| Photos (see all 44 | slideshow) | Videos (see all 3 NEW) |
| Jeremy Davies | ... | Paul | |
| Angela Lindvall | ... | Dragonfly / Valentine | |
| Élodie Bouchez | ... | Marlene | |
| Gérard Depardieu | ... | Andrezej | |
| Giancarlo Giannini | ... | Enzo | |
| Massimo Ghini | ... | Fabrizio | |
| Jason Schwartzman | ... | Felix DeMarco | |
| Billy Zane | ... | Mr. E | |
| John Phillip Law | ... | Chairman | |
| Silvio Muccino | ... | Pippo | |
| Dean Stockwell | ... | Dr. Ballard | |
| Natalia Vodianova | ... | Brigit | |
| Bernard Verley | ... | Trailer Voiceover Actor | |
| L.M. Kit Carson | ... | Fantasy Critic | |
| Chris Bearne | ... | Fantasy Critic | |
| Jean-Paul Scarpitta | ... | Fantasy Critic | |
| Nicolas Saada | ... | Fantasy Critic | |
| Remi Fourquin | ... | Fantasy Critic | |
| Jean-Claude Schlim | ... | Fantasy Critic | |
| Sascha Ley | ... | Fantasy Critic | |
| Jacques Deglas | ... | Fantasy Critic | |
| Gilles Soeder | ... | Fantasy Critic | |
| Julian Nest | ... | Festival Critic | |
| Greta Seacat | ... | Festival Critic (as Greta Seacat Kaufman) | |
| Barbara Sarafian | ... | Festival Critic | |
| Leslie Woodhall | ... | Board Member (as Les Woodhall) | |
| Jean-Baptiste Kremer | ... | Board Member | |
| Franck Sasonoff | ... | Angry Man at Riots | |
| Jean-François Wolff | ... | Party Man | |
| Eric Connor | ... | Long Haired Actor at Party | |
| Diana Gartner | ... | Cute Model at Party | |
| Stéphanie Gesnel | ... | Actress at Party | |
| Frédéric de Brabant | ... | Steward | |
| Shawn Mortensen | ... | Revolutionary Guard | |
| Matthieu Tonetti | ... | Revolutionary Guard | |
| Ann Maes | ... | Vampire Actress | |
| Gintare Parulyte | ... | Vampire Actress | |
| Caroline Lies | ... | Vampire Actress | |
| Stoyanka Tanya Gospodinova | ... | Vampire Actress | |
| Magali Dahan | ... | Vampire Actress | |
| Nathalie Brocker | ... | Vampire Actress | |
| Wanda Perdelwitz | ... | Vampire Actress | |
| Mark Thompson-Ashworth | ... | Lead Ghoul (as Mark Ashworth) | |
| Pieter Riemens | ... | Assistant Director | |
| Federica Citarella | ... | Talkative Girl (as Frederica Citarella) | |
| Andrea Cormaci | ... | Soldier Boy | |
| Corinne Terenzi | ... | Teen Lover | |
| Sofia Coppola | ... | Enzo's Mistress | |
| Emidio La Vella | ... | Italian Actor | |
| Massimo Schina | ... | Friendly Guy at Party | |
| Caroline Colombini | ... | Girl in Miniskirt | |
| Rosa Pianeta | ... | Woman in Fiat | |
| Christophe Chrompin | ... | Jealous Boyfriend | |
| Romain Duris | ... | Hippie Filmmaker | |
| rest of cast listed alphabetically: | |||
| Chris Anthony | ... | 2nd Assistant Director (uncredited) | |
| Dean Tavoularis | ... | Man at Screening (uncredited) | |
Directed by | |||
| Roman Coppola | |||
Writing credits(WGA) | ||
| Roman Coppola | (written by) | |
Cinematography by | |||
| Robert D. Yeoman | |||
Film Editing by | |||
| Leslie Jones | |||
Casting by | |||
| Blythe Cappello | |||
| Béatrice Kruger | |||
| Juliette Ménager | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Luc Chalon | |||
| Oshin Yeghiazariantz | |||
Set Decoration by | |||
| Philippe Turlure | |||
Costume Design by | |||
| Judy Shrewsbury | |||
Makeup Department | |||
| Jacques Clemente | .... | makeup designer | |
| Aurélie Elich | .... | makeup artist | |
| Catherine Leblanc | .... | key hair stylist | |
| Vivian Nowak | .... | assistant hair stylist (as Vivian Nowack) | |
| Jean-Christophe Roger | .... | assistant makeup artist | |
| Joël Seiller | .... | assistant hair stylist | |
| Julia Silva | .... | additional hair artist | |
| Evelyne Sittig | .... | makeup artist | |
| Carla Vicenzino | .... | hair stylist: Italy | |
Art Department | |||
| Nicolas de Maere | .... | construction manager | |
| François Dickes | .... | assistant property master | |
| Betty Durst | .... | assistant property master | |
| Jeffrey Paul Johnson | .... | property master | |
| Edouard Pallardy | .... | head painter | |
| Barbara Prati | .... | art department trainee | |
| Christina Schaffer | .... | assistant art director | |
| Josh Sheppard | .... | storyboard artist | |
| Patrick Tombette | .... | construction manager | |
| Bernard Warnas | .... | set dresser | |
Sound Department | |||
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| Leslie Bloom | .... | foley artist (as Les Bloome) | |
| Dirk Bombey | .... | boom operator | |
| David A. Cohen | .... | adr supervisor | |
| Ethan Derner | .... | sound recordist | |
| Steven Ghouti | .... | adr mixer | |
| Michael Kirchberger | .... | supervising sound editor | |
| Philippe Kohn | .... | sound utility | |
| James Levine | .... | mix facility coordinator | |
| Jeremy Molod | .... | first assistant sound editor | |
| Everett Moore | .... | apprentice sound editor | |
| Nick Peck | .... | foley supervisor | |
| Jory K. Prum | .... | foley assistant | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Julia Shirar | .... | assistant sound editor | |
| Kent Sparling | .... | sound re-recording mixer | |
| Peter Staubli | .... | sound effects editor | |
| William Storkson | .... | foley editor | |
| Carlo Thoss | .... | production sound mixer | |
Special Effects by | |||
| Olivier de Laveleye | .... | special effects coordinator | |
Visual Effects by | |||
| Michael Backauskas | .... | optical digital lineup | |
| Reid Burns | .... | optical producer/supervisor | |
| David Emerson | .... | optical lineup | |
| Bret Mixon | .... | rotoscope supervisor | |
| Bill Rowohlt | .... | optical camera | |
| Kevin Shawley | .... | digital artist | |
| Andrew Shuford | .... | visual effects model shop | |
| Martha Soehendra | .... | digital artist | |
| Gene Warren III | .... | model supervisor | |
| Gene Warren III | .... | visual effects coordinator | |
Stunts | |||
| Delphine Anais | .... | stunts | |
| Gil Demurger | .... | stunt coordinator | |
| Frédéric Dessains | .... | stunts (as Fred Dessains) | |
| Christophe Marsaud | .... | stunt driver (as Christopher Marsaud) | |
| Michel Norman | .... | stunt driving coordinator | |
| Patrick Robineau | .... | stunt driver | |
| Aurore Vallee | .... | stunt driver | |
| Jean-Pierre Vallee | .... | stunt driver | |
| Frédéric Vallet | .... | stunt rigger | |
| Frédéric Vallet | .... | stunts (as Fred Vallet) | |
Camera and Electrical Department | |||
| Alex Aach | .... | camera loader | |
| Özkan Arslan | .... | assistant electrician | |
| Douglas Boswell | .... | second assistant camera | |
| Alessio Bramucci | .... | best boy electric: Rome | |
| Bernard Brégier | .... | key grip | |
| Gerard Buffard | .... | best boy grip | |
| Carlos Carrera | .... | grip | |
| Wim Cloots | .... | best boy electric | |
| Bruno Colanzi | .... | best boy grip: Rome | |
| Pascal Delaunay | .... | grip | |
| Antoine Ducep | .... | electrician | |
| Dirk Favere | .... | chief lighting technician | |
| Emmanuel Frideritzi | .... | electrician | |
| Ernst Holtsch | .... | electrician | |
| Paul In | .... | additional still photographer | |
| Graham Johnston | .... | second assistant camera: "b" camera | |
| Jean-Paul Kieffer | .... | still photographer | |
| Jean-Yves Le Poulain | .... | first assistant camera | |
| Jako Raybaut | .... | director of photography: second unit | |
| Olivier Servais | .... | first assistant camera: "b" camera | |
| Christophe Vanhoutte | .... | electrician | |
Casting Department | |||
| Béatrice Kruger | .... | casting: Rome | |
| Carrie O'Brien | .... | casting: Luxembourg | |
Costume and Wardrobe Department | |||
| Magdalena Marczynska | .... | wardrobe assistant | |
Editorial Department | |||
| Kim Aubry | .... | post-production executive: Zoetrope | |
| Jamie Burris | .... | post-production coordinator | |
| Rick Downey | .... | negative cutter | |
| Michael Matsumoto | .... | post-production assistant | |
| Sandra Montiel | .... | first assistant editor | |
| Dana Ross | .... | color timer | |
| Scott Warren | .... | assistant editor | |
| Louise Rubacky | .... | re-editor (uncredited) | |
Music Department | |||
| Tod Holcomb | .... | music editor | |
| Debra MacCulloch | .... | music legal | |
| Roger Neill | .... | composer: additional score | |
| Roger Neill | .... | conductor | |
| Roger Neill | .... | orchestrator | |
| Brian Reitzell | .... | music supervisor | |
Transportation Department | |||
| Guy Hebeler | .... | transportation manager | |
| Joe Kotroczo | .... | driver | |
| Karin Marié | .... | transportation coordinator | |
Thanks | |||
| Spike Jonze | .... | special thanks | |
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| EuroTrip | 8½ | Shadow of the Vampire | Metroland | Ultimo tango a Parigi |
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There are two films within a film in this campy debut from Roman Coppola. There is the introspective black and white, experimental, "student" sort of film that the young director Paul (Jeremy Davies) is making in his Paris apartment, and there is "Dragonfly," a kind of Barbarella (1968) sci-fi space shoot 'em up that he ends up directing. These might be seen as the twin realities of the young film maker: on the one hand there are those short films you made at USC or UCLA film school to get your degree; on the other, there are those mindless commercial entertainments that Hollywood needs to crank out for the masses. These represent the bookends of the young director's reality.
The third film, the film that exists over and above these two, is the film that Roman/Paul would like to make, a film about what it is like to be a young film maker amid the crass commercialism of the producers, the seductive lure of the glamor that is the film maker's world, and the daily often tedious work of the actual film making. In other words, Roman Coppola is self-exploring in public. He is the novelist as a film maker.
"Dragonfly" itself is indeed Barbarella without the benefit of Terry Southern's contributions to the script or the services of Jane Fonda. It is unconsciously campy and a satire on such films. Model Angela Lindvall, five feet ten and three-quarters inches tall, anorexically thin, and sporting some very serious hair, plays Dragonfly with a kind of Barbie doll intensity. It is immediately obvious that she has the muscle tone of the languid and the athletic ability of a preteen. Yet her character is a "for hire" secret agent skilled in the martial arts and the use of weapons. Playing opposite her is Billy Zane as "Mr. E" a kind of Che Guevara revolutionary who is absurdly stationed on the far side of the moon where he is training revolutionaries.
In the introspective black and white film, Paul sits on the commode and talks to the camera much to the disdain of his live-in girlfriend Marlene (French actress Elodie Bouchez, best known for her work in the outstanding The Dreamlife of Angels (1998)) who would like him to pay more attention to her.
This might be compared (distantly) with Francois Truffaut's La Nuit Américaine (Day for Night) from 1973 in which the great French director plays himself making a film--in other words a film within a film. Jeremy Davies reminds me somewhat of the sensitive, boyish actor Jean-Pierre Leaud, who played in that film after gaining prominence in Truffaut's Les Quatre cents coup (1959). It is easy to see Truffaut's influence on Roman Coppola, as indeed Truffaut has influenced many directors.
I don't think CQ ("Seek You") was entirely successful mainly because I don't think Roman made the transition from the self-indulgence and showiness characteristic of the very films he is satirizing to the mature project that addresses itself more directly to the needs of the audience. There is some fancy camera work with mirrors and characters seen from interesting angles, and some beautifully constructed sets, and some witty dialogue amid some telling satire of filmland people and their world (especially producer Enzo played by Giancarlo Giannini and Dragonfly's idiot second director), but we are never made to care about what happens to any of the characters, this despite the fact that Davies is a very sympathetic actor.
Some of the jokes in the film include the three-day five o'clock shadows on the faces of the young actors. (That style is almost contemporary--not sixties-ish.) The hairstyles of the women with the beehives and such hinted of 1969, the year of the main film, but the eye makeup again was more contemporary than sixties-ish since it lacked the very heavy black eyelashes and eye liner that one recalls. To get it right, Roman should have reviewed, e.g., Blow-Up (1966) or Elvira Madigan (1967), films I am sure he has seen. Another is the view of Paris in the year 2001 as seen from 1970. It is futuristic in a silly way, and recalls some science fiction that exaggerated the technological changes that would take place. Orwell's 1984 (from 1948) has not yet arrived, nor has the overpopulated, polluted world from Blade Runner (1982).
Appearing in small roles are Dean Stockwell as Paul's father, and veteran French film star Gerard Depardieu as Dragonfly's original director.
Bottom line: worth seeing if only because it is the first film of the son of Francis Ford Coppola who may yet do something to rival the great works of his father. By the way, this might also be compared to The Virgin Suicides (2000), his sister Sofia Coppola's first film, just to see who is more likely to best please Dad. I'm taking no bets.