| Leslie Bais | ... | Anna | |
| Caelum Vatnsdal | ... | Osip | |
| Shaun Balbar | ... | Nikolai | |
| Greg Klymkiw | ... | Akmatov (as Hryhory Yulyanovitch Klymkyiev) | |
| rest of cast listed alphabetically: | |||
| Tammy Gillis | ... | Mary Magdalene (uncredited) | |
| Carson Nattrass | ... | Centurion (uncredited) | |
Directed by | |||
| Guy Maddin | |||
Writing credits(in alphabetical order) | ||
| Guy Maddin | writer | |
Produced by | |||
| Niv Fichman | .... | executive producer | |
| Jody Shapiro | .... | producer | |
| Jennifer Weiss | .... | co-producer | |
Cinematography by | |||
| Guy Maddin | (director of photography) | ||
Film Editing by | |||
| deco dawson | (co-editor) | ||
| Guy Maddin | (co-editor) | ||
Casting by | |||
| Barbara Pritchard | (as Barb Pritchard) | ||
Production Design by | |||
| Réjean Labrie | (as Rejean Labrie) | ||
Art Direction by | |||
| Olaf Dux | |||
Set Decoration by | |||
| Natalie Armstrong | (decors) | ||
| Lillian Bryant | (decors) | ||
| Maryam Decter | (decors) | ||
| Tessa Emery | (decors) | ||
| Don Greenberg | (decors) | ||
| Craig Guiboche | (decors) | ||
| Erin Haluschuk | (decors) | ||
| Francis Hans | (decors) | ||
| Erin Hershberg | (decors) | ||
| Matt Holm | (decors) | ||
| Simon Hughes | (decors) | ||
| David Kufflick | (decors) | ||
| Vanessa Loewen | (decors) | ||
| Michelle Quirion | (decors) | ||
| David Sonnenschein | (decors) | ||
| Maria Voulgaris | (decors) | ||
| Dan Walechuk | (decors) | ||
| Kristin Wisener | (decors) | ||
| Jason Woloski | (decors) | ||
Costume Design by | |||
| Meg McMillan | |||
Makeup Department | |||
| Beverley Hamilton | .... | hair stylist (as Beverly Hamilton) | |
| Beverley Hamilton | .... | makeup designer (as Beverly Hamilton) | |
| Frances Hans | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Andrew Cullen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Javier Cámera | .... | second assistant director | |
| Maiah Levene | .... | first assistant director | |
| Glen Philpot | .... | first assistant director | |
Art Department | |||
| Alex Count | .... | carpenter | |
| Kim Hamin | .... | prop master | |
| Toni Scinocca | .... | graphics (as Toni Sinnocca) | |
| Craig Walls | .... | construction coordinator | |
| Keith Walls | .... | carpenter | |
Sound Department | |||
| David McCallum | .... | sound designer | |
| Lou Solakofski | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| deco dawson | .... | co-camera operator | |
| Jason Heke | .... | lighting | |
| Joao Holowka | .... | lighting (as John Holowka) | |
| Zac Rothman | .... | lighting (as Zach Rothman) | |
| Brendon Sawatzky | .... | lighting | |
| Paul Suderman | .... | lighting | |
| deco dawson | .... | still photographer (uncredited) | |
Music Department | |||
| Vladimir Gabyshev | .... | music coordinator | |
Other crew | |||
| Lois Raymond | .... | liaison | |
Thanks | |||
| Jeff Andruchuk | .... | thanks | |
| Michael Drabot | .... | special gratitude | |
| Buffalo Gal | .... | thanks | |
| Noam Gonick | .... | thanks | |
| Laura Michalchyshyn | .... | thanks | |
| Steve Morrison | .... | thanks | |
| Lois Raymond | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Watch it here | icecream_headache |
| Favorite part? | guimauve0000 |
| Try This Link | bigmuggs |
| Music | jmarks-5 |
| Where do you find this film? | teriousplayer19 |
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| Sweet Movie | Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity | For Ever Mozart | Orgazmo | The Saddest Music in the World |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb Canada section | Add this title to MyMovies |
Equal parts German Expressionism and Russian Agit-prop, Heart of the World is a six minute epic of Biblical proportions.
Maddin's usual idiosyncrasies resurface - Scandinavian Love triangle Melodrama amidst impending social catastrophe.
Being from the Tarkovskian school of thought, an ASL (average shot length) of under 2 seconds would normally be scoffed at, but an exception will have to be made in this case, as the rapid-cutting is truly elevated to an art form here.
The music is appropriately over-the-top and compliments the film perfectly.
One of the wittiest, most inventive short films ever.