| Photos (see all 44 | slideshow) | Videos (see all 3) |
| Jeremy Davies | ... | Paul | |
| Angela Lindvall | ... | Dragonfly / Valentine | |
| Élodie Bouchez | ... | Marlene | |
| Gérard Depardieu | ... | Andrezej | |
| Giancarlo Giannini | ... | Enzo | |
| Massimo Ghini | ... | Fabrizio | |
| Jason Schwartzman | ... | Felix DeMarco | |
| Billy Zane | ... | Mr. E | |
| John Phillip Law | ... | Chairman | |
| Silvio Muccino | ... | Pippo | |
| Dean Stockwell | ... | Dr. Ballard | |
| Natalia Vodianova | ... | Brigit | |
| Bernard Verley | ... | Trailer Voiceover Actor | |
| L.M. Kit Carson | ... | Fantasy Critic | |
| Chris Bearne | ... | Fantasy Critic | |
| Jean-Paul Scarpitta | ... | Fantasy Critic | |
| Nicolas Saada | ... | Fantasy Critic | |
| Remi Fourquin | ... | Fantasy Critic | |
| Jean-Claude Schlim | ... | Fantasy Critic | |
| Sascha Ley | ... | Fantasy Critic | |
| Jacques Deglas | ... | Fantasy Critic | |
| Gilles Soeder | ... | Fantasy Critic | |
| Julian Nest | ... | Festival Critic | |
| Greta Seacat | ... | Festival Critic (as Greta Seacat Kaufman) | |
| Barbara Sarafian | ... | Festival Critic | |
| Leslie Woodhall | ... | Board Member (as Les Woodhall) | |
| Jean-Baptiste Kremer | ... | Board Member | |
| Franck Sasonoff | ... | Angry Man at Riots | |
| Jean-François Wolff | ... | Party Man | |
| Eric Connor | ... | Long Haired Actor at Party | |
| Diana Gartner | ... | Cute Model at Party | |
| Stéphanie Gesnel | ... | Actress at Party | |
| Frédéric de Brabant | ... | Steward | |
| Shawn Mortensen | ... | Revolutionary Guard | |
| Matthieu Tonetti | ... | Revolutionary Guard | |
| Ann Maes | ... | Vampire Actress | |
| Gintare Parulyte | ... | Vampire Actress | |
| Caroline Lies | ... | Vampire Actress | |
| Stoyanka Tanya Gospodinova | ... | Vampire Actress | |
| Magali Dahan | ... | Vampire Actress | |
| Nathalie Brocker | ... | Vampire Actress | |
| Wanda Perdelwitz | ... | Vampire Actress | |
| Mark Thompson-Ashworth | ... | Lead Ghoul (as Mark Ashworth) | |
| Pieter Riemens | ... | Assistant Director | |
| Federica Citarella | ... | Talkative Girl (as Frederica Citarella) | |
| Andrea Cormaci | ... | Soldier Boy | |
| Corinne Terenzi | ... | Teen Lover | |
| Sofia Coppola | ... | Enzo's Mistress | |
| Emidio La Vella | ... | Italian Actor | |
| Massimo Schina | ... | Friendly Guy at Party | |
| Caroline Colombini | ... | Girl in Miniskirt | |
| Rosa Pianeta | ... | Woman in Fiat | |
| Christophe Chrompin | ... | Jealous Boyfriend | |
| Romain Duris | ... | Hippie Filmmaker | |
| rest of cast listed alphabetically: | |||
| Chris Anthony | ... | 2nd Assistant Director (uncredited) | |
| Dean Tavoularis | ... | Man at Screening (uncredited) | |
Directed by | |||
| Roman Coppola | |||
Writing credits(WGA) | ||
| Roman Coppola | (written by) | |
Cinematography by | |||
| Robert D. Yeoman | |||
Film Editing by | |||
| Leslie Jones | |||
Casting by | |||
| Blythe Cappello | |||
| Béatrice Kruger | |||
| Juliette Ménager | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Luc Chalon | |||
| Oshin Yeghiazariantz | |||
Set Decoration by | |||
| Philippe Turlure | |||
Costume Design by | |||
| Judy Shrewsbury | |||
Makeup Department | |||
| Jacques Clemente | .... | makeup designer | |
| Aurélie Elich | .... | makeup artist | |
| Catherine Leblanc | .... | key hair stylist | |
| Vivian Nowak | .... | assistant hair stylist (as Vivian Nowack) | |
| Jean-Christophe Roger | .... | assistant makeup artist | |
| Joël Seiller | .... | assistant hair stylist | |
| Julia Silva | .... | additional hair artist | |
| Evelyne Sittig | .... | makeup artist | |
| Carla Vicenzino | .... | hair stylist: Italy | |
Art Department | |||
| Nicolas de Maere | .... | construction manager | |
| François Dickes | .... | assistant property master | |
| Betty Durst | .... | assistant property master | |
| Jeffrey Paul Johnson | .... | property master | |
| Edouard Pallardy | .... | head painter | |
| Barbara Prati | .... | art department trainee | |
| Christina Schaffer | .... | assistant art director | |
| Josh Sheppard | .... | storyboard artist | |
| Patrick Tombette | .... | construction manager | |
| Bernard Warnas | .... | set dresser | |
Sound Department | |||
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| Leslie Bloom | .... | foley artist (as Les Bloome) | |
| Dirk Bombey | .... | boom operator | |
| David A. Cohen | .... | adr supervisor | |
| Ethan Derner | .... | sound recordist | |
| Steven Ghouti | .... | adr mixer | |
| Michael Kirchberger | .... | supervising sound editor | |
| Philippe Kohn | .... | sound utility | |
| James Levine | .... | mix facility coordinator | |
| Jeremy Molod | .... | first assistant sound editor | |
| Everett Moore | .... | apprentice sound editor | |
| Nick Peck | .... | foley supervisor | |
| Jory K. Prum | .... | foley assistant | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Julia Shirar | .... | assistant sound editor | |
| Kent Sparling | .... | sound re-recording mixer | |
| Peter Staubli | .... | sound effects editor | |
| William Storkson | .... | foley editor | |
| Carlo Thoss | .... | production sound mixer | |
Special Effects by | |||
| Olivier de Laveleye | .... | special effects coordinator | |
Visual Effects by | |||
| Michael Backauskas | .... | optical digital lineup | |
| Reid Burns | .... | optical producer/supervisor | |
| David Emerson | .... | optical lineup | |
| Bret Mixon | .... | rotoscope supervisor | |
| Bill Rowohlt | .... | optical camera | |
| Kevin Shawley | .... | digital artist | |
| Andrew Shuford | .... | visual effects model shop | |
| Martha Soehendra | .... | digital artist | |
| Gene Warren III | .... | model supervisor | |
| Gene Warren III | .... | visual effects coordinator | |
Stunts | |||
| Delphine Anais | .... | stunts | |
| Gil Demurger | .... | stunt coordinator | |
| Frédéric Dessains | .... | stunts (as Fred Dessains) | |
| Christophe Marsaud | .... | stunt driver (as Christopher Marsaud) | |
| Michel Norman | .... | stunt driving coordinator | |
| Patrick Robineau | .... | stunt driver | |
| Aurore Vallee | .... | stunt driver | |
| Jean-Pierre Vallee | .... | stunt driver | |
| Frédéric Vallet | .... | stunt rigger | |
| Frédéric Vallet | .... | stunts (as Fred Vallet) | |
Camera and Electrical Department | |||
| Alex Aach | .... | camera loader | |
| Özkan Arslan | .... | assistant electrician | |
| Douglas Boswell | .... | second assistant camera | |
| Alessio Bramucci | .... | best boy electric: Rome | |
| Bernard Brégier | .... | key grip | |
| Gerard Buffard | .... | best boy grip | |
| Carlos Carrera | .... | grip | |
| Wim Cloots | .... | best boy electric | |
| Bruno Colanzi | .... | best boy grip: Rome | |
| Pascal Delaunay | .... | grip | |
| Antoine Ducep | .... | electrician | |
| Dirk Favere | .... | chief lighting technician | |
| Emmanuel Frideritzi | .... | electrician | |
| Ernst Holtsch | .... | electrician | |
| Paul In | .... | additional still photographer | |
| Graham Johnston | .... | second assistant camera: "b" camera | |
| Jean-Paul Kieffer | .... | still photographer | |
| Jean-Yves Le Poulain | .... | first assistant camera | |
| Jako Raybaut | .... | director of photography: second unit | |
| Olivier Servais | .... | first assistant camera: "b" camera | |
| Christophe Vanhoutte | .... | electrician | |
Casting Department | |||
| Béatrice Kruger | .... | casting: Rome | |
| Carrie O'Brien | .... | casting: Luxembourg | |
Costume and Wardrobe Department | |||
| Magdalena Marczynska | .... | wardrobe assistant | |
Editorial Department | |||
| Kim Aubry | .... | post-production executive: Zoetrope | |
| Jamie Burris | .... | post-production coordinator | |
| Rick Downey | .... | negative cutter | |
| Michael Matsumoto | .... | post-production assistant | |
| Sandra Montiel | .... | first assistant editor | |
| Dana Ross | .... | color timer | |
| Scott Warren | .... | assistant editor | |
| Louise Rubacky | .... | re-editor (uncredited) | |
Music Department | |||
| Tod Holcomb | .... | music editor | |
| Debra MacCulloch | .... | music legal | |
| Roger Neill | .... | composer: additional score | |
| Roger Neill | .... | conductor | |
| Roger Neill | .... | orchestrator | |
| Brian Reitzell | .... | music supervisor | |
Transportation Department | |||
| Guy Hebeler | .... | transportation manager | |
| Joe Kotroczo | .... | driver | |
| Karin Marié | .... | transportation coordinator | |
Thanks | |||
| Spike Jonze | .... | special thanks | |
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| EuroTrip | 8½ | Shadow of the Vampire | Metroland | Ultimo tango a Parigi |
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| News articles | IMDb Drama section | IMDb USA section |
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The creative process should boggle anyone's mind. I mean if you took one look at the time and energy exerted on one motion picture you'd probably scream. Sure some movies deserve the time spent on them. Nobody is going to begrudge the creative team behind 2001: A SPACE ODYESSY or CITIZEN KANE. But what about the creative team behind HOWARD THE DUCK. Did not talented people put just as much time and energy into that film? CG is a film about the creative process thru the director working on a film just a stupid and banal as HOWARD THE DUCK.
It tells the story of a young and talented film editor named Paul (Jeremey Davies, Spanking the Monkey) and his short stint as director on a B grade science fiction film in 1969. The film about a secret agent named Dragonfly (Anglea Lindvall, New York Stories). It's Moonraker meets Charles Angels. This film is directed by a creative visionary named Andrezej (Gérard Depardieu, The Closet). After months of editing the end still needs to be reworked, and Andrezej has been thrown off the picture because his producer (Giancarlo Giannini, Hannibal) he taking for to long to finish.
Andrezej is replaced by a snotty kid named Felix DeMarco (Jason Schwartzman, Rushmore), he's the kind of guy who doesn't deserve to be where he is and everybody knows it. When tragedy strikes the new director. Paul is called in to finish the picture.
First time director Roman Coppola, has crafted a disjointed but still overly satisfying film. Making movies is a game of luck and CQ (The Morse Code phrase for Seek You) has some real moments of brilliance. It's about the lengths money men will go to make a picture, it's about compromise, and it's also about the creative quest to make an audience happy all while keeping yourself from going crazy.
Jeremy Davies is one of the most underused actor's in Hollywood. He does so well with each and every performance, even if the films suck (See Million Dollar Hotel, for example). His Paul is both nervous and yet calculated. He hides in the shadows only to jump out and surprise you. Like any number of craftsman and artisans he's the real talent and he props up those around him.
I loved how Coppola, counterpoints the silly B movie with Paul's other black and white art film. Paul is making this drippy and disjointed film at his house. It's this surreal black and white film that features disjointed takes, and exists for arts sake more than anything else. Of course it's silly and pretentious, but in the end it's all about creating your own film, and moving on with your life. Plus it's really an excuse to p*ss off his live in lover Marlene (Elodie Bouchez, Dreams of Trespas).
Marlene is a good counterpoint to Dragonfly or Valentine whom is the lead in the movie. She's the woman Paul truly lusts after. Each women stars in one of his movies and you can tell which on he thinks is a hero and which is a villain. This gives Paul a flawed dimension and these women bring out the two faces of this talented man.
Overall CQ is a tad vague. I liked it that way; something tells me if I knew what Coppola was truly trying to say it would be quite a letdown. Thankfully I will take my interpretation and leave it at that.
I also loved the B-picture itself. It was campy and silly. Like Austin Powers without the laughs, and tons more style. Lindvall was the perfect choice for Dragonfly because she looks like a Model in the Sixties. Like a Breck girl from the 60's.Plus, Billy Zane's (Titanic) small roll as Mr. E, is so goofy and yet so suave you can't help but be pulled in.
CQ is not for everyone and a nominal understanding of the creative process of film will enhance it. But if you're looking for something a little different, a little out of the ordinary, and a little weird, give CQ a try.
**** out of 5