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Mike White (written by)
11 January 2002 (USA) more
It's not just a place. It's a state of mind.
A guidance counselor mistakenly sends out the wrong transcripts to Stanford University under the name of an over-achieving high schooler. full summary | add synopsis
2 nominations more
Box Office Down -- But Don't Blame The Super Bowl
(From Studio Briefing - Film News. 5 February 2002)
Super Bowl Not So Super For Movies
(From Studio Briefing - Film News. 4 February 2002)
A likeable, well-acted comedy more (214 total)
Directed by | |||
| Jake Kasdan | |||
Writing credits(WGA) | ||
| Mike White | (written by) | |
Produced by | |||
| Scott Aversano | .... | producer | |
| Herb Gains | .... | executive producer (as Herbert W. Gains) | |
| David Gale | .... | producer | |
| Scott Rudin | .... | producer | |
| Adam Schroeder | .... | executive producer | |
| Van Toffler | .... | producer | |
Original Music by | |||
| Michael Andrews | |||
Cinematography by | |||
| Greg Gardiner | |||
Film Editing by | |||
| Tara Timpone | |||
Casting by | |||
| Felicia Fasano | |||
| Anne McCarthy | |||
| Mary Vernieu | |||
Production Design by | |||
| Gary Frutkoff | |||
Set Decoration by | |||
| Chris L. Spellman | |||
Costume Design by | |||
| Debra McGuire | |||
Makeup Department | |||
| Laverne Caracuzzi | .... | key makeup artist | |
| Lisa Layman | .... | makeup artist | |
| Gloria Ponce | .... | hair stylist | |
Production Management | |||
| Sara Flamm | .... | production supervisor | |
| Herb Gains | .... | unit production manager (as Herbert W. Gains) | |
| Nan Morales | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Deana Albers | .... | property master | |
| David Corral | .... | greensman | |
| Kristen Gassner | .... | set decorating buyer | |
| Sean Ginevan | .... | set dresser | |
| Wendy Jerde | .... | scenic painter | |
| Adam Khalid | .... | art department coordinator | |
| Brian Markey | .... | construction coordinator | |
| James P. Meehan | .... | on-set dresser | |
| Michael Mosley | .... | art department assistant | |
| Nashon Petrushkin | .... | set dresser | |
| Chris Scher | .... | carpenter | |
| Brad Shoemaker | .... | gangboss | |
| Ramsey Smith | .... | construction foreman | |
| Parker Swanson | .... | assistant property master | |
| Mark Weissenfluh | .... | leadman | |
Sound Department | |||
| Claudia Carle | .... | sound recordist | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Valerie Davidson | .... | foley supervisor | |
| Valerie Davidson | .... | sound editor | |
| Barbara Delpuech | .... | first assistant sound editor | |
| Gregg Frazier | .... | boom operator | |
| Robert Grieve | .... | co-supervising sound editor | |
| Michael Keller | .... | sound re-recording mixer | |
| Ai-Ling Lee | .... | sound effects editor | |
| Paul Vik Marshall | .... | sound mixer | |
| Benjamin Martin | .... | foley editor | |
| Vince Nicastro | .... | foley artist | |
| Randy Nielsen | .... | sound | |
| Vic Radulich | .... | dialog editor | |
| Timothy P. Salmon | .... | boom operator | |
| Joel Shryack | .... | co-supervising sound editor | |
| Randy Singer | .... | foley mixer | |
| Keith A. Wester | .... | production sound mixer | |
| Douglas J. Schulman | .... | production sound mixer: second unit (uncredited) | |
Special Effects by | |||
| Joe Digaetano | .... | special effects coordinator | |
Visual Effects by | |||
| Matthew Adams | .... | digital artist: Cinesite | |
| Jonathan Alvord | .... | Avid editor | |
| Ted Andre | .... | visual effects compositor | |
| Lloyd Lee Barnett | .... | digital compositor | |
| Vijoy Gaddipati | .... | software engineer | |
| Brian Gardner | .... | 3D artist | |
| Dennis Hoffman | .... | vice president/head of production: Cinesite | |
| Andrew Honacker | .... | associate visual effects supervisor | |
| Derek Ledbetter | .... | visual effects | |
| Tim Maloney | .... | digital compositor | |
| Michael J. McAlister | .... | visual effects supervisor (as Micheal J. McAlister) | |
| Michael Ramirez | .... | digital artist | |
| David Robinson | .... | visual effects coordinator: Cinesite | |
| Ramprasad Sampath | .... | visual effects technical director | |
| Andrew Soria | .... | visual effects | |
| Paul Taglianetti | .... | visual effects producer: Cinesite | |
| Bryan Taylor | .... | visual effects artist | |
| Dan Weston | .... | software engineer | |
| Bjorn Zipprich | .... | digital artist | |
| Bjorn Zipprich | .... | visual effects | |
| Jeffrey Edward Baksinski | .... | motion tracking supervisor: Cinesite (uncredited) | |
| Wally Chin | .... | 3D technical assistant (uncredited) | |
| Robert Coquia Jr. | .... | 3D technical assistant (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Chad Owen | .... | digital artist (uncredited) | |
Stunts | |||
| Rick Avery | .... | stunts | |
| Janet Brady | .... | stunts | |
| Richard E. Butler | .... | stunts (as Dick Butler) | |
| Jacob Chambers | .... | stunts | |
| Gary Dionne | .... | stunts | |
| Jeannie Epper | .... | stunts | |
| Tanner Gill | .... | stunts | |
| Keii Johnston | .... | stunt driver | |
| Brock Little | .... | stunts | |
| Dustin Meier | .... | stunts | |
| Billy Morts | .... | stunts (as William Morts) | |
| Daniel T. O'Brien | .... | stunt double | |
| Harry O'Connor | .... | stunts (as Harry O'Conner) | |
| Matthew H. O'Connor | .... | stunts | |
| Matt O'Connor | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Paul E. Short | .... | stunts | |
| Lee Smith | .... | stunts | |
| Gregg Smrz | .... | stunt coordinator | |
| Jim Stephen | .... | stunts (as Jimmy Stephen) | |
| Darlene Ava Williams | .... | stunt double: Lily Tomlin | |
| Al Goto | .... | stunts (uncredited) | |
| Sean Graham | .... | stunts (uncredited) | |
| Lane Leavitt | .... | stunts (uncredited) | |
| Larry M. Shorts | .... | utility stunts (uncredited) | |
| Troy Waters | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Alexonis | .... | best boy grip | |
| Steven Aquilino | .... | second assistant camera | |
| Bryan Ashford | .... | dolly grip: "b" camera | |
| Matthew Berner | .... | assistant camera | |
| John S. Campbell | .... | grip | |
| Betty Chow | .... | film loader | |
| Christopher Goss | .... | camera operator | |
| Michael Herron | .... | video assist operator | |
| Chris Johnson | .... | second assistant camera: "b" camera | |
| Gary Kelso | .... | grip | |
| Dan Kneece | .... | additional camera operator | |
| Gemma La Mana | .... | still photographer | |
| Noe Nava | .... | set lighting technician | |
| Stephen Martin Paull | .... | lighting technician | |
| Chris Pavlu | .... | electrician | |
| Aaron Pazanti | .... | camera operator | |
| Michael C. Price | .... | key grip | |
| Landon Ruddel | .... | grip | |
| Jack Serino | .... | grip | |
| Brent Studler | .... | rigging electrician | |
| Tommy Tieche | .... | second assistant camera | |
| Jon Yirak | .... | first assistant camera | |
| Tom Fendley | .... | electrician (uncredited) | |
| John Toll | .... | cinematographer: end beach sequence (uncredited) | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Mariann H.W. Lee | .... | extras casting | |
| Beanie Barnes | .... | casting intern (uncredited) | |
Costume and Wardrobe Department | |||
| Stacy Caballero | .... | costumer | |
| Joseph T. Mastrolia | .... | set costumer | |
| Katrina Mastrolia | .... | set costumer | |
| Daniel G. North | .... | wardrobe supervisor | |
Editorial Department | |||
| Alan Z. McCurdy | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Hugh Ross | .... | apprentice editor | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Tom Calderaro | .... | conductor | |
| Tom Calderaro | .... | orchestrator | |
| Tom Kramer | .... | music editor | |
| Manish Raval | .... | music supervisor | |
| Tom Wolfe | .... | music supervisor | |
Transportation Department | |||
| Bruce Callahan | .... | driver | |
| Daniel Conte Sr. | .... | driver | |
| Dana Schisler | .... | driver | |
| William Smallwood | .... | driver: production van | |
Other crew | |||
| Michael Altman | .... | projectionist | |
| Chung An | .... | production assistant | |
| Malcolm Auchincloss | .... | assistant: Mr. Rubin | |
| Serena Baker | .... | key assistant location manager | |
| Randall Balsmeyer | .... | title designer | |
| Lil Blue | .... | security officer | |
| Ashlee Burnette | .... | assistant: Mr. Rudin | |
| Cassandra Butcher | .... | unit publicist | |
| Joe Camp | .... | animal wrangler | |
| Curtis Collins | .... | location manager | |
| J. John Corbett | .... | title designer | |
| Patrick Corcoran | .... | assistant: Mr. Rudin | |
| Jennifer Corey | .... | production coordinator | |
| David W. Dale | .... | production assistant | |
| Pam Des Vigne | .... | lead payroll accountant | |
| Dan Duffy | .... | gene operator | |
| Anne Fletcher | .... | choreographer | |
| Jay Floyd | .... | clearance administrator | |
| Sean Garcia | .... | production assistant | |
| Sarah Hendler | .... | assistant: Mr. Kasdan | |
| Joshua C. Hersko | .... | assistant: Scott Rudin | |
| Lars Knudsen | .... | assistant: Mr. Rudin | |
| Melvin Mar | .... | assistant: Mr. Aversano | |
| Peter McKernan | .... | aerial coordinator | |
| Blair Mealing | .... | assistant to cast | |
| Leda Nornang | .... | assistant: Mr. Rudin | |
| Matthew H. O'Connor | .... | marine coordinator | |
| Charley Parlapanides | .... | assistant: Mr. Rudin | |
| Kate Powell | .... | production assistant | |
| Glen Richard | .... | production accountant | |
| Wells Rosales | .... | stand-in | |
| Will Rowbotham | .... | assistant: Mr. Rudin | |
| Dana Rubenstein | .... | assistant: Mr. Gains | |
| Ahmed Saker | .... | key set medic | |
| Benjamin Scissors | .... | production assistant | |
| Chad J. Shonk | .... | staff production assistant | |
| E.R. Silverbush | .... | assistant: Mr. Gale | |
| Sue Smith | .... | production secretary | |
| Emre Sonmez | .... | key assistant location manager | |
| Debbie Tieman | .... | assistant accountant | |
| Catherine H. Vlasuk | .... | assistant production office coordinator (as Cathy Vlasuk) | |
| Kevin J. Walsh | .... | executive assistant: Mr. Rudin | |
| Scott Brant | .... | office production assistant (uncredited) | |
Rated PG-13 for drug content, language and sexuality.
82 min
1.37 : 1 more
Iceland:L | Argentina:13 | Australia:M | Canada:PG | Germany:12 | Netherlands:AL | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:11 | UK:12A | UK:12 (video rating) | USA:PG-13
California Institute of Technology - 1200 E. California Boulevard, Pasadena, California, USA more
Notable directors that appear as actors: Garry Marshall, Harold Ramis and Ben Stiller (who also appeared as supporting lead in Kasdan's earlier film, Zero Effect (1998)). more
Continuity: When Bud leaves the house to discuss getting a divorce with Krista, there is only one car parked at the house, a Nissan Pathfinder (Shaun's car). There is no car belonging to Bud parked in or around the house. Bud mentions he drives past the house on his way home from work. But where is the car, and how did he get there? more
Bud Brumder:
What is that smell? What am I sitting in?
Cindy:
Relax. It's just urine.
Bud Brumder:
Oh.
more
Features "SpongeBob SquarePants: Help Wanted/Reef Blower/Tea at the Treedome (#1.1)" (1999) more
Lose You more
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Orange County is not as funny as American Pie, but that's all right. The movie has its share of ridiculous, over-the-top gags (A dean of admissions high on ecstasy, for example), but it's far more interested in its characters than its jokes, a refreshing change of pace for this type of movie. The material's supported by some very good performances, especially from leads Colin Hanks and Jack Black.
Hanks plays Shaun, a high school senior who desperately wants to escape his horrible upper middle class life in Orange County for literary pursuits under his favorite writer, Marcus Skinner, who is a professor at Stanford University. But his guidance counselor (Lily Tomlin) botches his application, leaving Shaun relying on the assistance of his stoner brother Lance (Black) and his selfish father (John Lithgow).
You have no doubt heard that Colin Hanks is the son of famous acting father Tom. Even if connections got him the job, you cannot deny that he puts in a strong lead performance (Even if it does have some echoes of his dad's likeable everyman persona). Comedy stars like Catherine O'Hara, Chevy Chase, Garry Marshall, all put it nice small pieces, but it is Jack Black who owns most of the funniest moments in the film. His mere presence in a scene can make it funny; often he brings out laughs with a look or a eyebrow twitch.
The film gets a little sappy and formulaic as it heads toward its conclusion; Shaun's reaction when he meets his hero is spot-on, but their conversation about his story feels wrong; and the inevitable ending is what you pretty much expect as soon as that initial rejection letter arrives at Shaun's door. Professor Skinner put it best; "My one complaint - You need an ending."
Orange County needed a stronger, more unusual ending to compliment the offbeat, but very enjoyable vibe the rest of the of the movie gives off. Still, I found myself completely entertained until the end, and left really appreciating the fine writing and acting, and even wishing the movie was a little longer. And that doesn't happen too often.