| Photos (see all 7 | slideshow) | Videos |
| Jeff Bridges | ... | Jimmy Berg | |
| Jon Abrahams | ... | Lenny Burroughs | |
| R. Lee Ermey | ... | Mr. Parker | |
| Mädchen Amick | ... | Carmen | |
| Morris Chestnut | ... | Ray | |
| Kerri Randles | ... | Donna | |
| Noah Wyle | ... | Seth | |
| Henry Rollins | ... | Greg | |
| Lombardo Boyar | ... | Zeke | |
| Kenny Johnston | ... | Al | |
| Peter Greene | ... | Rick | |
| Bob Gunton | ... | Steven, Jimmy's Partner | |
| Dominic Purcell | ... | Mark | |
| Robert Wahlberg | ... | Arnon | |
| Brian Goodman | ... | Trevor | |
| Nicholas Gonzalez | ... | Marty | |
| Justin Louis | ... | Louis | |
| Mizuo Peck | ... | Sharon | |
| Nick Carello | ... | Police Officer #1 | |
| Loyd Catlett | ... | Police Officer #2 | |
| Jack Forbes | ... | Tow truck driver | |
| Chase Ellison | ... | Blake Berg | |
| Jon Powell | ... | Customer | |
| Kim Yates | ... | Steven's Maid | |
| Robert Harvey | ... | Chief Accountant (as Bob Harvey) | |
| Amy Wieczorek | ... | Theresa (as Amy Zorek) | |
| Ian Ruskin | ... | Trevor's Assistant | |
| rest of cast listed alphabetically: | |||
| Haskell V. Anderson III | ... | Player #2 (as Haskell Vaughn) | |
| John Nielsen | ... | Player #1 | |
Directed by | |||
| Dominique Forma | |||
Writing credits(in alphabetical order) | ||
| Dominique Forma | writer | |
| Daniel Golka | writer | |
| Amit Mehta | writer | |
Produced by | |||
| Willi Bär | .... | producer (as Willie Baer) | |
| Marc Frydman | .... | producer | |
| Eberhard Kayser | .... | executive producer | |
| Deborah Lee | .... | producer | |
| Rod Lurie | .... | producer | |
| Mario Ohoven | .... | executive producer | |
| James Spies | .... | co-producer | |
| Bonnie Weis | .... | co-producer | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| James R. Bagdonas | |||
Film Editing by | |||
| Sidney Levin | |||
Casting by | |||
| Steve Brooksbank | |||
| Mary Jo Slater | |||
Production Design by | |||
| Jeff Knipp | |||
Set Decoration by | |||
| Kathe Klopp | |||
Costume Design by | |||
| Molly Maginnis | |||
Makeup Department | |||
| John M. Elliott Jr. | .... | makeup department head | |
| Dino Ganziano | .... | hair department head | |
| Susan Germaine | .... | hair designer: Mr. Bridges | |
| James R. Scribner | .... | key makeup artist (as Jim Scribner) | |
Production Management | |||
| Sherry Marshall | .... | production supervisor | |
| Bonnie Weis | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Allen Cluck | .... | first assistant director | |
| Jodi Lowry | .... | second assistant director | |
| Jay Ostrowski | .... | second assistant director | |
| Rick Walls | .... | first assistant director: second unit | |
| Sean Whitler | .... | second assistant director (as Sean David Whittier) | |
Art Department | |||
| Deana Albers | .... | property master | |
| Curtis Baruth | .... | construction coordinator | |
| David L. Bell | .... | gangboss | |
| Patrick Bolton | .... | swing gang | |
| Walsh Carvalho | .... | swing gang | |
| Anne Clements | .... | art department assistant | |
| Michael Cutler | .... | assistant property master | |
| Laura Garcia | .... | paint foreman | |
| Tom Gebr | .... | lead man | |
| Canada Johanna Gordon | .... | art department production assistant (as Canada Gordon) | |
| Karen Greene | .... | painter | |
| Mark Heathfield | .... | painter (as Marc Heathfield) | |
| Brigitte Heichelbech | .... | painter | |
| Susan Hutchinson | .... | on-set painter | |
| Roger L. King | .... | construction coordinator (as Roger King) | |
| Wayne Lindholm | .... | construction foreman | |
| Andrew J. Peterson | .... | on-set dresser (as Andrew Peterson) | |
| George Riojas | .... | construction crew | |
| Manuel Sánchez | .... | painter | |
| David Storm | .... | swing gang | |
Sound Department | |||
| Dean Beville | .... | supervising adr editor | |
| Dale Brown | .... | sound editor | |
| Stephen Hunter Flick | .... | supervising sound editor | |
| Dana Gustafson | .... | sound editor | |
| Jamie Hardt | .... | assistant sound editor | |
| Fred Johnston | .... | cableman | |
| Fred Judkins | .... | sound editor | |
| Samuel Lehmer | .... | sound re-recording mixer | |
| Martin Lopez | .... | co-supervising sound editor | |
| Martin Lopez | .... | sound effects editor | |
| Jon Mete | .... | sound editor | |
| William Munroe | .... | boom operator | |
| Stewart Nelson | .... | sound editor (as Stewart Nelsen) | |
| Ed Novick | .... | sound mixer | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Kira Roessler | .... | sound editor | |
| Christopher Sidor | .... | sound recordist | |
| Greg ten Bosch | .... | assistant sound editor | |
| Christina Tucker | .... | adr mixer | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| Matt Sweeney | .... | special effects coordinator | |
Visual Effects by | |||
| Ken Dackermann | .... | digital compositor | |
| Frank Lawas | .... | visual effects I/O supervisor | |
| Dan Lazarow | .... | visual effects | |
| Jaison Stritch | .... | 3D visual effects supervisor | |
| Marcus Tate | .... | visual effects coordinator | |
Stunts | |||
| Loyd Catlett | .... | stunts | |
| Vince Deadrick Jr. | .... | stunt double: Lenny | |
| Danny Downey | .... | stunt double: Lenny | |
| Peter Epstein | .... | stunt double: Al (as Pete Epstein) | |
| John Gillespie | .... | utility stunts | |
| Ben Jensen | .... | stunt rigger & double | |
| Ethan Jensen | .... | stunt double: Seth | |
| Gary Jensen | .... | stunt coordinator | |
| Billy Judkins | .... | stunt double: Zeke | |
| Bob McGovern | .... | utility stunts (as Robert McGovern) | |
| Bob Pennetta | .... | utility stunts | |
| Lincoln Simonds | .... | utility stunts | |
| Joe Witherell | .... | stunt double: Greg | |
Casting Department | |||
| Beth Blanks | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Javier Arrieta | .... | key costumer | |
| Josephine Monmaney | .... | costumer | |
| Elaine Ramires | .... | wardrobe supervisor | |
Editorial Department | |||
| Keith Henderson | .... | assistant editor | |
| William Marrinson | .... | first assistant editor (as Billy Marrinson) | |
| Steve Sheridan | .... | color timer | |
Music Department | |||
| Pete Anthony | .... | orchestrator | |
| Bruce Babcock | .... | orchestrator | |
| Kenneth Burgomaster | .... | score mock-ups | |
| Michael Farrow | .... | music mixer | |
| Jon Kull | .... | orchestrator | |
| Derrick Lefebvre | .... | score coordinator | |
| David Low | .... | music contractor | |
| Flavio Motalla | .... | score producer | |
| Jonathan Price | .... | score coordinator | |
| Steven L. Smith | .... | music preparation | |
| Jeanette Surga | .... | music editor | |
| Gernot Wolfgang | .... | composer: additional music | |
Transportation Department | |||
| P. Gerald Knight | .... | transportation coordinator | |
| Jorge Velasquez | .... | transportation | |
| Greag Waldrop | .... | transportation captain | |
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| Road House | Blue Velvet | Magnum Force | Under Lock and Key | The Jacket |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb Germany section | Add this title to MyMovies |
This captivating little film obviously benefits by the great performances of the three male leads - Bridges, Abrahams and Wyle.
A mob boss' driver (Abrahams) accidentally gets mixed up in much more than he bargained and prepared for when a rival mob boss (Bridges) is kidnapped by his associate (Peter Greene) and bundled into the back of his van.
A very stagy film, with a very TV feel to it, its basically all shot in one location throughout but still manages to hold the viewers attention.
Only one negative, and its a big one - the ending. Just as the story seems as though its changing direction and gathering pace it ends abruptly, which spoils the film and leaves the viewer feeling cheated having to make do with the conclusion of the story and its characters hastily captioned on screen. Such a shame because an extra 15 mins of action instead of 15 seconds of words could have made this film a real find.