| Photos (see all 10 | slideshow) | Videos |
| Fanny Ardant | ... | Maria Callas | |
| Jeremy Irons | ... | Larry Kelly | |
| Joan Plowright | ... | Sarah Keller | |
| Jay Rodan | ... | Michael | |
| Gabriel Garko | ... | Marco / Don Jose | |
| Manuel de Blas | ... | Esteban Gomez | |
| Justino Díaz | ... | Scarpia | |
| Jean Dalric | ... | Gerard | |
| Stephen Billington | ... | Brendan | |
| Anna Lelio | ... | Bruna | |
| Alessandro Bertolucci | ... | Marcello | |
| Olivier Galfione | ... | Thierry | |
| Roberto Sanchez | ... | Escamillo | |
| Achille Brugnini | ... | Ferruccio | |
| Eugene Kohn | ... | Eugene | |
| Maria del Mar Rivas | ... | Frasquita in "Carmen" | |
| Concha Lopez | ... | Mercedes in "Carmen" | |
| Bryan Jardine | ... | Businessman in 'Carmen' (as Bryan W. Jardine) | |
| Bill Avery | ... | Businessman in 'Carmen' | |
| Sorin Popa | ... | Businessman in 'Carmen' | |
| Onochi Seietsu | ... | Businessman in 'Carmen' (as Seietsu Onochi) | |
| Ann McElhinney | ... | Journalist | |
| Tara Marie Anderson | ... | Journalist | |
| Tomi Cristin | ... | Journalist | |
| Razvan Popa | ... | Journalist | |
| Barry Mulligan | ... | Journalist | |
| Florin Piersic Jr. | ... | Journalist | |
| The Ballets Espagnols | ... | La Corrala de la Danza (as Ballet Expañol) | |
| Lucía Real | ... | Featured 'Carmen' Dancer | |
| Angel Muñoz | ... | Featured 'Carmen' Dancer | |
| rest of cast listed alphabetically: | |||
| Maria Andrei | ... | Stewardess (uncredited) | |
| Gabriel Spahiu | ... | Reporter (uncredited) | |
Directed by | |||
| Franco Zeffirelli | |||
Writing credits | ||
| Martin Sherman | (screenplay) & | |
| Franco Zeffirelli | (screenplay) | |
| Franco Zeffirelli | (original story) | |
Original Music by | |||
| Alessio Vlad | |||
Cinematography by | |||
| Ennio Guarnieri | (director of photography) | ||
Film Editing by | |||
| Sean Barton | |||
Casting by | |||
| Ilene Starger | |||
| Emma Style | |||
Production Design by | |||
| Bruno Cesari | |||
Art Direction by | |||
| Luigi Quintili | |||
Costume Design by | |||
| Anna Anni | |||
| Alessandro Lai | |||
| Alberto Spiazzi | |||
Makeup Department | |||
| Stefano Ceccarelli | .... | hair stylist | |
| Massimiliano Duranti | .... | hair stylist (as Massimiliano Durante) | |
| Giorgio Gregorini | .... | chief hair stylist | |
| Giovanna Iacaponi | .... | makeup artist | |
| Nilo Jacoponi | .... | supervising makeup artist (as Nilo Iacoponi) | |
| Alfredo Marazzi | .... | chief makeup artist | |
| Maurizio Nardi | .... | chief makeup artist | |
| José Quetglás | .... | makeup artist: Spain | |
| Aldo Signoretti | .... | supervising hair stylist | |
| Lidia Constantin | .... | hair stylist (uncredited) | |
| Clarisse Domine | .... | key makeup artist: France (uncredited) | |
| Lidia Ivanov | .... | hair stylist (uncredited) | |
Production Management | |||
| Simona Batistelli | .... | unit manager | |
| Matteo De Laurentiis | .... | post-production supervisor | |
| Simona De Laurentiis | .... | post-production supervisor | |
| Marco Greco | .... | production manager | |
| Christophe Guillerault | .... | assistant unit manager: french unit | |
| Roberto Leone | .... | unit manager | |
| Gianluca Leurini | .... | production manager | |
| Jérôme Servant | .... | unit manager: France | |
| Ada Solomon | .... | production manager: Romania | |
| Pino Butti | .... | production manager (uncredited) | |
| Valeria Licurgo | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eric Bartonio | .... | first assistant director: France | |
| Serena Canevari | .... | first assistant director | |
| Manuel L. Cañizares | .... | first assistant director: Spain (as Manuel Cañizares) | |
| Gilles Cannatella | .... | second assistant director | |
| Cristian Ciurea | .... | assistant director: Romania | |
| Marco Gandini | .... | second assistant director | |
| Pedro Pablo Glez-Madiedo | .... | second assistant director: Spain | |
| Óscar Manero | .... | second assistant director: Spain | |
| Carlo Paramidani | .... | second assistant director | |
| Inti Carboni | .... | assistant director: Spain (uncredited) | |
| Nicolas Duchemin Harvard | .... | trainee assistant director (uncredited) | |
| Mario Grasso | .... | second second assistant director (uncredited) | |
| Alexandre Schmitt | .... | second assistant director: France (uncredited) | |
Sound Department | |||
| Nick Alexander | .... | adr editor | |
| Philip Barnes | .... | adr editor (as Phil Barnes) | |
| Giorgio Conti | .... | sound editor | |
| Francesco Cucinelli | .... | sound re-recording mixer | |
| Simon Gibson | .... | original sound recordist | |
| Peter Lindsay | .... | sound mixer | |
| Malcolm Rose | .... | boom operator | |
| Fabio Venturi | .... | sound engineer | |
| Luca Anzellotti | .... | sound effects editor (uncredited) | |
| Massimo Anzellotti | .... | foley artist (uncredited) | |
| Gelu Costache | .... | sound assistant (uncredited) | |
| Tony Dawe | .... | production sound mixer (uncredited) | |
Special Effects by | |||
| Adrian Popescu | .... | special effects supervisor | |
Visual Effects by | |||
| Claudio Napoli | .... | visual effects supervisor | |
| Fabrizio Pistone | .... | digital artist | |
| Gianluca Risita | .... | visual effects coordinator | |
| Gian Luca Rizzo | .... | visual effects producer | |
| Sandra Roach | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Alessandro Anselmi | .... | grip | |
| Giancarlo Bachetti | .... | electrician | |
| Vincenzo Carpineta | .... | camera operator | |
| Fabian Cevallos | .... | still photographer | |
| Marco De Leonibus | .... | electrician | |
| Luca De Santis | .... | electrician | |
| Silvano Di Cicco | .... | electrician (as Silvano De Cicco) | |
| Viorel Ionita | .... | electrician: Romania (as Ion Viorel) | |
| Maurizio Lorenzetti | .... | focus puller | |
| Marcello Negretti | .... | key grip | |
| Stefano Paradiso | .... | Steadicam operator | |
| Valter Pavia | .... | grip | |
| Roberto Pecci | .... | grip | |
| Francesco Quattrone | .... | electrician | |
| Massimiliano Zenga | .... | focus puller | |
| Gheorghe Zvunca | .... | grip: Romania | |
| Marios Ivascu | .... | clapper loader (uncredited) | |
| Benoît Pain | .... | video assistant: Paris (uncredited) | |
| Ludovic Simeon | .... | second assistant camera: France (uncredited) | |
| Peter Zuffa | .... | clapper loader (uncredited) | |
Casting Department | |||
| Carol Dermengiu | .... | casting coordinator: Romania | |
| Catherine Deserbais | .... | extras casting (uncredited) | |
| Gabriela Petre | .... | extras casting (uncredited) | |
| Andreea Tanasescu | .... | special extras casting (uncredited) | |
| Janice Wilde | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Antonella Bachini | .... | wardrobe assistant | |
| Chloe Bartonio | .... | wardrobe mistress: France | |
| Giorgio Cardosi | .... | assistant costume designer | |
| Monica Lampazzi | .... | assistant costume designer | |
| Elsa Masseroni | .... | wardrobe assistant (as Elisa Masseroni) | |
| Piero Risani | .... | assistant costume designer | |
| Marzia Sordoni | .... | wardrobe assistant | |
| Karl Lagerfeld | .... | costume designer: Fanny Ardant (uncredited) | |
Editorial Department | |||
| Alessandra Eberspacher | .... | post-production assistant | |
| Carlo La Bella | .... | color grader | |
| Tiberiu Teodorescu | .... | assistant editor: Romania | |
| Liberata Zocchi | .... | assistant editor | |
| Neri Nazzareno | .... | final colorist (uncredited) | |
Music Department | |||
| Giorgio Conti | .... | music editor | |
| Orchestra de Roma | .... | musician | |
| Angelo Giovagnoli | .... | music supervisor | |
| Eugene Kohn | .... | music consultant | |
| Claudio Messina | .... | score music producer | |
| Lula Sarchioni | .... | music producer: EMI Music | |
| Antonio Sechi | .... | music arranger | |
| Antonio Sechi | .... | orchestra director | |
| Fabio Venturi | .... | music editor | |
| Piergiorgio Ambrosi | .... | music consultant (uncredited) | |
| Georges Prêtre | .... | conductor: "Carmen" (uncredited) | |
Transportation Department | |||
| Charles Heidet | .... | action vehicle coordinator | |
| Vincent Servant | .... | driver: cast | |
Thanks | |||
| Karl Lagerfeld | .... | very special thanks | |
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By 1977 (as the movie begins) Maria C. had become very much an icon, so the movie's emphasis on her large gay following is defensible I suppose, though Jeremy Irons' paramour is simply too good-looking for the part.
There was a film called Beethoven's Nephew a few years ago with a similar issue. Serious problem arise with casting attractive males in movies when they really have no qualities apart from their looks.
The Jeremy Irons character is a promoter who comes up with a thoroughly whacked-out idea for making money off the diva in what would turn out to be the last year of her life. He talks her into it -- re-staging Carmen for a movie and having her lip-sync to a tape made 20 years before -- and what we see produced is certainly knock-down gorgeous (Zefferelli directed this, after all), but still it is an absurd humiliation for the woman. Fortunately she comes to her senses at the end and gets the film quashed. (All this really happened, incidentally.) But the whole experience saves her life, in a sense, bringing her out of wasted years of drugs and a curtained existence in an elegant Paris apartment, to an acceptance of her age and an understanding of her place in high musical culture.
Fanny Ardant doesn't really look like Callas in the movie, though in the promotional stills she seems to. She can certainly act though, and makes an archetypal larger-than-life woman believable and thoroughly sympathetic. Joan Plowright is miscast, but the movie is strong enough to bury the memory of her part. There are scenes involving a board of directors that are just peculiar; apparently there is a parallel universe out there where corporate boards meet at the top of tall buildings to talk about the investment opportunities of aging opera stars. Fortunately those sequences are brief.
Some very nice touches appear having to do with Aristotle Onassis, who arguably destroyed the greatest opera singer in the 20th century, then dumped her. Coming to understand the depth of that betrayal is a painful undercurrent for Callas in the film.
For me one of the most intriguing scenes has to do with a handful of master classes Callas gave in New York at the very end of her life. I don't remember why, but I had a recording of some of them several years ago, lost now, alas. They were notable mainly for the uncanny perfection of Callas's examples when she would sing bits of arias for the students, following some young voice's painful attempt at the same piece. In one of the class's recreations in the film, while very brief, Callas-as-teacher rises to the kind of intellectual and emotional profundity that one-in-a-million teachers ever achieve. I was simply knocked out. Fanny Ardant does her very best work here, and the sequence is the emotional high-point of the film. I had tears in my eyes during the scene, something that usually nothing less than a hobbit will inspire in me.
The very end of the film is moving and utterly satisfying -- bittersweet, tragic, beautiful, more Puccini than Verdi.