| Photos (see all 41 | slideshow) | Videos (see all 12 NEW) |
| Gina Philips | ... | Patricia 'Trish' Jenner | |
| Justin Long | ... | Darry Jenner | |
| Jonathan Breck | ... | The Creeper / Bald Cop | |
| Patricia Belcher | ... | Jezelle Gay Hartman | |
| Eileen Brennan | ... | The Cat Lady | |
| Brandon Smith | ... | Sgt. David Tubbs | |
| Peggy Sheffield | ... | Waitress Beverly | |
| Jeffrey William Evans | ... | Restaurant Manager | |
| Patrick Cherry | ... | Binky Plutzker | |
| Jon Beshara | ... | Officer Robert Gideon | |
| Avis-Marie Barnes | ... | Officer Natasha Weston | |
| Steve Raulerson | ... | Cellblock Officer (as Steven Raulerson) | |
| Tom Tarantini | ... | Austin McCoy | |
| William Haze | ... | Officer with Hole in Chest (as William Hasenzahl) | |
| Kim Kahana | ... | Camper Driver | |
| Chris Shepardson | ... | Dying Boy | |
| rest of cast listed alphabetically: | |||
| Tim Phoenix | ... | Kenny (uncredited) | |
| Victor Salva | ... | Victim (uncredited) | |
| L'Tanya Van Hamersveld | ... | Woman in diner scene (uncredited) | |
| Clint Wilder | ... | Police Officer (uncredited) | |
Directed by | |||
| Victor Salva | |||
Writing credits(WGA) | ||
| Victor Salva | (written by) | |
Produced by | |||
| Willi Bär | .... | executive producer (as Willi Baer) | |
| Francis Ford Coppola | .... | executive producer | |
| J. Todd Harris | .... | co-producer | |
| Eberhard Kayser | .... | executive producer | |
| Tom Luse | .... | producer | |
| Mario Ohoven | .... | executive producer | |
| Barry Opper | .... | producer | |
| Linda Reisman | .... | executive producer | |
Original Music by | |||
| Bennett Salvay | |||
Cinematography by | |||
| Don E. FauntLeRoy | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Kimberly Mullen | |||
Production Design by | |||
| Steven Legler | |||
Art Direction by | |||
| Kevin Egeland | |||
Set Decoration by | |||
| Barbara Peterson | |||
Costume Design by | |||
| Emae Villalobos | |||
Makeup Department | |||
| Barry Anderson | .... | fake bodies | |
| Roy Ceballos | .... | shop foreman | |
| Roy Ceballos | .... | special makeup effects artist | |
| Erin Braus Guth | .... | assistant makeup artist (as Erin M. Braus) | |
| Rodger Jacobs | .... | key makeup artist | |
| Elvis Jones | .... | key mechnical design and sculpture | |
| Robert Pendergraft | .... | special makeup effects artist | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Brian Penikas | .... | special makeup effects artist | |
| Tim Phoenix | .... | makeup artist | |
| Richard Redlefsen | .... | cosmetics | |
| Richard Redlefsen | .... | lead fabricator | |
| Richard Redlefsen | .... | special makeup effects artist | |
| Greg Smith | .... | key sculptor | |
| Gunnar Swanson | .... | key hair stylist | |
| Erick de la Vega | .... | special makeup effects artist | |
Production Management | |||
| Jeffrey Berk | .... | production supervisor: pre-production | |
| Jim Bigham | .... | production supervisor | |
| Jim Bigham | .... | production supervisor | |
| Valerie Hoffman | .... | production supervisor (as Valerie Howlett-Hoffman) | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Tom Luse | .... | unit production manager | |
| Barry Opper | .... | unit production manager | |
Art Department | |||
| Jerry Blohm | .... | property master | |
| Rex Christensen | .... | on-set dresser | |
| C. Deniz | .... | assistant sculptor | |
| Brad Parker | .... | original creeper designer | |
| Brad Parker | .... | project illustrator | |
| Daniel Williams | .... | greens | |
| Alice Wymer | .... | art department coordinator | |
Sound Department | |||
| Tim Bindel | .... | adr supervisor | |
| Diana Flores | .... | adr mixer | |
| Joe Foglia | .... | sound recordist | |
| Aleksandr Gruzdev | .... | sound re-recording mixer | |
| Bill Henderson | .... | sound re-recording engineer | |
| Cindy Jo Hinkleman | .... | adr editor | |
| Cindy Jo Hinkleman | .... | dialogue editor | |
| James P. Lay | .... | sound re-recording mixer | |
| James P. Lay | .... | supervising sound editor | |
| Angelo Palazzo | .... | sound designer | |
| Angelo Palazzo | .... | sound editor | |
| Richard Partlow | .... | foley artist (as Rick Partlow) | |
| Tanya Peel | .... | sound utility | |
| Tanya Peel | .... | utility sound | |
| Andy Rosenthal | .... | sound effects editor | |
| Robert Troy | .... | dialogue editor | |
Special Effects by | |||
| Michael Arbogast | .... | special effects coordinator | |
| Joel P. Blanchard | .... | special effects foreman | |
| Roy Ceballos | .... | creature effects foreman | |
| David Fedele | .... | special effects makeup | |
| Jared Gray | .... | laboratory coordinator: makeup & monsters | |
| Thomas Kittle | .... | special effects foreman | |
| Brian Penikas | .... | creature & makeup effects supervisor | |
| Richard Redlefsen | .... | creature effects technician | |
| Russell Tyrrell | .... | special effects technician | |
| Bill Forsche | .... | sculptor and foam latex technician: Creeper body (uncredited) | |
Visual Effects by | |||
| Sonny Kato Chapman | .... | creature effects technician | |
| Lucas Feld | .... | digital artist | |
| Lucas Feld | .... | lead modeler: Max Ink Cafe | |
| Charles Garcia | .... | concept designs: creature wings: Max Ink Cafe | |
| Buddy Gheen | .... | senior visual effects artist | |
| Paul Le Blanc | .... | CGI supervisor | |
| Robert W. Morgenroth | .... | visual effects supervisor | |
| Brad Moylan | .... | digital artist: The Image Resolution, Inc. | |
| Noley | .... | wire removal artist | |
| Scott Ramsey | .... | digital supervisor | |
| Scott Ramsey | .... | visual effects producer | |
| Cristina Castro | .... | additional CG coordinator: Max Ink Cafe (uncredited) | |
| Jennifer Champagne | .... | additional CG producer: Max Ink Cafe (uncredited) | |
| Scott Kirvan | .... | additional visual effects supervisor: Max Ink Cafe (uncredited) | |
| Lisa Lavender | .... | 3D roto artist: Max Ink Cafe (uncredited) | |
| Todd Perry | .... | additional visual effects supervisor/CG supervisor: Max Ink Cafe (uncredited) | |
| Michael Sanchez | .... | modeler: Max Ink Cafe (uncredited) | |
Stunts | |||
| Elle Alexander | .... | stunt double | |
| Elle Alexander | .... | stunt driver | |
| Hank Amos | .... | stunts | |
| Jennifer Badger | .... | stunts | |
| Kevin Ball | .... | stunts | |
| Billy Bates | .... | stunts | |
| Nick Brandon | .... | stunts | |
| Kial Butler | .... | stunts | |
| Danny Cadow | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| James M. Churchman | .... | stunt coordinator | |
| John Evanko | .... | stunts | |
| Jason Gray | .... | stunts | |
| Robert Harman | .... | stunts (as Bob Harmon) | |
| Thirl Haston | .... | stunts | |
| John Hines | .... | stunts | |
| Kurt Hockenberry | .... | utility stunts | |
| Gainer Johnson | .... | stunts | |
| Kim Kahana | .... | stunts | |
| Paul Leonard | .... | stunts | |
| Jeff Moldovan | .... | stunts | |
| Michelle Montgomery | .... | stunts | |
| Dave Phillips | .... | stunts | |
| Jason Roberts | .... | stunts | |
| Iris Lynne Sherman | .... | stunts | |
| Luis J. Silva | .... | stunts | |
| John Zimmerman | .... | stunts | |
| Kevin Ball | .... | stunt double: Creeper (uncredited) | |
| Charles Grisham | .... | stunt rigger (uncredited) | |
| Mike Smith | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Thomas M. Allen | .... | electrician | |
| Ben Bardin | .... | key grip | |
| Paul Beaver | .... | rigging grip | |
| Kurt Beckler | .... | electrician | |
| Robert Beverlin | .... | assistant camera | |
| Ben Bowling | .... | electrician | |
| Shane Buttle | .... | specialty lighting technician | |
| Rick Climenhaga | .... | rigging grip | |
| Robert Driskell | .... | gaffer | |
| Marvin Haven | .... | grip | |
| Kevin Jackson | .... | grip | |
| Michael L. May | .... | camera operator | |
| Michael P. May | .... | camera operator | |
| Gene Page | .... | still photographer | |
Casting Department | |||
| Angelique Midthunder | .... | extras casting | |
Costume and Wardrobe Department | |||
| Barnaby Smith | .... | set costumer | |
Editorial Department | |||
| Geraud Brisson | .... | first assistant editor | |
| Rolando Diaz | .... | telecine dailies | |
| Michael Matsumoto | .... | post-production assistant | |
| Lance Oyabu | .... | post-production intern | |
Music Department | |||
| David Low | .... | orchestra contractor | |
| Ed Marx | .... | music editor | |
| Shawn Murphy | .... | scoring mixer | |
| Bennett Salvay | .... | conductor | |
| Steven L. Smith | .... | music preparation | |
| Greg Townley | .... | music designer | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| John H. Stephens | .... | driver: honeywagon | |
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I must say, I was expecting a lot worse from this film. The whole first half is genuinely scary. Although the brother and sister's rivalry was played up just a bit too much, their characters were still a lot more believable than most modern scare films. Their dialogue was especially natural, and didn't contain a single "oh my god, like, did I just totally see, like, an undead demon, or is it just me?" which I praise the writers for (there's only so many times Buffy the Vampire Slayer can say lines like that before I start doing a little slaying of my own). Despite the constant squabbling the kids do, you can still warm up to them enough to feel empathic about their plight. The cinematography was excellent, my favourite scene being the long pan up the side of the church. The music and sound were cued perfectly and conveyed a true sense of fear, anxiety and isolation.
Unfortunately, the second half of the movie really suffers. Like so many other movies, once the killer/monster is revealed the whole thing goes down hill. It goes from relying on X-files-like suspense to bland gore and a cliché monster suit. Top it off with some overacting "we're not taking any crap" police officers and a poorly acted psychic lady and you turn what could have been a gem of a scary movie into a second rate dud. The biggest disappointment was the end. It was horribly tacked on in a desperate attempt at being a shocker.
Other then the whole second half, the only other complaint I have is regarding the DVD. The menus show clips from the movie which essentially run in sequence, and if you pay attention to them, they spoil just about everything. Where they are, what the monster looks like, etc. I haven't bothered to watch the menus all the way through but with any luck they spoil the ending too (but that's not really so bad in this case).