Me Without You (2001)

User Rating:

6.6/10   

Director:

Sandra Goldbacher

Writers:

Sandra Goldbacher (screenplay) and
Laurence Coriat (screenplay)

Release Date:

23 November 2001 (UK)

Genre:

Comedy | Drama

Tagline:

From Sandra Goldbacher, writer/director of The Governess, comes a film about the agonies and ecstasies of friendship.

Plot:

Two best friends grow up on the outskirts of London in the 1970s and 1980s.

Plot Keywords:

Best Friend | 1970s | 1980s | Friendship | Virgin

Awards:

2 nominations

Cast

Ella Jones	...	Young Holly
Anna Popplewell	...	Young Marina
Cameron Powrie	...	Young Nat
Trudie Styler	...	Linda
Allan Corduner	...	Max
Deborah Findlay	...	Judith
Nicky Henson	...	Ray
Anna Friel	...	Marina
Michelle Williams	...	Holly
Oliver Milburn	...	Nat
Hannah Bourne	...	Carolyn
Russell Mabey	...	Craig (as Russell Maybey)
Blake Ritson	...	Tim
Francis Lee	...	Paul
Eve Cooper-Rose	...	Sophie

Also Known As:

Meine beste Freundin (Germany)

MPAA:

Rated R for language, sexual content and drug use.

Runtime:

USA:107 min | Germany:94 min (TV version)

Country:

UK | Germany

Language:

English | French

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Stereo

Certification:

Australia:MA | Iceland:12 | UK:15 | USA:R | Italy:T

Filming Locations:

Isle of Man

Company:

Fireworks Pictures

Trivia:

Anna Friel originally auditioned for the role of Holly.

Quotes:

Marina: You should dye your hair Holly, you look like a virgin.
Holly: I am a virgin.
Marina: But you don't need to broadcast it.

Movie Connections:

References Smultronstället (1957)

Soundtrack:

(Drawing) Rings Around the World

A messy, busy, charming little English film about girls muddling through.

Summary: A messy, busy, charming little English film about girls muddling through `Me Without You' is a nice little movie (or should I say film?) that's a lot of fun if you'll let it be. Its depiction of a dependent relationship between two young Englishwomen from the Seventies till now is messy and busy. That's fine. If life wasn't messy and busy in the Seventies and Eighties I don't know what it was. Clothes and décor and music are thrown at us to evoke the successive periods in a way that ranges from charming to grating. The focus isn't on that; it's just a way of showing the passage of time, the saga of lives moving on. The early sequences jump a little too fast. When you go from the little girls to the young women you may think they're wholly different people. You may think the metamorphoses of the young women are too rapid. But quite early you start to care about both women, and about Marina's sweet and good looking but tragically unavailable brother Nat. This is a women's picture in the good sense that it knows what makes men attractive to women and why that both matters very much and isn't quite enough. It seems to take Nat and Holly about twenty-five years to get together for keeps. The relationship between Marina (Anna Friel) and Holly (Michelle Williams) makes disfunctionality and exploitation between people seem okay, and that's fine too. Mostly we don't question our intimate relationships. The assumption is that the relationship is symbiotic. Pretty early on it becomes clear that the insecure but fast Marina exploits and abuses Holly, while the slightly mousy but smart Holly sticks around because she's too nice and too needy not to. It takes a few decades for this to end, for Holly to realize that Marina needs her more than she needs Marina.

I think what makes this a good film (I will say film) is that it's informed by the English spirit of muddling through, of not expecting too much, but there's an underlying moral sense. There's some of the same kind of wry honesty that comes at the end of Schlesinger's `Sunday Bloody Sunday.' `Me Without You' doesn't try to save the world or make Teaching Points about people. It takes them as they are. You can see this in the womanizing American prof character played excellently by Kyle McLaughlan. He's a rotter, but bloody hell! He can't help it. He's sleazier than the amiable scoundrel played by Hugh Grant in `About a Boy,' but he has some of that appeal. Marina isn't a bitch. If a person as nice and as smart as Holly loves her, how can we hate her? No one is a caricature. No one is whiney or shrill. Muddling through, or making do: I thought also of the mood of the once-Number One video in England, `Withnail and I': it's always rainy and things are always running out.

There are a lot of scenes and little reversals of fortune and through them all Friel and Williams remain excellent, Friel as Marina changing costumes like some mod master of disguise, while the soft, slightly plain, but actually quite lovely Williams as Holly carries the film. Finally it's all about Holly. It's Holly who has the endurance and who gets the man of her dreams at the end, rewarded for her intelligence and moral superiority like a Jane Austen heroine. Williams does her English accent to perfection and quietly underplays her role. The highly saturated color of the film makes her skin look ravishing: she becomes not just an English girl but an understated English beauty who doesn't need Marina's trendy, tarted up costumes and face to be splendid looking.

What makes the film worthwhile and interesting is how well the two characters are written. A long time after seeing it I was still thinking about the relationship.