| Photos (see all 43 | slideshow) | Videos (see all 10) |
| James Spader | ... | Mr. Grey | |
| Maggie Gyllenhaal | ... | Lee Holloway | |
| Jeremy Davies | ... | Peter | |
| Lesley Ann Warren | ... | Joan Holloway | |
| Stephen McHattie | ... | Burt Holloway | |
| Patrick Bauchau | ... | Dr. Twardon | |
| Jessica Tuck | ... | Tricia O'Connor | |
| Oz Perkins | ... | Jonathan | |
| Amy Locane | ... | Lee's Sister | |
| Mary Joy | ... | Sylvia | |
| Michael Mantell | ... | Stewart | |
| Lily Knight | ... | Paralegal | |
| Sabrina Grdevich | ... | Allison | |
| Lacey Kohl | ... | Louisa | |
| Julene Renee | ... | Jessica | |
| Lauren Cohn | ... | First Secretary | |
| Ezra Buzzington | ... | Typing Teacher | |
| Kyle Colerider-Krugh | ... | Mr. Garvey | |
| Steven Fierberg | ... | First Date | |
| Herbert Russell | ... | Second Date (as Russell Harper) | |
| David Wiater | ... | Tomato Date | |
| Shannon Convery | ... | New Secretary | |
| Alison Tatlock | ... | TV Reporter | |
| rest of cast listed alphabetically: | |||
| Emmy Collins | ... | Zoo Protester (uncredited) | |
| Diane McGee | ... | Woman with the Purple Boots (uncredited) | |
| Cali Ross | ... | Dancing Party Guest (uncredited) | |
| Steven Shainberg | ... | Richard Arevalos (sex therapist on tape) (voice) (uncredited) | |
| Erin Cressida Wilson | ... | Sitting In Mr. Grey's Waiting Room (uncredited) | |
Directed by | |||
| Steven Shainberg | |||
Writing credits | ||
| Erin Cressida Wilson | (screenplay) | |
| Mary Gaitskill | (short story) | |
| Steven Shainberg | (story adaptation) and | |
| Erin Cressida Wilson | (story adaptation) | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Steven Fierberg | |||
Film Editing by | |||
| Pam Wise | |||
Casting by | |||
| Ellen Parks | |||
Production Design by | |||
| Amy Danger | |||
Art Direction by | |||
| Nick Ralbovsky | |||
Set Decoration by | |||
| Michael Baker | |||
| Michael Murray | |||
Costume Design by | |||
| Marjorie Bowers | |||
Makeup Department | |||
| Raqueli Dahan | .... | key makeup artist | |
| Robert Hall | .... | special effects makeup designer | |
| Cynthia Laws | .... | hair stylist | |
| Robert Ramos | .... | additional hair stylist | |
| Cynthia P. Romo | .... | hair stylist: Lesley Ann Warren (as Cynthia Romo) | |
| Nicholas Serino | .... | additional hair stylist | |
Production Management | |||
| Kyle A. Clark | .... | production manager (as Kyle Clarke) | |
| Jennifer Lane | .... | post-production supervisor | |
| Anthony Perretti | .... | production manager: second unit | |
Sound Department | |||
| Jon Ailetcher | .... | production sound mixer | |
| Ryan Collison | .... | foley engineer | |
| Seth Cooper | .... | boom operator | |
| Dustin DuPilka | .... | sound editorial intern | |
| Eric Free | .... | boom operator (as Eric A. Free) | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| Malaika Langa | .... | audio post coordinator | |
| Brian Langman | .... | supervising sound editor | |
| Eric McAllister | .... | assistant sound editor | |
| Brett Michael | .... | boom operator (as Bret Michel) | |
| Katherine Gordon Miller | .... | apprentice sound editor | |
| James H. Nau | .... | adr editor (as Jim Nau) | |
| Steve Schwartz | .... | sound effects editor | |
| Ahmad Shirazi | .... | foley editor (as Maddy Shirazi) | |
| Paul P. Soucek | .... | sound effects editor | |
| Reilly Steele | .... | re-recording mixer | |
| Eric Strausser | .... | assistant sound editor | |
| Brian Vancho | .... | foley artist | |
| Thomas Varga | .... | production sound mixer | |
| Jonathan Wolff | .... | production sound mixer | |
Visual Effects by | |||
| Matthew Adams | .... | digital compositor: Cinesite | |
| Randall Balsmeyer | .... | visual effects | |
| J. John Corbett | .... | digital artist | |
| Kathy Kelehan | .... | visual effects producer | |
| Danny Albano | .... | digital artist (uncredited) | |
| Mark Edwards | .... | visual effects producer: Title House Digital (uncredited) | |
Stunts | |||
| José Ignacio Álvarez | .... | stunt coordinator (as Ignacio Alvarez) | |
| Marguerite Happy | .... | stunt double | |
Casting Department | |||
| Lauren Cohn | .... | casting associate | |
| Sondra James | .... | voice casting | |
Costume and Wardrobe Department | |||
| Corrie Mendes | .... | costumer | |
| Lisa Neil | .... | costumer | |
| Allison Siegel | .... | costume supervisor | |
Editorial Department | |||
| Katie Bevell | .... | post-production assistant | |
| Bob Fredrickson | .... | color timer | |
| Nadia Fugazza | .... | assistant editor | |
| Jamie Governale | .... | apprentice editor (as James Governale) | |
| Mark Moran | .... | post-production assistant | |
| Jay Rabinowitz | .... | additional editor | |
| Mattia Romeo | .... | assistant editor | |
| Greg Tennant | .... | assistant editor | |
| Kenneth Wachtel | .... | assistant editor | |
| Scott Zone | .... | colorist | |
Music Department | |||
| Angelo Badalamenti | .... | orchestrator | |
| James Flatto | .... | music editor | |
| Phil Marshall | .... | orchestrator | |
| Bill Pearson | .... | music engineer | |
| Beth Rosenblatt | .... | music supervisor (as Beth Amy Rosenblatt) | |
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Maggie Gyllenhaal deserves an Oscar nomination for her brilliant portrayal of borderline psychotic, self-mutilating Lee Holloway, a former mental institution patient seeking to sustain herself - vocationally and emotionally - in a challenging world where she has few safe harbors. She comes from a messy family background although that alone can't explain her illness.
Learning typing, she gets a secretary's job with lawyer E. Edward Grey (James Spader, who also turns in a first-rate, nuanced performance). Grey refuses to have any computers in his very smart, expensive law office. Like many lawyers he's a perfectionist who abhors typographical errors but his obsession with perfection reflects more than an anal personality hitched to a law degree. His solo practice seems to thrive better than his self-control of a suppressed sexuality, awakened by Maggie at first unknowingly.
This is a film about what many consider to be deviant behavior (sado-masochism and bondage-discipline, not your usual Hollywood romantic fun and games) that most will concur is uncommon in the workplace. Director Steven Shainberg and his cast - and Gyllenhaal and Spader carry the film, forget the supporting actors - show Lee and Grey's rocky and developing relationship with candor, without condemnation and without exploitation. The lawyer and his secretary are sexualized in a way few have experienced and those who have don't talk to folks outside their circle.
This is a black comedy/a black drama. It either grabs or repels the viewer: there's no in-between. The resolution? Is it realistic or a cop-out? I'd love to hear from those able to comment from experience on IMDb's discussion board. But I have a feeling few will post reactions.
A very different film that I rate 8/10 on a personal scale where I value the deep and tortured acting projecting the absorbing conflict of this sexualized working (initially) relationship.