| Photos (see all 7 | slideshow) | Videos |
| William Van Noland | ... | Slim (as William Van Nolan) | |
| Peter Quartaroli | ... | Paulie | |
| Sam McBride | ... | Sammytown | |
| Joy Garner | ... | Gina | |
| James Anthony Cotton | ... | Kc | |
| David Fine | ... | Eddie the Pimp | |
| David Berkson | ... | Hillbilly | |
| David Cordoni | ... | Frank | |
| Mario Montes | ... | Big Mario | |
| David Dyno Rocha | ... | Mexican Gang Leader | |
| Kelwin Hagen | ... | Mike | |
| Christian Canterbury | ... | Johnny Boy | |
| rest of cast listed alphabetically: | |||
| James Bolko | ... | SWAT Officer 7 | |
| Jeff Guerrero | ... | SWT Officer 4 | |
| Danton Mew | ... | SWAT Officer 1 | |
| Bob Ngim | ... | SWAT Officer 2 | |
| Randall Ng | ... | SWAT Officer 5 | |
| Matt Pennypacker | ... | SWAT Officer 6 | |
| Lory-Michael Ringuette | ... | Prison Guard | |
| Bryan Soo | ... | SWAT Officer 3 | |
| Wolfgang Von Huttick | ... | Serial Killer | |
| Ron Zeno | ... | Billie Joe Furlow | |
Directed by | |||
| Sean Wilson | |||
Writing credits(in alphabetical order) | ||
| Larry Loy | writer | |
| Sean Wilson | writer | |
Produced by | |||
| Tom Gander | .... | associate producer | |
| Pete Smith | .... | associate producer | |
| Sean Wilson | .... | producer | |
Original Music by | |||
| James Anthony Cotton | |||
Cinematography by | |||
| Greg Burnstein | |||
Film Editing by | |||
| Charlie Archer | |||
Casting by | |||
| Beau Bonneau | |||
Makeup Department | |||
| Lyla Ross | .... | makeup supervisor | |
Sound Department | |||
| Albert Benichou | .... | sound editor | |
| Pepe Morales | .... | sound designer | |
Camera and Electrical Department | |||
| Justin Chin | .... | key grip | |
| Jeff McRory | .... | grip | |
Other crew | |||
| Francis Hamada | .... | weapons wrangler | |
| Vince Sortino | .... | location crew | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
The payoff from a great prison film - and this definitely is one - is the sense of incarceration that envelopes the viewer. You are there, immersed in the noise, the danger, the tedium of the joint itself. In Down Time the directing, editing, and cinematography shove the prison experience down your throat in spades. The payoff is a sly narrative twist at the end which both ties the threads of the story together and gives an additional ironic kick to the viewer's identification with the film. Can't give it away here, but buy it and see for yourself! You won't forget the experience. Great sound track too!