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Chap Taylor (story)
Chap Taylor (screenplay) ...
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12 April 2002 (USA) more
An ambitious lawyer, a desperate father, they had no reason to meet, until today, more
The story of what happens one day in New York when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive and their mutual road rage escalates into a feud. full summary | add synopsis
4 nominations more
Blu-Ray Review: Denzel Washington, Tony Scott Take ‘Pelham 123’ Seriously
(From HollywoodChicago.com. 5 November 2009, 9:07 AM, PST)
'Wild Things' Roars, 'Citizen,' 'Activity' Thrill
(From BoxOfficeMojo.com. 18 October 2009, 1:47 PM, PDT)
Surprisingly Good more (330 total)
| Ben Affleck | ... | Gavin Banek | |
| Samuel L. Jackson | ... | Doyle Gipson | |
| Kim Staunton | ... | Valerie Gipson | |
| Toni Collette | ... | Michelle | |
| Sydney Pollack | ... | Stephen Delano | |
| Tina Sloan | ... | Mrs. Delano | |
| Richard Jenkins | ... | Walter Arnell | |
| Akil Walker | ... | Stephen Gipson | |
| Cole Hawkins | ... | Danny Gipson | |
| Ileen Getz | ... | Ellen | |
| Jennifer Dundas | ... | Mina Dunne (as Jennifer Dundas Lowe) | |
| Matt Malloy | ... | Ron Cabot | |
| Amanda Peet | ... | Cynthia Delano Banek | |
| Myra Lucretia Taylor | ... | Judge Frances Abarbanel | |
| Bruce Altman | ... | Terry Kaufman | |
| Joe Grifasi | ... | Judge Cosell | |
| Lisa LeGuillou | ... | Gina Gugliotta (as Lisa Leguillou) | |
| Angela Goethals | ... | Sarah Windsor | |
| Kevin Sussman | ... | Tyler Cohen | |
| Susan Varon | ... | Sheryl Buckburg | |
| Noel Wilson | ... | Bartender at Arlo's | |
| Angel Caban | ... | Security Guard at School | |
| Jim Lovelett | ... | Security Guard at School (as James Lovelett) | |
| Julia Gibson | ... | Receptionist at AD&S | |
| William Hurt | ... | Doyle's Sponsor | |
| Michael McGrath | ... | Seavers (as Michael Patrick McGrath) | |
| John Benjamin Hickey | ... | Carlyle | |
| Dylan Baker | ... | Finch | |
| Ray Bokhour | ... | Willard | |
| Suzanne Hevner | ... | Delano's Secretary | |
| Caleb Archer | ... | Kid on Bike | |
| Jordan Gelber | ... | Priest | |
| Olga Merediz | ... | Mrs. Miller | |
| Jayne Houdyshell | ... | Miss Tetley | |
| Shabazz Ray | ... | Cop at Precinct (as Shabazz Richardson) | |
| Raymond Anthony Thomas | ... | Cop at Precinct (as Ray Anthony Thomas) | |
| Michael Pitt | ... | Music Teacher / Conductor | |
| Genevieve Elam | ... | Waitress | |
| Juan Lara | ... | Orchestra Child | |
| Anastasia Rojas | ... | Orchestra Child | |
| Nicole Wright | ... | Orchestra Child | |
| Clive Oliver Greenberg | ... | Orchestra Child | |
| Gilbert S. Williams | ... | Mike (as Gil Williams) | |
| Sophia Guaspari | ... | Orchestra Member | |
| Ruben Jared Seraballs | ... | Orchestra Member (as Ruben J. Seraballs) | |
| Father Bonneau | ... | Himself | |
| Jewel Brimage | ... | Teacher | |
| Katarina Kianna | ... | Teacher | |
| Vanessa Quel | ... | Kate | |
| Howard I. Laniado | ... | Barry | |
| Tony Machine | ... | Office Worker | |
| Carolyn Feldschuh | ... | Office Worker | |
| Maria Alaina Mason | ... | Office Worker | |
| Harvey Waldman | ... | Author in Newsroom Interview | |
| Pamela Hart | ... | Newscaster | |
| Neal Jones | ... | Newsroom Writer | |
| Susan Blackwell | ... | Newsroom Producer | |
| Alyson Renaldo | ... | Newsroom Executive Producer | |
| James Soviero | ... | Newsroom Associate Producer | |
| Mary A. Kelly | ... | Newsroom Script Supervisor (as Mary Kelly) | |
| Anthony DiGiacomo | ... | Newsroom Associate Director | |
| Richard Velasco | ... | Newsroom Director | |
| Leonard L. Thomas | ... | Newsroom Reporter (as Leonard Thomas) | |
| Richard Kelly | ... | AA Group Leader | |
| Selena Blake | ... | Insurance Broker | |
| Harriet Rosenthal | ... | Family Court Member | |
| John Kohl | ... | Family Court Member | |
| Lisa Vogel | ... | Family Court Member | |
| Bob Heffernan | ... | Simon Dunne | |
| rest of cast listed alphabetically: | |||
| Salvatore Cavaliere | ... | Family Court Officer (uncredited) | |
| Monet Cunningham | ... | Family court member (uncredited) | |
| Phil Gardiner | ... | Parishoner (uncredited) | |
| Ralph Howard | ... | Radio News Anchor, 1010 WINS (voice) (uncredited) | |
| Sean T. Krishnan | ... | Sikh (uncredited) | |
| Pete Macnamara | ... | Irate Pedestrian (uncredited) | |
| David C. Roehm Sr. | ... | Defendant in Custody (uncredited) | |
| Sam Rovin | ... | Paralegal (uncredited) | |
| John H. Tobin | ... | AA Attendee (uncredited) | |
| Ray Wineteer | ... | Parishioner (uncredited) | |
Directed by | |||
| Roger Michell | |||
Writing credits(WGA) | ||
| Chap Taylor | (story) | |
| Chap Taylor | (screenplay) and | |
| Michael Tolkin | (screenplay) | |
Produced by | |||
| Scott Aversano | .... | co-producer | |
| Ronald M. Bozman | .... | executive producer (as Ron Bozman) | |
| Scott Rudin | .... | producer | |
| Adam Schroeder | .... | executive producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Salvatore Totino | (director of photography) | ||
Film Editing by | |||
| Christopher Tellefsen | |||
Casting by | |||
| Marcia DeBonis | |||
| Ellen Lewis | |||
Production Design by | |||
| Kristi Zea | |||
Art Direction by | |||
| W. Steven Graham | (as Steven Graham) | ||
Set Decoration by | |||
| Debra Schutt | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Mr. Jackson | |
| Milton Buras | .... | hair stylist | |
| Marjorie Durand | .... | makeup artist (as Margie Durand) | |
| Linda Grimes | .... | key makeup artist | |
| Janine Rath | .... | hair stylist: Mr. Affleck | |
| Werner Sherer | .... | key hair stylist | |
| Robert L. Stevenson | .... | hair stylist: Mr. Jackson | |
| Pamela S. Westmore | .... | makeup artist: Mr. Affleck (as Pam Westmore) | |
Production Management | |||
| Michael Alden | .... | post-production supervisor | |
| Ronald M. Bozman | .... | production manager: second unit (as Ron Bozman) | |
| Harvey Waldman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Kenny Bates | .... | second unit director (as Ken Bates) | |
| Timothy Donohue | .... | second second assistant director | |
| Anthony Hemingway | .... | first assistant director: second unit | |
| Anthony Hemingway | .... | second assistant director (as Anthony M. Hemingway) | |
| Takahide Kawakami | .... | second second assistant director | |
| Daniel Lowe | .... | dga trainee | |
| Michael E. Steele | .... | first assistant director (as Michael Steele) | |
| Tara Nicole Weyr | .... | second assistant director: second unit | |
Art Department | |||
| Deborah Canfield | .... | set dresser | |
| Patrice Canfield Longo | .... | set dresser | |
| Philip Canfield | .... | lead person (as Philip C. Canfield) | |
| Scott Canfield | .... | set dresser | |
| Paul Cheponis | .... | assistant set decorator | |
| Ruth Deleon | .... | on-set dresser | |
| Jeanne Develle | .... | assistant set decorator | |
| James C. Feng | .... | additional art director (as Jim Feng) | |
| William J. Foley | .... | scenic foreperson (as Bill Filey) | |
| Sarah Frank | .... | graphic designer | |
| Jonathan Graham | .... | construction foreperson | |
| Chris Heaps | .... | set dresser | |
| Karen Kates | .... | assistant property master | |
| Tina Khayat | .... | set decorating coordinator | |
| Marion Kolsby | .... | assistant art director | |
| Gordon Krause | .... | construction foreperson | |
| Martin Lasowitz | .... | property master | |
| Brick Mason | .... | storyboard artist | |
| Nick Miller | .... | construction coordinator (as Nicholas R. Miller) | |
| Fanny Pereire | .... | art researcher | |
| Lauri Blaire Schulman | .... | art department coordinator | |
| Robert Topol | .... | master scenic artist (as Bob Topol) | |
| M. Tony Trotta | .... | scenic artist (as Tony Trotta) | |
| Michael Zadresny | .... | assistant props (as Michael Zadrosny) | |
| Doug Coleman | .... | set dresser (uncredited) | |
| E. David Cosier | .... | assistant art director (uncredited) | |
| Morgan Pitts | .... | additional on-set dresser (uncredited) | |
| Charles Quinlivan | .... | construction grip (uncredited) | |
| Stephen Siersema | .... | scenic artist (uncredited) | |
| Nell Stifel | .... | scenic artist (uncredited) | |
Sound Department | |||
| Gina Alfano | .... | supervising adr editor (as Gina R. Alfano) | |
| Bob Baron | .... | adr mixer | |
| Matthew C. Beville | .... | adr mixer (as Matt Beville) | |
| David Boulton | .... | adr mixer | |
| Ryan Collison | .... | foley mixer | |
| O.J. Connell III | .... | cableperson | |
| Lee Dichter | .... | sound re-recording mixer | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Dan Fulton | .... | apprentice sound editor (as Dan 'Diego' Fulton) | |
| Peter Gleaves | .... | adr mixer | |
| Harry Higgins | .... | sound re-recordist | |
| Bradford L. Hohle | .... | stereo sound consultant: Dolby (as Brad Holey) | |
| Dan Korintus | .... | supervising dialogue editor | |
| Malaika Langa | .... | audio post coordinator | |
| Brian Langman | .... | first assistant sound editor | |
| Terrance Laudermilch | .... | sound re-recordist (as Terry Laudermilch) | |
| Tony Martinez | .... | sound effects editor | |
| Eric McAllister | .... | assistant sound editor (as Pontius McAllister) | |
| Jane McCulley | .... | adr editor | |
| Danny Michael | .... | sound mixer | |
| Bob Olari | .... | sound re-recordist (as Robert Olari) | |
| Harry Peck Bolles | .... | foley editor | |
| Rob Playford | .... | sound designer | |
| Mike Poppleton | .... | assistant sound editor | |
| Jacob Ribicoff | .... | sound effects editor | |
| Jac Rubenstein | .... | dialogue editor | |
| Lynn Sable | .... | assistant adr editor | |
| Andrew Schmetterling | .... | boom operator | |
| Warren Shaw | .... | sound designer | |
| Warren Shaw | .... | supervising sound editor | |
| Paul P. Soucek | .... | sound effects editor | |
| Stuart Stanley | .... | sound editor | |
| Jeffrey Stern | .... | sound editor | |
| Bill Sweeney | .... | supervising foley editor (as William Sweeney) | |
| Noah Timan | .... | sound effects recordist (as Noah Vivekanand Timan) | |
| Brian Vancho | .... | foley artist | |
| Daniel Ward | .... | first assistant sound editor (as Dan Ward) | |
| Mark DeSimone | .... | adr engineer (uncredited) | |
| Anguibe Guindo | .... | foley artist (uncredited) | |
| Katherine Gordon Miller | .... | apprentice sound editor (uncredited) | |
| Eric Strausser | .... | sound (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects coordinator | |
| Peter Kunz | .... | special effects supervisor | |
Visual Effects by | |||
| Reid Burns | .... | visual effects producer: The Image Resolution Inc. | |
| Reid Paul | .... | visual effects supervisor | |
| Michael S. Harbour | .... | digital compositor (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Derek Ledbetter | .... | visual effects (uncredited) | |
| Kevin Shawley | .... | digital artist (uncredited) | |
| Martha Soehendra | .... | digital artist: The Image Resolution Inc. (uncredited) | |
Stunts | |||
| Doug Coleman | .... | stunt coordinator | |
| Kiante Elam | .... | stunt performer | |
| Jery Hewitt | .... | stunt co-cordinator | |
| Steve Holladay | .... | stunt performer | |
| Scott Rogers | .... | stunt performer | |
| Rick Seaman | .... | stunt performer | |
| Daniel W. Barringer | .... | stunts (uncredited) | |
| Peter Bucossi | .... | stunts (uncredited) | |
| Eliza Coleman | .... | stunts (uncredited) | |
| Roy Farfel | .... | stunt driver (uncredited) | |
| Jay Krueger | .... | utility stunts (uncredited) | |
| Joanne Lamstein | .... | stunt driver (uncredited) | |
| Tom McComas | .... | stunt double: Ben Affleck (uncredited) | |
| Kristopher Medina | .... | stunt driver (uncredited) | |
| Rick Miller | .... | stunt driver (uncredited) | |
| Derrick Simmons | .... | stunt driver (uncredited) | |
Casting Department | |||
| Jennifer Euston | .... | casting assistant | |
| Bruce Winant | .... | adr voice casting: Loopers Unlimited | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Barrett Hong | .... | costume supervisor | |
| Askia Won-Ling Jacob | .... | costumer: Mr. Jackson (as Askia Won Ling Jacob) | |
| Pamela Kezal | .... | set costumer | |
| Donna Maloney | .... | costume supervisor | |
| Michelle Matland | .... | assistant costume designer | |
| Arlynn Abseck | .... | set costumer (uncredited) | |
| Mei Lai Hippisley Coxe | .... | set costumer (uncredited) | |
| Joni M. Huth | .... | costume shop supervisor (uncredited) | |
| Tim McKelvey | .... | additional wardrobe (uncredited) | |
Editorial Department | |||
| Sam Adelman | .... | assistant film editor | |
| Kent Blocher | .... | assistant film editor | |
| Ruth Coulson | .... | apprentice editor: London (as Ruth Colson) | |
| Jeremy Gibbs | .... | assistant film editor: London | |
| Emily Grant | .... | apprentice editor: London | |
| Anthony Houghton | .... | apprentice editor: London | |
| Lori Machens | .... | post-production coordinator | |
| Martin Robinson | .... | assistant film editor: London | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Joe Violante | .... | dailies advisor | |
| Byron Wong | .... | apprentice film editor | |
| Samara Levenstein | .... | assistant editor (uncredited) | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Emile Charlap | .... | orchestra contractor | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | music mixer | |
| Andrew Glen | .... | preview music editor (as Andy Glen) | |
| Sonny Kompanek | .... | additional conductor (as Sandy Kompanek) | |
| Angela Organ | .... | assistant music editor | |
| Rob Playford | .... | music programmer | |
| Dashiell Rae | .... | preview music editor | |
| Shari Schwartz | .... | music editor (as Shari L. Johanson) | |
| David Arnold | .... | music programmer (uncredited) | |
| David Arnold | .... | musician (uncredited) | |
| Ricky Graham | .... | assistant music engineer (uncredited) | |
| Jake Jackson | .... | assistant music engineer (uncredited) | |
| Sonny Kompanek | .... | orchestrator (uncredited) | |
| James Nichols | .... | music recordist (uncredited) | |
Transportation Department | |||
| Edward Fanning | .... | transportation co-captain (as Eddie Fanning) | |
| James Fanning | .... | transportation captain | |
Other crew | |||
| Laura Berning | .... | assistant location manager | |
| Maria T. Bierniak | .... | location manager (as Maria Bierniak) | |
| Kija Brooks | .... | production assistant | |
| Ashlee Burnette | .... | assistant: Mr. Rudin | |
| Al Cerullo | .... | helicopter pilot | |
| Kathy Cossu | .... | medic | |
| Chris Coyne | .... | location assistant | |
| Malcolm Dodson | .... | production assistant | |
| James Domorski | .... | video consultant | |
| Gregory Dunn | .... | production assistant (as Gregory S. Dunn) | |
| Christopher Edwards | .... | assistant: Mr. Rudin | |
| Aaron D. Forste | .... | production assistant (as Aaron David Forste) | |
| Kaiyan Gahrahmat | .... | production assistant | |
| Brian Avery Galligan | .... | production assistant | |
| Catherine Gore | .... | script supervisor: second unit | |
| Crystal Hawkins | .... | production auditor | |
| Joe Holden | .... | assistant: Mr. Rudin (as J.A. Holden) | |
| Jesse Hove | .... | location assistant | |
| Margaret Jacobs | .... | assistant production coordinator | |
| Mary A. Kelly | .... | script supervisor (as Mary Kelly) | |
| Lars Knudsen | .... | executive assistant: Mr. Rudin | |
| Pamela S. Marshall | .... | assistant: Mr. Michell, New York (as Pam S. Marshall) | |
| Matteo Masiello | .... | production assistant | |
| Helen Medrano | .... | first assistant auditor (as Helen Ruiz) | |
| Julia Morgan | .... | production assistant | |
| Eric Myers | .... | unit publicist | |
| Alix Narcisse | .... | production assistant | |
| Anne Nevin | .... | production coordinator | |
| Stuart Nicolai | .... | assistant location manager | |
| Charley Parlapanides | .... | assistant: Mr. Rudin (as Charles Parlapanides) | |
| Luke Redgrave | .... | assistant: Mr. Michell, London | |
| Alyson Renaldo | .... | production assistant | |
| Terence Scott | .... | production secretary | |
| Thomas Struth | .... | artwork: "Monreale, Palermo" | |
| Leonard L. Thomas | .... | assistant: Mr. Jackson (as Leonard Thomas) | |
| Joe Violante | .... | dailies advisor | |
| Kevin J. Walsh | .... | assistant: Mr. Rudin (as Kevin Walsh) | |
| Ron Weiss | .... | consultant: estate and trusts (as Ron Weiss, Esq.) | |
| John White | .... | assistant: Mr. Rudin | |
| Rick Whitfield | .... | video consultant | |
| Mikayla Abromowitz | .... | script supervisor (uncredited) | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
| Michelle Dunton | .... | script researcher (uncredited) | |
| John Fedynich | .... | location manager (uncredited) | |
| Andrew Fiero | .... | production assistant (uncredited) | |
| Daniel Fine | .... | assistant accountant (uncredited) | |
| Jay Floyd | .... | clearance administrator (uncredited) | |
| Joshua C. Hersko | .... | assistant: Scott Rudin (uncredited) | |
| Michael Landers | .... | additional voices (uncredited) | |
| Kendra Levenberg | .... | craft service (uncredited) | |
| Stephanie Lovell | .... | additional set production assistant (uncredited) | |
| Francis Maiorino | .... | location scout (uncredited) | |
| Nolan B. Medrano | .... | assistant accountant (uncredited) | |
| Wayne Petrucelli | .... | security coordinator (uncredited) | |
| Jennifer Quesenbery | .... | location scout (uncredited) | |
| Shabazz Ray | .... | stand-in: Samuel L. Jackson (uncredited) | |
| Michael K. Reynolds | .... | chef (uncredited) | |
| Will Rowbotham | .... | assistant: Mr. Rudin (uncredited) | |
| Will Rowbotham | .... | production assistant (uncredited) | |
| Darryl A. Smith | .... | payroll accountant (uncredited) | |
| Eugene Stamos | .... | craft service (uncredited) | |
Thanks | |||
| John Ahearn | .... | thanks: artwork "East 100th Street Chess Club, Nathalie & Carlos" | |
| Joseph Bartscherer | .... | thanks: artwork "Pond" | |
| Don D. Brown | .... | thanks: artwork "Take IV" (as Don Brown) | |
| Marc Chagall | .... | thanks: artwork "La Prairie Heureuse" | |
| David Diad | .... | thanks: artwork "Lying 2" | |
| Raoul Dufy | .... | thanks: artwork "Sainte-Adresse: Promenade au Bord de la Mer" | |
| Jenny Gage | .... | thanks: artwork "Ventura - Legs and Road & Swing" | |
| Antony Gormley | .... | thanks: artwork "Untitled, for Francis" | |
| Roberta Guaspari | .... | thanks: Opus 118 Founder | |
| Andreas Gursky | .... | thanks: artwork "Paris Montparnasse", "Paris Beaugrenelle" and "Hong Kong Stock Exchange" | |
| Alex Katz | .... | thanks: artwork "Harbor #9" | |
| Jonathan Levi | .... | thanks: New York City Board of Education | |
| Elizabeth Murray | .... | thanks: artwork "Yellow Cup with Pink Lips" | |
| Alice Neel | .... | thanks: artwork "Ninth Avenue El", "Young Woman", "Windows" and "Annemarie and Georgie" | |
| Jerry Norman | .... | thanks: New York City Board of Education music consultant | |
| George Passmore | .... | thanks: artwork "Blood City" (as George) | |
| Gilbert Proesch | .... | thanks: artwork "Blood City" (as Gilbert) | |
| Lucien Rees-Roberts | .... | thanks: artwork "Monticano", "Hills Above Siena" | |
| Julie Roberts | .... | thanks: artwork "Seance", "Shepherdess Marie Antoinette" | |
| Christopher Rothko | .... | thanks: artwork Mark Rothko's "Untitled" (Wine, Rust, Blue on Black ) | |
| Mark Rothko | .... | thanks: artwork "Untitled (Wine, Rest, Blue on Black ) | |
| Kate Rothko Prizel | .... | thanks: artwork Mark Rothko's "Untitled" (Wine, Rust, Blue on Black ) | |
| Stuart Rubin | .... | thanks: Salute to Music | |
| Alexander Sandover | .... | thanks: artwork "Synaesthesia" | |
| Thomas Struth | .... | thanks: artwork "Monreale, Palermo" | |
Rated R for language.
98 min | Turkey:91 min (TV version)
2.35 : 1 more
Iceland:L | Malaysia:U | Portugal:M/12 | South Korea:15 | Canada:14 (Nova Scotia) | Canada:14A (Alberta/Manitoba) | Canada:G (Quebec) | Canada:PG (British Columbia) | Argentina:13 | Australia:M | Austria:10 | Finland:K-11 | France:U | Germany:12 | Ireland:15 | Netherlands:12 | Norway:11 | Peru:14 | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:15 | USA:R (certificate #38938) | Canada:AA (Ontario)
Bergen County Court House - 10 Main Street, Hackensack, New Jersey, USA more
Ben Affleck took to wearing a wetsuit under his costumes in the film's final scenes because he got so cold standing under the fire sprinklers for hours on end. more
Continuity: In the last few minutes as Banek goes from office to restaurant to Mrs Gipson's home, the injury on his right cheek changes shape. more
[first lines]
Doyle Gipson:
Think I'll make this the boys' room.
more
Referenced in New Frontiers: Making 'The Missing' (2004) (V) more
Ode to Joy more
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| Taxi No. 9 2 11: Nau Do Gyarah | Midnight Court | Anger Management | Thirteen Conversations About One Thing | The Devil's Advocate |
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This movie was surprisingly good, for many reasons. The most obvious is probably that the characters develop before, during, and after the presented story, as the film opens at a critical time for both of them and closes with them having changed major parts in their lives.
I expected this to be a glorified version of Madd's Spy vs. Spy, or something of that nature, given the hype. However, it is not at the same pace at all... the violence is not cartoonish, its realistic. The characters are not simple, they are complex. They "have issues" and are both trying to find a better sense of balance in their lives, both do things which they regret... all in all, this is one of the most "human" movies I've ever watched.
Even though the characters are deep, the movie does not try to emphasis it with drawn out scenes with dramatic music or anything, which actually makes it more like watching real people than watching a movie. It also makes for a more powerful effect overall because it is up to the watcher to notice the subtleties.
The acting and directing are very well done, and there is some writing which surprised me in that it showed more about the characters rather than relating directly to the main conflict (I don't want to give too much detail and spoil it). The pacing is good and kept me interested throughout, partially to see what the main characters would do next and partially to see what, if anything, they would learn from the experience.
It is not as "epic" as something like Shawshank Redeption, and doesn't deal with esoteric themes such as Meet Joe Black or ominous themes such as Equilibirum or 1984(the novel), but in a way it is more epic because it deals with normal people who struggle to be beneficial humans despite major mistakes, pressures, and conflicts.