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Piñero
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Piñero (2001)

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User Rating: 6.2/10 (680 votes)
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Overview

Director:
Leon Ichaso
Writer:
Leon Ichaso (written by)
Release Date:
12 April 2002 (Brazil) more view trailer
Genre:
Biography | Drama more
Plot:
"Piņero" tells the story of the explosive life of a Latino icon, the poet-playwright-actor Miguel Piņero... more | add synopsis
Awards:
6 wins & 3 nominations more
NewsDesk:
(8 articles)
Bratt and Wife Have Baby Boy (From WENN. 7 October 2005)
Bratt and Wife Expecting Second Child (From WENN. 21 April 2005)
User Comments:
The music is very much a character in filmmaker Leon Ichaso's "Piñero" more

Cast

 (Cast overview, first billed only)

Benjamin Bratt ... Miguel Piñero

Giancarlo Esposito ... Miguel Algarin

Talisa Soto ... Sugar

Nelson Vasquez ... Tito Goya

Michael Irby ... Reinaldo Povod

Michael Wright ... Edgar

Rita Moreno ... Miguel's Mother
Jaime Sánchez ... Miguel's Father
Rome Neal ... Jake

Mandy Patinkin ... Joseph Papp
Oscar A. Colon ... Bodega Man (as Oscar Colon)
Miriam Cruz ... Bodega Woman
Luis Caballero ... Shooting Gallery Man

Al D. Rodriguez ... Cuqui
Sophia Domoulin ... Shooting Gallery Woman
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Additional Details

MPAA:
Rated R for drug use, strong language and sexuality.
Runtime:
103 min
Country:
USA
Language:
English
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital
MOVIEmeter: ?
V 38% since last week why?

Fun Stuff

Movie Connections:
Referenced in The Holiday (2006) more
Soundtrack:
Calle Luna Calle Sol more

FAQ

This FAQ is empty. Add the first question.
6 out of 6 people found the following comment useful:-
The music is very much a character in filmmaker Leon Ichaso's "Piñero", 10 February 2002
Author: Ruby Liang (ruby_fff) from sf, usa

The film Piñero is poetry in itself. The film's music - the songs, the beat of the tunes, the score - is very much an integral character in the telling of the life and times of Miguel Piñero. It is really energetic in spite of the grim aspects of Piñero's life. Writer-director Leon Ichaso put together a structured montage of Piñero's biographic snapshots with his works: plays, TV dramas, poetry readings, intermingled with signs of the times of 60s, 70s news clips: Nixon stepping out of Air Force One, Reagan dodging his assassination attempt on his life, image of Ayatollah and political crowds.

A brief lifetime of 41 years (Piñero was born December 1946, died June 1988) delivered in a most artistic, poetic, and musical way with the right mix and pacing - almost too fast as Piñero himself disappeared as life ends. Yet it was probably a full life in spite of it all: had a tenacious nurturing single mother, streetwise boyhood with abuse experiences, drug addictions, a heavy smoker, a thief in and out of prison life, and a poet, playwright, actor, co-founder of the Nuyorican Poet's Café with dear friend Miguel Algarín. The film goes back and forwards between life on the streets, scenes in a prison, scenes on a stage, and poetry exchange on rooftops, to Piñero alone and with strangers (what would happen if he did get a kidney transplant?) To him, life is a stage, a play, a poem and very much vice versa.

Bravo to writer-director Leon Ichaso! Technically behind the scenes: film editor David Tedeschi - the exquisite seamless Black and White scenes immediately followed by color scenes and continuously in and out of color and B/W - it's amazing! Along with the selection of lively Latin songs and the film score by Kip Hanrahan, Claudio Chea's cinematography, no doubt, adds to this ensemble piece of work. The talented group of actors (with Giancarlo Esposito as Miguel Algarin, Talisa Soto as Sugar, Rita Moreno as Miguel's mother, Mandy Patinkin as Joe Papp) complement Benjamin Bratt's brilliant portrayal of Miguel Piñero - heart-warming in spite of the dark shades of Piñero's life. It's great to be able to see Bratt in a role that he can truly stretch and show his soulful acting.

I thoroughly appreciate the film in all its fullness - wholeness. Somehow reminds me of Clint Eastwood's "Bird" 1988 (also a brilliant portrayal by Forest Whitaker as Charlie Parker, with a memorable heart-wrenching performance from Diane Venora as Chan, Parker's wife), a hard medicine (not easy to swallow) film of a Jazz genius, also short-lived (born 1920, died 1955); 160 mins. long but worth seeing.

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