought "Wait, how did I miss that?" But it was rated R (always a plus for me; for one thing, an R rating means the F-word gets used at least twice, so it'll have at least that much realism) and I had read somewhere (probably on IMDB) that it was about submarines, so I thought I'd take a crack at it. My venture was well rewarded.
Set during World War II, an American submarine rescues 3 people on a liferaft, one of whom turns out to be a woman, news of which galvanizes the sub's crew, who seem to know every female slang term ("Brillo pad" was new to me). The movie pays tribute to the German "Das Boot," the best submarine flick ever, as the camera goes darting from one passageway to another as the crewmen are introduced. Then some odd things start occurring.
Helping to win me over was the sheer copiousness of period detail with all the 1940s technology used by the crew to run their boat plus their cigarettes, girlie pin-ups, phonograph records, a Yo-Yo, etc. The actors all rang true except for the young idealistic guy. Lots of great claustrophobic atmosphere; limited but effective use of a certain kind of special effect. One needs to pay attention, such as the mirror scene, where you might think "Is that image duplicating what the guy is doing, or not?" Slow but steady heightening of tension and development of otherwordly aspects. Delightful underwater renditions with plankton & manta rays cavorting. Some drawbacks: too much use of flashbacks, some of which may be "false" (Hitchcock used a false flashback once & always regretted it); too much action occurring off-screen, to where it calls attention to itself. There's a central flashback issue that seems to call for an awful lot of expository dialogue, some of which occurs when one would suppose the characters would be engaged with more pressing matters, such as running out of air.
Given how many other recent movies have cost a lot more money, been given much more ballyhoo but have had much weaker plot, characterization and atmosphere, it seems a shame "Below" must rely entirely on word of mouth, or keyboard. I won't claim I was on the "edge of my seat" throughout but I definitely "bought into" the situation. There's a really lovely closing shot, like a shorter & underwater "Koyaanisqatsi," that no one should find overly corny or contrived.
Bottom line: if you can't find this one in a cinema or reach it before it goes away, keep an eye out for video. The studio made a mistake just blowing the movie off, it deserves better.
In one scene we see a seaman with pet fish in a tank, a nice ironic touch.