CQ (2001)

Director:

Roman Coppola

Writer (WGA):

Roman Coppola (written by)

Release Date:

29 January 2003 (France)

Genre:

Drama | Comedy | Sci-Fi

Tagline:

Every picture tells a story

Plot:

A story of a young film maker who moves to Paris to make Sci-fi films.

Plot Keywords:

Director | Secret Agent | Film Industry | Sabotage | Movie Producer

Awards:

1 nomination

Cast

Jeremy Davies	...	Paul
Angela Lindvall	...	Dragonfly / Valentine
Élodie Bouchez	...	Marlene
Gérard Depardieu	...	Andrezej
Giancarlo Giannini	...	Enzo
Massimo Ghini	...	Fabrizio
Jason Schwartzman	...	Felix DeMarco
Billy Zane	...	Mr. E
John Phillip Law	...	Chairman
Silvio Muccino	...	Pippo
Dean Stockwell	...	Dr. Ballard
Natalia Vodianova	...	Brigit
Bernard Verley	...	Trailer Voiceover Actor
L.M. Kit Carson	...	Fantasy Critic
Chris Bearne	...	Fantasy Critic

Also Known As:

CQ (France)

MPAA:

Rated R for some nudity and language.

Runtime:

88 min | France:91 min (Cannes Film Festival)

Country:

USA | Luxembourg | France | Italy

Language:

English | French

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Canada:14A | France:U | USA:R

Filming Locations:

Luxembourg

Company:

United Artists

Trivia:

Special features on the DVD include two cuts of the movie-within-a-movie, "Codename: Dragonfly" - "Paul's Version" and "Andrzej's Version."

Goofs:

Revealing mistakes: When Dragonfly swerves her car in reverse in the tunnel, there are skid marks already on the ground along the path her tires take.

Quotes:

Paul: You have, um... an eyelash right here. If you blow on it you can make a wish.
Valentine: I wish cats could talk.

Movie Connections:

References 2 ou 3 choses que je sais d'elle (1967)

Soundtrack:

Senza Mamma

Lost in Distribution

Sofia Coppola may have got all the kudos with The Virgin Suicides and Lost in Translation, but, from a 60s movie buff's point of view, the other Coppola kid, Roman, turned out an even more enjoyable feature, CQ. Shame that no-one saw it. Barely released in the US (and not released at all in most countries), it's an engaging little number that pits underground cinema against Eurotrash movie-making at a time when people still thought even pulp cinema could be the stuff of revolution (1969-70 to be precise).

A riff on Sullivan's Travels and 8½, it sees Jeremy Davies' editor of Franco-Italian co-pro 'Codename: Dragonfly' struggling to come up with a new ending while making his own personal film with borrowed equipment. Oh, and falling in love with the fictional main character, confusing film and reality (not only is he too busy documenting 'the truth' of his life to see it around him but he even enters the film to sort out a plot hole) and possibly being targeted for retribution by Gerard Depardieu's fired firebrand director. (The door panel that Depardieu breaks that is later framed and given to the editors is actually one that Francis Ford Coppola smashed on one of his films!) Filled with sly 60s cinema references from Fellini to Warhol (even the trailer he cuts for the film is inspired by the one for Dr Strangelove) and with some character touches straight out of James Joyce, the visual influence is much more Danger: Diabolik than Barbarella (John Phillip Law even appears in the film within the film), and Dean Tavoularis' spot-on production design and Robert Yeoman's superb photography are both pitch-perfect. Davies, so irritating in Soderbergh's disastrous Solaris, is quietly fine here, Jason Schwartzman has fun as a bizarre hybrid of a young papa Coppola mixed with Roger Corman via Austin Powers, Giancarlo Giannini does Dino De Laurentiis to a tee (with Sofia Coppola cameoing as his mistress), and there's good work from Dean Stockwell and Massimo Ghini as well. At the end of the day there's not much there, but Coppola's love of movie-making makes it surprisingly joyful to watch if you're in a receptive mood.