| Videos (see all 4) |
| Isabelle Huppert | ... | Erika Kohut | |
| Annie Girardot | ... | The Mother | |
| Benoît Magimel | ... | Walter Klemmer | |
| Susanne Lothar | ... | Mrs. Schober | |
| Udo Samel | ... | Dr. Blonskij | |
| Anna Sigalevitch | ... | Anna Schober | |
| Cornelia Köndgen | ... | Mme Blonskij | |
| Thomas Weinhappel | ... | Baritone | |
| Georg Friedrich | ... | Man in drive-in | |
| Philipp Heiss | ... | Naprawnik | |
| William Mang | ... | Teacher | |
| Rudolf Melichar | ... | Director | |
| Michael Schottenberg | ... | Teacher | |
| Gabriele Schuchter | ... | Margot | |
| Dieter Berner | ... | Singing teacher | |
| Volker Waldegg | ... | Teacher | |
| Martina Resetarits | ... | Teacher | |
| Annemarie Schleinzer | ... | Teacher | |
| Karoline Zeisler | ... | Teacher | |
| Liliane Neiska | ... | Secretary | |
| Luz Leskowitz | ... | Violinist | |
| Viktor Teuflmayr | ... | Pianist | |
| Viviane Bartsch | ... | Woman in drive-in (as Vivian Bartsch) | |
| Florian Koban | ... | Pupil | |
| Thomas Auner | ... | Haydn pianist | |
| rest of cast listed alphabetically: | |||
| Noam Morgensztern | ... | The first pupil (voice) | |
| Lisa Olah | ... | Sex shop girl (as Lisa Wölzl) | |
| Vitus Wieser | ... | Klemmer's Friend (uncredited) | |
Directed by | |||
| Michael Haneke | |||
Writing credits(in alphabetical order) | ||
| Michael Haneke | writer | |
| Elfriede Jelinek | novel | |
Produced by | |||
| Yvon Crenn | .... | executive producer | |
| Christine Gozlan | .... | executive producer | |
| Veit Heiduschka | .... | producer | |
| Michael Katz | .... | executive producer | |
Cinematography by | |||
| Christian Berger | |||
Film Editing by | |||
| Nadine Muse | |||
| Monika Willi | |||
Casting by | |||
| Kris Portier de Bellair | |||
| Markus Schleinzer | |||
Production Design by | |||
| Christoph Kanter | |||
Set Decoration by | |||
| Hans Wagner | |||
Costume Design by | |||
| Annette Beaufays | |||
Makeup Department | |||
| Françoise Andrejka | .... | makeup artist | |
| Fabienne Bressan | .... | hair stylist | |
| Ellen Just | .... | makeup artist | |
| Thi-Loan Nguyen | .... | key makeup artist | |
| Michaela Oppl | .... | special makeup effects artist | |
| Waldemar Pokromski | .... | special makeup effects artist | |
Production Management | |||
| Roman Haschberger | .... | unit production manager | |
| Michael Katz | .... | production manager | |
| Gebhard Zupan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Katharina Biró | .... | assistant director | |
| Fritz Noltmann | .... | assistant director | |
| Hanus Polak Jr. | .... | first assistant director | |
Art Department | |||
| Gerhard Dhor | .... | construction crew (as Gerhard Dohr) | |
| Peter Dörflinger | .... | construction crew | |
| Peter Ecker | .... | props | |
| Katrin Huber | .... | property master | |
| Fritz Martan | .... | construction coordinator | |
| Hannes Salat | .... | props | |
| Peter Wenhardt | .... | scenic artist | |
Sound Department | |||
| Pascal Chauvin | .... | foley artist | |
| Pascal Dedeye | .... | assistant foley artist | |
| Othmar Eichinger | .... | sound playback operator | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Nadine Muse | .... | sound editor | |
| Guillaume Sciama | .... | sound | |
Special Effects by | |||
| László Kovács | .... | special effects coordinator | |
| Hans Wagner | .... | special effects | |
Visual Effects by | |||
| Geoffrey Kleindorfer | .... | visual effects | |
Camera and Electrical Department | |||
| Rainer Barta | .... | electrician | |
| Stefan Biebl | .... | Steadicam operator (as Stefan Bibl) | |
| Petro Domenigg | .... | still photographer | |
| Peter Drittenpreis | .... | assistant Steadicam operator | |
| Katharina Frank | .... | second assistant camera | |
| Gerald Helf | .... | first assistant camera | |
| Regina Höllbacher | .... | second assistant camera | |
| Bernhard Pötscher | .... | first assistant camera | |
| Harald Staudach | .... | assistant Steadicam operator | |
| Reinhard Vince | .... | electrician | |
| Wolfgang Vince | .... | gaffer | |
| Jörg Widmer | .... | Steadicam operator | |
Casting Department | |||
| Carmen Loley | .... | casting | |
Costume and Wardrobe Department | |||
| Brigitte Fink | .... | costumer | |
Editorial Department | |||
| Yannick Coutheron | .... | assistant editor | |
| Alarich Lenz | .... | assistant editor | |
| Monica Parisini | .... | assistant editor | |
| Franz Rabl | .... | color timer | |
| Gabriele Sikuta | .... | negative cutter | |
Transportation Department | |||
| Thomas Messer | .... | property driver | |
Other crew | |||
| Roman Haschberger | .... | location manager | |
| Eva Jürgens | .... | production trainee | |
| Andreas Kispert | .... | set manager | |
| Ulrike Lässer | .... | production coordinator | |
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| De battre mon coeur s'est arrêté | Lola + Bilidikid | Il portiere di notte | 101 Reykjavík | Taxi zum Klo |
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In the first twenty minutes we are swept away by several powerfully portrayed emotions: a suffocating and overbearing mother has a violent argument with her live-in 40yr old daughter; a piano teacher (and professor of music)'s love for her pupils expressed in unswerving critical appraisal; the joy that music can inspire both in the listener and the performer. Within this short space of time our senses have been assaulted convincingly with very real characters. We are also swept away by powerfully performed music and shown the difference between great and mediocre performance with a lot of attention to nuance. Such material alone would have been the basis for an outstanding film of widespread appeal. But the trend in French cinema being what it is, it goes deeper, exploring the repressed sexuality of the teacher, the expression of sexual freedom and subsequent breakdown within a context of passionate attraction, and the inevitable cycle of real abuse. We are drawn to her suffering and, at least initially, wonder how much suffering may be related to the accomplishment of genius, particularly in the composers she admires. The Piano Teacher contains graphic dialogue and depictions of sex and brutality in scenes that some people might rather not watch. The scenes are essential to the dilemmas which the film seeks to raise and so can hardly be called gratuitous. A great film it may be, but mainstream viewing it is not.