| Photos (see all 46 | slideshow) | Videos (see all 9) |
| Adam Sandler | ... | Barry Egan | |
| Jason Andrews | ... | Operator Carter (voice) | |
| Don McManus | ... | Plastic (voice) | |
| Emily Watson | ... | Lena Leonard | |
| Luis Guzmán | ... | Lance | |
| David Schrempf | ... | Customer #1 | |
| Seann Conway | ... | Customer #2 | |
| Rico Bueno | ... | Rico | |
| Hazel Mailloux | ... | Rhonda | |
| Karen Kilgariff | ... | Anna (voice) | |
| Julie Hermelin | ... | Kathleen | |
| Salvador Curiel | ... | Sal | |
| Jorge Barahona | ... | Jorge | |
| Ernesto Quintero | ... | Ernesto | |
| Julius Steuer | ... | Mechanic | |
| Mary Lynn Rajskub | ... | Elizabeth | |
| Lisa Spector | ... | Susan | |
| Nicole Gelbard | ... | Nicole | |
| Mia Weinberg | ... | Gilda | |
| Karen Hermelin | ... | Anna | |
| Larry Ring | ... | Steve / Brother-in-Law | |
| Kerry Gelbard | ... | Richard / Brother-in-Law | |
| Robert Smigel | ... | Walter the Dentist | |
| Ashley Clark | ... | Phone Sex Sister | |
| Philip Seymour Hoffman | ... | Dean Trumbell | |
| Alan Parry | ... | Member of After Eden Band | |
| John E. Beck | ... | Member of After Eden Band | |
| Eddie Wayne Howell | ... | Member of After Eden Band | |
| Taylor J. Thomas | ... | Member of After Eden Band | |
| Bobby Bluehouse | ... | After Eden Sound Man | |
| David Stevens | ... | David | |
| Nathan Stevens | ... | Nate | |
| Jimmy Stevens | ... | Jim | |
| Carol Mirelez | ... | Phone Sex Girl #1 / Utah | |
| June Sepulveda | ... | Phone Sex Girl #2 / Utah | |
| Andrew Higgs | ... | Restaurant Manager | |
| Rogerlyn Kanealii Wakinekona | ... | Lena's Apartment Receptionist | |
| Mike D. Stevens | ... | Mike D. | |
| Catherine Cooley | ... | Flight Attendant (as Catherine L. Cooley) | |
| Michael Immel | ... | Man on Plane | |
| Ross Lasi Tanoai | ... | Cab Driver | |
| Jonathan Loughran | ... | Wrong Number (voice) | |
| Kaila | ... | Member of Ladies K Band | |
| Ku'Ulei | ... | Member of Ladies K Band | |
| Sissy Lake | ... | Hula Dancer | |
| Marie Irwin | ... | Lena's Nurse | |
| Esther Imade Balogun | ... | Receptionist Nurse | |
| Thomas Bornt | ... | Dean's Employee (as Tom Bornt) | |
| Mary Kilmartin | ... | D&D Mattress Customer | |
| rest of cast listed alphabetically: | |||
| Sam Polson | ... | Airport Traveler (uncredited) | |
| Wells Rosales | ... | Leo (uncredited) | |
| James Stevens | ... | Jim Smooth (uncredited) | |
| Shelley Waggener | ... | Co-Worker (uncredited) | |
Directed by | |||
| Paul Thomas Anderson | |||
Writing credits(WGA) | ||
| Paul Thomas Anderson | (written by) | |
Produced by | |||
| Paul Thomas Anderson | .... | producer | |
| Daniel P. Collins | .... | associate producer (as Dan Collins) | |
| Daniel Lupi | .... | producer | |
| JoAnne Sellar | .... | producer | |
Original Music by | |||
| Jon Brion | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Leslie Jones | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| William Arnold | |||
Art Direction by | |||
| Sue Chan | |||
Set Decoration by | |||
| Jay Hart | (as Jay R. Hart) | ||
| Lori A. Noyes | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Trish Almeida | .... | key hair stylist | |
| Elizabeth Dahl | .... | additional makeup artist: Hawaii (as Liz Dahl) | |
| Peggy Nichols | .... | key makeup artist | |
| Ann Pala | .... | hair stylist: Adam Sandler | |
| Ann Pala | .... | makeup artist: Adam Sandler | |
| Debra Rego | .... | additional hair stylist: Hawaii (as Debra L. Rego) | |
| Tina Roesler Kerwin | .... | makeup department head | |
| Kelvin R. Trahan | .... | hair department head | |
Production Management | |||
| Daniel P. Collins | .... | on-set supervisor (as Dan Collins) | |
| Mark Graziano | .... | post-production supervisor | |
| Daniel Lupi | .... | unit production manager | |
| Eileen Malyszko Lee | .... | production supervisor | |
| Will Weiske | .... | production supervisor: Hawaii and Utah | |
Second Unit Director or Assistant Director | |||
| Sonia Bhalla | .... | second second assistant director | |
| Adam Druxman | .... | first assistant director | |
| James Moran | .... | second assistant director | |
Art Department | |||
| Chuck Askerneese | .... | assistant property master | |
| Doreen Austria | .... | graphic artist (as Doreen S. Austria) | |
| P. Scott Bailey | .... | leadman | |
| Jeremy Blake | .... | artwork | |
| Max E. Brehme | .... | leadman | |
| Richard Crain | .... | construction foreman (as Richard D. Crain) | |
| Mick Cummings | .... | set dressing buyer | |
| Doug Dow | .... | labor foreman | |
| Doug Dow | .... | toolman | |
| Gerald Gates Jr. | .... | paint foreman (as Gerald J. Gates) | |
| Kevin Goldblum | .... | art production assistant | |
| Will Grant | .... | set dresser (as William A.J. Grant) | |
| Chris Grantz | .... | set dresser | |
| Jill Haber | .... | painter | |
| Holiday Landa | .... | art department coordinator | |
| Richard McConnell | .... | construction coordinator | |
| Martin Milligan | .... | on-set dresser | |
| Thomas Olson | .... | painter (as Thomas G. Olson) | |
| Troy Alan Peters | .... | set dresser (as Troy Peters) | |
| Mike Reiber | .... | stand-by painter | |
| Rick Romer | .... | set dresser: Hawaii (as Richard P. Romer) | |
| Keith Sale | .... | set dresser | |
| F. Andrew Scott | .... | stand-by painter | |
| Doug Sieck | .... | set dresser (as Douglas D. Sieck) | |
| Jayson Whitmore | .... | motion graphics | |
| Timothy S. Wiles | .... | property master (as Tim Wiles) | |
| Franco Esile | .... | set dresser (uncredited) | |
| Lilly Frank | .... | paint decorator (uncredited) | |
| P.K. MacCarthy | .... | storyboard artist (uncredited) | |
| Graham Robertson | .... | set dresser (uncredited) | |
| Thomas 'Noe' Welch | .... | set dresser (uncredited) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects coordinator | |
| Kenneth C. Clark | .... | special effects foreman | |
| Marvin Felton | .... | special effects technician | |
| Jeff Jarvis | .... | special effects coordinator | |
| Andrew Sebok | .... | special effects technician | |
| David M. Sterner | .... | special effects technician (as David Sterner) | |
Visual Effects by | |||
| Tim Alexander | .... | visual effects supervisor | |
| Camille Geier | .... | visual effects producer | |
| Jiri Jacknowitz | .... | digital paint artist | |
Stunts | |||
| Michael Adams | .... | stunt player | |
| Mike Adams | .... | stunts | |
| Brian Avery | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Mark De Alessandro | .... | stunts | |
| Mickey Giacomazzi | .... | utility stunts | |
| Allan Graf | .... | stunt coordinator | |
| John Hateley | .... | stunts | |
| Toby Holguin | .... | stunts | |
| Steve Kelso | .... | stunt coordinator | |
| Paul M. Lane | .... | stunts | |
| Diana R. Lupo | .... | stunts (as Diana Lupo) | |
| Dustin Meier | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh A. O'Brien) | |
| Rex Reddick | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Lincoln Simonds | .... | stunts | |
| Steve Wooten | .... | stunts | |
| Mark De Alessandro | .... | stunt double: Adam Sandler (uncredited) | |
Casting Department | |||
| Suzanne Anaya | .... | extras casting: TBS Casting | |
| John Barba | .... | casting associate | |
| Juliet Carlson | .... | extras casting assistant: Hawaii | |
| Margaret Doversola | .... | extras casting: Hawaii (as Margaret J. Doversola) | |
Costume and Wardrobe Department | |||
| Eden Clark Coblenz | .... | costume supervisor (as Edem Coblenz) | |
| Linda S. Cormany | .... | key costumer | |
| Anne Hoss | .... | additional costumer: Hawaii (as Anne L. Hoss) | |
| Lizabeth Maggini | .... | additional costumer: Hawaii (as Lizabeth Maggini-Mackay) | |
| Andrew Slyder | .... | additional costumer | |
| Jennifer Day Young | .... | additional costumer | |
Editorial Department | |||
| Phil Hetos | .... | color timer | |
| Lara Khachooni | .... | assistant editor | |
| Ladd Lanford | .... | first assistant editor | |
| Christopher Marino | .... | assistant editor: avid (as Christopher L. Marino) | |
| Sandra Montiel | .... | first assistant editor | |
| Fred Raskin | .... | additional film editor | |
| Mary Beth Smith | .... | negative cutter | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Julian Bratolyubov | .... | music preparation | |
| Debbi Datz-Pyle | .... | orchestra contractor: The Music Team (as Debbie Datz-Pyle) | |
| Greg Dennen | .... | score recordist | |
| Barry Fawcett | .... | scoring stage manager | |
| Nathan Furst | .... | score technical consultant | |
| Isobel Griffiths | .... | orchestra contractor | |
| Michael Jay | .... | additional music editor | |
| Jonathan Karp | .... | music editor | |
| Thomas Pasatieri | .... | music score consultant | |
| Simon Rhodes | .... | music scoring mixer | |
| Ryan Robinson | .... | scoring technician | |
| Dennis S. Sands | .... | orchestra mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | orchestra recordist (as Dennis Sands) | |
| Richard Wheeler Jr. | .... | scoring stage manager (as Richard Wheeler) | |
| Thomas Pasatieri | .... | orchestrator (uncredited) | |
Thanks | |||
| Fiona Apple | .... | special thanks | |
| Bobby Bates | .... | thanks | |
| Gloria S. Borders | .... | special thanks (as Gloria Borders) | |
| Todd Garner | .... | special thanks | |
| Isobel Griffiths | .... | special thanks | |
| John Lesher | .... | special thanks | |
| Rob Moore | .... | special thanks | |
| Charles Newirth | .... | special thanks | |
| Simon Rhodes | .... | special thanks | |
| Joe Roth | .... | special thanks | |
| Tom Sherak | .... | special thanks | |
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| The Stunt Man | Broken Flowers | The Limey | Crank | Ruang rak noi nid mahasan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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I caught this at the New York film festival and my expectations were about as low as they could be. I was never a huge Adam Sandler fan, and I hadn't ever taken a liking to PT Anderson's other films. I thought that Magnolia was pretty flimsy writing-wise, and I also thought that it got way too much undue attention when it came out.
I couldn't believe how great Punch Drunk Love was. It seems to be the polar opposite of Magnolia. Where Magnolia was sprawling, messy and often generic, Punch Drunk Love is short, tight and completely fresh. It reminded me of Fargo, in a way. It centers on a very small cadre of characters, it's incredibly focused, and it creates its own world for those characters to live and move around in.
It's been mentioned here before, but the art direction is stunning. I haven't seen such memorable visuals since The Royal Tenenbaums. In a grocery store scene, the items are stacked vertically by color (echoing the color bars that appear periodically between scenes), making the scene appear otherworldly. Other sets are bare of color or distinction. Sandler's love interest in the film (played by Emily Watson) lives in a maze of white corridors. Somehow, every "place" in the film has its own character and association. Even the characters become associated with particular colors.
The movie ends up being genuinely romantic while deviating completely from the very stale paradigm for romantic comedies of the last decade: Watson's character pursues Barry Egan; their inability to hit it off from the start is more character-driven and psychological than situational. Through the use of bizarre props and surreal scenes, the anxiety and frustration of Barry Egan becomes totally absorbing and affecting.
This is a wonderfully directed film. There isn't an extraneous moment. The visual style and pacing are particularly great. There's an interesting subtext in the film about communication - enormous background noise while characters are on the phone, Barry Egan's sisters' voices create this wall of noise (all voices making fun of him), telephones figure predominantly, the opening scene is completely bereft of background noise or music. There are a lot of interesting things to consider when it comes to the theme of communication and how sound is handled in the film.
That said, I'm already cringing at how most people are going to react to this. The Adam Sandler fans might find it too weird. People who liked PT Anderson's other movies might find it too pretensious. I was thrilled to have my low expectations completely overturned. This movie is great.