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Secretary (2002)
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Overview
User Rating:
Release Date:
14 November 2002 (Israel) moreTagline:
Assume the position. morePlot:
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one. full summary | full synopsisAwards:
Nominated for Golden Globe. Another 14 wins & 17 nominations moreNewsDesk:
(39 articles)
Maggie Gyllenhaal, Peter Sarsgaard Get Married (From PEOPLE.com. 4 May 2009, 5:30 AM, PDT)
The final season of Boston Legal arrives on DVD and M&C's giving away four copies
(From Monsters and Critics. 1 May 2009, 6:50 AM, PDT)
User Comments:
Not Your Typical Office Romance moreCast
(Cast overview, first billed only)| James Spader | ... | Mr. Grey | |
| Maggie Gyllenhaal | ... | Lee Holloway | |
| Jeremy Davies | ... | Peter | |
| Lesley Ann Warren | ... | Joan Holloway | |
| Stephen McHattie | ... | Burt Holloway | |
| Patrick Bauchau | ... | Dr. Twardon | |
| Jessica Tuck | ... | Tricia O'Connor | |
| Oz Perkins | ... | Jonathan | |
| Amy Locane | ... | Lee's Sister | |
| Mary Joy | ... | Sylvia | |
| Michael Mantell | ... | Stewart | |
| Lily Knight | ... | Paralegal | |
| Sabrina Grdevich | ... | Allison | |
| Lacey Kohl | ... | Louisa | |
| Julene Renee | ... | Jessica |
Additional Details
MPAA:
Rated R for strong sexuality, some nudity, depiction of behavioral disorders, and language.Parents Guide:
View content advisory for parentsRuntime:
104 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby SRCertification:
Ireland:18 | Finland:K-15 (self applied) (2006) (TV rating) | Finland:K-18 (self applied) (2006) (DVD) | Italy:T | Iceland:16 | Argentina:16 | Australia:MA | Brazil:16 | Canada:18A | France:-12 | Germany:16 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:15 | Peru:18 | Philippines:R-13 | Portugal:M/16 | Singapore:R(A) | South Korea:18 | Sweden:15 | UK:18 | USA:R (certificate #38664) | Canada:16+ (Quebec)Fun Stuff
Goofs:
Revealing mistakes: When Lee goes to Mr. Grey's office to apply for a job, rain falls only in the foreground. Closer observation shows that the background location is reasonably dry and not being rained on. moreSoundtrack:
Summer of Love moreFAQ
What's up with the worm?more
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Maggie Gyllenhaal deserves an Oscar nomination for her brilliant portrayal of borderline psychotic, self-mutilating Lee Holloway, a former mental institution patient seeking to sustain herself - vocationally and emotionally - in a challenging world where she has few safe harbors. She comes from a messy family background although that alone can't explain her illness.
Learning typing, she gets a secretary's job with lawyer E. Edward Grey (James Spader, who also turns in a first-rate, nuanced performance). Grey refuses to have any computers in his very smart, expensive law office. Like many lawyers he's a perfectionist who abhors typographical errors but his obsession with perfection reflects more than an anal personality hitched to a law degree. His solo practice seems to thrive better than his self-control of a suppressed sexuality, awakened by Maggie at first unknowingly.
This is a film about what many consider to be deviant behavior (sado-masochism and bondage-discipline, not your usual Hollywood romantic fun and games) that most will concur is uncommon in the workplace. Director Steven Shainberg and his cast - and Gyllenhaal and Spader carry the film, forget the supporting actors - show Lee and Grey's rocky and developing relationship with candor, without condemnation and without exploitation. The lawyer and his secretary are sexualized in a way few have experienced and those who have don't talk to folks outside their circle.
This is a black comedy/a black drama. It either grabs or repels the viewer: there's no in-between. The resolution? Is it realistic or a cop-out? I'd love to hear from those able to comment from experience on IMDb's discussion board. But I have a feeling few will post reactions.
A very different film that I rate 8/10 on a personal scale where I value the deep and tortured acting projecting the absorbing conflict of this sexualized working (initially) relationship.