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The Truth About Charlie
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Overview

User Rating:
4.7/10   5,356 votes
MOVIEmeter: ?
Down 7% in popularity this week. See why on IMDbPro.
Director:
Writers (WGA):
Peter Stone (1963 screenplay Charade)
Jonathan Demme (screenplay) ...
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Contact:
View company contact information for The Truth About Charlie on IMDbPro.
Release Date:
25 October 2002 (USA) more
Genre:
Plot:
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone... more | add synopsis
Awards:
2 nominations more
NewsDesk:
(8 articles)
Can Keira Break the Hepburn Curse?
 (From t5m.com. 26 October 2009, 9:08 AM, PDT)

Max Payne
 (From The AV Club. 16 October 2008, 1:06 PM, PDT)

User Comments:
Jonathan, how could you? more (141 total)

Cast

  (Cast overview, first billed only)

Olga Sékulic ... Junior Military Officer
Stephen Dillane ... Charlie
Françoise Bertin ... Woman on Train

Thandie Newton ... Regina Lambert
Cassius Kumar Wilkinson ... Hercules

Sakina Jaffrey ... Sylvia

Mark Wahlberg ... Joshua Peters
Christine Boisson ... Commandant Dominique
Simon Abkarian ... Lieutenant Dessalines
Christophe Salengro ... Morgue Attendant
Philippe Fretun ... Evidence Handler
Loïza Jacq ... Evidence Handler (as Loeïza Jacq)

Joong-Hoon Park ... Il-Sang Lee

Lisa Gay Hamilton ... Lola Jansco

Ted Levine ... Emil Zadapec
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Additional Details

Also Known As:
Die Wahrheit über Charlie (Germany)
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MPAA:
Rated PG-13 for some violence and sexual content/nudity.
Runtime:
104 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:

Fun Stuff

Trivia:
The movie contains numerous connections to French New Wave films. Reference is made to Tirez sur le pianiste (1960) and its star, Charles Aznavour, has a singing role at the end of this movie. Anna Karina, featured in several Jean-Luc Godard films, has a bit part. more
Goofs:
Continuity: When in the restaurant, Regina and "Alex" kiss, her head is tilted to her right and his to his right, a split second later, her head is tilted to her left and his to his left, they did not have enough time to change. more
Quotes:
Regina Lambert: Have you ever been in love in Pairs, Joshua?
Joshua Peters: Uh, I can't say I've had that pleasure, Reggie.
Regina Lambert: Well, your still young. Maybe you still have a chance.
Joshua Peters: That would be nice.
more
Movie Connections:
Soundtrack:
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FAQ

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31 out of 42 people found the following comment useful.
Jonathan, how could you?, 22 May 2003
1/10
Author: Michael Morad-McCoy (mmckaibab) from Albuquerque, NM

I really wanted to like this movie. Jonathan Demme is one of my favorite film makers and I thought if anyone could remake one of my favorite movies of all time, Demme could. Demme couldn't.

Newton and Robbins are ok, Wahlberg doesn't work at all, and the other "evil" characters who were so memorable in Charade come across as interchangeable cyphers.

I usually like Demme's music selection, but here there didn't seem to be any sort of unifying theme behind his music. And, it certainly wasn't Mancini's wonderful score.

But the biggest Truth about Charlie is that Demme's rewrite is simply awful.

In the original, Charlie is a nobody and so he doesn't get in the way of all the other characters. Here he has a face and is, apparently, the big villain, so we have to be treated to a slew of foggy flashbacks that halt the flow of the story.

Newton and Wahlberg lip-lock so early, there's absolutely none of the playful sexual tension of the original. And, instead of Grant's cocky, end-of-the-film surprise, we get a bathetic Wahlberg begging Newton to forgive him. Bleacch.

The reworking of the story that sets everything in motion is so muddled I'm still not sure just exactly what was happening and why.

And the final big thing missing is the element of wonderful surprise Donen crafted so well. In the original Grant's multiple characters are peeled back with delicious surprise at each new revelation ending with the final, perfect surprise at the end of the film. And the moment when the original film reveals the big secret is still thrilling, even after watching it a dozen times. In Charlie, the big secret becomes a tiny flicker of something in Newton's eyes and when it is finally revealed, it's a moment that the word "anticlimax" was designed for.

It's such a shame that Demme made such a muddle of something that originally was so clean and clearly presented. As so many others have done, I strongly recommend you skip this one and just go back to the original.

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