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Darryl Quarles (written by) and
Peter Gaulke (written by) ...
(more)
21 November 2001 (USA) more
He's About To Get Medieval On You. more
Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After sustaining a blow to the head, he awakens to find himself in 14th century England. full summary | add synopsis
1 nomination more
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That's why you shouldn't drink your own urine. more (153 total)
| Martin Lawrence | ... | Jamal Walker / Skywalker | |
| Marsha Thomason | ... | Victoria the Chambermaid / Nicole | |
| Tom Wilkinson | ... | Sir Knolte of Marlborough | |
| Vincent Regan | ... | Percival, Leo's Chief Henchman | |
| Daryl Mitchell | ... | Steve | |
| Michael Countryman | ... | Phillip, Leo's Chamberlain | |
| Kevin Conway | ... | King Leo | |
| Jeannette Weegar | ... | Princess Regina, Leo's Daughter | |
| Erik Jensen | ... | Derek | |
| Dikran Tulaine | ... | Dennis | |
| Helen Carey | ... | The Queen | |
| Michael Burgess | ... | Ernie | |
| Isabell O'Connor | ... | Mrs. Bostick, 'Medieval World' Owner (as Isabell Monk) | |
| Kevin Stillwell | ... | Knight #1 | |
| Mikey Post | ... | Young Man (as Michael Post) | |
| Tim Parati | ... | Puppeteer | |
| Mark Joy | ... | Guard #1 | |
| Joe Inscoe | ... | Guard #2 | |
| Angel Desai | ... | Vindy | |
| Elizabeth Roberts | ... | Ling (as Elizabeth A. Roberts) | |
| Graham F. Smith | ... | Giles of Normandie, Royal Messenger | |
| Mark Jeffrey Miller | ... | Turnip Thief | |
| Zach Hanner | ... | Guard #3 | |
| Richard Fullerton | ... | Will | |
| Jayce Tromsness | ... | Thug | |
| Greg Cooper | ... | Executed Rebel Leader | |
| Mark Pitt | ... | Crowd Member | |
| Miki Shelton | ... | Woman | |
| Tammy Arnold | ... | Peasant (as Tammy Christine Arnold) | |
| Jason Chimonides | ... | Soldier | |
| Bob Leddy Jr. | ... | Rebel #1 (as Robert Leddy Jr.) | |
| William Boyer | ... | Captain of the Guard | |
| Denise S. Bass | ... | Rebel #3 | |
| Eric Paisley | ... | Rebel #4 | |
| Melissa Bolden | ... | Dancer | |
| Harry D. Campbell | ... | Dancer | |
| John Cronin | ... | Dancer | |
| Marty Dew | ... | Dancer | |
| Traci Dinwiddie | ... | Dancer | |
| Bonnie Dixon | ... | Dancer | |
| Mark Evans | ... | Dancer | |
| Kelly Foxworth | ... | Dancer | |
| Linda K. Huffman | ... | Dancer | |
| Krystal Jefferson | ... | Dancer | |
| Chris Madray | ... | Dancer | |
| Babs McCullen | ... | Dancer | |
| Jaime Moffett | ... | Dancer | |
| Dustin Phillips | ... | Dancer | |
| Dena Rizzo | ... | Dancer | |
| Monica Semon | ... | Dancer | |
| Lara Anne Smith | ... | Dancer | |
| Veronica Sterling | ... | Dancer | |
| D'Juan Watts | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Daniella Alonso | ... | June (uncredited) | |
| J.C. Anderson | ... | King's Swordsman (uncredited) | |
| Charles E. Bailey | ... | Friar Chuck, Rebel Knight (uncredited) | |
| Cameron Beach | ... | Established Berzerker Rebel / Swordfighter (uncredited) | |
| Lonnie Burchfield | ... | Rebel Knight / King's Horse Soldier (uncredited) | |
| Robert Cannon | ... | Rebel Archer / Knight (uncredited) | |
| Jeff Chase | ... | The Giant (uncredited) | |
| Kelly Cole Childers | ... | Noblewoman (uncredited) | |
| Joseph Congema | ... | King's Swordsman (uncredited) | |
| Leslie Dilley | ... | Man #2 (uncredited) | |
| Kevin Dunlap | ... | King's Soldier (uncredited) | |
| Sam Edens | ... | Rebel Knight (uncredited) | |
| Stephenie Galvan | ... | Noblewoman (uncredited) | |
| Richard Haje | ... | King's Soldier (uncredited) | |
| Matthew Helms | ... | Little Rebel (uncredited) | |
| Casey Kelvington | ... | Knight #5 (uncredited) | |
| Kevin P. King | ... | Sir John, Rebel Knight (uncredited) | |
| John Lewis | ... | Little John (uncredited) | |
| KJ Lodge | ... | Knight #4 (uncredited) | |
| Joseph Long | ... | Villager / Rebel (uncredited) | |
| Kyle Jason Louque | ... | Basketball Player (uncredited) | |
| David Lowe | ... | Rebel Archer / Swordsman (uncredited) | |
| Chad Mason | ... | Drunk Knight (uncredited) | |
| Janet Melody | ... | Duchess (uncredited) | |
| Kevin Moore | ... | Knave of Chronic (uncredited) | |
| Danny Nunn | ... | King's Soldier (uncredited) | |
| Reid Perry | ... | Clockmaster (uncredited) | |
| David Rivitz | ... | Sir Osric Fiveballs (uncredited) | |
| David Schifter | ... | Archer (uncredited) | |
| Kent Shelton | ... | Knight / Swordfighter (uncredited) | |
| Jonathan Soronen | ... | Young Soldier (uncredited) | |
| Ryan Sweeney | ... | Rebel Knight / Archer (uncredited) | |
| Rock Taulbee | ... | King's Swordsman (uncredited) | |
| Abbey Wade | ... | Maiden (uncredited) | |
| Parker Webb | ... | Rebel Knight (uncredited) | |
| Richard E. White | ... | Noble Apprentice (uncredited) | |
Directed by | |||
| Gil Junger | |||
Writing credits(WGA) | ||
| Darryl Quarles | (written by) (as Darryl J. Quarles) and | |
| Peter Gaulke | (written by) & | |
| Gerry Swallow | (written by) | |
Produced by | |||
| Jack Brodsky | .... | executive producer | |
| Peaches Davis | .... | executive producer | |
| Michael Green | .... | producer | |
| Jeff Kwatinetz | .... | executive producer (as Jeffrey Kwatinetz) | |
| Martin Lawrence | .... | executive producer | |
| Arnon Milchan | .... | producer | |
| Darryl Quarles | .... | producer (as Darryl J. Quarles) | |
| Aaron Ray | .... | co-producer | |
| Paul Schiff | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Ueli Steiger | (director of photography) | ||
Film Editing by | |||
| Michael R. Miller | |||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Leslie Dilley | |||
Art Direction by | |||
| Steve Cooper | |||
Set Decoration by | |||
| Peg Cummings | |||
Costume Design by | |||
| Marie France | |||
Makeup Department | |||
| Coni Andress | .... | second hair stylist | |
| Gina Baran | .... | hair stylist | |
| Susan Buffington | .... | hair stylist | |
| Percy Burries | .... | hair stylist: Mr. Lawrence | |
| Anna Maria Cancelli | .... | makeup artist | |
| Debra Denson | .... | makeup artist: Mr. Lawrence | |
| Teresa Foshee | .... | makeup artist | |
| Jeff Goodwin | .... | makeup effects lab | |
| Herita Jones | .... | makeup artist | |
| Rachel Kick | .... | makeup artist | |
| Nina Kraft | .... | makeup department head | |
| Rosalee Riggle | .... | hair stylist | |
| Gail Rowell-Ryan | .... | key hair stylist (as Gail Ryan) | |
| Chris Varosky | .... | makeup artist | |
| Taurance F. Williams | .... | assistant hair stylist | |
| Susan Zietlow-Maust | .... | hair stylist | |
| Janet Carey | .... | additional makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| J. David Brightbill | .... | assistant director | |
| Jonathan Capra | .... | assistant director: second unit | |
| Rick Clark | .... | second assistant director | |
| Barbara D'Alessandro | .... | assistant director: second unit | |
| Rick Johnson | .... | first assistant director | |
| Ernie F. Orsatti | .... | second unit director (as Ernie Orsatti) | |
| Bill Purple | .... | assistant director (as William Purple) | |
| Ric Rondell | .... | assistant director: second unit | |
| Rich Thorne | .... | second unit director | |
| Tobijah Tyler | .... | assistant director | |
Sound Department | |||
| Elton Ahi | .... | sound mixer | |
| Randle Akerson | .... | sound effects editor | |
| Sandy Berman | .... | sound designer | |
| Sandy Berman | .... | sound supervisor | |
| Lane Burch | .... | foley mixer | |
| David Burk | .... | assistant sound editor | |
| C. Douglas Cameron | .... | boom operator | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Scott G.G. Haller | .... | sound editor | |
| Mildred Iatrou | .... | dialogue editor | |
| Michael Keller | .... | sound re-recording mixer | |
| Chuck Michael | .... | sound effects editor | |
| Christian P. Minkler | .... | sound re-recording mixer | |
| Michael Rayle | .... | cable person | |
| Carl Rudisill | .... | production sound mixer | |
| Unsun Song | .... | sound recordist | |
| Dan Yale | .... | foley editor | |
| Christopher Flick | .... | foley editor (uncredited) | |
| Linda Lew | .... | foley recordist (uncredited) | |
| Paula J. Newman | .... | adr artist (uncredited) | |
Special Effects by | |||
| David Hill | .... | special effects technician | |
| Michael Dean Kiesling | .... | special effects assistant (as Michael Kiesling) | |
| Michael Schorr | .... | special effects coordinator | |
Visual Effects by | |||
| Giselle Brewton | .... | film loader: visual effects unit | |
| Ken Dackermann | .... | digital compositor | |
| Clay Dale | .... | visual effects | |
| Tyler Foell | .... | 2D supervisor | |
| Brien Goodrich | .... | 3D animator: Pacific Title Digital | |
| Jim Gorman | .... | digital compositor | |
| Martin Hall | .... | compositor | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| Bonnie Kanner | .... | executive producer: Pixel Magic | |
| Emily Lindquist | .... | visual effects coordinator | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Patrick Murphy | .... | digital compositor: Pixel Magic | |
| Terry Naas | .... | digital artist | |
| Reid Paul | .... | digital effects supervisor | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Rich Thorne | .... | visual effects supervisor | |
| Garv Thorp | .... | visual effects coordinator: Pacific Title | |
| Devin Uzan | .... | digital compositor | |
| Jeff Wells | .... | digital compositor: Pacific Title Digital | |
| James David Hattin | .... | assistant lion roto: OCS Freeze Frame/Pixel Magic (uncredited) | |
Casting Department | |||
| Katharina Eggmann | .... | casting associate | |
| Craig Fincannon | .... | location casting | |
| Lisa Mae Fincannon | .... | location casting | |
| Mark Fincannon | .... | location casting | |
| Sheryl Roberts | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Dan Crawley | .... | specialty costumer | |
| Lois DeArmond | .... | costume illustrator | |
| Julian J. Filiberti | .... | set costumer | |
| Amy Graham | .... | costumer | |
| LaNeita Gray | .... | costumer: Mr. Lawrence | |
| Lorie L. LaBrant | .... | costumer | |
| Patty Malkin | .... | costumer | |
| Joyce Marling | .... | key set costumer | |
| Shea Masterson | .... | costumer | |
| Rosalida Medina | .... | assistant to costume designer | |
| Alice Powell | .... | seamstress | |
| Jessica S. Smith | .... | costume ager/dyer | |
| George Sartiano | .... | specialty costumes (uncredited) | |
Editorial Department | |||
| Jeff Beattie | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Lisa Cossettini | .... | assistant editor | |
| Teressa Longo | .... | first assistant editor | |
| David McKimmie | .... | post-production coordinator | |
| Mike Milliken | .... | color timer | |
| Ed Stabile | .... | assistant editor | |
| Patrick Thornhill | .... | apprentice editor | |
Music Department | |||
| Elton Ahi | .... | composer: song "Knight Mare" | |
| Elton Ahi | .... | score engineer | |
| Bob Beecher | .... | assistant music editor | |
| David Bondelevitch | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Geoff Levin | .... | composer: additional music | |
| John Rodd | .... | orchestral scoring recordist | |
| Melodee Sutton | .... | music supervisor | |
| Guy Moon | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Neil Castles Jr. | .... | driver | |
| Bill Pitts | .... | transportation coordinator | |
Other crew | |||
| Paula Abdul | .... | choreographer | |
| Sheila Allen | .... | production accountant | |
| Jeff L. Anderson | .... | production assistant | |
| Tammy Arnold | .... | dialect coach | |
| Gioia Bearden | .... | assistant: Mr. Lawrence | |
| Jennifer Berthelot | .... | set production assistant | |
| Mark Brooks | .... | animal trainer: wild animals | |
| David Michael Brown | .... | craft service assistant | |
| Kevin Collis | .... | production assistant | |
| Brooke Daeche | .... | production assistant | |
| John DeSarno | .... | chef: second unit | |
| Kathy Edwards | .... | post-production accountant | |
| Jenny Elsinger | .... | animal wrangler (as Jennifer Elsinger) | |
| David G. Fuchs | .... | stand-in | |
| Philippe Gallichet | .... | caterer | |
| Victor M. Giarrusso | .... | production assistant | |
| Robert Greenhut | .... | consultant | |
| Jason Hawkins | .... | assistant: Paul Schiff | |
| Margie McLamb Holowaty | .... | assistant: Barry Berg (as Margie Holowaty) | |
| Beth Howe | .... | clearance coordinator | |
| Sean Lampkin | .... | executive assistant: Mr. Lawrence | |
| Derrick Landry | .... | first assistant accountant | |
| Kevin Landry | .... | production accountant | |
| Bruce Larsen | .... | mechanical horse | |
| Lindsey Liberatore | .... | assistant: Arnon Milchan | |
| Abbie Ludwig | .... | production coordinator: additional photography | |
| Randy Miller | .... | lion trainer | |
| Rick Negron | .... | adr loop group | |
| Paul Nygro | .... | assistant choreographer | |
| Bill Oaks | .... | second assistant accountant | |
| Thomas Parris | .... | key production assistant: second unit | |
| Erik Proveaux | .... | head chef | |
| Cidne L. Ransom | .... | assistant: Nilah 'Peaches' Davis | |
| Oriana Robertson | .... | assistant: Paul Schiff | |
| Valerie N. Robinson | .... | production assistant | |
| Cornelia 'Nini' Rogan | .... | script supervisor | |
| Kelli Sample | .... | assistant: Gil Junger | |
| Amanda Segel | .... | assistant: Arnon Milchan | |
| Patricia Story | .... | unit publicist | |
| Rick S. Sulier | .... | first assistant accountant: re-shoots | |
| Tony Swatton | .... | sword maker | |
| Ryan Sweeney | .... | photo double | |
| Ryan Sweeney | .... | stand-in | |
| Jude S. Walko | .... | assistant production coordinator: re-shoots | |
| Pamela Williamson | .... | first assistant accountant (as Pamela S. Williamson) | |
| Ursula Woodland | .... | assistant: Mr. Lawrence | |
| LouAnn Wu | .... | set production assistant | |
| Robert Cannon | .... | technical advisor (uncredited) | |
| Steven Docherty | .... | accountant (uncredited) | |
| Farrah Skyler Greye | .... | stand-in (uncredited) | |
| Kelly Stultz | .... | payroll accountant (uncredited) | |
Rated PG-13 for language, sexual/crude humor and battle violence.
95 min
2.35 : 1 more
Brazil:12 | Argentina:13 | Australia:M | Canada:PG | France:U | Germany:12 | Netherlands:AL | Singapore:PG | Spain:T | Sweden:11 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:PG (cut) | USA:PG-13 (certificate #38476) | Iceland:L
The scene where Princess Regina trips over her bed sheets was not scripted, Jeannette Weegar really did trip and fall, but the director liked it so it was kept and put in the final cut. more
Continuity: When Jamal is pulled from the moat, his clothes are bone dry. more
[Trying to get Victoria's 's phone number]
Jamal:
ANYBODY GOT A PEN?
Victoria:
You can read and write!
Jamal:
Yeah! (pause) Who you been datin'?
more
Featured in "Troldspejlet: (#29.7)" (2003) more
GET US OFFA THAT THING more
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| King Arthur | The Chronicles of Narnia: Prince Caspian | Timeline | The Court Jester | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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I cannot stress the fact that this film has been overplayed and recycled through Hollywood more times that I can count. While I have read some reviews that claim that this is one of Lawrence's more creative roles yet, I can only laugh and gag simultaneously at these words. Lawrence was a major contributor to the downfall of this film. He provided no character analysis, no development, and definitely no humor to the entire story. It was as if we were watching a dress rehearsal in progress before the final script arrived with all of Lawrence's funny bits. From the quick introduction at the beginning of the film (a mere 7 minutes of character introduction), until the incoherent ending that was trying to monopolize on the popularity of Gladiator, we never see Lawrence's character of "Jamal" or "Skywalker" (depending on the care of the actors) emerge from the film. This was merely Martin Lawrence cashing in on his already overplayed self, stretching no further than his comfortable limits and never exerting anything "fresh". He has fallen into the cracks of the Hollywood recycling bin and Black Knight reinforces that idea.
Sadly, Lawrence isn't backed up with any better acting or story. Tom Wilkinson has done some amazing films during his career, but apparently was looking to buy a new car with this film. It required no "real" acting from him, just sloppy drunkenness with clichéd moments near the end that could have been pulled from any other film like this one. I think that was my major problem with this film (beside the lackluster Lawrence) was the story. There wasn't any. It felt like we were forced from the beginning to all of our different places and events just to fill time. There wasn't any redeeming value from the story. In fact, I would go so far as to say that whomever wrote this screenplay may have gasp plagiarized from nearly every other film like this one out there. The structure was nothing new, the formula literally had dust on it, and nobody seemed to care. Lawrence obviously didn't from the performance that he gave, but I expected more from Mr. Wilkinson who has impressed me in the past. This was not the best showcase for his talent, or for anyone's talent to say the least. We must always remember that it begins with a story, and if it doesn't sound good on paper than it isn't going to translate well onto the screen. This is a rule to live by for everyone involved with the Black Knight debacle.
Finally, I normally don't mention this in my reviews, but with this film it just stood out more than any other that I have seen, but the production of this film was horrible. The costumes, the sets, and even the way the shots were framed seemed "cheap" in so many ways. The costumes are the first that come to mind because Lawrence always seemed like he was wearing something that was made with haste. How could he have quickly made this garment in the time that he was in this land? Who knows, but it was "cheap" and only lowered this film further into the muck pit. If the story is going to be bad, and the actors are not going to give their full potential by actually doing what they are paid to be creative than at least give us something to look at Production Team! Unfortunately, there was nothing ravishing to even glance at. The entire Medieval World that Lawrence works at from the beginning is "cheap" and obviously a set. I want a film to take me away from Hollywood and give me my dollar's worth, not rob me blind. The cinematography was done by a two-year old. Nothing spectacular, nothing worth writing about.
Overall, this was a very poor film. Would it have hurt anyone working on this project to use a little something I like to call "imagination"? Creativity was not being used or welcomed in this film. You could tell that the director wanted to make the film, edit out what didn't work, finish, and relax at home while thinking of all the different ways that he could spend his Hollywood money! I blame two major players in this film for the overall poor quality. The first is Mr. Lawrence. If he does not expand his acting potential and bring something new to the screen, I don't think his Hollywood stay will be very long. The second player that I blame for this befuddling mess is the writer. Again, creativity and imagination went backseat to the infamous Hollywood recycling bin. This was a truly disappointing picture.
Grade: * out of *****