| Michel Bouquet | ... | Maurice | |
| Charles Berling | ... | Jean-Luc | |
| Natacha Régnier | ... | Isa | |
| Amira Casar | ... | Myriem | |
| Stéphane Guillon | ... | Patrick | |
| Hubert Koundé | ... | Jean-Toussaint | |
| Karole Rocher | ... | Laetitia | |
| Marie Micla | ... | The Prostitute | |
| Nicole Evans | ... | The Female Patient | |
| Philippe Lehembre | ... | Homeless Guy / Elderly Patient | |
| Pierre Londiche | ... | Isa's Father | |
| Jean-Christophe Lemberton | ... | Cyril | |
| Manoëlle Gaillard | ... | Isa's Mother | |
| Etienne Louvet | ... | Myriem's Son | |
| Claude Koener | ... | The Official | |
| Thierry de Carbonnières | ... | Guest at the Reception | |
| Nathalie Mathis | ... | Magali | |
| Emanuel Booz | ... | The Manager (as Emmanuel Booz) | |
| François Berléand | ... | The Patient |
Directed by | |||
| Anne Fontaine | |||
Writing credits(in alphabetical order) | ||
| Jacques Fieschi | writer | |
| Anne Fontaine | writer | |
Produced by | |||
| Philippe Carcassonne | .... | producer | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Jean-Marc Fabre | |||
Film Editing by | |||
| Guy Lecorne | |||
Casting by | |||
| Stéphane Foenkinos | |||
Production Design by | |||
| Sylvain Chauvelot | |||
Set Decoration by | |||
| Joël Lavrut | |||
Costume Design by | |||
| Corinne Jorry | |||
Makeup Department | |||
| Franck-Pascal Alquinet | .... | key makeup artist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| Thi Thanh Tu Nguyen | .... | makeup artist (as Thi-Thanh-Tu Nguyen) | |
Production Management | |||
| Nathalie Dages | .... | unit manager | |
| Brigitte Faure | .... | post-production manager | |
| Marie-Hélène Lambret | .... | unit manager | |
| Bruno Perdrigeat | .... | unit manager | |
| Thierry Peythieu | .... | unit manager | |
| Frédéric Sauvagnac | .... | production manager | |
| Franck Vade | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Daniel Marchaudon | .... | assistant director | |
| Laurent Perreau | .... | assistant director | |
| Thierry Verrier | .... | first assistant director | |
Art Department | |||
| Jean-Marc Albertoni | .... | carpenter | |
| Lionel Callari | .... | property master | |
| Eric Chemel | .... | assistant set decorator | |
| Pascal Courtinel | .... | chief painter | |
| Dominique Junca | .... | painter | |
| Jérôme Larivière | .... | chief carpenter | |
| Joël Lavrut | .... | set dresser | |
Sound Department | |||
| Nicolas Cantin | .... | sound assistant | |
| Pascal Chauvin | .... | sound effects editor | |
| Pascal Dedeye | .... | sound effects editor | |
| Roman Dymny | .... | assistant sound editor | |
| Dominique Gaborieau | .... | sound mixer | |
| Dimitri Haulet | .... | sound assistant | |
| Jean-Claude Laureux | .... | sound | |
| Patrice Séverac | .... | post-synchronization | |
| Jean-Alexandre Villemer | .... | sound recordist | |
| Francis Wargnier | .... | sound editor | |
Special Effects by | |||
| Philippe Teissier | .... | special effects | |
Casting Department | |||
| Priscilla Gessati | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hélène Kurant | .... | assistant costumer | |
| Maira Ramedhan Lévy | .... | assistant costume designer | |
| Maïra Rhamedhan | .... | assistant costumer | |
Editorial Department | |||
| Fabrice Dequeant | .... | color timer | |
| Christian Dutac | .... | color timer | |
| Anja Lüdcke | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Geoff Foster | .... | score recordist | |
Other crew | |||
| Franck Belaiche | .... | production assistant (as Franck Prince) | |
| Sandrine Boulet | .... | production assistant | |
| Dominique Collobert | .... | production administrator | |
| Danielle Dumanoir | .... | production secretary | |
| Maggie Perlado | .... | script supervisor | |
| Mathias Duhayer | .... | production assistant (uncredited) | |
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How I Killed My Father (aka My Father and I) is a story about parental abandonment and filial rage, told in a very calm way. The characters hardly ever break a sweat as they deal with irresponsible fathers, feckless siblings, childlessness and the other griefs of life. The locale is, after all, Versailles, and the emotional temperature never gets above zero in those manicured gardens.
Jean-Luc invents a family for himself to replace the one he lost at the age of ten. He becomes a father substitute for his brother Patrick--imagine having your brother as chauffeur and gofer. He presides over this clinic for rich middle-aged people trying to regain their youth, much like a father and his children. If his wife is tiring of being an ornament, he can handle her moods: after all, he's got her believing she can't have kids. The mistress at the clinic can be kept happy by the promise of an apartment. The only thing he can't allow is to be abandoned by any of them.
The conflict with his father is the occasion for many droll exchanges between Charles Berling and Michel Bouquet. Jacques Fieschi, the co-author of this script, also wrote Un coeur en hiver, Nelly & Monsieur Arnaud and Sade, some of my favorite studies of bleak hearts in comfortable surroundings.